Category Archives: Keeping It Real: reviews.

Concerts and events reviews.

The weather outside is frightful…a seasonal Jazz @ 5

Snow ? Ice ? Freezing temperatures ? Events being cancelled at the fall of a flake ? Jazz @ 5 laughs at such things!

Jazz @ 5
Lights out for the territory...

With temperatures plummeting and snow and ice everywhere, the last Jazz @ 5 of the term warmed a suitably appreciative audience on Wednesday night, with a sprinkling of jazz-infused carols and popular Christmas favourites, a dash of funk and a slice of soul.

Making her debut at Kent, and beginning the evening in fine style, Ruby Mutlow gave a robust rendition of Macy Gray’s funk-laden Why Didn’t You Call Me, and Marvin Gaye’s soul classic What’s Goin’ On.  Also one of the Big Band singers this year, as well as singing with Chorus and Sing!, Ruby has a vibrant vocal presence on-stage, and will be one to watch this year.

In contrast, the Music Department’s very own Sophie Meikle stepped away from upright bass in the previous gig and stepped up to the microphone to sing White Christmas and Have Yourself A Merry Little Christmas, the latter holding the attention of a rapt audience so closely that it felt like no-one breathed for the duration of the song.

Returning to the Gulbenkian Foyer stage was the classy Steph Richardson, with a poised reading of Peggy Lee’s Black Coffee, a coquettish Santa, Baby and a deft Let It Snow! There’s a real sense of accomplishment whenever Steph performs, she is completely at ease on the stage and with the other musicians. With Ruby and Jo as well, it’s an exciting year for jazz singers at Kent!

Also stepping onto the stage for the first time was first-year pianist Kirstie Robbie, who played Winter Wonderland with the ensemble, and also Wagglestick Walkabout as a solo item, the latter with a firm boogie-woogie feel to the left-hand.

Regulars Dan Harding on piano, Andrew Kitchin on guitar, Will Rathbone on sax and Matt Bardrick on drums,  were joined by Alastair Disley, a member of the Music and Audio Department of the School of Arts based in Medway, on electric bass, who heroically sat in at a few hours’ notice for his first Jazz @ 5. The group played a spirited performance of Herbie Hancock’s funky Canteloupe Island.

Thanks to all those who performed and especially to those making their debut on the University jazz scene. Jazz @ 5 returns in January: watch this space…

Lights, camera: Christmas!

Christmas in Canterbury has officially begun, and the Chamber Choir yesterday braved the freezing weather to sing to the good citizens in the town, still shopping at 5pm, with a selection of seasonal music.

May you beautifully rhyme...

A well-lit stage in the pedestrian precinct adjacent to Fenwick’s hosted the Cathedral Choristers, pupils from King’s School, and the University Chamber Choir, who gave rousing performances of popular carols under the exuberant direction of the Deputy Director of Music, whilst fourth-year Drama student (and a former Chamber Choir conductor herself) Amy Clarke also stepped out of the soprano section to conduct the not-so-seasonal but lively piece, Words by Anders Edenroth.

The Choir then adjourned to the street market in Whitefriars for some much-deserved mulled wine, where they showed their appreciation to the ladies on the market-stall by bursting into a spontaneous rendition of Ding, Dong, Merrily on High, to the delight of late shoppers who came out of the surrounding shops to listen.

Make good cheer and be right merry

Celebrities from this year’s Marlowe Theatre pantomime (including The Fast Show’s John Thompson) then entertained the crowds and the town’s Christmas lights were turned on. Christmas has officially begun here!

The Chamber Choir are in action next week, in hopefully warmer circumstances, in their ‘Advent by Candlelight‘ concert at St. Mildred’s, Stour Street on Friday evening: catch them if you can!

Photos: Susan Wanless.

Pudsey comes to Sing for Children in Need!

Well, alright, Pudsey actually conducted, rather than sang, if the headline misled you slightly.

Musicians and visitors at the University of Kent sang for Children in Need last Thursday, and raised £155 in thirty minutes as they performed ‘O Fortuna’ from Carmina Burana by Carl Orff.

Photo credit: Spencer Scott, University of Kent

Complete with two electric pianos and an array of percussion, volunteers arrived in Eliot Hall at lunchtime to piece together the famous theme to ‘The X-Factor,’ and raise money to support this year’s Children in Need appeal. The event was featured in the hourly cyclorama of county events during the Friday night broadcast on the BBC.

Many thanks to all who participated and made a donation, to Hannah Perrin who assisted, and to Pudsey himself for turning up!

On the Hop: a blessing with the Good Shepherd Neame

Traditionally the season of mists and mellow fruitfulness, autumn is also the time when the hops have been harvested, and celebrations and thanks are given for a bountiful year.

Each year, dignitaries from Shepherd Neame and representatives of the brewing industry gather at the Church of St. Mary the Virgin, Selling, for the annual Hop Blessing, instigated by the Faversham-based Shepherd Neame, Britain’s oldest brewery.

On Friday 1 October, singers from the University of Kent were invited to perform both during the blessing service, and afterwards at a traditional Hop-Pickers’ Lunch. The group sang Tourdion, originally an old French melody, translated as When I Drink Good English Ale, which celebrates the virtues (and the drawbacks!) of the grain and the grape.

Alany Holder, Adam Henriksen, Nicola Ingram, Charles Green, Freya Goom, Ben Tomlin, Amy Clarke

After a hearty lunch of traditional hop-picker’s fayre, the group joined with everyone present in singing a selection of popular ballads, and also performed for the gathering an old English round, He That Will An Ale-House Keep and Anders Edenroth’s entertaining Words, rich in close-harmonies and a real a cappella calling-card.

With thanks to Tom Falcon, Production and Distribution Director for Shepherd Neame, for inviting us to perform, and to Alison Shelley for the photographs, for helping to organise the singers and making them feel so welcome.

Be My Guest: Andrew Kitchin reviews the Eden-Stell Guitar Duo

An occasional series featuring guest articles. This week, third-year Mathematics student and guitar Scholar Andrew Kitchin reviews the Eden-Stell lunchtime concert.

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A certain degree of suspense was created by the dimly-lit stage as the concert began, which displayed nothing but two empty chairs and a footst00l. The two performers didn’t disappoint, providing the attentive audience with a varied repertoire ranging from Bach to Rodrigo.

From the outset, the virtuosity of the Mark Eden and Christopher Stell was clear, highlighted by the hauntingly clear trills in Bach’s arrangement of Marcello’s Oboe Concerto, arranged for two guitars by Christopher Stell, and the subtle vibrato displayed in Timothy Bowers’ Fantasy on an Old English Melody.

Between performances, the duo contextualised the repertoire with informative and witty comments, alluding to the history and meaning of the pieces they clearly loved to play.

They also performed two pieces by Mompou, arranged this time by Mark Eden.

The stand-out piece of the concert was the pair’s performance of Rodrigo’s  Tonadilla. This devilish dance encapsulates everything that is special about the Spanish guitar repertoire.  Swirling runs, aggressive rasgueado strumming and delicate folk melodies, all of which the pair executed magnificently, bringing the performance to a rapturous end.

The concert was a brief, warm, Catalan reprise, from an otherwise wet and windy November day.

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