Category Archives: Notes on Music

The philosophy of music: or the music of philosophy ?

Wolcum, Yule! Lost Consort opens seasonal musical calendar

The seasonal musical calendar was opened last Friday, as the University Lost Consort brought the ancient undercroft of the Pilgrim’s Hospital in Canterbury alive to the sound of Benjamin Britten.

The audience filled the historic space to bursting for a performance of Britten’s Ceremony of Carols, in which the choir was joined by harpist and fourth-year student, Emma Murton, conducted by Dan Harding. First-year alto Ruth Webster captured the mournful air of the dissonant ‘That Yongë Childe,’ whilst third-year soprano, Gabriella Grandi, lulled the listener in ‘Balulalow.’ After the opening plainchant, ‘Hodie Christus natus est,’ had died away, the choir launched into a vibrant ‘Wolcum Yole!’ and moved through the lyrical ‘There is no rose’ through to the fierce ‘This Little Babe;’ the challenging ‘In Freezing Winter Night’ rose and fell in the hushed confines of the packed undercroft, before the evergreen ‘Spring Carol’ and the animated ‘Deo Gracias’ led into the reprise of the plainchant, and the piece dissolved amidst the ancient stone.

Credit to Emma for deftly delivering a tricky harp-part, and to the whole ensemble for a spirited and enthusiastic way in which to begin the Music department’s musical Christmas.

Photos © Matt Wilson / University of Kent

Busy week ahead 2.0

Next week is the penultimate week of term, and the events are starting to come thick and fast;

Weds 10 Dec, 1.10pm; the Musical Theatre Society presents a lunchtime of carol-singing on the foyer-stage – admission is free

Thurs 11 Dec, Studio 3 Gallery, Jarman Building, 1pm; the Cecilian Choir presents a festive lunchtime of carols amidst the current exhibition in Studio 3 Gallery over in the School of Arts’ Jarman Building, followed by refreshments; the event is free, details on Facebook here

CarolsintheGalleryPlasmaScreenSaturday 13 Dec, 7.30pm; the University Chorus and Orchestra will be joined by musical alumni in the end of term concert featuring music by Mozart and Beethoven.

PAnd there’s more to come the following week as well; see everything that’s to come on our What’s On page here.

Busy week ahead…

Two events coming up next week;

Strange and Ancient Instruments
Strange and Ancient Instruments

Wednesday 3 December sees the last of this term’s Lunchtime Concerts from the Society of Strange and Ancient Instruments, in an exploration of Renaissance, Baroque and traditional Norwegian music – 1.10pm, admission is free with a retiring donation. Here’s fiddle-player & singer with the group, Benedicte Maurseth, in interview:

And on Friday 5 December, the Lost Consort launches our musical celebrations for the festive season with a candle-lit performance of Britten’s enchanting Ceremony of Carols for upper-voices and harp, with harpist Emma Murton, conducted by Your Loyal Correspondent, in the historic setting of the undercroft of the ancient Pilgrim’s Hospital in Canterbury. Admission is free, with a retiring collection in aid of the Hospital.

Lost Consort Britten WS

Details about both these events online here.

We heard the people sing…Musical Theatre Society at lunchtime

A rousing rendition of Do You Hear The People Sing ? brought the Musical Theatre Society’s lunchtime foyer gig to an energetic completion earlier today.

Led with spirit by this year’s Music Director, second-year Joe Prescott, the Society entertained listeners with a small selection of songs which will feature in their showcase, Time After Time, on Saturday 6 and Sunday 7 December.

Details about the showcase and tickets online here.

Time After Time: Musical Theatre Showcase coming in December

The Colyer-Fergusson Hall is looking forward to welcoming this term’s Musical Theatre Showcase on Saturday 6 & Sunday 7 December.

Join a cast of around fifty talented performers as they promise to take you on a evening’s odyssey through a dazzling host of memorable songs, including pieces from Les Miserables, We Will Rock You and West Side Story in ‘Time After Time. The Society presents a sneak preview of some of the songs in a free lunchtime concert on the foyer-stage tomorrow (Weds) to whet your appetite for what’s in store.

Tickets for the showcase are a mere snip at £8 or £5 for students, and can be snapped up here. Meanwhile, here’s a teaser-trailer of the Society working hard in rehearsal…

Dance with the Devil: CantiaQuorum evening concert to feature guest narrators

After a sizzling lunchtime concert on Wednesday from three members of CantiaQuorum, our new ensemble-in-residence launches formally on Friday 14 November with Stravinsky’s The Soldier’s Tale and Walton’s Façade – and some very special guests.

Wednesday’s curtain-raising lunchtime concert saw trumpeter Alex Caldon, violinist Alexandra Reid and pianist Matthew King in a dynamic programme, including the little-known Trio by Eric Ewazen which combined elements of rustic Copland with the energetic drive of Bernstein. Violinist Alexandra Reid demonstrated an almost balletic grace and poise in a chiaroscuro instrumental rendition of Bach’s Erbarme Dich, matched by peerless lyricism from Alex on trumpet. Matthew King then turned composer in an encore written especially for the occasion, Tango, which swaggered and sashayed in dazzling and robust twists and turns around the players in a bewitching take on the Argentinian dance, which(quite rightly) brought the house down.

Click to view
Click to view

The evening concert on 14th November brings devilish entertainment as the full ensemble will unfold Stravinsky’s pin-sharp morality tale of a soldier who sells his violin to the Devil in return for a book that offers visions of the future and lavish riches – but there’s a catch… And there’s a special element to the Walton, as the narrators for Façade are drawn from the local and the University community, including Director of Music at Canterbury Cathedral, David Flood, the Chief Executive of Canterbury City Council, Colin Carmichael, fourth-year Drama student and Music Scholar, Emma Murton and Professor Keith Mander; and whom would one ask to deliver the ‘Scotch Rhapsody ?’ Why, none other than our lovely Music Administrator, Sophie Meikle, whose dulcet Glaswegian tones will lend extra relish to Sitwell’s verse…

If Wednesday’s lunchtime concert was anything to go by, the evening concert on the 14th is going to be unforgettable; and there’s even a glass of wine afterwards and an opportunity to meet the players. Make sure you’re there…

To whet your appetites, here’s the fleet-footed Devil’s Dance.

Tickets and further details about the concert here: and read an interview with Alex Caldon about the formation of CantiaQuorum here.

A new Dawn: the new Alumni Chamber Choir

An exciting new project this year is the development of Invicta Voices, a Choir formed from University alumni and former Chamber Choir members under the direction of last year’s student conductor, Matt Bamford. The Choir met for the second time earlier this week, and here’s what Matt had to say.


This week saw the second rehearsal of Invicta Voices, a chamber choir formed of University of Kent Alumnus. The choir, who are resident in London, meet bi-weekly and explore a wide range of choral music from Byrd and Hassler right the way through to more contemporary music from Gjeilo and Whitacre. The idea for an alumni choir first came about after discussions that many members of last year’s choir were graduating and moving to London and wanted to carry on singing together. The establishing of the choir has fallen hand in hand with the University’s 50th anniversary year and the choir are looking forward to our inaugural concert in the Colyer-Fergusson Hall next year.

On song: Invicta Voices
On song: Invicta Voices

Our first rehearsal was surrounded by a buzz of excitement and also nerves – not knowing who would turn up, whether the ‘hurricane’ weather would delay people, would people find the venue, do we have enough music… As people arrived it was a case of saying hello to people we had never met and also people who we may not have seen for over four or five years. The most surreal moment came as we sang Barnum’s Dawn. The colour of the piece really suited the sound that the choir made and one of the members commented how strange it was to be singing with ‘familiar faces’ once again. This is one of the most fantastic things about an alumni choir – each member has now carved out, or is in the process of carving out their career and the next steps of their lives yet when we come together and sing we can take a step back to university life whilst looking forward to our upcoming concerts as a newly formed choir.

During our second rehearsal things really took off as we spent two hours getting through as much repertoire as we possibly could. New pieces for all included Ola Gjeilo’s Northern Lights. The choir had the confidence to really sing through the colourful harmony and our ‘choir sound’ began to identify itself. A real excitement also came as we sang through all of Barnum’s Dawn a capella for the first time.

We are incredibly excited to be officially launching the choir at our inaugural concert in March. The opportunity to return to Canterbury and sing in the fantastic Colyer-Fergusson will be a very special occasion for all those involved. Including those who fundraised for the hall in the early stages but are yet to see the new building. With a wide range of repertoire to explore before then, the hard work can now commence.

What is it good for ? Oh What A Lovely War coming soon

Continuing the commemoration of the centenary of World War I, the Music Theatre and T:24 Drama Societies come together for a production of Oh, What A Lovely War! from 19th-21st November.

Click to view
Click to view
Kat Edmonds
Kat Edmonds

‘I’m particularly looking forward to seeing the new spin that UKC MTS and T24 Drama Society will bring to this classic production!’ enthuses Katharine Edmonds, Publicity Officer for the Music Theatre Society, almost beside herself with excitement about the project. ‘The collaboration between the two societies is very exciting in itself and I can’t wait for the song and dance numbers! People should come and see the show simply because it’s going to be a lot of fun, and if that’s not enough reason then it’s also extremely topical right now, it being the centenary of WW1. It’s a great opportunity to reconsider our history and get to experience a show that will make the audience feel just as involved in the action!’

The production comes to the Gulbenkian Theatre, tickets and further details can be found online here, and you can follow the production on Twitter @OWALW.

Join up quick: it’ll be all over by Christmas…