Category Archives: International Impact

News, views and stories about our international Music Scholars, students, visitors and events

Jumping pilgrims: flautist Anne Engels plays in an annual procession with a difference

Third-year flautist and Music Scholar Anne Engels recently took part in an annual procession back home in Luxembourg with a difference; I asked her to explain what it was all about…

Anne_Engles_processionAnne: “This photo was taken at the Sprangpressessioun (dancing procession) in Echternach, in Luxembourg. There’s an entire history behind the procession. Basically, around ten thousand pilgrims come to Echternach every year on the Tuesday after Whitmonday to visit the grave of St Willibrord, a monk who originally came from Ireland and set up a monastery in Echternach. The monastery now functions as a secondary school and college.

“The procession starts in the schoolyard and goes around the entire city of Echternach. The pilgrims jump or dance to the tune of the dancing procession (a polka), which is being played by a number of different music societies from Luxembourg, Germany and the Netherlands. The procession ends in the crypt of the Basilika, where St Willibrord is buried.

“As far as I know the jumping is originally believed to be healing or protecting the pilgrims from a specific disease (but I’m not quite sure about that!). The dancing procession itself was also recognized as Intangible Heritage by UNESCO in 2010.”

You can hear Anne performing (without the dancing, unless you feel so moved) in the Music Scholars’ Lunchtime Recital on Tuesday 7 June, when she will be playing Poulenc and Messiaen; details here.

 

Cecilian Choir featured on BBC Radio 3

The University Cecilian Choir, together with the String Sinfonia, was featured on BBC Radio 3’s The Choir on Easter Sunday.

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Image credit: Matt Wilson

The weekly programme dedicated to all things choral has a regular feature, ‘Meet My Choir,’ and last Sunday, Dr Michael Hughes – lecturer in linguistics in the School of English and a member of the Cecilian Choir – introduced the Choir, its ethos and its place within the University community. The musicians can be heard during the episode performing Monteverdi’s Beatus Vir.

The feature is permanently on the Radio 3 website here: click here to listen.

In profile: Lydia Cheng

First-year Law student, violinist, and Music Performance Scholar, Lydia Cheng, reflects on coming to the University.

Lydia_Cheng_webWhere do you come from?
Toronto, Canada

How did you first get into playing the violin?
I first started on the piano at the age of 5. About a year later, I joined a violin group class and I loved it and it’s been with me ever since.

What’s your musical background?
Apart from playing as a soloist, I love chamber music. The collaboration with other musicians and friends is a completely different type of performance and is something I enjoy doing as much as possible. Back home, I am a member of a piano trio – Radiance Trio – and we perform and compete together. Last year, we were national finalists of the Canadian Music Competition.

What made you choose Kent as a place to study?
The UK is well-known for its multitude of great schools and with cousins having studied here as well, it was always a dream for me to study in the UK. I’ve had a long-time interest in studying law and as direct entry law is not an option in North America, I knew England was the right place for me. When it came to choosing a school, I knew I wanted a place where I could continue with music. Kent’s Symphony Orchestra and String Sinfonia drew me in.

Lydia_Cheng02_webWhat music-making are you involved in?
I am currently playing in the Symphony Orchestra and String Sinfonia.

What have you enjoyed most about your first term?
I loved the Baroque Christmas Concert. It was my first concert in Colyer-Fergusson and was an exhilarating experience. The atmosphere was warm and festive and all our rehearsals coming up to the concert just fit together like the final piece of a puzzle. It is not often that I get to perform with harpsichord or with choir, so to have this performance opportunity in a such a beautiful hall was a wonderful way to start my musical journey through Kent.

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The String Sinfonia ahead of the Baroque Christmas concert in December
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The String Sinfonia and Cecilian Choir: A Baroque Christmas

Making music at Kent: Svenja reflects

About to finish her MA in Comparative Literature, her second postgraduate degree, having finished a Master of Education (English and Maths) in Berlin last year, Svenja Glass looks back on her involvement in music at Kent.


I was here first in 2012/13 as an Erasmus student from Free University Berlin (just like Max Mergenbaum, funnily enough, only I came via the English Department!). At that time, I studied English and Maths in Berlin, but on coming to Kent I just attended seminars in English Literature (and German Translation and Danish …). Then I went back to Berlin to finish my M.Ed. and decided to come back to Canterbury because I had enjoyed my year at the University of Kent so much – especially the music-making.

On the occasion of the valedictory concert in June we were given tags to write down our best memory related to music at the University of Kent – 50th anniversary of the university, 50 memories. It goes without saying that it is impossible to choose just one single memory, but it certainly offered a welcome opportunity to re-live what made 2014/15 so special for me.

Svenja Glass
Svenja Glass

I sang in the University Chorus, and I enjoyed every single rehearsal (did you know that Popocatépetl is a volcano in Mexico? Say the name eight times as fast as you can!). To quote Sue: “an hour of singing will do you a world of good,” and this is absolutely true, particularly in the face of several essay deadlines approaching at once (Dies Irae!). Performing Verdi’s Requiem in the Cathedral with around 180 other singers and the University Symphony Orchestra was, of course, epic!

Moreover, I took the chance to go to a variety of concerts (I think I never went to so many concerts), especially exploring some more modern music, which I would not normally have dared to attend. Walton’s Façade, performed by the CantiaQuorum ensemble in November and featuring some Canterbury-VIPs as readers is just one fantastic example.

Naturally, the best concerts were the ones in which my friends performed. The high standard of music-making at the university is simply amazing. And talking about friends, I met a lot of wonderful people from all possible subject areas – economics, biomedical science, you name it, and we had a perfectly marvellous time playing the piano together , for instance, or singing Christmas carols on campus and in town. After all, the best thing about Music at the University of Kent is spending your free (or not-quite-so-free-but-rather-busy) time with a lovely bunch of people who share a great passion for music.

Good musicians make good students

It’s that time of the year when students and their families are thronging to cathedrals in Canterbury and Rochester to take part in their Graduation ceremonies (cue lots of photos of mortar-boards being hurled in celebratory fashion into the air!).

This year, we have seven Music Scholarship students graduating, of whom five will be doing so with first-class degrees; congratulations to them all – it just goes to show that good musicians do indeed make good students…

Best wishes to everyone involved in music-making who will be graduating over these two weeks!

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Awards ceremony recognises outstanding contributions to music-making at Kent

This year’s music prizes at the University of Kent have been awarded to six outstanding students at a ceremony at the end of the Scholars’ Lunchtime Concert during Summer Music Week. They received congratulations from Rosie Turner, Director of the Canterbury Festival, Jonathan Monckton, former Chair of the Colyer-Fergusson Charitable Trust, Professor John Craven, formerly Deputy Vice-Chancellor at Kent, Professor Keith Mander, Deputy Vice-Chancellor and members of the Music Awards Committee.

Music Prize Winners together with those presenting the award
Music Prize Winners together with those presenting the award

The Canterbury Festival Music Prize, which is awarded to a final-year student who has made an outstanding contribution to music was presented to Emma Murton. As well as being this year’s student conductor of the Chamber Choir, Emma has also been a singer in Chamber Choir, Chorus and Cecilian Choir, and harpist with the Symphony Orchestra and Lost Consort; she also played the harp in the recent Music Department commission, Ringing Changes. She has also sung in Musical Theatre showcases, and was a University Music Performance Scholar.

Emma Murton receives her award from Rosie Turner
Emma Murton receives her award from Rosie Turner

The Colyer-Fergusson Music Prize, awarded each year to a student who has made a major contribution to organising music at the University, was presented to Rowena Murrell, a final-year student reading Financial Mathematics
The award recognised her exceptional all-round behind-the-scenes organisation and administrative skills as Chorus Manager – the issuing and returning of vocal scores and deposits for members of the University Chorus (no mean feat!), staff and external membership and liaising closely with the Music Department. She has also sung in Chorus, Chamber Choir, Cecilian Choir and Lost Consort, and was a University Music Lesson Scholar.

The John Craven Music Prize, which goes to a returning student who has made a major contribution to music at Kent, this year went to Anne Engels, a second-year student reading English & American Literature and Philosophy, and University Music Performance Scholar. Anne has played principal flute in the Symphony Orchestra and Concert Band, and was also in the Wind Ensemble, Wind Quintet and appeared as an instrumental soloist in the Chamber Choir Crypt Concert this year.

The First-year Prize, awarded (if appropriate) to a student who has made a significant contribution to music during their first year, was presented to Jonathan Butten, reading Biomedical Sciences. As a University Music Performance Scholar, Jonathan has played principal oboe in the Symphony Orchestra in all the major concerts, and also a prominent cor anglais solo in the orchestral concert in March. He has also played in the Wind Ensemble and Wind Quintet.

The University Music Awards Committee Prize, for students who have made a special contribution to music, was awarded jointly to Hannah Perrin and Kathryn Cox. In her final year as a PhD student in Social Policy, Hannah’s award recognised  her all-round special contribution to music-making for the past five years as both a Masters and PhD student. Her participation has included singing in Chorus, Chamber Choir, Cecilian Choir and the Lost Consort and she was also pianist for the student group Sing!  She helped the Music Department organise several events for Children in Need, and has brought an enthusiasm and a commitment to music at Kent that has been a motivational force throughout the department. Kathryn, a University Music Scholar in her final-year reading Psychology, has made a particularly valuable contribution to University Music as a singer, as a member of Chorus, Chamber Choir, Cecilian Choir and the Lost Consort. She was also a number of solos in concerts, and lunchtime foyer events, including the Variations for Judith project, held over eleven consecutive days earlier this year, and took part in a singing masterclass with Dame Anne Evans last year.

Hannah Perrin receives her award from Professor Keith Mander
Hannah Perrin receives her award from Professor Keith Mander

The extra-curricular musical life at the University is a reflection of the commitment, enthusiasm and excellence of many of its participants, and it’s a great pleasure to be able to recognise the outstanding contribution made by particular students, whose energy and enthusiasm for making music alongside their academic studies has done so much to enrich the life of the University this year. Our thanks also to our generous donors, whose financial support enables us to award these prizes each year.

Dutch youth orchestra visits Colyer-Fergusson

We were delighted to welcome the Almere Youth Symphony Orchestra to Colyer-Fergusson on Sunday.

Hailing from a city in the heart of the Netherlands, the age-range of the orchestral members is between 13 to 21. Under the baton of conductor Hans Welle, they demonstrated a high standard of playing, performing a range of music with the emphasis on English pieces – from music from James Bond through to a beautiful performance of Elgar’s ‘Nimrod’ and one of the fastest versions  of the Pomp and Circumstance March I have ever heard!

Almere_Youth_OrchestraIt was a real pleasure to have them visit, and we hope they will come back again soon.