Bravo to everyone involved.
See all the buzz over the entire forty-eight hour period on the Twitter trend #cfbgala here, with tweets and photos galore.
Gala weekend: bravo
All posts by Daniel Harding
Follow the Gala trend
It’s the Gala weekend, and the final rehearsal is due to start shortly.
Keep up with all the action and photos from the weekend by following the #cfbgala trend on Twitter.
Chorus and Orchestra in rehearsal
Ahead of the start of the celebratory Gala weekend of concerts tomorrow, here’s the combined forces of the University Chorus and Symphony Orchestra in rehearsal last night.
See you all tomorrow and Sunday.
In memorian: Jonathan Harvey and Dave Brubeck
The musical world has lost two giants this week; British composer Jonathan Harvey has died at the age of seventy-three, and American jazz pianist and composer Dave Brubeck, aged ninety-one.
Harvey, who has suffered from motor-neurone disease for some time, will be remembered as the composer of music, often clothing instrumental and orchestral textures in a tapestry of electronics, that maps new worlds of deeply spiritual and sonic, almost mystic, contemplation, nowhere more so than in one of my favourite pieces, one of his very late works, Messages.
From the eletronics-and-bells of Mortuos plango, vivos voco to later works such as The Madonna of Winter and Spring which cracks open like Stravinsky’s Rite, or the meditative breathing ensemble in Tranquil Abiding, Harvey’s music combines a deep religious sense (his outlook embraced both Christianity and, later, Buddhism) with a unique musical language, one with a wonderful ear for ravishing sounds. (There’s a very moving interview with The Guardian‘s Tom Service that appeared in January this year, which you can read here).
Dave Brubeck will forever be remembered for Take Five, a recording graced with the liquid tone of saxophonist Paul Desmond. Classically trained, his music invested jazz in the 50’s and 60’s with classical techniques, including a mischevious delight in unusual time-signatures.
Here’s the band making 7/8 popular in Unsquare Dance:
Both will be much missed.
Head down until the weekend
We’re almost mid-way through the final rehearsals for the two Gala concerts coming up across this weekend; programmes have been signed off to the Print unit, final tests are being run on the acoustic curtains in the concert-hall, and the Christmas tree in the foyer went up at the end of last week, so that’s the key features dealt with.
Concert and Big Bands are about to rehearse in an hour or so for the last time on the James Rae commission, Chamber Choir raised the roof of the concert-hall in exuberant fashion last night, and Chorus and Orchestra will come together tomorrow night in Orff’s epic Carmina Burana.
Hot on the heels of the two concerts, there’s also the University Carol Service on the Monay, for which the Chamber Choir will be providing some of the carols; and then there’s the Estates Team Choir lunchtime debut on Wednesday lunchtime, with the Cecilian Choir and The Canterberries also singing; and then Carols Round The University Christmas Tree on Wednesday evening, together with the University Brass Ensemble.
Thursday: and relax… See you at some point before then…
Music Society on the radio: an interview on CSRfm
Bursting with enthusiam for all things musical at the University, Society members Sophie Plötz and Emma Murton went on CSRfm recenty to talk about life at Kent.
Click here to listen to what they had to say (on SoundCloud).
Brilliant Brodsky show Ravel’s true Modernist colours
Last Friday night’s visit from the Brodsky Quartet was eagerly awaited for two very special reasons; not only was it their chance-driven ‘Wheel of 4-Tunes’ concert celebrating the group’s fortieth birthday, it was also the first formal concert in the new Colyer-Fergusson concert hall.
The programme, chosen on the night by the spin of the wheel, included turns (no pun intended!) from Professor Keith Mander, a member of the public, Music Society Secretary and cellist Aisha Bové, and our very own Sophie Meikle. The pieces the wheel chose were by Piazzolla, Barber, Golijov, and Ravel, and displayed the quartet in their customary eclectic form, whether tango-ing in idiomatic style with Piazolla or exquisitely painting the famous ‘Adagio’ from Barber’s String Quartet.
The final piece in the concert was Ravel’s String Quartet, and it was here that the Brodsky’s revealed their final masterstroke; equally robust and rainbow-hued, Ravel’s piece was shown, in the wider context of the other pieces which had appeared in the programme, to be a modernist piece, bristling with harmonic dissonances, spiky textures, sudden changes of mood and pace, and bold gestures that are often obscured by performance that prefer to embrace Ravel’s Impressionist tendencies. Whilst the quartet was fully alive to the rich and exotic harmonies and sinuous melodic lines that give Ravel this label, they also brought out Ravel’s more striking characteristics in a performance that drew fierce applause from a delighted audience.
New building comes alive with music for Open View
Yesterday’s Open View event, hosted by architects Tim Ronalds, saw the new Colyer-Fergusson Building come alive with music, visitors and guests, as musicians performed in all the available spaces throughout the building.
Between 3-8pm, the entire place was abuzz with jazz, choral music, solo percussion and piano, acoustic guitar and string quartet music, an aural backdrop as invited guests toured the new facilities, and saw (and heard!) it in action. It was also the first opportunity to test-drive the new performance stage in the foyer, which proved to be a fantastic space with terrific acoustics, ranging from the delicate close-harmony singing of vocal trio ‘The Canterberries’ to the liquid soprano-sax improvisations from sax teacher, Peter Cook. There was even a guest appearance from Ned, the acoustic consultant from the firm Arup Acoustics, on sax (and congas) as well; truly an occasion in which music could be made by many.
With thanks to all the musicians who took part, and brought the entire building to life.