Category Archives: Keeping It Real: reviews.

Concerts and events reviews.

Curtain up: Get Fiddlin’!

Fiddler on the Roof poster

The University of Kent Music Theatre Society is preparing to raise the curtain on its production of Fiddler on the Roof from tomorrow at The Playhouse Theatre, Whitstable, directed by final-year English student, Laura Harrison. Including such well-loved hit songs such as ‘If I Were A Rich Man’ and ‘Far From The Home I Love,’ the annual productions by the University’s Music Theatre Society are always fantastically vibrant events, with superb sets and costumes.  Production Manager Tim Colegate is a second-year Drama student, whilst second-year English and American Studies student Katie Hogben is this year’s Costume Designer. 

Musical Director Elizabeth McIver, a final-year Music Scholar, soprano and Biosciences student, says the musical has always been close to her heart. “When I was about seven or eight years old, I saw the film version for the first time and I used to pretend I was Tevye and dance around like he does in’ If I Were A Rich Man.’ (Luckily our Tevye does a much better job than I did). 

“Our singers are full of enthusiasm and are so hard-working! I am so glad we have such a lovely venue in which to showcase their work. Our band is a mixture of UKC and Christchurch students, and it’s fantastic working with them all.” 

The first performance is on Thursday 1st March at 7.45pm, and the production runs until April 3, with a matinee at 2.30pm on the Saturday as well. 

Tickets are selling fast, appealing priced at  £10 (£5 for UKC and Christchurch students) and are available through the Playhouse Theatre website or from their Box Office on 01227 272042. 

It promises to be a fun-filled and exciting event: don’t miss it!
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Travel information – the number 4 bus from Canterbury bus station leaves every 15mins on normal service, on Bank Holidays it runs a Sunday service so the buses leave only every 30mins. There is a bus stop directly outside the theatre, the advice is to push the button as you see either ‘Lucy’s Sandwich Bar’ on your left or ‘Deco 5’ on your right – or ask the driver!

Buy one, get one free: two choirs go to Littlebourne.

The good citizens of Littlebourne got more than they bargained for when they wrote to me last Autumn, inviting the Music Department to provide a concert for them. Last week, to their surprise, not one but two choirs arrived at St. Vincent’s Church, Littlebourne, for a concert of choral music. 

Chamber Choir
University of Kent Chamber Choir 2010

The evening was shared between the University’s Chamber Choir, who were returning for the second year running, and an ensemble new to the University, the Cecilian Choir. Directed with authority by third-year Drama student Amy Clarke, the Chamber Choir explored a varied repertoire, ranging  from Schütz’s eight-part German Magnificat for double choir, and Bruckner’s Os Iusti to the wonderfully luminous Lux Aurumque by Whitacre, featuring some ethereal top notes from the sopranos. Tučapský’s Five Lenten Motets brought a suitably seasonal feel to the concert, and the concert ended with a lyrical rendition of Vaughan Williams’ folk-song settings. 

Cecilian Choir logoThe occasion was also the inaugural concert for the University’s Cecilian Choir, founded back in November as an opportunity for students, staff and alumni to make music on a smaller scale as a companion to the University Chorus. The group is a fine example of the nature of music-making across the university community observed in a previous post.  Directed by Dan Harding, they gave a spirited performance of Vivaldi’s Gloria, with a profound exploration of the dissonances of the second movement, Et in terra pax hominibus. There was also high drama in the Domine Deus, Rex coelestis which pitches a solo voice against a beseeching chorus. Soloists were drawn from students and staff alike. The choir also sang two short but colourful motets by Howard Skempton, who is fast becoming a favourite of the University concert programmes. 

St. Vincent’s Church has a window in the south aisle dedicated to St. Cecilia, the patron saint of music, after whom the Cecilian Choir is named, and it was a fitting place for the choir in which to make their debut performance. The saint would have been delighted to hear the music of both choirs, we hope. 

Congratulations to all the musical staff, students and alumni who took part. I wonder how many choirs will turn up next year ?

The programme for the entire concert can be viewed here.

Music from a farther room: the Eliot College Soirée

Eliot College Soiree
(l-r);Sarah Davies, Maddie Harris, Dan Wheeler, Kate Lumley, Dan Pargeter, Alice Godwin, Vici Hemming, Lizzie McIver, Lucy White, Nicola Ingram, Esra Yazar, Amy Clarke, Lena Younes, Ben Tomlin, Chis Gray; foreground: Dr. Michael Hughes, Dan Harding. (Missing from the photo is oboist Dr. Dan Lloyd, whom we think was at the bar by this time...!).

From the sweeping grandeur of Canterbury Cathedral to the intimacy of Eliot College in just five days: music at the University gets everywhere.  

The soirée musicale last Thursday in Eliot Senior Common Room saw a packed audience of staff, students and guests entertained by Scholars and musical staff and students in an evening of French music. Repertoire ranged from the high-art chansons of Fauré and Saint-Saëns via the tenderness of Poulenc’s Sonata for Oboe,  an Italian evening on the Grand Canal in Belle Nuit (Barcarolle) from Offenbach, to the contemporary, gutsy blues of Regarde les Riches. The University Clarinet Quartet tripped deftly through Chaminade’s Danse Créole, whilst other woodwind duets featured players, who had the week before filled the Cathedral, in works by Fauré, Poulenc and Bizet.  

An eight-part vocal consort drew the performance to a close with a traditional French folk-song arrangement, and also let in the only imposter of the evening, Morten Lauridsen, with his setting of En Une Seule Fleur. Well, fair enough: Lauridsen is a rising star of the American choral scene, but it was a setting of a poem by Rilke, and it is something of a showpiece for singers as well, so it was allowed. (So there.) 

The enthusiastic audience included many donors and benefactors who support the University’s Music Scholarships as well as all its music-making, and this was a great opportunity to thank them for their continuing support.  

Thank you to Michael Hughes, Master of Eliot College, for the invitation to perform, and to Meredith Johnson, the Master’s Assistant, for co-ordinating the lavish buffet which followed to the delight of all, especially these three ladies…  

Sometimes the food is just too tempting...
Sometimes the buffet is just too tempting...