Category Archives: Notes on Music

The philosophy of music: or the music of philosophy ?

Worried about the future of British jazz ? Then listen to this…

Anyone who might be apprehensive at the future of jazz in Britain need only listen to last night’s broadcast of the ‘BBC Presents’ stage at this year’s Cheltenham Jazz Festival on Radio 3 to be reassured that the future looks bright.

The show presents two hours of live sets from earlier this year, and features the emerging talents Trish Clowes, Rachel Musson’s Skein, Saltwater Samurai, and Edinburgh-based The Discordian Trio.

Music ranges from the dextrous sax-playing of Trish Clowes, with her wonderfully agile group (including a cellist) – special mention to drummer James Maddren for his vibrant yet subtle drumming – to the deft, bright-sounding improvisations of Rachel Musson, the elctro-dance-infused Saltwater Samurai from South London, and the free-ranging explorations of The Discordian Trio.

The programme also includes interviews with some of the young players of today, who may well be the stars of tomorrow, if the quality of their music-making is anything to go by. Trish Clowes talks in particular about the benefits of studying at the Royal Academy, including working with luminary of the British saxophone world, Iain Ballamy, and about the challenge of being a working jazz artist. All the groups demonstrate an assurety and confidence in their playing that bodes well.

Check them out on iPlayer, and see photos from the event on the Jazz on 3 Flickr site here: the future of British jazz, in the hands of these young musicians, is very bright indeed.

A feast of contemporary music: Sounds New festival starts soon!

With just over two weeks until Canterbury is bursting with contemporary music, cast your eye over the events listings for this year if you haven’t already done so. The festival celebrates the music of the Baltic, with compositions and performers from countries including Estonia, Latvia and Lithuania alongside a veritable banquet of contemporary works by other composers.

The Choir of King’s College, Cambridge will be giving the UK premiere of Arvo Pärt’s Adam’s Lament in a concert in the Cathedral on Friday 27; Pärt is this year’s Guest Composer, and the same concert also features his Cantus in Memoriam Benjamin Britten as well as Britten, Gorecki and Nicholas Maw.

Choral evensong earlier in the afternoon on the same day will include Pärt’s I Am The True Vine and Magnificat, with the Choir of Canterbury Cathedral directed by David Flood. Elsewhere during the festival season, there’s also a conference on Baltic music and musicologies, and papers on the music of Pärt in particular.

The BBC Big Band will be appearing in the Gulbenkian Theatre on Sunday 21 with Duke Ellington’s jazz-wise glance at Tchaikovsky’s Nutcracker, whilst the New Perspective Ensemble on Friday 27 presents music by Magnus Lindberg and Oliver Knussen. There’s also a premiere by the festival director Paul Max Edlin, and music by Sofia Gubaidulina, Poul Ruders, Ligeti, Sørensen, Nørgård and others. Some of the festival will be broadcast on Radio 3’s ‘Hear and Now’ series, including Glass’s Symphony no.3 for strings and pieces by Terry Riley and Pärt on Thursday 26.

This year marks the launch of Sounds New Poetry, and includes the University’s very own Patricia Debney, Senior Lecture in Creative Writing, in a discussion about the relationship between words and music called ‘Roundtable’ on Tuesday 24 at 6pm.

WIth a host of other events including poetry, workshops, film and talks, there’ll be something for everyone. Full details on the Sounds New website, or click here to download the flyer.

Stimulate your senses…

Theory of analysis: Jeeves and Wooster

I love music analysis. I love understanding how music works: what harmony is being employed, how the tonal scheme is operating across a piece, how a particular effect is created tonally or texturally, or what structural principles are being used.

I am aware, also, though, that analysis isn’t everything: sometimes, an emotional response can’t be reasoned in terms of tonality, of harmony, or of form. Ultimately, perhaps, defining one’s enjoyment of a piece is a question of balance, of perspective: perhaps a true appreciation of music involves some elements of both an analytical understanding as well as a pure visceral reaction.

And when it comes to perspective, P. G. Wodehouse’s marvellous comic creations, Jeeves and Wooster, are the yin and yang: Bertie’s pure enjoyment (unhindered by anything remotely akin to an intellectual understanding – one of his charms), and Jeeves’ clinical knowledge which admits of no emotional response at all  (one of his).

Their exchange about ‘Minnie the Moocher’ epitomises these attitudes, which you can see here.

Priceless.

I suspect there’s a Jeeves and Wooster moment for everything in life…

A busy week ahead…

It’s still a ridiculously busy time for music at the University as the last three weeks of term draw on: Wednesday sees the Concert and Big Bands teaming up with St. Edmund’s School Big Band in a charity event, as they support the Lady Mayoress’ Charities this year, as written about in the previous post: additionally, on Friday, the University Cecilian Choir and Brass Ensemble perform ‘The Grand Tour,’ a sequence of music and readings celebrating the cultural odyssey around Europe, at St. Paul’s Church, Canterbury; the concert is in aid of St. Paul’s organ restoration fund (as blogged about on the choral blog, Cantus Firmus, here).

Further details about both events in the on-line calendar here.

And then there’s four events next week: more details to come… Keep up!

In memoriam: George Shearing

As reported in Jazzwise and elsewhere today, the great British jazz pianist George Shearing has died at the age of 91.

Shear genius: George Shearing

Blind from birth, London-born Shearing moved to American and lived in New York; he worked with a notable array of jazz luminaries including singers Nat King Cole and Sarah Vaughan, guitarist Joe Pass and vibraphone legend Gary Burton . Shearing had a deft pianistic style, that moved easily from rich clusters of chords to delicate single-finger melodic playing.

Lullaby of Birdland was perhaps his most famous tune, named after the famous jazz club in New York.

Sir George Shearing: 1919-2011.

Prepare to raise the roof: Have A Blast!

Hold onto your hats, as the traditional annual roof-raising concert by the University Concert and Big Bands storms back to the Gulbenkian Theatre.

Click to enlarge

An action-packed programme includes an invitation to spend A Night On Broadway with a medley of popular showtunes including The Lion King and Wicked, and music by John Williams, Jo Zawinul as well as a tribute to Artie Shaw. Featuring staff and student musicians from the University, and led from the front by magic-fingered reeedsman Ian Swatman, this popular event will also feature two of the University’s Music Scholars, Jo Turner and Ruby Mutlow, as guest singers with the Big Band.

There’ll also be some live musical entertainment from student musicians in the Gulbenkian Foyer before the show to get you in the mood. Prepare to be carried away on a night of swing, funk, cinema soundtracks and big band favourites.

You can follow the adventures of the Concert and Big Bands on their  blog, ‘On The Beat;’ further details about the concert on the deparment website here.

South American flavours: Brodsky Quartet and the exotic

A richly intoxicating evening with the innovative Brodsky Quartet beckons, as they bring a flavour of the exotic to the University’s Gulbenkian Theatre. They are teaming up with flautist Diana Baroni to explore music from South America in their concert on Wednesday 23 February.

Brodsky Quartet
The Brodsky Quartet

A heady and exciting programme includes Tavener’s Prayer of the Heart, which was written for the Quartet and pop singer Björk, asw well as a feast of traditional music from Peru and Bolivia. Tantalisingly, the Quartet have also said that they’re bringing a tubular bell and a Tibetan bowl: in order to find out how they’ll be using them in the performance, though, you’ll have to come along and see…

Steadfast professionals, their concert this time last year saw them braving fearsome snow and icy conditions to reach the campus: here’s hoping the warmth of their programme will keep adverse weather at bay.

Further details on the department website here: this is one you’ll definitely not want to miss.