Our final event of the term saw the Big Band cracking open its annual box of festive tunes for the Christmas Swingalong, together with the Pop n Soul Choir bringing its own glitter.
The band was joined by final-year student vocalist, Tayo, for some lively tunes including ‘Man with the Bag,’ whilst the Pop n Soul Choir channelled its inner Elton John as it invited the enthusiastic audience to ‘Step Into Christmas.’
There’s always a lovely, festive atmosphere about the gig, the final musical event before the Christmas break; many thanks to Big Band director, Ian Swatman, and the Pop n Soul Choir director, Meg Bird.
We’re off for a well-earned break – back in the New Year, when the music merry-go-round starts up anew on 12 January. Have a lovely Christmas, everyone!
Many thanks to all the performers involved in our Christmas Cornucopia weekend, two nights of music-making that brought together University Chorus and Orchestra, Concert Band, String Sinfonia and the Flute Choir in festive style.
The opening night was shared by the String Sinfonia and Concert Band, exploring music by Piazzolla, Corelli and film music by Danny Elfmann, all prefaced by seasonal music performed in the foyer before the concert began by some of the Flute Choir.
Saturday night brought together Chorus and Orchestra in Vivaldi’s evergreen Gloria, for which we were joined by soloists Juliet Schiemann and Michelle Harris, as well as the sparkling Cinderella Suite by composer Ernest Tomlinson – we were delighted to welcome the late composer’s daughter, Anne, to the performance.
Congratulations to Minerva Voices, the upper-voices chamber choir, the Cecilian Choir and Consort, and soloists on a gloriously technicolour concert in the Crypt of Canterbury Cathedral on Friday night, launching this year’s Summer Music Week.
Our annual festival was launched with a first half of ravishing colours from Minerva Voices, in works ranging from Sarah Quartel’s This We Know to Russell Hepplewhite’s evocative Fly away, over the sea, the Tudor round Ah, Robyn, and other pieces, accompanied by first-year Music Performance Scholar, Hannah Tudor.
The second half saw the mixed-voice Cecilian Choir, comprising students, staff and alumni, in a vivid performance of Pergolesi’s Stabat Mater, accompanied by a five-piece consort, and featuring solos from final-year students Leonie Carrette, Florence Kingdon, Rachel Fung and Amanda Schott.
As always, the concert is supported by the David Humphreys Fund, a bequest left by David in honour of his wife, Julia; the opportunity to perform in such a richly-sonorous, historic and intimate space is one of the highlights of the musical calendar, and we remain grateful to the Humphreys family for their generous support.
Congratulations to our upper-voices chamber choir, Minerva Voices, the Cecilian Choir, soloists and consort on what one member of the audience described as an ‘immersive’ performance on Friday.
Minerva Voices, accompanied by pianists Hannah Tudor and Ida Bright, presented a first half of choral works from various stations around the concert-hall, in a range of music from Sarah Quartel’s meditative environmental message, This We Know, to the medieval Ah, Robyn and Russell Hepplewhite’s lyrical Fly away over the sea.’
The mixed-voice Cecilian Choir took to the stage for the second half for a dramatic realisation of Pergolesi’s powerful Stabat Mater, featuring final-year soloists Rachel Fung, Florence Kingdon, Leonie Carrette and Amanda Schott. Pergolesi’s setting of the poem reflecting on Christ’s crucifixion came to vivid life, with strong, confident singing from both choir and soloists alike.
As we prepare for this Saturday’s concert in Canterbury Cathedral, here are Chorus and Orchestra rehearsing together last weekend, preparing Ola Gjeilo’s Sunrise Mass.
It’s always both exciting and a little bit daunting, taking on a contemporary piece of music to give the UK premiere – and even more so when the composer herself is in the audience!
Stephanie Martin attending the afternoon rehearsalStephanie Martin
Last weekend saw the Music department’s combination of concerts, ‘Winter Journeys, Winter Nights‘ featuring the String Sinfonia, Concert Band, Chorus, Orchestra, Cecilian Choir and Flute Choir coming together over two nights to perform seasonal works, the centrepiece of which was a marvellously colourful seasonal cantata, Winter Nights, by the Canadian composer, Stephanie Martin. This five-movement work sets a variety of poems focusing on different aspects of the winter season, from the anonymous ‘Cold is the night when when stars shine bright,’ through the fierce drama of ‘Loud rings the frozen earth’ by James Thompson, to the wonder and mystery of Cori Martin’s ‘Could it be true / Old Thomas Hardy’s tale,’ all culminating in Thomas Campion’s ‘Now winter nights enlarge.’
The piece distils a variety of colours, textures and vivid images from the cast of voices, strings and percussion, reflecting the manifold aspects of the season, and the whole cantata captures the full range of the season’s contrasts – its warmth, magic, wonder, jollity, bitterness, wildness, and revelry – bringing the different scenes to vivid life with a vibrant energy.
Stephanie talking with choir and orchestra
We were delighted to welcome Stephanie to the afternoon rehearsal – always a slightly scary moment, the first time performing a piece in front of the composer – and then to the evening performance. With warmth and generosity, Stephanie talked with the performers in the afternoon about the piece, including the three students singing the solo trio heralding the arrival of Winter; and she received a hugely enthusiastic round of applause following the performance later that evening.
Congratulations to all the performers involved across the entire weekend, and our thanks in particular to Stephanie for taking the time to stop over in Canterbury on her flight from Europe to Canada, to come to Colyer-Fergusson and be part of the event.
Enthusiastic applause greets the composer after the performance
Here is the performance in full, filmed and used with kind permission from Stephanie Martin.
Thanks to the support of the Barry Wright Legacy, a generous bequest left to the Music department specifically to support international students and their involvement in extra-curricular music, we have welcomed Biochemistry student and cellist Ricky Chan into the musical life of the University. Here, Ricky reflects on what music means to him and the opportunity to get involved.
I joined the Symphony Orchestra and the String Sinfonia in the Music Department during my second year in the University of Kent. At first, I did not know there would be a big presence of classical music in the university.
I had always been an enthusiastic listener of all types of music, including classical, which started when I was young when my parents would play classical music from CDs. At school I learned to play the cello and joined the school orchestra. I liked the cello because its range is so similar to that of the human voice, which makes it sound more expressive and rich. When I was chatting with some members of the Music Society, I was thrilled to hear that I can participate in the Orchestra and String Sinfonia through the support of hiring a cello by the Music Society. This meant that I could continue my hobby even though I could not bring my instrument which was kept far away at home. I thank Sophie and Dan for this opportunity which was enabled by a dedicated music fund, enabling me to have an opportunity to do something musical outside of my Biochemistry degree. Playing in the Orchestra and the String Sinfonia feels challenging but enjoyable. I became immersed in the music when playing, even though sometimes I find myself struggling during practice as some of the pieces had tricky bits (but it was good fun!). Some memorable highlights last year were the String Sinfonia concert in Folkestone and in Faversham, as well as the annual concert with the University Chorus in Canterbury Cathedral.
I thank Flo Peycelon for bringing so much enthusiasm and life in the Strings Sinfonia, and Dan Harding, the conductor and Head of Music Performance at Kent for the passion he brings to the Orchestra. I look forward to the rest of my final year with Kent Music Society.
Not content with her relentlessly busy summer (see previous post here), second-year Music Performance Scholar reading Sports and Physical Sciences, Heather Moss, took her folk ensemble to perform as part of the Tenterden Folk Festival last week. Here’s her story…
The day started bright an early when we all clambered onto the coach on our way to Tenterden. When we arrived we went and collected our Artist Wristbands from the artist reception which was a surreal moment! We then made our way to the venue, where we were greeted by Gavin and his amazing team of musicians who were here to lead the music session. More and more people started to arrive and the session was in full leaps and bounds.
We went around the room and every person started a new tune and everyone else played along having either known the tune before or picked it up by ear. It was an amazing environment to be in and be surrounded by some amazing folk musicians.
It then came to our turn to perform so we formed our semi- circle and performed our 15 minute set. Our set included a wide range of tunes from waltzes to reels to polkas, which followed with lots of clapping and applause.
After this the session continued and everyone was thoroughly enjoying themselves! Once the session was over we decided to go and have a look around some of the festival stalls where I believe a couple of new instruments where purchased… Then we quickly ran over to the road where a procession of Morris dancers was taking place, which was the first time that many of our group had ever watched Morris dancing and they were totally amazed. We then purchased some food and sat down to listen to a couple of gigs until we travelled home and chatted about lots of new folk music which we want to learn,
Heather Moss
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.