Summer Music Week: Day Three

Colyer-Fergusson welcomed donors, supporters and friends to the University Music Department yesterday, as they gathered on Day Three of Summer Music Week for the annual Music Scholars’ Lunchtime Recital.

A wonderfully exploratory programme opened with second-year Jonathan Butten giving a lyrical solo cor anglais performance, followed by final-year Anne Engels in two pieces of French flute repertoire by Poulenc and Messiaen. The atmosphere turned sultry with a Piazzollla piano trio, featuring second-year cellist Faith Chan and first-year violinist Lydia Cheng, with Your Loyal Correspondent on piano, before a kitchen-sink finale highlighting diverse repertoire for solo percussion by third-year Cory Adams.

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Cory Adams unleashes the timpani
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Lydia Cheng (l) and Faith Chan (r) after the performance
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Lydia Cheng and Faith Chan talking with patron of the Music Scholarship scheme, Dame Anne Evans

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The concert was followed by the annual Music Awards ceremony, recognising the outstanding contribution made by various student musicians over the course of this year, about which more anon, before audience and performers retired to a post-ceremony reception.

Summer Music Week continues today with live jazz at lunchtime, followed this evening by the roof-raising gala from the Concert and Big Bands.

Fright Club: Horrortorio goes to school

Thanks to the staff and pupils of St Christopher’s School in Canterbury, who welcomed the solo singers of our current Horrortorio project last Friday.

WP_20160527_001_webSingers Charlotte Webb, Ruth Webster, Joe Prescott, Doug Haycock and Robert Loveless trod the boards of the school’s stage to entertain children and adults with the mock-Baroque oratorio celebrating the marriage of Dracula’s daughter, complete with costumes, props and some effective facial make-up from Doug in particular.

WP_20160527_003_webThe full performance takes place as part of Summer Music Week on Monday 6 June at 5pm for an in-the-round concert in Colyer-Fergusson Hall, for which the singers will be joined by members of the Cecilian Choir, smoke and mirrors. See you then – if you dare…

All fright on the night: Horrortorio in rehearsal

In the week of the composer’s ninetieth birthday, fittingly rehearsals are in progress for our production of Horrortorio, Joseph Horowitz’s mock-Baroque comic oratorio, celebrating the marriage of Dracula’s daughter to the son of Frankenstein.

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Ruth Webster; Charlotte Webb; Doug Haycock; Robert Loveless; Joe Prescott

A small group of fiends, sorry, soloists will be joined by members of the Cecilian Choir for an in-the-round performance during Summer Music Week, on Monday 6 June at 5pm, complete with smoke and mirrors, as we transform the concert-hall into a ghoul-frequented wedding party.

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Pictures above from the recent soloist’s dress rehearsal; join us in two weeks to be transported to Dracula’s grim castle…

 

Jumping pilgrims: flautist Anne Engels plays in an annual procession with a difference

Third-year flautist and Music Scholar Anne Engels recently took part in an annual procession back home in Luxembourg with a difference; I asked her to explain what it was all about…

Anne_Engles_processionAnne: “This photo was taken at the Sprangpressessioun (dancing procession) in Echternach, in Luxembourg. There’s an entire history behind the procession. Basically, around ten thousand pilgrims come to Echternach every year on the Tuesday after Whitmonday to visit the grave of St Willibrord, a monk who originally came from Ireland and set up a monastery in Echternach. The monastery now functions as a secondary school and college.

“The procession starts in the schoolyard and goes around the entire city of Echternach. The pilgrims jump or dance to the tune of the dancing procession (a polka), which is being played by a number of different music societies from Luxembourg, Germany and the Netherlands. The procession ends in the crypt of the Basilika, where St Willibrord is buried.

“As far as I know the jumping is originally believed to be healing or protecting the pilgrims from a specific disease (but I’m not quite sure about that!). The dancing procession itself was also recognized as Intangible Heritage by UNESCO in 2010.”

You can hear Anne performing (without the dancing, unless you feel so moved) in the Music Scholars’ Lunchtime Recital on Tuesday 7 June, when she will be playing Poulenc and Messiaen; details here.