Continuing the series profiling this year’s Music Scholars. This week, saxophonist Mathilde Farnabe.
My name is Mathilde and I am currently doing my Masters Degree in Psychology here at Kent Uni. I came from France in September 2011, so a lot of my music experience relates to my years in France.
I started taking music lessons when I was six because my dad always wanted me and my sister to play an instrument, as he is a guitarist. The following year I could choose to start an instrument so I went to have a look in different classes to see what I wanted to do.
For some reasons, saxophone attracted my attention and I started right away. For about ten years I was working with the same teacher, Jean-Henri Roan and I do owe a lot of my progress to his very committed and serious work with me. We worked on a lot of different classical, romantic or baroque pieces which to this day are still my favourites. I developed a lot of musical skills listening to him play and understanding what was written and how to interpret it.
In 2006 he brought me to a competition called “Concours National du Jeune Musicien” where I achieved my best performance and won a soprano saxophone, which was a great encouragement and reward for my work. I also took part in music camps every summer for four years, in the “’Académie Internationale d’Eté : Musique au Pays de l’Affiche ” in which I had the chance to play in amazing quartets and concert bands, as well as what stays my preferred formation to this day: a sax ensemble. I met a lot of different people in these summer camps and in particular my teacher’s teacher: Patrick Saltel. I was then encouraged to take lessons with him instead, which taught me a lot. I joined his concert band, saxophone ensemble and even orchestra where I was playing the oboe part with my soprano.
It was very sad when I had to leave everything behind in September 2011 to come and study in England. However I am now very pleased to be part of the music players and moreover scholars at the University of Kent, and I am very much enjoying the Big Band and Concert Band concerts and rehearsals in this new magnificent building. I have also started playing with a saxophone quartet which sounds great!
Continuing the series profiling some of this year’s Music Scholars. This week, percussionist Cory Adams.
I was 3 when I got my first drum kit. It was a toy of course, yet I think it did spark my passion for percussion and music. I started taking snare drum lessons when I was 8 years old at primary school; we weren’t fortunate enough to have a drum kit, so kit lessons would have to wait until I started high school.
Kit playing seemed to come naturally to me, and as my teacher saw potential in me, he asked me (when I was 12) to start playing with ‘Saxation’. This was a saxophone ensemble (with rhythm section of course) that was run by members of staff from the Wakefield Music Services. This environment enhanced my playing dramatically, so I immediately started playing with the music department at school. I joined the swing band, concert band, orchestra, guitar group and choir- to drum of course! I even joined the folk group to play djembe.
Progressing through the drum kit grades quickly, in year 10 I decided I wanted to become an all round percussionist. Therefore my teacher introduced me to the glorious instruments that are the timpani drums, xylophone, glockenspiel and vibraphone. This did however mean I now had to learn how to read treble and bass clef- it’s so much harder than drum kit music!
At this age (15), when I was preparing for my grade 7 and being the principal percussionist at school and at music centre, I was asked to be the principal percussionist for the Wakefield Youth Symphony Orchestra and the Wakefield Youth Jazz Orchestra. This was a real eye opener. The standard of playing in these ensembles was incredible, and being a ‘newbie’ I was petrified. It didn’t help either when I had to play Shostakovich’s Fifth Symphony and the intro to Also Sprach Zarathustra on timpani in my first concert.
It was also at this age when my theatre/show playing was tested. I was asked to play for an amateur dramatics group’s performance of Annie. I had such a great time, however it was disappointing that I couldn’t actually see the performance as I was stuck in the orchestra pit. I must have done a good job, because a year later I was asked to play again, this time for their medley/compilation of various musicals.
I was 16 when my teacher asked me to play with him for the Wakefield Metropolitan Brass Band. My initial reaction was, “you mean the youth band?” His response was, “No, I mean the proper one”. I could not have been more ecstatic- the band are a Championship Section band, which play against the likes of Black Dyke, Brighouse and Rastrick and Grimethorpe- the band that play in the film ‘Brassed Off’. This was the start of my dramatic improvement in all forms of percussion. I soon later (in 2011) completed my grade 8 with distinction.
From loud and raucous music to the soft tranquil haven that is Jazz. I have been playing jazz for 3 years now in a trio back home, and I have to tell you- it is a real money earner! And everyone knows we all need a bit of money now and then. I was quite sad to be leaving my trio when I came to university; however I didn’t know I’d be meeting three awesome jazz musicians. I now play with these guys and we are The Colossus Quartet- we are taking bookings so please get in touch!
I should now probably talk about what I actually do at University. Aside from the jazz quartet I play with the University Concert Band, Big Band and Orchestra. I love playing with these bands as I get to play so much tuned percussion; my tuned ability really has improved because of this. I look forward to my years at Kent being involved with the music department, I’ve already made many great friends and I’m sure I will make many more.
Continuing the series profiling some of this year’s Music Scholars. This week, woodwind specialist, Victoria Lockwood.
From a very early age, music has always been an integral part of my life. Many of my summer holidays were spent in a tent at various folk festivals, watching my Dad perform with his folk bands. More recently I have begun to make guest appearances with them on stage at various venues, including the Cambridge, Sidmouth and Towersey Folk Festivals. I started having lessons on the clarinet in middle school and then also took up the alto saxophone in secondary school.
I played in a variety of music groups throughout my time in middle and secondary school, from the school orchestra, clarinet group and jazz band, to the soul band, choir and chamber choir. This gave me plenty of opportunities to perform and I’d always find myself in more than one item in a single concert!
In 2010 I was persuaded by the head of music to play the school’s baritone saxophone in the school’s jazz band, which I really enjoyed and ended up playing it in several other groups as well. I was then asked to play ‘Reed 4’ along with teachers, students and professional musicians, in the orchestra for the school’s production of ‘West Side Story’. I had to play clarinet, bass clarinet and baritone saxophone, which ended up being a bit of a squeeze when we had to fit everyone in the pit! In 2012 I also played in the orchestra for the school’s production of Oklahoma. Whilst in sixth form I took A level music.
Outside of school I was actively involved with Milton Keynes Music Service for many years, where I played and performed with the Senior Wind Orchestra on 1st/solo clarinet and with Advanced Jazz on baritone saxophone. In the 2011 Gala Concert in Milton Keynes Theatre, I played the solo clarinet part in Gershwin’s Rhapsody in Blue.
I have also participated in the Music Service tours to Lake Garda, Italy, and Paris, France, as part of the Wind Orchestra, Big Band and Choir. I travelled to Ghana in 2011 with a small group of students and teachers from MK Music Service to help teach students at a local music organisation, as well as giving concerts in a range of venues.
I love any opportunity to widen my musical experiences and brought back a Djembe from Ghana and also a Sitar from India, where I went as part of a school cultural exchange. Whilst in Ghana I had the opportunity to work with a local drumming group, which was incredible, but after a while it does feel like your hands are going to fall off!
Back home I play alto and baritone saxophone with a soul/funk band, which has given me a chance to write and arrange the horn parts. We have performed at a range of events, from pub gigs to New Year’s Eve, Birthday and Garden parties.
I’m currently playing clarinet in the UKC Symphony Orchestra, and Sirocco group, and alto saxophone in Concert Band, and Big Band. The musical opportunities at Kent have allowed me to experience a broad range of repertoire and I felt privileged to have performed a piece that had been commissioned especially for Concert Band. I really enjoyed playing in the Gala opening of the Colyer-Fergusson building last term and I am looking forward to the concerts coming up this term.
Continuing the series profiing some of this year’s new University Music Scholars. This week, tuba-player Matt Baldwin.
I’m a tuba scholar studying Architecture at the University of Kent. I am 19 and from Derbyshire, where I attended John Port School in a small village called Etwall. There, I was a member of their Wind and Swing band that was set up by the Sixth Form students.
I started playing music 12 years ago, originally on the cornet, but after sixths months of struggling and a lot of bum notes later (!) I was persuaded to move onto the tuba where I had a lot more success, going on to play for many bands at a regional and county level. These bands include South Derbyshire Wind Band and Brass Band alongside Derbyshire City and County Wind Band and Orchestra. During my time playing music I have toured many European Countries and taken part in Regional and National Competitions across the country.
Currently, whilst studying at Kent I represent the University in the Concert Band and Orchestra. I am looking forward to the many concerts I have ahead; especially the opportunity to perform in Canterbury Cathedral.
Moving into the new building on Tuesday, Tuesday night saw the first Chamber Choir rehearsal in the new concert-hall.
Yesterday, Day Two of the move, saw the Sirocco Ensemble meeting for the first time this year in one of the upper rehearsal rooms:
Following this was the inaugural rehearsal of the newest departmental ensemble, the University String Sinfonia, which became the first instrumental ensemble to use the new hall.
And finally, in the evening, Concert Band and Big Band came into the new building for each of their first rehearsals here.
Today is Day Three, which will see the Cecilian Choir rehearsing in the hall this afternoon, followed by the Symphony Orchestra tonight. Which will leave Chorus to meet in the hall on Monday of next week for the first time, and we’ll have run the gamut of all the current ensembles trying out the new building. Plus the development of the building’s social spaces as its furniture is installed.
After an industrious summer of event and programme planning, not to mention the minor task of preparing to move to the new building, I’m delighted to say our new Concert Diary for the Autumn term has now been published online.
The Lunchtime Concert series continues, as we welcome musicians from Total Brass, sitarist Jonathan Mayer, and close-harmony group Sector7 in concerts throughout the term.
University Music Scholars will be giving an informal lunchtime concert in the first week of November – an exciting moment, as it will be the first event in the brand new Colyer-Fergusson music building and its wonderful new concert-hall!
We’ll also be gathering to raise money for Children in Need again this year; come and be part of a whacky world première with a difference, written by yours truly – all you will need is a donation and your mobile-phone, complete with three different ring-tones…
The world-famous Brodsky Quartet continue their fortieth-birthday celebrations in inimitable style, as they bring their ‘Wheel of Four Tunes’ to the Colyer-Fergusson hall. Armed with an array of forty pieces from their hugely eclectic repertoire, the pieces in this concert will be decided by the spin of a wheel in what promises to be a unique event.
Finally, the term comes to a grand finale with the inaugural Gala Concert, with the combined ranks of the Chorus, Symphony Orchestra, Chamber Choir, Concert Band and Big Band, in a spectacular evening celebrating the formal opening of the new Colyer-Fergusson music building, complete with two new works especially written for the occasion.
An exciting term ahead: find out more online here.
The academic year has now come to a close, and last week’s Summer Music celebrations saw the year out in fine style.
Hot on the heels of the traditional battle-of-the-bands competition, Keynestock, the five days of events in Summer Music saw a host of musical activities, each one reflecting a different aspect of music-making at Kent and highlighting musicians from across the University community and beyond, each taking their moment to bid farewell to the end of another year.
The Music Scholars’ Lunchtime Recital on the first day saw flautist Kathryn Redgers playing Bach, harpist Emma Murton in some jazz, marimba-player Carina Evans in some shimmering percussion textures, and soprano Marina Ivanova in dazzling form with some scintillating top-notes and effervescent cascading semi-quavers in Vivaldi’s Nulla in mundo pax sincera, accompanied by the University Camerata.
Later in the evening, the University Big Band under Ian Swatman enthused the Gulbenkian audience in a vibrant programme, that also saw some robust playing from special guests the Simon Bates Quartet and superb singing from Music Scholar and Big Band vocalist, Ruby Mutlow. Traditionally, there’s a moment when Ian invites all those performing for the last time to take a bow: only two players rose to their feet, leading to the suggestion that, with the influx of new players again next year, it might have to be re-christened the University Very Big Band!
St Mildred’s Church in Canterbury city hosted the Chamber and Cecilian Choirs, who combined in a programme of works for solo and double choirs; the church was packed, and an enthusiastic audience treated to works by Schütz and Van Morrison from the massed combined ranks of singers; there was also Lauridsen, Victoria and Hassler from the Cecilian Choir in the first half, and Barnum, Brahms, Rachmaninov, Lassus and Billy Joel from the Chamber Choir in the second half. String players from the University Orchestra welcomed the audience with some pre-concert quartet music, while the irrepressible tenor section of the Chamber Choir burst into spontaneous barbershop singing during the post-concert refreshments.
Saturday saw the Music Theatre Society topping a highly successful year with There’s No Business Like Show Business! in the Gulbenkian Theatre, a showcase bursting with music from West End shows, Broadway musicals and popular music theatre favourites.
Sunday afternoon saw the culmination of the week and the musical year as a whole, in the annual Music Society Summer Concert, with valedictory performances from the Concert Band, Symphony Orchestra, Chamber Choir and the University Chorus. The Concert Band paid a tongue-in-cheek tribute to the fact that it was the last concert in Eliot Hall – next year, we move to our exciting new music building – with a rendition of The Great Escape, whilst the Orchestra paid its own tribute with the last section of Haydn’s Farewell Symphony, which sees members of the orchestra slowly leaving the stage, leaving only two violins remaining to bring the piece, and the afternoon’s concert, to a close.
The whole series of events across Summer Music really encapsulates what making music at the University is all about. Embracing students, staff, alumni, members of the local community, family and friends, all of whom combine to rehearse and perform on top of their course- or work commitments, the dynamic of music at Kent is all about the community experience. It’s a terrific opportunity for students to pursue their musical interests as an extra-curricular activity alongside their studies, and for staff to find opportunities to step away from the stresses of their professional duties and participate in creative projects throughout the year. Members of the local community also perform in Concert Band, Big Band, Chorus, Cecilian Choir and Orchestra, from all walks of life; from teachers and lawyers to doctors and dentists, all find a warm welcome and a musical outlet at the University.
The tears flowed on Sunday, as students who are graduating from the University this summer saw their last concert coming to a close. But there’s a healthy camaraderie fostered amongst the University’s musical community that often sees graduates returning as alumni, both to attend concerts and also to come back and perform.
With thanks to everyone who has participated in music at Kent throughout this academic year, and good luck and best wishes to all who are graduating. We look forward to catching up with you all again next year, when the Colyer-Fergusson centre for Music Performance will welcome the resumption of music-making in the autumn. Watch this space…
The annual Music Society concert, Music for a Summer’s Day, is now just ten days away, and it promises to be the usual roof-raising summation of both Summer Music next week, as well as of another fine year of music-making at the University.
Bringing together the University Concert Band, Chorus, Symphony Orchestra and Chamber Choir, the programme includes the finale of Mozart’s popular Clarinet Concerto, with Music Scholar Sarah Davies as soloist; there’ll be film music from the Concert Band, a choral medley from My Fair Lady from the Chorus, pieces from the Chamber Choir (we’re sworn to secrecy about one of them!), Brahms’ Academic Festival Overture from the Orchestra, plus some popular favourites from Johann Strauss and Elgar – and a few surprises as well. There’ll even be balloons…
The occasion will be capped by cream teas (included in the price of tickets) in a marquee overlooking the slopes towards the city, with commanding views of the Cathedral on what we hope will be a fine summer afternoon.
Details about all the events in Summer Music online here, plus details of tickets for the Sunday concert.
To whet your appetites, here’s the spritely Mozart: perfect for a summer’s day.
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.