Tours of the Memories of Hopping Exhibition

Exciting news!

We will be running a couple of guided tours of the Hops Exhibition: ‘Local Stories: Memories of Hopping around Brook and Wye, Kent’.

Join us to find out more about the exhibition, the oral history project behind it, and to speak to our partners from Brook Rural Museum.

The tours will take place on:

Wednesday 27th November at 12.30pm and Thursday 28th November at 12.30pm 

They will be led by Philippa Mesiano from the Brook Rural Museum, and will last about 30 minutes.

Email engagement@brookruralmuseum.org.uk to book your place!

Image of an exhibition board titled Introduction Local Stories: memories of hopping around Brook and Wye

Introduction panel at the Memories of Hopping exhibition in the Templeman Gallery

 

Black and white image looking down a row of hop poles, with a man on tall stilts attaching strings to the hop poles

Ted Trush Stringing Hops at Spring Grove Farm in Wye, 1950s. Image courtesy of Liz Amos.

 

Fabulous First Editions – Drop In

This is your opportunity to see some amazing modern first editions in the wild, at our Archives Show-Off event for November.

Drop in to Special Collections and Archives (A108, First Floor – Templeman Library – A Block) on Tuesday 26th November 2024 between 12pm and 2pm.

View the incredible first edition of JRR Tolkien’s Lord of the Rings trilogy – ‘The Fellowship of the Ring’ – published in 1954. (including a gorgeous fold out map)

Front cover of the JRR Tolkien book The Fellowship of the Ring. The book is light beige, with an image of a red eye, and a gold ring and some runes

The Fellowship of the Ring, by JRR Tolkien (First edition, 1954) Reference: MOT.05

Take a peek at DH Lawrence’s privately published edition of ‘Lady Chatterley’s Lover’, part of a limited edition run of 1000 copies printed in Italy in 1928 and signed by the author. This book was not openly published until 1960 after it was the subject of an obscenity trial against its publisher, Penguin Books.

Image of a book with brown paper covers on its side showing the spine with title label and DH Lawrence's Phoenix motif

DH Lawrence, Lady Chatterley’s Lover (Private Printed Edition, 1928) Reference: MOL.A97

Marvel at the delicate uncut pages of TS Eliot’s ‘The Waste Land’, in its first publication in the UK in book form in 1923, published by Virginia and Leonard Woolf’s Hogarth Press.

Front cover of TS Eliot's The Waste Land which shows blue marbled paper covers and a white label in the centre

TS Eliot, The Waste Land (First edition, 1923) Reference: ELIOT PS3509.L43.W3

Also on display will be Graham Greene’s ‘Our Man in Havana’ (1958), Aldous Huxley’s ‘Brave New World’ (1932), Evelyn Waugh’s ‘Brideshead Revisited’ (1908), Ernest Hemingway’s ‘For Whom the Bell Tolls’ (1940) and many more.

Image of a book with a cream coloured cover and red label on the spine - reading For Whom the Bell Tolls, with the embossed signature of Ernest Hemingway printed on the front centre

Ernest Hemingway, For Whom the Bell Tolls (First edition, 1940) Reference: MOH.E5

 

Local Stories: Memories of Hopping around Brook and Wye, Kent

Next exhibition in the Templeman Gallery – 18th October to 29th November 2024 

Our next exhibition in the Templeman Gallery and will be installed over the next few weeks. Join us for the exhibition launch on Friday 18th October at 6pm! 

This is a partnership with Brook Rural Museum following an oral history project where local people were interviewed about their memories of hopping and hop production in Brook, Wye and the surrounding areas.

The exhibition features extracts from the oral history recordings alongside items from Special Collections and Archives, and from the Brook Rural Museum, including hop tokens and tally sticks, photographs, newspaper articles and rare books – telling the story of what hop farming and hop picking was like in Kent, and describing the history and future of hop production.

Contact us on specialcollections@kent.ac.uk if you have any questions or would like to attend the free launch event.

Poster about the Brook Rural Museum exhibition - Local Stories: Memories of Hopping around Brook and Wye, Kent. The poster features a black and white image of a hop worker on stilts working on the hop frames

Reclaiming Narratives: Finding Black History in the Archives

Sign up to our workshop on Wednesday 6th November 2024 – 1pm to 4pm

Location: Templeman Library, Room A108 (A Block – first floor)

Join the team in Special Collections and Archives for a workshop exploring Black history in the University’s archive and book collections.

Image showing 4 documents including two copies of a newsletter of the West Indian Students Union in London, and Ballet programe for a performance of Black Africa, and an advertisement for a lecture by CLR James chaired by Faustin Charles in 1968

Selection of items from the 1960s in the Faustin Charles Archive collection – including an advertisement for a lecture by CLR James chaired by Faustin Charles, two issues of newsletters from the West Indian Student Union in London, and a programme for a Ballet performance titled Black Africa. (Reference: UKA/ALU/CHARLESF/7/1)

 

In this workshop you will learn more about the University’s special collections, and have the opportunity to view some of the archive collections that highlight aspects of Black history. Workshop participants will learn archive research techniques, and be able to participate in our ongoing work to reveal and showcase the stories and experiences of people of colour that feature in our archive collections.

Through the workshop, participants will consider the challenges of trying to uncover hidden stories in the archives, touching on issues such as changes in terminology and the use of outdated language, and the lack of detailed cataloguing providing barriers to successful research.

Participants will be invited to spend time exploring archive catalogues to locate items of interest in the study of Black history, surfacing evidence of the activities and experiences of people of colour held within the archives. Your discoveries will be added to our list of sources supporting the study of Black history in the archive collections.

There will also be some free pizza at the end of the workshop as a thank you for your hard work!

To book a place on the workshop please contact Special Collections and Archives: specialcollections@kent.ac.uk

Black and white image of Faustin Charles, a Black man, standing at a lectern delivering a reading, wearing dark trousers, a lighter colour jacket and a roll neck jumper.

Faustin Charles reading poetry in 1970s (Reference: UKA/ALU/CHARLESF/7/9)

Sport in Special Collections and Archives

With the excitement of both the Euros and Wimbledon, sports fever has gripped Special Collections and Archives, so we thought we’d explore how the two sports have been represented in cartoons across the decades and open the reading room for a free drop in this Friday 12th July to showcase some of the incredible artworks we hold. Read on for a sneaky preview of the cartoonists whose work will be on display!

 

Tom Webster (1886-1962)

Tom Webster specialised as a sports cartoonist and pioneered his characteristic “running comment” cartoon style in response to the growing popularity of press photography; “I saw the red light,” he later recalled, “and realised that I had to find something the camera could not do”. After serving as a Lance Corporal in WWI, including action in the Battle of the Somme, he joined Northcliffe’s London Evening News as a sports cartoonist in 1918, and transferred to its sister paper, the Daily Mail, in 1919. His narrative cartoons began life at the sporting events themselves, where he would draw rapidly in pocket sketchbooks, and it proved quite a feat to meet the deadline for the next day’s paper. Equipped with his reference material, Webster explained, “I have to settle the sequence of the episodes, work up to the climax of my comic story, and pencil the whole thing in, within half an hour. This leaves me about three-quarters of an hour for finishing in ink.’ His cartoons were so popular that the Daily Mail provided Webster with a chauffeur-driven Daimler, fitted with an easel, so that he could start drawing on the way back from sporting events to the office. By 1924 he was reputedly the highest-paid cartoonist in the world.

Webster played golf with Herbert Chapman, manager of Arsenal Football Club, and supposedly inspired him with his habit of wearing a red sleeveless sweater over a white shirt to redesign the club’s red shirts in 1933 to incorporate their trademark white collar and sleeves. According to Webster’s family, he produced the design himself, and was rewarded with a shirt signed by the players on the sleeves and the directors on the collar. Webster covered plenty of football matches over the course of his cartooning career, and one player that features frequently in our collection is Charlie Buchan (1891-1960). Buchan started his career with Woolwich Arsenal (as it was then) in 1909, and – following a successful career with Sunderland – returned to Arsenal in 1925, seeing the club to their first FA Cup final in 1927. Webster seemingly makes much of the striker’s height!

Tom Webster cartoon of the Sunderland football team, featuring Charlie Buchan in the front row, centre, towering over the other players.

Buchan (Sunderland). Daily Mail (1921) – British Cartoon Archive, Tom Webster TW0287

Another notable sports personality of the early 20th century was French tennis player Suzanne Lenglen, the inaugural world No. 1 from 1921 to 1926. Invariably drawn with her short black bob and coloured bandeau, Webster seems less concerned about reporting on her skill, however, than he does in implicating her femininity. One can recognise the same trait in Webster’s contemporary, W. K. Haselden, in whose abstract cartoons about tennis a recognisably similar woman appears.

Tom Webster cartoon of Suzanne Lenglen reprimanding an American press photographer.

Champion of the world. Weekly Dispatch (20 November 1926) – British Cartoon Archive, Tom Webster TW1292

 

William Haselden (1872-1953)

A self-taught artist, Haselden is principally known as a social cartoonist and he had a steady career with the Daily Mirror from 1904 until his retirement in 1940. He worked with pen and Indian ink on board and developed a special multi-frame format, usually of six images, as his trademark style. He was known to use real people as the models for his cartoons, and his female tennis players often bear a striking resemblance to Suzanne Lenglen (see Tom Webster). His cartoons often satirise social expectations with regard to femininity and fashion, and he defends the short skirt as a pragmatic dress choice for tennis by contrasting it with an array of ridiculous alternatives – from swaddling gowns to custom-made bare leg protectors.

William Haselden cartoon in two sections, the topmost one showing four female tennis players in short skirts, the bottom one showing the same players in long training skirts, in the manner of Kate Greenaway.

If dresses are to be worn longer. Daily Mirror (8 September 1921) – British Cartoon Archive, William Haselden WH3380

William Haselden cartoon ridiculing society's outrage at female tennis players' short skirts.

Bare legs at Wimbledon. Daily Mirror (31 May 1929) – British Cartoon Archive, William Haselden WH4320

Asides from tennis, it’s also interesting what Haselden’s cartoons can tell us about the history of women’s football.

Whilst testimonies exist about women joining in casual community football alongside men as early as the 15th century, the first recorded match (between England and Scotland) wasn’t until 1881. Women’s football really took off during WWI, in fact it was reported that every town in England developed a women’s team. Naturally, when professional football resumed for men’s teams when the war ended, women’s football experienced an increased ideological backlash and legal action was taken to prohibit women from taking part in organised matches. In 1921, the FA implemented a countrywide ban on women’s football, which wasn’t lifted for fifty years. It is this context which we need to bear in mind when viewing Haselden’s cartoons. On 14th November 1925, the Daily Mail published Haselden’s cartoon about how rugby is – and ought to be – played. In response to contemporary complaints that the game is too rough, Haselden suggests that efforts to make the sport more genteel would risk emasculating the players. If men should conduct themselves like women on the pitch, how ironic is it, then, that women should be banned from the pitch?

William Haselden cartoon in two sections, the topmost showing rugby players fighting, and the bottom one showing 'civilised' play.

How to play rugby. Daily Mirror (14 November 1925) – British Cartoon Archive, William Haselden WH2589

 

Richard Willson (1939-2011)

Known principally as a caricaturist, Richard Willson can be said to have started his career proper in 1968 when he was taken on by The Observer. He started working freelance for The Times in 1971, contributing striking profiles for its Business Diary. His career involved freelance work for a wide range of publications, so it is difficult to know precisely which magazine or newspaper these caricatures may have been intended for. Amongst his sets of 80s and 90s sports personalities, Willson has captured footballers Gary Lineker and Vinnie Jones, and tennis players Björn Borg and Martina Navratilova. His fine, cross-hatched style with big heads on small bodies shows the influence of the American caricaturist David Levine; the artworks here have been done in ink and acrylic, which testifies to the spread of colour printing in newspapers since the days of Webster and Haselden.

Richard Willson caricature of 80s sports personalities: Rob Andrew, Gary Lineker, Björn Borg, Martina Navratilova, Brian Lara and Damon Hill.

80s sports personalities (Rob Andrew, Gary Lineker, Björn Borg, Martina Navratilova, Brian Lara and Damon Hill) – British Cartoon Archive, Richard Willson RW0028

Richard Willson caricature of 90s sports personalities: Will Carling, Mike Tyson, Michael Schumacher, Jonah Lomu and Vinnie Jones.

90s sports personalities (Will Carling, Mike Tyson, Michael Schumacher, Jonah Lomu and Vinnie Jones) – British Cartoon Archive, Richard Willson RW0027

 

Ron McTrusty (1948-2021)

Whilst Ron McTrusty started his career in 1970 as a magazine designer for Women’s Own and Women’s World, his significance for the British Cartoon Archive lies in his caricatures, and a number of notable sports personalities appear across our collection. To conclude this post, I leave you with the great Sue Barker, Tim Henman, Ian Wright and Glenn Hoddle. Come along on Friday to see even more!

Ron McTrusty caricature of Sue Barker.

Sue Barker – British Cartoon Archive, Ron McTrusty RMT0026

Ron McTrusty caricature of Tim Henman.

Tim Henman – British Cartoon Archive, Ron McTrusty RMT0507

Ron McTrusty caricature of Ian Wright.

Ian Wright – British Cartoon Archive, Ron McTrusty RMT1063

Ian McTrusty caricature of Glenn Hoddle.

Glenn Hoddle – British Cartoon Archive, Ron McTrusty RMT0474