Next Saturday sees the annual Colyer-Fergusson Cathedral Concert, in which the University Chorus and Orchestra will come together to commemorate the start of the First World War in music by Elgar, Vaughan Williams, Bach and Fauré.
This Sunday is our all-day rehearsal in the hall, a first combined run-through; then it’s Monday – Thursday – Friday – Saturday over the course of next week, and then Sunday for everyone to recover…
The concert on the 15 March features Elgar’s Spirit of England, for which we’ll be joined by soprano Sally Silver, Fauré’s Cantique de Jean-Racine, Elgar’s arrangement of Bach’s Fantasia in C minor, and Vaughan Williams’ Symphony no.3.
Looking forward to Sunday’s Greater Coming Together; Ladies and Gentlemen of the Chorus and Symphony Orchestra, we’ll see you there!
The University Cecilian Choir and Music Scholars came together in an evocative and dramatic lunchtime concert on the foyer-stage last week, as part of a month-long series of events across the campus to mark LGBT Month.
Conducted by your loyal correspondent, the Cecilian Choir opened the concert with several movements from Britten’s Friday Afternoons, delivered with great vigour. Following this were two of Britten’s folk-song settings; Down By The Salley Gardens (sung by soprano Kathryn Cox) and O Waly, Waly (from soprano Paris Noble). These two moving, initimate reflections on love and loss were performed with real commitment, drawing the hushed audience so close that it was as though the listeners were hunched right around the stage.
The Cecilian Choir returned to the stage, together with third-year harpist Emma Murton, to close the concert with four movements from the Ceremony of Carols, moving from the high drama of ‘This Little Babe’ to the lyrical, evergreen simplicity of ‘Spring Carol,’ through the declamatory ‘Deo Gracias’ and ending with the plainchant of ‘Hodie Christus natus est.’
An engaging concert, and a great opportunity to make a musical contribution to the month’s events. Bravo, team.
Prepare for a land of ‘Make Believe’ in the company of the Music Theatre Society this weekend.
On Saturday 1st of March at 4 pm (Matinee) and 8 pm (evening) and Sunday 2nd of March 8 pm, Darwin’s Missing Link will come alive to music from Les Miserables, Matilda, Beauty & The Beast and other favourites.
Ticket are a mere snip at £5 available from The Mandela Building on Campus or online via the Kent Union website: find out more on the Society’s Facebook event page here.
The University Cecilian Choir, fresh from its seasonal debut on the foyer-stage at Christmas, is currently in rehearsals in preparation for its concert towards the end of term, in which the Choir will present a range of contemporary pieces alongside Hassler’s Missa super Dixit Maria.
The Cecilian Choir performing in 2013. Image credit: Matt Wilson
But before then, the Choir will be singing in a lunchtime concert next Wednesday, as the ‘Watch This Space’ series celebrates LGBT Month with the music of Benjamin Britten. The programme will include movements from the Ceremony of Carols including harpist Emma Murton; folk-songs sung by Kathryn Cox and Paris Noble; and will conclude with movements from Britten’s rambunctious Friday Afternoons.
Rachel Podger, a leading exponent in the field of period performance, will be appearing at the Colyer-Fergusson Hall next week, in a programme of music for solo violin.
Former leader of The English Concert from 1997 to 2002 and a guest director with the Orchestra of the Age of Enlightenment, as well as establishing the Brecon Baroque Festival, Rachel is an inspirational performing musician. The concert on Friday 21 February includes Bach’s Flute Partita in A minor, transposed for violin, and Biber’s ‘Guardian Angel,’ the final work from his Mystery Sonatas.
Here’s Rachel at the BBC Proms back in 2007, in the exquisite second movement of Bach’s Double Violin Concerto in D minor, playing with Andrew Manze.
As regular readers of this blog will know (well, maybe both of them will…), I’m a fan of British saxophonist Martin Speake, having written about him here and here when his playing has been broadcast on Radio 3; and I am Very Excited to announce that the Martin Speake trio will be coming to the Colyer-Fergusson Hall in March.
Speake freely
Speake has been a vital part of the British jazz scene ever since bursting onto the musical map as founder-member of the ground-breaking, ofttimes blistering sax quartet Itchy Fingers during the 1980s, a period which witnessed something of an explosion with groups like The Jazz Warriors and Loose Tubes and the arrival of Courtney Pine, Cleveland Watkiss, Django Bates and Andy Sheppard. A fertile period for British jazz, which had rather languished in the doldrums during the 1970s, and a time when that giant of British pianists, Keith Tippett, said he had to pick potatoes in order to make a living.
Emerging as part of this renaissance of British jazz, Speake forged a path which later saw the creation of the Martin Speake Group, with the album ‘Change of Heart’ released on that bastion of jazz record labels, ECM, in 2006, on which Speake partners the great pianist Bobo Stenson, bassist Mick Hutton and drummer Paul Motian. Active as a performer, he also teaches at Trinity Laban and the Royal Academy of Music.
Speake’s playing is at once effortlessly lyrical and restlessly, dextrously inventive, and is wholly accessible without being predictable or trite; it’s always subtle, assured and with a deft ear for melodic line. I’m ecstatic that the trio is bringing its current UK tour to the campus. Catch them live in the concert-hall on Wednesday 2 April at 1.10pm; admission is free. This is one gig you definitely won’t want to miss…
The University Musical Theatre Society raises the curtain to the term this weekend, with performances of the ever-popular Sweet Charity at the Marlowe Studio Theatre, in Canterbury.
Performances are this Friday 24th January, 8pm, and a matinee and evening performance on Saturday 25th January at 2pm & 8pm. Tickets are £10 (concessions £9), and Discovery Tickets £8 (16-26 or Full-Time Student), so you don’t have to be a Big Spender to see it…
To whet your appetite, here’s the Society’s trailer…
Book tickets online here, and see the Society’s event page on Facebook here. It promises to be quite an occasion…
A dizzying profusion of events is unleashed over the coming months, as you can now see from our online events calendar.
The free Lunchtime Concert series includes a visit from British saxophonist Martin Speake, who brings his trio as part of his current UK tour, and from acclaimed sitar-player, Jonathan Mayer. There’s the annual Colyer-Fergusson Cathedral Concert with the University Chorus and Orchestra, this year commemorating the First World War with music by Elgar and Vaughan Williams, and the Chamber Choir returns to the Cathedral Crypt to sing a programme including Palestrina, Brahms, Whitacre and Paul Patterson.
Conductor Ian Swatman leads the Concert and Big Bands at the end of February in Ravel and Earth, Wind and Fire, and later teams up with the Big Band from St Edmund’s School in a charity gig in aid of the Pilgrim’s Hospice. There’s music down the hill, too, as the Lost Consort explores the music of Hildegard von Bingen in the Roman Undercroft of St Thomas’ Hospital, and the Chamber & Cecilian Choirs at St Peter’s Methodist with music by Hassler, Maskats and Chilcott.
Visitors to the concert-hall include Rachel Podger, who brings a recital of works for solo baroque violin, and later in May there’s a recital from pianist Malcolm Binns.
Plenty to enjoy over the coming months; see the calendar online here, or download the brochure (PDF) here. Meanwhile, the Lunchtime Concert series begins on Weds February 12 with music for two-pianos and four-hands by Poulenc, Ravel and Gavin Bryars with pianists Matthew King and your loyal correspondent, who is now off to practice…
Sponsors of the Lunchtime Concert series
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.