Dan Thompson – zines and artist books collection

We’ve recently been very lucky to receive a fantastic collection of almost 300 zines and artist books from artist, maker and collector, Dan Thompson.

Dan lives in Ramsgate and runs a studio out of Marine Studios in Margate. He works nationwide on projects centred around people and places. Below is his story about this fantastic collection. You can browse the collection here: https://archive.kent.ac.uk

A photograph of 8 publications, their covers facing the viewer.

A selection of Dan’s publications in the collection, 997-2022 (DTC/ART/01)

“I’m a collector. I have collected since I was a child (my mum is a collector, too, with a love of the 1920s and 1930s – my dad had collections of stamps and of cigarette cards – and my uncle was an antique dealer). I have collections connected to the First and Second World Wars, to the printing industry, of studio pottery, of 7” soul singles.

But sometimes, collections creep up on you.

A photograph of 3 issues of Gay Christian zine, each photocopied on to pink paper.

Gay Christian zine, 1983-1984, found by Dan Thompson discarded at the British Juggling Convention, Ramsgate in 2022 (DTC/ZIN/02)

Back in the 1990s, I worked with a number of bands – and knew many more – who were on the fringes of Britpop.

Britpop retrospectives always feature two iconic magazine covers, Select with an image of Brett Anderson from Suede and Vanity Fair with a photo of Liam Gallagher and Patsy Kensit under a Union Jack duvet.

But the bands that originally made up the scene were better represented in Fantasy Y Fronts, a thick photocopied zine made by two fans, Mel and Sal. (There were lots of zines around back then, and the best ones were made by women.) Who remembers S*M*A*S*H, These Animal Men, Tiny Monroe, Thurman, Compulsion, Mantaray and co? I do, and they’re all in here.

I used to correspond with Fantasy Y Fronts, in the days when you had to write and post a letter. Finding the best bands, and being part of the scene, took time and commitment.

I kept a couple of copies of Fantasy Y Fronts as a souvenir of that time (I wish I’d kept the correspondence, too), and they’re the foundation this collection is built on.

Photographs of the covers of two issues of Fantasy Y-Fronts zine, balck and white photocopies with images of bands alongside text and logos.

Two copies of Fantasy Y-Fronts in the collection, 1994 (DTC/MUS/02)

 

Added to them are thirty years of things I never consciously collected.

It includes more music zines, including a small collection given to me a few years ago by the manager of Welsh band 60 Ft Dolls. There are political zines and pamphlets, including copies of Occupied Times from the Occupy movement that echo 1960s publications like International Times.

There are things made by artists I’ve known and worked with, like Charles Tolfree and Alice Angus. I’ve curated exhibitions and programmed events across England, so these come in geographical clusters: Brighton and Worthing, where I lived, then Margate, and Stoke-on-Trent where I have worked since 2014.

A photograph of 7 issues of Happy Hood zine, their covers facing the viewer.

Happy Hood zine by Laura Graham and Paige Taylor, 2017-2018 (DTC/PLA/04/01)

There are publications like Happy Hood, halfway between a zine and a local magazine, produced by my friend Laura Graham in Northampton.

There are all sorts of things, from all sorts of places, in all sorts of formats. There’s poetry and photography, and creative writing and cartoons.

A photograph of the cover of GirlFrenzy zinie, blue cover with a drawn image of a woman playing a guitar

GirlFrenzy zine, 1998 (DTC/MUS/11)

It’s a mismatched collection because I never set out to collect zines. These are souvenirs of projects, reminders of places I’ve been, gifts or exchanges with people I know – a collection of moments in time. They all originally belonged to other loose collections but a few years ago, I realised that if I took those collections apart (Britpop, or Things About London, or …) the constituent parts made a new collection, of what could be loosely termed artist’s books, zines, and small press publications.

 

 

A photograph of the cover of a zine, featuring a portrait of an older man.

Cummerbundery (Vol 1): The collected tweets of Brandon Cummerbund, 2010 (DTC/ART/08/06)

 

As an artist, I like this reshuffling of knowledge, this reframing of things in different ways. And that’s why I am pleased to be handing the collection, well over a hundred assorted items, to the University of Kent’s Special Collections, where it will be a cornerstone of their growing collection of zines and artist’s books. Because it’s a pack of cards that can be shuffled many ways, and I look forward to seeing who shuffles it and what they turn up.”

 

Cartooning Covid-19 – call for volunteer participants

About the project 

Nicholas Newman, The Sunday Times, 01 Mar 2020. ©
Nick Newman (ref: 109242)

‘Cartooning Covid-19’ will be a 10-week volunteering project which aims to make available cartoons published in national papers during the Covid 19 pandemic between March and December 2020. Through cataloguing these cartoons, we ensure that this important period in recent history is captured in the cartoon catalogue of the British Cartoon Archive for use in learning, teaching and research.

The British Cartoon Archive collects the cartoons published each week in national newspapers (The Times, Daily Telegraph, Daily Mail, The Guardian and The Independent). This encapsulates work by artists such as Bob Moran, Nicholas Newman, Peter Schrank, Morten Morland, Peter Brookes and more. 

 

To participate in this project please email cartoons@kent.ac.uk. 

Practicalities 

The project will be carried out using a hybrid model of in-person group sessions and remote virtual cataloguing. However, this opportunity is open to all, so if you do not live locally to Canterbury, you are welcome to join as a fully remote participant. Similarly, if you would prefer to participate in person only, that’s ok too. 

Volunteers will be provided with full training as part of the project, including sessions from the archive team about the BCA and the work they carry out to preserve it and make it available, and they will be given access to library resources where possible, such as newspaper archives and both physical and digital cartoon collections. 

Volunteers will be given a set of cartoons published between March and December 2020, which they will be asked to catalogue by listing details about the cartoons into a spreadsheet with supervision from the Special Collections and Archives team. At the end of the project the resulting spreadsheets of data will be uploaded to the British Cartoon Archive catalogue alongside digital cartoon copies, making these resources available to the public.  

Special Collections and Archives will provide refreshments at in-person events (lunch will not be provided). 

Michael Heath, The Mail on sunday, 05 April 2020. ©Associated Newspapers Ltd. (ref: 109333)

Schedule 

  • In-person sessions will be held fortnightly on Tuesdays from 3rd October through to 5th December 2023 (10 weeks). Sessions will run from 10:30-16:00 with an hour break for lunch. For online only participants, you would be invited to attend the welcome day sessions virtually on Tuesday October 3rd, after which you will be provided with digital copies to describe and catalogue. 
  • Optional online drop-in sessions will be scheduled virtually (via Microsoft Teams) for one hour every other week from Thursday 12th October. These sessions will enable Special Collections and Archives to provide virtual support for volunteers between in-person sessions, while also providing an opportunity for socialising and peer support. 
  • Volunteers are encouraged to participate remotely between in-person sessions. Resources will be made available online through Google Drive.   

Requirements 

There are no specific prerequisites for participating volunteers, however this project will likely suit those with an interest in political satire, art and graphic design, UK politics, or those wishing to learn more about archives.  

Volunteers should be comfortable with using websites and online catalogues, and in using spreadsheets. 

A laptop will be needed for participation during in-person sessions.  These can be supplied by Special Collections and Archives on request, but numbers are very limited so please indicate in advance if this is required. Volunteers are encouraged to provide their own devices where available.  

For remote participation, volunteers will need to have their own laptop or personal computer with internet connection, as well as access to a Google account.  

To participate in this project please email cartoons@kent.ac.uk. 

Morten Morland, The Times 27 April 2020. ©News UK (ref: 109373)

50 years of cartoons at the University of Kent, 2023-2025

In 1973 the first cartoons arrived at Kent, in the shape of a large deposit of 20,000 cartoons from the Daily Mail and Evening News. This paved the way for the establishment of the Centre for the Study of Cartoons and Caricature (CSCC), which was formally inaugerated at the University of Kent in October 1975. Dr Graham Thomas, who worked at the university’s Politics Department, was instrumental in it’s founding and, along with colleagues such as Colin Seymour-Ure, built the CSCC into one of the largest and most significant collections of cartoons in the UK. Today we know these collections as the British Cartoon Archive. 

To celebrate the 50th anniversary of the CSCC and the British Cartoon Archive, we’ll be hosting a variety of events and activities from Summer 2023 through to Winter 2025. Information about these events will be posted here.

The 50/50 Project: Celebrating 50 Years of the British Cartoon Archive (June-December 2023)

A photograph of the volunteers working at tables in our reading room. On top of the tables you can see various books and archival materials.

Our volunteers selecting and reviewing material in the Special Collections and Archives Reaing Room.

This is a volunteer-led project aiming to explore and select 50 cartoons from across the British Cartoon Archive collections to feature in an exhibition in the Templeman Gallery. The project took place on Mondays throughout June 2023.  The exhibition will be on display from October to December 2023.

After an initial tour of the collections the volunteer group got hands-on with cartoons, searching our catalogues, viewing material, and writing captions, before curating the exhibition. They continune to work remotely on their captions, which will be brought together to form the exhbition in October 2023.

Watch this space for more information!

Cartooning Covid-19 (October-December 2023)

‘Cartooning Covid-19’ will be a 10-week volunteering project which aims to make available cartoons published in national papers during the Covid 19 pandemic between March and December 2020. Through the description and cataloguing of these cartoons, we will ensure that this important period in recent history is captured in the cartoon catalogue of the British Cartoon Archive for use in learning, teaching and research 

The project will be carried out using a hybrid model of in-person group sessions and remote virtual cataloguing. Volunteers will be provided with full training as part of the project, including sessions from the archive team about the BCA and the work they carry out to preserve it and make it available, and they will be given access to library resources such as newspaper archives and both physical and digital cartoon collections.

The project will begin in October 2023, see https://blogs.kent.ac.uk/specialcollections/2023/09/01/cartooning-covid-19-call-for-volunteer-participants/ to get involved!

 

An intern’s experience: Jenni-Rose Nicholl

We were lucky enough to work with student Jenni during her internship from March to April 2023, as part of her Classical & Archaeological Studies course at the University of Kent.

Jenni worked on a variety of collections during her time with us, including the Colin Seymour-Ure and Holt Bairnsfather collections in the British Cartoon Archive, the Papers of the Shirley Foundation collection in the UK Philanthropy Archive, and the Max Tyler Music Hall collection. She also assisted us with facilitating seminars and school visits. Jenni writes about her experience below.

Objects from the Holt Bairnsfather collection being sorted and packaged in our workroom.

An internship is designed in its nature to provide the intern with real-world experience in the relevant field of work they are completing their study in. Having recently completed my internship with the University of Kent’s archive team, it can safely be said that I have gained a tremendous amount of experience and hands-on professional context in which to take my degree further.

From my first day being shown around the archives by the incredibly knowledgeable Clair Waller, my mind was blown by the sheer amount of work and effort that our incredible archivists do every single day in order to keep the University archives, alongside the British Cartoon archive, up to date and relevant for today’s scholars and students alike. By far my personal favourite part of the internship was cleaning the books given to the archives team from individual’s personal collections [ed – the Colin Seymour-Ure collection], being carefully instructed as to the care and management of dirty and weak covers and how to prevent the books from deteriorating further.

A portrait of Professor-Colin-Seymour-Ure

Professor-Colin-Seymour-Ure

Whilst partaking in my internship I was regularly using a scanner and uploading photos in an organised manner onto the computer, something a self-confessed technophobe such as myself found greatly beneficial for future employment as well as daily life. A career in archaeology would not be such without numerous types of paperwork in which listing remains crucial.

A photograph of Dame Stephanie Shirley standing in front of a large promotional sign at the 2019 Linkedin Summit, Talent Connect On Tour.

Dame Stephanie Shirley at the February 2019 Linkedin Summit. Papers of the Shirley Foundation.

Through my internship I was instructed in the use of listing sheets and how to correctly fill them out directly benefiting my future prospects in the archaeological field. My internship has greatly grown my confidence in a professional environment and with the instruction of Clair Waller, Beth Astridge and Karen Brayshaw, I have gained invaluable experience and fond memories for my future career.

A photogrpah of Jenni's hand holding a book that has been laid between boards and wrapped with cotton tying tape.

An example of a book Jenni cleaned before applying a bit of collections care by wrapping the book between boards using cotton tying tape. This helps to preserve the book, providing support to otherwise fragile or damaged bindings.

 

 

 

Wally ‘Trog’ Fawkes (1924-2023)

We were very saddened to hear of the death of Wally Fawkes last week, who passed away at the age of 98 on Wednesday 1st March 2023. Fawkes (also known by his pen-name ‘Trog’) was a revered cartoonist and illustrator with a talent for caricature and an instantly recognisable style. Johanna Fawkes said of her father, “He was warm, funny and thoughtful. Everybody adored him”.

Wally Fawkes

Walter (“Wally”) Ernest Fawkes was born in Vancouver, Canada on 21 June 1924. He moved to England with his mother, siblings, and stepfather in 1931. He loved comics from a young age and from the age of 14 studied at Sidcup Art School for a short time before the outbreak of war in 1939. During the war, Wally worked at Woolwich docks, painting camouflage on factory roofs in an effort to protect them from bombing. This effort was not rewarded as the docks were flattened during the blitz in 1940. Wally did not serve in the war due to a bout of pleurisy, instead working for the Coal Commission tracing maps.

 

Fawkes’ artistic talent was discovered in 1942 after he took part in an art competition at work that was judged by the Daily Mail’s political cartoonist, Leslie Illingworth. Illingworth was impressed and got him a job drawing for the Clement Davies advertising agency. Then in June 1945 on Fawkes’ twenty-first birthday Illingworth found him a job at the Daily Mail, where he was tasked with creating decorative illustrations and column breakers.

A photograph of Fawkes at his drawing desk

Fawkes married journalist Sandy Boyce-Carmichelle in 1949, with whom he went on to have four children, Johanna, Kate, Sarah and Jamie. Sadly, Sarah passed away at a young age. Wally and Sandy were divorced in 1964, but Wally found love again with Susan Clifford, who he married and had two more children with, Lucy and Daniel.

In 1949, the Daily Mail’s owner, Lord Rothermere, asked Fawkes to illustrate a cartoon strip, ‘Flook’. Originally created by Douglas Mount in 1949, the strip ran for 35 years in the Daily Mail before moving to the Mirror in 1984, and featured many writers throughout its lifetime.

FO0025, [No caption], Daily Mail, 25 Apr 1949. ©Associated Newspapers Ltd. / Solo Syndication

The name of the strip was originally named after its redheaded character ‘Rufus’, but this was quickly changed to ‘Rufus and Flook’, before finally becoming known as simply ‘Flook’. By the early 1950s, the strip was one of the Daily Mail’s most popular features, and was syndicated to the United States and New Zealand.

A Flook model hiding in the archives

When the news broke that Fawkes was leaving the Daily Mail in 1984, the Daily Mirror signed him up, with Flook transferring to them in that October. They announced the transfer with the following cartoon:

38393, [No caption], Daily Mirror, 19 Nov 1984. ©Mirrorpix

An accomplished clarinet player, the pen name ‘Trog’ comes from one of Fawkes’ early jazz bands, ‘The Troglodytes’. Fawkes went on to play in the ‘George Webb Dixielanders’ with trumpet player and fellow cartoonist Humphrey Lyttleton in 1944. Later they co-founded ‘Humphrey Lyttleton and His Band’ in the late 1940s. Fawkes left Lyttelton’s band in 1956, but continued to play with various groups throughout his life. In the late 1950s he established a jazz club night at the Six Bells, Chelsea with fellow musician Jim Goldbolt that became known as ‘Trog’s Club’.

When Illingworth retired in 1969, Fawkes took his position as political cartoonist at the Daily Mail. However, this position did not last long, with Fawkes being replaced with Stan ‘Mac’ McMurtry in 1971 when David English took control of the paper. During his career, Fawkes drew for many publications, notably the Observer and Punch, but also the Spectator, New Statesman, Sunday Telegraph, Today, London Daily News, and Private Eye.

WF0113, [No caption], Sunday Telegraph. ©Telegraph Media Group Ltd

Fawkes was one of the founding members of the British Cartoonists’ Association, established in 1966, alongside Kenneth Mahood and John Jensen. He was twice the winner of Granada TV’s ‘What the Papers Say’ Cartoonist of the Year Award, the US Cartoonists’ and Writers’ Syndicate World Award 1976, International Political Cartoonist of the Year (1976), CCGB Humorous Strip Cartoonist of the Year (1981), CAT Caricaturist of the Year (1997) and the CAT Lifetime Achievement Award (1997). In 2001, Fawkes received an Honorary Doctorate from the University of Kent.

Fawkes retired from cartooning in 2005 at 81 as his sight began to fail, after 62 years in the business. His work continues to be popular today; the Cartoon Museum in London held an exhibition of his work in 2013, and the University of Kent’s British Cartoon Archive continue to make his work available to researchers, students and enthusiasts alike. His work was admired not only by the public, but also by his contemporaries.

“…there is an astonishingly sharp focus…particularly in the caricature, which makes the characters seem larger than life, as if seen under a brilliant light and a powerful lens…his blacks seeem to be blacker than black” Raymond Briggs[1]

“Very few artists can see a likeness the way he can, and catch it so completely. He doesn’t develop a hieroglyph for each politician and then simply reach for it each time it is needed. Every Trog caricature is carefully recrafted.” Nicholas Garland[2]

Wally by Flook, Daily Mirror, 16 Nov 1984. ©Mirrorpix

The British Cartoon Archive’s Fawkes Collection includes almost 3500 original artworks, 6600 original Flook strips, over 5000 cuttings and even one of the orange plastic squeaky Flook toys marketed by the Daily Mail. For a full biography, please see https://www.cartoons.ac.uk/cartoonist-biographies/s-t/WallyFawkes_Trog.html.

 

[1] Trog : Forty Graphic Years – the art of Wally Fawkes (introduction and commentary by Frank Whitford; foreword by Raymond Briggs), London: Fourth Estate, 1987, 191pp.

[2] Nicholas Garland “Undimmed, inimitable Trog”, Sunday Telegraph, 20 June 2004, Review p.7.