All posts by Daniel Harding

Head of Music Performance, University of Kent: pianist, accompanist and conductor: jazz enthusiast.

Big Band livestream test a success

The Big Band was rehearsing on Sunday ahead of its event on Sunday 6th June, Sunday Swing, which will launch this year’s Summer Music Week.

Willing victims as always, the players, conductor Ian Swatman, together with third-year Social Anthropology student and singer, Elle Soo,  gamely agreed to allow us to use the opportunity to test the livestreaming facility, in order to share the concert online (a limited audience capacity means we aren’t able to accommodate the usual Full House that greets the Big Band events).

Whilst the ensemble was working, the technical crew was working tirelessly behind the scenes to set up and test the cameras, microphones, lighting and streaming platform around the musicians; and I’m pleased to say that it worked. There were some spine-tingling moments as live music lifted into the concert-hall once more after so many months without it, and it was lovely to see the audience-seating back out in the hall, something we’ve not seen since March 2020!

Thanks to Thomas, George and Joe, we’re delighted to say that, for those who can’t join us in person at 2.30pm this Sunday, we will be able to share the event live online. Watch the event live on YouTube here (see also below) – thanks to Ian and the players for heroically acting as our digital guinea-pigs as we usher in the new Digital Age in Colyer-Fergusson Hall…

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#MinervanMiniatures: Five preludes by Nannie Louise Wright

Our sonic cabinet of curiosities exploring forgotten piano repertoire written by women, Minervan Miniatures, presents five preludes by American composer Nannie Louise Wright (1878/9 – 1958), from her collection 12 Preludes Op.25.

This selection ranges from Wagnerian grandeur to dazzling Saint-Saens-esque virtuosity that disappears in a flash, and a fascinating prelude ‘For The Left Hand Alone.’ The entire set is a marvellous addition to the canon of prelude-writing, in the tradition including Chopin, Rachmaninov and Debussy, and surely deserves to be better known. We’ll be rectifying this as part of a planned recital series next year…

Summer Music Week: back in the hall for the first time since November…

Rehearsals for Summer Music Week were especially welcome this week, as the ensembles returned to the concert-hall for the first time since last November.

Orchestra returns to the hall

All week, the hall has been reinvigorated with the sound of Concert Band, Big Band, Chamber Choir, String Sinfonia and Orchestra rehearsing for the series of events in a few weeks’ time; and several of the Music Scholars have been working on chamber music as well.

Concert Band back in action
String Sinfonia

It’s a welcome return to live music-making, hearing the building resound to ensemble music once more.

String-playing Music Scholars

It’s good to be back!

Music Scholar, Joanna

 

 

Scholars’ Spotlight: Michael Lam plays Schumann

Our series highlighting some of this year’s Music Performance Scholars continues with first-year Kent and Medway Medical School Music Performance Scholar, Michael Lam, playing Schumann.

In this single-take performance, Canadian pianist Michael performs a selection of movements from Schumann’s Album für die Jugend  (Album for the Young) , Op. 68.

Filmed in Colyer-Fergusson by KMTV.

Watch performances by other Music Scholars and Award Holders in the dedicated Playlist here.

Nostalgia from Brazil: a waltz for #MinervanMiniatures

Musical nostalgia from Brazil in today’s #MinervanMiniatures piece rediscovering forgotten piano repertoire written by women composers.

Today, it’s ‘Souvenirs du Passé‘ by Emilia P Dormund, published around 1904; the piece appeared in O Malho, a satirical weekly publication in Rio de Janeiro between 1902 and 1954; until 1926, the magazine regularly published a piano composition as part of its content.

Enjoy this lyrical, slightly melancholic waltz, a musical memory of the past…

 

Listen to more in the series’ playlist here.

Summer Music Week 2021: rehearsals are underway

For the first time since December, we’re able to resume in-person rehearsals once more, as we come together in preparation for this year’s somewhat smaller (but no less welcome!) Summer Music Week.

It’s the first week of term, and at first the Chamber Choir and String Sinfonia have begun rehearsals, as well as some of this year’s Music Scholars in preparation for various recitals.

Photo: Flo Peycelon

Wednesday night saw Concert Band and Big Band back in action:

Photo; Jonathan Stott

And Thursday saw the Symphony Orchestra coming together tutti for the first time since March 2020:

Photo: Ian Swatman

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It’s a very welcome return to music-making! Follow the pictorial story through the term over on our Pinterest board here; Summer Music Week is on its way…

Time to tango: ‘Odilia’ by Maria Lluisa Ponsa in Minervan Miniatures series

It’s time to don your dancing-shoes for today’s episode of Minervan Miniatures, our series dedicated to exploring forgotten piano repertoire by women composers: ‘Odilia’ (tango) from ‘Mis pequeños amigos’ by Maria Lluisa Ponsa (1879-1919), published around 1918.

Watch the unfolding series in the Playlist here.