Phoebe Barnes – Special Collections and Archives: Preserving the Past and Shaping the Future

What follows is a blog post written by Phoebe Barnes, a Kent student who completed a week-long internship with Special Collections and Archives in November 2024 as part of her research for her dissertation. 

My Week at the University of Kent’s Special Collections and Archives: Preserving the Past and Shaping the Future

[In November 2024] I had the opportunity to intern at the University of Kent’s Special Collections and Archives, immersing myself in the captivating world of historical preservation. During my time there, I gained invaluable hands-on experience in archival preservation techniques, delved into Canterbury’s rich history, and engaged in insightful conversations with the archivists whose work upholds these collections. My week spent alongside this dedicated team not only deepened my appreciation for the significance of archives but also illuminated their evolving role as stewards of community memory and culture in the digital age.

Photograph taken at the corner of Burgate and Buttermarket c.1950s, Crampton Canterbury Photograph Collection (LH/CANT/PHO/12/102)

Rediscovering Canterbury in the 1940s Through Historical Photographs

One of my initial tasks involved rehousing a collection of photographs from the 1940s—a delicate process that allowed me to interact directly with images from a bygone Canterbury. As I transferred these photographs into archival-quality storage, I was struck by the scenes captured on film: familiar landmarks in their original, often unexpected settings. The photos challenged my assumptions about the city’s past—Canterbury’s streets were not as cobbled as they are now! This work underscored for me the power of visual history, highlighting the importance of preserving such images for future generations to appreciate and learn from.

Assisting with Seminars and Learning Preservation Techniques

Throughout the week I assisted in preparing for student seminars, which introduced students to historical materials in an engaging, hands-on environment. Observing the students’ interactions with these primary sources offered an inspiring perspective on how archives can bring history to life, sparking interest in research, history, and archival studies. Witnessing their reactions to these authentic materials reinforced my understanding of archives as vibrant educational resources.

In addition to seminar preparation, I took on a variety of preservation tasks, from meticulously cleaning fire-damaged sketchbooks with specialised brushes and smoke sponges, to creating custom protective covers for books dating back to the 1800s. These activities required patience and precision. Each task reminded me of the care and dedication that preservation work demands to ensure that these historical treasures endure for future generations.

Touring the Stronghold and Discovering Preventive Preservation Practices

One of the highlights of my internship was a tour of the archive’s stronghold, where the most sensitive and rare materials are housed. In this climate-controlled environment, I observed the extensive preventive measures employed to preserve delicate items, from temperature and humidity control to collaborative conservation efforts with experts, including those from Canterbury Cathedral. I was struck by the proactive nature of preservation work – it’s not solely about repairing items but involves safeguarding them from deterioration in the first place.

Special Collections and Archives store

Visiting Canterbury Cathedral’s Libraries and Discussing the Role of Modern Archives

Mid-week, I had the chance to visit the archives, reading room, and libraries at Canterbury Cathedral, where I continued to explore primary sources and connect with experienced archivists and conservationists. Our conversations with the collections team were particularly thought-provoking, as we discussed the evolving role of archives in today’s world. Archives are no longer static repositories of old documents; they are dynamic spaces that foster a sense of community and historical awareness. The team shared insights into how archives support cultural identity, encourage historical understanding, and promote collective memory.

The Reading Room at Canterbury Cathedral Archives and Library

A significant aspect of this work involves digitisation, which enables archival materials to reach a wider audience and facilitates access regardless of geographic limitations. By digitising fragile items, archives allow individuals around the world to engage with history, explore primary sources, and take part in the shared experience of discovering our collective past. This commitment to accessibility and outreach emphasises how archives are adapting to the demands of the modern world, making history available to all.

Reflections on a Transformative Experience

Reflecting on my week at the University of Kent’s Special Collections and Archives, I am incredibly grateful for the experience. While I entered this internship with a sociological view of the archival space, I left with a newfound respect for the archival practice and a deeper appreciation of the vital role archives play within the community. From handling historical photographs and learning preservation techniques to discussing the importance of archives in community building, each day provided fresh insights into this meaningful work.

I extend my heartfelt thanks to Christine, Beth, Clair, and the entire team for their guidance and mentorship. This internship revealed to me that archives are far more than mere collections of historical documents; they are dynamic, accessible resources that promote education, community engagement, and a shared appreciation of our past. This experience has inspired me to consider the many ways we can support and interact with archives to ensure these invaluable collections remain accessible and preserved for generations to come.

Tours of the Memories of Hopping Exhibition

Exciting news!

We will be running a couple of guided tours of the Hops Exhibition: ‘Local Stories: Memories of Hopping around Brook and Wye, Kent’.

Join us to find out more about the exhibition, the oral history project behind it, and to speak to our partners from Brook Rural Museum.

The tours will take place on:

Wednesday 27th November at 12.30pm and Thursday 28th November at 12.30pm 

They will be led by Philippa Mesiano from the Brook Rural Museum, and will last about 30 minutes.

Email engagement@brookruralmuseum.org.uk to book your place!

Image of an exhibition board titled Introduction Local Stories: memories of hopping around Brook and Wye

Introduction panel at the Memories of Hopping exhibition in the Templeman Gallery

 

Black and white image looking down a row of hop poles, with a man on tall stilts attaching strings to the hop poles

Ted Trush Stringing Hops at Spring Grove Farm in Wye, 1950s. Image courtesy of Liz Amos.

 

Fabulous First Editions – Drop In

This is your opportunity to see some amazing modern first editions in the wild, at our Archives Show-Off event for November.

Drop in to Special Collections and Archives (A108, First Floor – Templeman Library – A Block) on Tuesday 26th November 2024 between 12pm and 2pm.

View the incredible first edition of JRR Tolkien’s Lord of the Rings trilogy – ‘The Fellowship of the Ring’ – published in 1954. (including a gorgeous fold out map)

Front cover of the JRR Tolkien book The Fellowship of the Ring. The book is light beige, with an image of a red eye, and a gold ring and some runes

The Fellowship of the Ring, by JRR Tolkien (First edition, 1954) Reference: MOT.05

Take a peek at DH Lawrence’s privately published edition of ‘Lady Chatterley’s Lover’, part of a limited edition run of 1000 copies printed in Italy in 1928 and signed by the author. This book was not openly published until 1960 after it was the subject of an obscenity trial against its publisher, Penguin Books.

Image of a book with brown paper covers on its side showing the spine with title label and DH Lawrence's Phoenix motif

DH Lawrence, Lady Chatterley’s Lover (Private Printed Edition, 1928) Reference: MOL.A97

Marvel at the delicate uncut pages of TS Eliot’s ‘The Waste Land’, in its first publication in the UK in book form in 1923, published by Virginia and Leonard Woolf’s Hogarth Press.

Front cover of TS Eliot's The Waste Land which shows blue marbled paper covers and a white label in the centre

TS Eliot, The Waste Land (First edition, 1923) Reference: ELIOT PS3509.L43.W3

Also on display will be Graham Greene’s ‘Our Man in Havana’ (1958), Aldous Huxley’s ‘Brave New World’ (1932), Evelyn Waugh’s ‘Brideshead Revisited’ (1908), Ernest Hemingway’s ‘For Whom the Bell Tolls’ (1940) and many more.

Image of a book with a cream coloured cover and red label on the spine - reading For Whom the Bell Tolls, with the embossed signature of Ernest Hemingway printed on the front centre

Ernest Hemingway, For Whom the Bell Tolls (First edition, 1940) Reference: MOH.E5

 

Local Stories: Memories of Hopping around Brook and Wye, Kent

Next exhibition in the Templeman Gallery – 18th October to 29th November 2024 

Our next exhibition in the Templeman Gallery and will be installed over the next few weeks. Join us for the exhibition launch on Friday 18th October at 6pm! 

This is a partnership with Brook Rural Museum following an oral history project where local people were interviewed about their memories of hopping and hop production in Brook, Wye and the surrounding areas.

The exhibition features extracts from the oral history recordings alongside items from Special Collections and Archives, and from the Brook Rural Museum, including hop tokens and tally sticks, photographs, newspaper articles and rare books – telling the story of what hop farming and hop picking was like in Kent, and describing the history and future of hop production.

Contact us on specialcollections@kent.ac.uk if you have any questions or would like to attend the free launch event.

Poster about the Brook Rural Museum exhibition - Local Stories: Memories of Hopping around Brook and Wye, Kent. The poster features a black and white image of a hop worker on stilts working on the hop frames

Reclaiming Narratives: Finding Black History in the Archives

Sign up to our workshop on Wednesday 6th November 2024 – 1pm to 4pm

Location: Templeman Library, Room A108 (A Block – first floor)

Join the team in Special Collections and Archives for a workshop exploring Black history in the University’s archive and book collections.

Image showing 4 documents including two copies of a newsletter of the West Indian Students Union in London, and Ballet programe for a performance of Black Africa, and an advertisement for a lecture by CLR James chaired by Faustin Charles in 1968

Selection of items from the 1960s in the Faustin Charles Archive collection – including an advertisement for a lecture by CLR James chaired by Faustin Charles, two issues of newsletters from the West Indian Student Union in London, and a programme for a Ballet performance titled Black Africa. (Reference: UKA/ALU/CHARLESF/7/1)

 

In this workshop you will learn more about the University’s special collections, and have the opportunity to view some of the archive collections that highlight aspects of Black history. Workshop participants will learn archive research techniques, and be able to participate in our ongoing work to reveal and showcase the stories and experiences of people of colour that feature in our archive collections.

Through the workshop, participants will consider the challenges of trying to uncover hidden stories in the archives, touching on issues such as changes in terminology and the use of outdated language, and the lack of detailed cataloguing providing barriers to successful research.

Participants will be invited to spend time exploring archive catalogues to locate items of interest in the study of Black history, surfacing evidence of the activities and experiences of people of colour held within the archives. Your discoveries will be added to our list of sources supporting the study of Black history in the archive collections.

There will also be some free pizza at the end of the workshop as a thank you for your hard work!

To book a place on the workshop please contact Special Collections and Archives: specialcollections@kent.ac.uk

Black and white image of Faustin Charles, a Black man, standing at a lectern delivering a reading, wearing dark trousers, a lighter colour jacket and a roll neck jumper.

Faustin Charles reading poetry in 1970s (Reference: UKA/ALU/CHARLESF/7/9)