Tag Archives: Orchestra

Summer Music Week: Days Six and Seven

Summer Music Week came to a flourishing finale on Saturday, as the last two days of our week-long end-of-year celebration seemed to go in a flash.

Friday afternoon saw the Music Theatre Society previewing their ‘Send in the Showtunes’ showcase on the foyer-stage at lunchtime, with some characterful renditions of parts of Little Shop of Horrors and Cabaret. The evening concert featured the Chamber and Cecilian Choirs in choral music from the Renaissance to the present-day – another opportunity to feature the new departmental harpsichord, in Monteverdi’s Beatus Vir – including the premiere of Ringing Changes by composer Matthew King, blending choral music with electronics.

The foyer and concert-hall were in their decorative best on Saturday for Music for a Summer’s Day, the traditional finale featuring the Chorus, Orchestra and Chamber Choir bidding a final farewell to the musical year. There were tears, too, as final-year sopranos Kathryn Cox and Rowena Murrell stepped out from the Chorus’s bustling West Side Story medley to sing You’ll Never Walk Alone, and also as all those performing with the department for the final time stood for their applause. The Chamber Choir moved from the atmospheric landscape of Chydenius’ Autumn under final-year Emma Murton to lively pop and close-harmony jazz; Michael Sosinski handled his cork-popping solo in the Champagne Polka with regal dignity; and the concluding chorus of ‘Land of Hope and Glory’ was conducted with great aplomb by Pro Vice-Chancellor, Keith Mander, a terrific champion of music at the University, for whom this was the last concert.

The sunshine was also on hand as performers, parents and guests mingled on the Registry lawn for post-performance cream teas, and the opportunity to say goodbye.

You can see photos from throughout the week over on our Pinterest board. Formal photographs from the week will be appearing shortly; stay tuned…

Music to the Max: exchange student Max Mergenbaum on music at Kent

Students from across the world come to the University of Kent, and this is certainly true of the thronging community which also takes part in the musical life of the University each year.

MergenbaumThis year, Max Mergenbaum came to Kent to study Politics and International Relations for two terms as an exchange student at the Freie Universität in Berlin. Max played bassoon in the Symphony Orchestra and the Wind Ensemble, and had this to say as he departed these shores to return to Germany.

“Playing in the University of Kent Orchestra was both an honour and a pleasure for me. As a visiting exchange student from Germany, I received a lot of support from the start. Being able to play Verdi’s Requiem in the Canterbury Cathedral was definitely one of the highlights of my year abroad which I will never forget. It was amazing to play together with so many talented young musicians. Following the motto of the music department ‘Whatever you do, do music’ I can only recommend every student coming to Kent to join this fantastic orchestra!”

Wind Ensemble plays in the foyer
Wind Ensemble plays in the foyer

We wish Max well.

Bring me sunshine: Summer Music Week

Our annual Summer Music Week festival to celebrate the end of another musical year at the University is now published online, with all the details of what’s coming up.

Deal_BandstandRunning from Sunday 7 to Saturday 13 June, the week kicks off with a seaside visit to the Deal Bandstand with the Big Band; some of the singing Music Scholars will present a programme of Operatic Heroines in Love on Monday 8; the Lunchtime Concert on Tuesday 9 from some of this year’s Music Scholars, followed by the Music Awards ceremony; Wednesday sees the Concert and Big Bands coming together in the evening; Thursday features an informal lunchtime performance from the String Sinfonia; on Friday the Music Theatre Society performs on the foyer-stage at lunchtime, whilst in the evening we present our choral commission from composer Matthew King, poet Patricia Debney with projected photos by Phil Ward, performed by the Chamber and Cecilian Choirs; and the week comes to a festive conclusion with the Chorus, Orchestra and Chamber Choir on the Saturday afternoon, followed by cream teas on the lawn and many fond farewells.

summer_music_flowerRelive the memories of last year’s festival on our Pinterest board here: full details of all the events are published online here, or you can collect a brochure for the week’s events from Colyer-Fergusson soon.

Don’t forget to follow @UKCSummerMusic on Twitter in the build-up to and throughout the festival. Bring me sunshine…

Two concerts, five ensembles over the next few days

There’s no let-up in the frantic pace of music-making here in Colyer-Fergusson over the next few days; tomorrow night sees our own ‘Three Choirs’ concert as Invicta Voices, the Chamber Choir and the Cecilian Choir come together for a programme celebrating the richness of choral music from Monteverdi to the present day, for which they will also be joined by the String Sinfonia; and on Sunday, there’s a bonus concert from the Symphony Orchestra featuring movements from Sibelius’s Katelia Suite and Dvorak’s New World Symphony, again featuring the String Sinfonia.

Details of both concerts can be found online here. It’s going to be fun…

Triumphant Verdi Requiem

From the infinite mystery of the opening bars to the dramatically hushed close, Saturday’s performance of Verdi’s Requiem by the University Chorus and Symphony Orchestra for this year’s Colyer-Fergusson Cathedral Concert was full of high drama.

Verdi_morning_crew
The morning shift crew

Standing in as a last-minute replacement for the billed soprano soloist, Rachel Nicholls took time out from her current ENO run of Die Meistersingers to step up alongside mezzo Carolyn Dobbins, tenor Gerard Schneider and bass Simon Thorpe, and together all four singers delivered Verdi’s demanding solo parts with consummate skill. Under the baton of Susan Wanless, the Chorus and Orchestra both rose to the occasion superbly. From the off-stage trumpets ranged high above in the organ-loft to the bass-drum positioned down the side-aisle, the combined forces filled the majestic Cathedral with Verdi’s profound meditation on death and redemption, rich in operatic detail crammed into oratorio form.

Rachel Nicholls, Carolyn Dobbins, Gerard Schneider, Simon Thorpe
Rachel Nicholls, Carolyn Dobbins, Gerard Schneider, Simon Thorpe

It’s a long day that starts at 9am with the heroic crew who pitched up on campus to load two vans with all the equipment to take down to the Cathedral, and ends with that same equipment delivered back to campus at 10.30pm, with rehearsal and performance in between. It was lovely to see many alumni come back to sing in the Chorus, with the concert a major highlight of the University’s 50th anniversary celebrations throughout this year.

Alumnus & percussionist, Carina Evans and tuba-player Chris Gray
Alumnus & percussionist, Carina Evans and tuba-player Chris Gray

(Much excitement was caused by the arrival of the 66-inch bass drum from Bell Percussion, which was mobbed by many people eager to be photographed with the monster-drum, you’d have thought it was a Hollywood Celebrity…)

Very many thanks to everyone involved; a triumphant conclusion to all the hard work put it by students, staff, alumni and members of the local community, who came together in the splendour of Canterbury Cathedral for a memorable performance.

Quantus tremor est futurus: getting ready for Saturday

A big week this week, as we continue our preparations ahead of the annual Colyer-Fergusson Cathedral Concert on Saturday, for which the combined might of the University Chorus and Symphony Orchestra will come together in Verdi’s Requiem.

Here’s the Chorus in fine form yesterday afternoon, rehearsing old-skool style in Grimond, where for many years the Chorus used to meet each Monday night. Although we don’t recall its ever having been quite so green before…

Dies irae: Chorus rehearsing in Grimond
Dies irae: Chorus rehearsing in Grimond

Yesterday’s all-day rehearsal is followed by rehearsals tonight, Thursday and on Saturday morning. It all culminates on Saturday evening; how much tremor there shall be…

 

A drum, a drum: Verdi doth come…

The annual Colyer-Fergusson Cathedral Concert next week forms part of the University’s fiftieth-anniversary celebrations, and does so in grandiose fashion with Verdi’s epic Requiem on Saturday 14 March.

50th-ribbon-smlConducted by the Director of Music, Susan Wanless, the Chorus and Symphony Orchestra will unite to set the Nave’s soaring, vaulted ceiling echoing, joined by four acclaimed soloists, together with The Verdi Drum of the South-East, in what promises to be a highlight of this year’s performing calendar.

Here is the University Chorus at a recent rehearsal, looking and sounding in fine form:

Chorus

The Director of Music is very excited at the prospect: ”the concert will provide the perfect setting to capture the Requiem’s operatic power and drama and the event will showcase the University’s many talented musicians.” Darn right!

Verdi RequiemJoin us (and the Verdi Drum) for high drama on March 14th – details and tickets here.

Alumni soloists return for December concert

The termly concert by the University Chorus and Orchestra last night saw three musical alumni returning to the Colyer-Fergusson Hall.

Soprano Caroline Kennedy, tenor Andrew Macnair and bass Piran Legg came back to Kent for a performance of Mozart’s Vespers, joined also by mezzo Bethan Langford. whilst the Orchestra furnished the remainder of the programme with Mozart’s overture to The Magic Flute and Beethoven’s Seventh Symphony.

Under the baton of Sue Wanless, the Orchestra delivered a sprightly and rousing reading of the Beethoven, in particular with an agile second movement that deftly steered clear of the more usual funereal tempi often heard in performance. The concert also saw second-year violinist Chantelle Yau making her debut as orchestral leader.

The next time Chorus and Orchestra perform, it’ll be in the august surroundings of Canterbury Cathedral for Verdi’s Requiem as part of the University’s fiftieth-anniversary celebrations. And That Famous Bass Drum Bit..