Over on ‘Cantus Firmus,’ the University Cecilian Choir is in preparation for Monday’s ‘Cold’ lunchtime concert, as it rehearses Purcell’s ‘Frost Scene’ from King Arthur.
Mightier than the sword...
There’s also no time for the Chamber Choir to rest on its laurels, as it heads straight from its Advent concert last Friday into rehearsals for the Carol Service in Canterbury Cathedral on Monday week.
And, unrelated to the University’s musical life but of interest nevertheless, Alex Ross reports over on ‘The Rest is Noise’ on an interesting time at the Met, Philip Glass, protest and the police…
Next Monday, the University Camerata and Cecilian Choir join forces to perform Vivaldi and Purcell in the last of this term’s Lunchtime Concerts.
François Morellon la Cave: portrait of Vivaldi
The Red Priest’s enduringly-popular Winter, a vivid depiction of the season in its brittle textures, moves in its three movements from shivering amidst winter’s harsh wind to the warmth of sitting by the fire, whilst the last movement portrays racing across the ice before it cracks, seeking refuge behind a bolted door whilst winter’s chill fingers reach through the cracks. The violin soloist will be Jeremy Ovenden, leader of the Symphony Orchestra.
The Cecilian Choir will then join the Camerata for the ‘Frost Scene’ from Purcell’s King Arthur, in which Cupid (sung by second-year Music Scholar and soprano, Paris Noble) battles the Cold Genius (baritone and alumnus, Piran Legg) and his wintry revellers to bring warmth and dance to the frozen scene.
The concert begins on Monday 5 December in the Gulbenkian Theatre at 1.10pm; admission is free, with a suggested donation of £3.
Here’s a little taster of the Vivaldi, featuring a live performance by the Trondheim Soloists…
Over on ‘Cantus Firmus,’ the Chamber Choir are in full spate in the run-up to their Advent concert this evening, with Charles Green musing from the bass section about the impact of singing in mixed-voice formation and the use of his eyebrows …
Mightier than the sword...
‘On The Beat‘ announces this year’s singer with the University Big Band after a round of auditions: click here to find out who will be gracing the stage with the Big Band this year…
On this day, St Cecilia’s Day, we celebrate the patron saint of music, and this Friday the Chamber Choir will celebrate the start of the Advent season with a concert in Blean Church, Canterbury.
The Choir presents its annual ‘Music for Advent’ concert, with a candlelit sequence of music and readings to launch the beginning of the period of Advent. Combining traditional and modern carols, prose, poetry and the magnificent Advent antiphons, the programme is a meditation on the meaning of Advent and the message of the coming of the Christ-child.
You can follow the Choir’s rehearsals on its blog, ‘Cantus Firmus,’ which has charted our progress towards Friday’s performance.
The concert starts at 7.30pm; proceeds from the event towards the Church Restoration Fund and Blean School Playground Improvements. Ticket-sales and details on our concert diary online here.
There’s only three days to go until we gather in The Gulbenkian to sing Handel’s rousing ‘Hallelujah Chorus’ for Children in Need.
Thursday, 1.10pm in the Gulbenkian Theatre: even if you’ve never sung before, just bring your voice, enthusiasm and a donation as University musicians and members of the community join to raise money for a very special cause. More details online here.
Acclaimed international pianist Benjamin Frith returns to the Gulbenkian Theatre next Monday, to perform Mussorgsky’s mighty Pictures at an Exhibition.
In its original version for solo piano, this epic showpiece takes the listener on a musical odyssey through a series of paintings by the composer’s friend, the artist and architect Viktor Hartmann, at an exhibition held to commemorate the artist’s early death at the age of only thirty nine.
Hartmann: Catacombs
From the menacing ‘Hut on Fowl’s Legs’ to the lively ‘Ballet of the Chicks in their shells,’ finishing with the grandiose ‘Great Gate of Kiev,’ the piece represents a dazzling display of virtuosity for pianists.
The concert, on Monday 14 November, starts at 1.10pm, and finishes at 1.50pm. Admission free, with a suggested donation of £3.
There will also be an opportunity to hear Ravel’s brilliant orchestration of the piece at the University’s Symphony Orchestra’s concert in December.
The executive at the helm of this year’s Medway Music Society has burst onto the scene in a vibrant fashion, brimming with ideas and a vision for the musical life at Medway.
l-r: Djack Mcdonnell, Clive Berry, Ethan Sacre
We travelled to Medway yesterday to meet this year’s dynamic trio of Djack Mcdonnell (Vice-President and Treasurer, Music Technology), Clive Berry (Secretary, Engineering) and Ethan Sacré (President, Business), who are brim-full of plans for leading musical activities and events over the course of this year.
For these three, music lies at the heart of the student experience, on a campus which combines three universities – Kent, Canterbury Christ Church and Greenwich. In fact, two of the team are Kent students and the third is at Greenwich – a small glimpse of the co-operative Medway tripartite experience. Meeting Djack, Chris and Ethan, you’re immediately struck by their fiery enthusiasm for enriching the muscial life of all the students across Medway, and their vision for a vibrant society life.
Numbers in the Medway Music Society are rising steadily, and their musical life really got underway last week with ‘Rockaoke’ (read the Medwire review here, complete with photos). The whirlwind continues next week with the first heat in their ‘Battle of the Bands’ competition, competing for prizes including studio recording time, vouchers and performing opportunities.
The team, in true enterprising fashion, has demonstrated a sound business sense: it has arranged links with local music shops and services in the area, giving members of the Society discount opportunities at a range of stores.
”Campus life is very de-centralised,’ says Ethan, ”with students going into town in the evenings for their social life. And if you don’t go into town, you go to the Student Union by default.” The team aims to change this, by bringing events back to the Medway campus and encouraging students to come to gigs and shows. Spaces and venues are a challenge, they admit, but they are exploring potential spaces here and there, and have a wealth of flexible events lined up, from small-scale open mic nights to…well, I can’t say more.. . They are also aware of the importance of striking the right note at Open Days and during Freshers’ Week; of demonstrating to potential students that there is a student social life to be had at Medway. Plans are afoot to develop new ensembles as well, to cater for the diversity of musical interests that has come to Medway this year.
Having interviewed several Medway students this year, and reading the dialogue on their active Facebook page, it’s already apparent that the artistic side of life on the campus could potentially be very lively: the task now is to harness that energy and realise its potential. And if anyone were capable of doing just that, it would be this team. Prepare for the tide to turn….
I’m delighted to see that we’ve been given a double-page spread in the latest issue of the University magazine; the feature includes a review of last year’s Music Scholarship prize-winners; a focus on Humphrey Berney’s musical success after life at Kent; a look at the latest on the Colyer-Fergusson music building; and a look ahead to the last ever concert in Eliot Hall!
If you can ‘bear’ it…
