The University Chorus and Symphony Orchestra brought their term to a rousing conclusion on Saturday night in the Colyer-Fergusson hall.
But the music doesn’t end there; this Wednesday, there’s a seasonal ‘Watch This Space‘ on the foyer-stage, with festive contributions from the Chamber and Cecilian Choirs, the Lost Consort, Tutti Flutties, The Canterberries and the Dance Band starting at 1.10pm; then there’s live jazz from 2-3pm.
Then at 5.15pm, the University Big Band invites us to Swing-along-a-Santa, including communal carols with the Brass Ensemble. Sadly, all the tickets for the event have now gone – it promises to be a packed and festival finale to the term.
Drum-roll please….our new Autumn music events details are now online!
Kicking off in October with the Marici Saxes, the Lunchtime Concert series also sees music from Covent Garden Voices and the KD Jazz and Dance Orchestra. The Brodsky Quartet returns with a concert celebrating the musical anniversaries of Wagner, Verdi and Britten, and there’s also Britten from the award-winning Kent College Choristers in Friday Afternoons. We are very excited that the Doyenne of Wagner, Dame Anne Evans, will be giving a singing masterclass and also appearing ‘In Conversation’ to talk about her career on the stage in November.
The University Chamber Choir will celebrate the beginning of the Advent season at Blean Church, and the December concert with the Chorus and Orchestra includes Vivaldi’s ever-popular Gloria alongside Respighi , Verdi and Cimarosa.
Our informal series of foyer-gigs, Watch This Space, will burst into life again on the foyer-stage, starting with live jazz in October, and the University Big Band will be providing some seasonal entertainment to round off what promises to be a very busy term.
We’re pleased to welcome the Canterbury Festival, who will be bringing the English première of a new opera by Sally Beamish in a double-bill with Britten’s Curlew River, and pianist Mikhail Rudy exploring Mussorgsky’s Pictures at an Exhibition. Other visitors to the Colyer-Fergusson concert-hall include John Harle and the Festival Chamber Orchestra, Ashford Choral Society, Simon Langton Girls’ Choir and Caritas Chamber Choir.
See for yourself online here; you can also download the new brochure (PDF) here.
Recent Classics graduate, Dan Pargeter, on musical life at Kent, and continuing choral life afterwards in a new barbershop group named after a former well-known rehearsal venue on the campus…
I have often wondered, just when exactly would it be my time to contribute to this space? And what would it be that I contribute? I have read the pieces that precede this one, many written by talented musicians who I am fortunate enough to call friends. Friends with whom I have spent countless happy hours, over the course of my university career, making music. One more time then still, allow me to join you. Fitting is it that the occasion I write about now began at the University of Kent.
First Music Social – I arrive a little late, who would’ve thought, me!? Better late than never. For me before, not ever has the phrase rung so true. Told to join something, anything, at university; a music society was better than I had hoped. Monday night Chorus rehearsals? Yeah, why not, a great way to start the week. Hmmm Tuesday evening Chamber Choir practice, sign up for auditions here. A little soon after Monday, but well, nothing to lose right! Apart from my voice almost, before my audition, but that’s the state it’s in at the end of Freshers’ week and immediately after football trials. Just give it your all. 110% even! Evidently I was still in football trial mode.
What a wonderful four years it was. University Chorus, Chamber Choir, Cecilian Choir, even a spot of barbershopping. Rehearsals, concerts, soirees, champagne receptions. Of course I’d do it all again, exactly like that, in a heartbeat. But unfortunately it cannot be.
So what now?
Keep singing. And so I did.
I received an email about a choir that was based not too far away from me, which rehearsed on a Monday night 7.15-9.30pm. ‘Hmmm,’ I thought, ‘I’ve done that before.’ A little earlier a start than I am used to perhaps, but I’ll most likely be late every week of course so actually it is quite perfect.
Rehearsing for my first concert with the choir. Early days but how it felt good to be singing again. Life after Kent.
An opportunity arises. There’s a vacant spot in the concert. They are interested in the barbershop group I’d briefly mentioned at some point. ‘Wow, yes, that would be great.’ So I ask the boys, send over a recording, and we are in the programme as guest performers. Our first gig on pastures new.
A wonderful reason to get together with the old gang. With a month to prepare, we will give it our all and hope for the best.
June 29th, 2013 – Royal Opera House Fused Festival
The beginning of a long day. The boys stayed at mine the night before. A quick sing-through our programme but little more than that. We arrive at the venue, the London Cruise Terminal, shortly before midday. Not quite sure what to expect, we receive a warm welcome from the events team. We are swiftly guided through to the performance space, where we await our scheduled sound check.
Ah, an encouraging sign. I notice a smile on the face of a member of the sound team when we finish our first line. Hopefully not the last smile of the day! We sing through our set, careful not to do too much, and once everyone is satisfied we thank the crew and depart the performance area. However this doesn’t mean that today’s preparations stop here. I still have a rehearsal with the Chorus. And then there are the two workshops that the barbershop has signed up to. An action-packed day ahead!
At 2pm, finished with Chorus rehearsal, I head over with the other chaps to take part in the Male Voices workshop. Involving professional musicians, this one is led by a particularly charismatic chap whose energetic style is evident from the beginning. This is just what we need to motivate ourselves for tonight. We explore the male voice through a series of sing-backs and rounds, taking us from the bottom of our “chest voice” through to the top of the falsetto. Something for everyone!
3pm sees us begin the Vocal Warm-ups class. Having done 3 hours of singing today, voices feel warmed-up already. In fact, rather tired is more accurate! Regardless we power through.
The basics reiterated, current knowledge refined, and new techniques to further explore, the workshop leaves us all feeling thoroughly warmed-up and singing in best voices. I personally feel somewhat rejuvenated and fresher than before I went in. The barbershop vow to perform a thorough warm-up before every rehearsal in the future! Good intentions.
And now a couple of hours rest before the evening concert. Or so we thought… We ask one of the event organisers if they could perhaps take a photo of the four of us together. ‘We have a professional photographer for this sort of thing,’ cometh the reply. Well, how lovely!
An hour later, and a hundred or so shots, we have just completed the group’s first photo shoot! Did not see that one coming. Feeling like stars (see below), we sit down, relax, and wait.
Buttons buttoned, laces laced, cuffs linked. We’ve even found time to sit and enjoy the first half of the concert! But now we are backstage waiting to hear our name.
‘Old. Telephone. Exchange!’
‘Old Telephone Exchange,’ I repeat to myself. I smile. We exchange nods. That’s us. We are ready. I walk out to take the stage, stop and turn. We face an audience of four hundred, our biggest yet, and bow in response to a very warm welcome. Experiencing a cocktail of emotion, I compose myself and give an Ab. Immediately the note blossoms in my head into the first chord. Excited, I take a deep breath…
And yes, even though this music-making wasn’t on familiar ground, as our voices began to fill and resonate in a new space, I think I can safely say that our feet were still very much firmly planted on the floor of the room that we knew as The OTE.
Dan Pargeter
To keep up-to-date with the Old Telephone Exchange, follow them on Twitter. For further details on the group, visit the group’s website www.t-o-t-e.co.uk. Hopefully, we’ll be hearing a lot more from them in the future…
Continuing the series profiling this year’s Music Scholars. This week, mezzo-sopano Olivia Potter.
I have always loved singing; apparently, when I was very little, I would make up songs on long car journeys that lasted for hours (sorry mum!). Yet, when the time came for me to chose an instrument to learn at the age of ten, I chose the drum kit, having been inspired by my dad, who was a keen drummer himself.
It was only when I moved to secondary school that my passion for singing really took off. St Aidan’s Church of England High School in Harrogate, North Yorkshire, has a rich musical life and the number of music ensembles was extensive. At the school, I was involved in three choirs and three wind bands, performing in local venues such as the Royal Hall and Leeds Town Hall. I was also lucky enough to sing a solo in Ripon Cathedral. I started singing lessons in year 8, achieving grade 7 singing by the end of sixth-form (and somehow managing to pass grade 5 theory along the way, albeit with much help from my sister’s flute teacher who, with a great deal of patience, taught transposition, intervals and cadences to a girl who couldn’t really read music).
It was the school’s sixth-form Chamber Choir that allowed me to reach new heights in my singing abilities. It was an auditioned choir, made up of around 60 year 12 and 13 students. It had won the Songs of Praise School Choir of the Year award in 2006 and had been in the final of that competition another three times. It was a privilege being in a choir that produced such a high standard of singing. Perhaps the highlights of my time there was singing Eric Whitacre’s Sleep at the Music For Youth School’s Prom in the Royal Albert Hall and performing in Westminster Abbey, singing an arrangement of King of Kings, Majesty. Our repertoire was challenging, but it allowed me to grow in confidence, so when the time came for me to decide where I would like to go to university, I was drawn to the music opportunities here at Kent.
Getting into the Chamber Choir was an honor. I really enjoy being a part of Chorus and the Cecilian Choir as well. I love singing with such lovely and talented people. The Music Department is so supportive and passionate, and the new music building is fantastic. It’s wonderful that so much music making is encouraged at a university with no music degree course, making it accessible to anyone who just loves music. For this reason, I feel incredibly privileged to be a part of it.
I’m delighted to say that the details for Summer Music Week (Mon 3 – Sun 9 June) have just been published live.
The week-long events programme opens in rousing style with music for brass and percussion at lunchtime on Monday 3 June, and continues throughout the week with a recital from some of the Music Scholars; a day of jazz, culminating in the annual bun-fest that is the Big Band Gala with special guests; string music is the theme on Thursday, including the String Sinfonia; Friday celebrates choral music with a lunchtime of a cappella vocal music, whilst the University Chamber and Cecilian Choirs come together in the evening concert; and the whole week, nay, the whole musical year, reaches its climax on the Sunday, in a combined afternoon concert with the University Chorus, Symphony Orchestra, Concert Band and Chamber Choir.
Find out all that’s happening that week, including many free events, on the website here.
Next week sees the annual Colyer-Fergusson Cathedral Concert, and this year the University Chorus and Symphony Orchestra will come together in Brahms’ Second Symphony and Schubert’s Mass in A flat.
The annual event is always one of the high points in the cultural calendar, and we’re busy amidst a final flurry of rehearsals in preparation for the big night. More details about the concert on our ‘What’s On’ page here.
To whet your appetite, here’s the vibrancy of Brahms’ symphony captured by Simon Rattle and the Berlin Philharmonic.
Beginning the series profiling some of this year’s University Music Scholars: this week, soprano Victoria Newell.
I have had a love of all music, with a particular passion for singing, from a very early age. Before starting my Drama and Theatre Studies BA Hons at Kent University in September 2012, I was involved in a wide genre of singing, from formal school choirs to musical theatre and jazz. I was lucky to attend a school with progressive drama and music departments and was privileged to be given main roles in Seussical, The Witches of Eastwick, Evita, Chicago and Spamalot. Outside school, I took part in local musical theatre productions, including the title role in Annie, which developed my confidence as a soloist at a young age.
As a soprano I have sung a variety of solos in different choir groups, including 1st soprano in a joint school/adult performance of Monteverdi’s Beatus Vir. One of the highlights of my singing career was accompanying the school jazz band at various functions – the pinnacle of this was singing ‘Fever’ at the Ronnie Scot’s Jazz Night, where the prestigious Ronnie Scott’s Jazz Club performed alongside the school Jazz Band.
I am a songwriter and, in order to accompany myself, a self-taught guitarist with a growing repertoire of songs. During my recent gap year working in a school in Auckland, New Zealand I supported both the drama and the music departments in a variety of ways, and gained a great deal from this experience. The school even asked me to take part in their performance of Cats as no one else could reach the top notes in the Jellicle song!
Since being at Kent Uni I have greatly enjoyed being a member of the Chamber Choir and the Chorus. The highlight so far has been the wonderful Carol Service in Canterbury Cathedral at the end of last term. The atmosphere was extremely special and I felt very privileged to be part of such an amazing choral group. Now we are working hard towards the Chamber Choir’s Crypt Concert next month, which promises to be equally fantastic. I have really been enjoying the new music building and all the facilities it offers and I look forward to enjoying and contributing to the department in my years to come.