Tag Archives: Lunchtime Concert

Smoke and mirrors

Creating windows where there are none in the concert-hall this morning, in preparation for the Invitation to the Dance concert celebrating the music of Lully next month.

Projections_02 Projections_01 Projections_03 Projections_04

The conceit is to turn the concert-hall into the Palace of Mirrors in Versailles as a backdrop to the secular and sacred pieces in the programme, complete with a picture of the famed Hall on the projector-screen behind the performers.

WP_20160121_008Now all I have to do is persuade all the instrumentalists and singers to don period costume…

The concert is on Weds 17 February at 1.10pm; details here.

All aboard! New brochure now online

Our new What’s On series of events from February to June has gone live this morning, with full details of all the events coming at you over the next six months.

Concert Band & Big BandOur annual visits to Canterbury Cathedral sees Minerva Voices in the Crypt next month in Vivaldi’s Gloria, whilst the Chorus and Orchestra come together in Beethoven’s Mass in C and the Symphonie fantastique by Berlioz in March. The first of two concerts from the Cecilian Choir and Sinfonia will recreate the era of Louis XIV in a lunchtime concert celebrating the music of Lully in February, and at the end of March they bring two dramatic choral works by Vivaldi to St Peter’s Methodist Church in Canterbury. You’re also invited to leap aboard the Musical Express! with the Concert and Big Bands later in March, with a steam-driven programme including music by Benny Goodman, Duke Ellington and Philip Sparke.

flute_sheetmusicThe Lunchtime Concert series continues, with music from Total Brass and the Native Oyster Band, and our resident ensemble, CantiaQuorum, brings Wynton Marsalis’ Fiddler’s Tale to the concert-hall on 19 February –  the American theme continues in April with a concert by the Chorus and Orchestra including Gershwin’s popular Rhapsody in Blue with pianist Helen Crayford. And the #EarBox series exploring links between music and visual art returns to Studio 3 Gallery in two events – choral music from Minerva Voices and a concert by the Flute Choir. The Music Theatre Society takes the stage with some furry friends in a combination of puppetry and show-tunes, and there’s even some musical wizardry as part of ‘A Wonderful Week of Words’ in an informal lunchtime concert featuring music from Harry Potter and other magical pieces. There’s also a brief look ahead to come of the events taking place as part of Summer Music Week in June.

CantiaQuorumWe’re also pleased to welcome many external concerts and events to Colyer-Fergusson over the coming months, including pianists Malcom Binns and Imogen Cooper, the Aurora Orchestra, and many local ensembles; see all that’s to come in our online calendar here, or download a copy of the new brochure here (pdf). Or view the department events at a glance on our digital fridge-door of post-It Notes here.

All aboard…

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Sponsors of the Lunchtime Concert series

CantiaQuorum back next week

Our resident ensemble, CantiaQuorum, returns to Colyer-Fergusson next week for the first of two concerts this term.

Next Wednesday’s lunchtime concert sees seven members of the group in a programme including Saint-Saens’ Septet in E flat major and Stravinsky’s Suite Italienne, in which Stravinsky returned to his ballet Pulcinella, which itself re-imagined music by Pergolesi.

 

Furley Page logo
Sponsors of the Lunchtime Concert series

Admission is free with suggested donation of £3; more details online here.

Image Gallery: Summer Music Week 2015

Images from some of the various events that took place from Sunday 7 to Saturday 13 June, as the Music department bid farewell to another year at the University of Kent. Photos from the Scholars’ Lunchtime Recital on Day Two; jazz on the foyer-stage on Day Three; the String Sinfonia on Day Four; the Chamber and Cecilian Choirs in rehearsal on Day 6; and the marquee reception on the final day.

Other photos from throughout the week on our Pinterest board here.

Images © Matt Wilson / University of Kent

Bring me sunshine: Summer Music Week

Our annual Summer Music Week festival to celebrate the end of another musical year at the University is now published online, with all the details of what’s coming up.

Deal_BandstandRunning from Sunday 7 to Saturday 13 June, the week kicks off with a seaside visit to the Deal Bandstand with the Big Band; some of the singing Music Scholars will present a programme of Operatic Heroines in Love on Monday 8; the Lunchtime Concert on Tuesday 9 from some of this year’s Music Scholars, followed by the Music Awards ceremony; Wednesday sees the Concert and Big Bands coming together in the evening; Thursday features an informal lunchtime performance from the String Sinfonia; on Friday the Music Theatre Society performs on the foyer-stage at lunchtime, whilst in the evening we present our choral commission from composer Matthew King, poet Patricia Debney with projected photos by Phil Ward, performed by the Chamber and Cecilian Choirs; and the week comes to a festive conclusion with the Chorus, Orchestra and Chamber Choir on the Saturday afternoon, followed by cream teas on the lawn and many fond farewells.

summer_music_flowerRelive the memories of last year’s festival on our Pinterest board here: full details of all the events are published online here, or you can collect a brochure for the week’s events from Colyer-Fergusson soon.

Don’t forget to follow @UKCSummerMusic on Twitter in the build-up to and throughout the festival. Bring me sunshine…

This floating, fleeting world: in rehearsal

As a curtain-raiser to the performance of Tokaido Road, which comes to the Gulbenkian Theatre on 23 May, the lunchtime concert the day before is an exploration of the meeting-point between poetry and music for two pianos, set against a backdrop of some of the Hiroshige prints which inspired both poetry and opera.

Pianists Matthew King and myself, together with poet Nancy Gaffield, part of the Creative Writing team in the School of English and author of the original Tokaido Road cycle of poems, spent yesterday exploring the programme which we have put together, which intersperses music by Debussy, Ravel and Matthew himself with poems from the cycle, which Nancy will be reading. There is some wonderful connectedness between the words and the music – a phrase in a poem is echoed by a rising melodic shape; the opening arc of a poem emerges out of a slowly-dying piano chord; a cluster-sonority echoes the tone of one of the Hiroshige prints which is projected above the performers. We spent several hours immersed in floating words and chords in the darkened concert-hall, playing with moving between music and poem.

The concert will take place on Friday 22 May at 1.10pm, admission is free, more details here: come and immerse yourself in time-out-of-place with music, poetry and print.

In concert: Geoff Mason Quintet

Fantastic gig this lunchtime from the Geoff Mason Quintet.

Geoff_Mason_Quintet

A bustling set opened with One By One, which included some fleet-footed, cascading improvisation from Simon Spillett on tenor sax. A lyrical waltz by the late Kenny Wheeler called forth some colourful piano-playing from John Horler, answered by a nimble bass solo from Tim Wells. A white-hot reading of Monk’s Hackensack saw some blistering improv again from Spillett, underpinned by  solid bass Wells, each in turn supported by some deft and inventive drumming from Trevor Tomkin.

The high-octane set came to a close with McCoy Tyner’s robust Blues on the Corner, which was greeted by an enthusiastic reception from a large audience.

Here’s the group in rehearsal earlier in the morning;

Our next unchtime concert is Weds 1 April.

All that jazz: the Geoff Mason Quintet coming next week

Our next lunchtime concert on Weds 11 March sees trombonist Geoff Mason bring his quintet to Colyer-Fergusson for what promises to be a mouth-watering gig.

A regular with the Ronnie Scott’s Big Band, Geoff Mason is widely regarded as the leading exponent of ‘Blue Note Era’ jazz in the UK, named for legendary sound engineer Ruby van Gelder’s recordings by players such as Lee Konitz, Dexter Gordon, Freddie Hubbard and Cannonball Adderley during the 1950s and 60s.

Geoff MasonThe quintet line-up reads like a veritable ‘Who’s Who’ of British jazz, and includes drummer Trevor Tomkins, saxophonist Simon Spillett and pianist John Horler. I remember hearing a gig with John Horler and guitarist John Etherbridge broadcast on Radio 3 a few years ago that was mesmerising.

The programme promises a blend of jazz standards and bebop tunes, and will surely be a highlight of the year; the concert starts at 1.10pm, admission is free with a retiring donation.

Here’s a classic of the Blue Note sound: Cannonball Adderley as front-man to a group including Miles Davis, in ‘Love for Sale’ from the 1958 classic, Somethin’ Else. (Just look at that line-up…)

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Sponsors of the Lunchtime Concert series