In the week of the composer’s ninetieth birthday, fittingly rehearsals are in progress for our production of Horrortorio, Joseph Horowitz’s mock-Baroque comic oratorio, celebrating the marriage of Dracula’s daughter to the son of Frankenstein.
Ruth Webster; Charlotte Webb; Doug Haycock; Robert Loveless; Joe Prescott
A small group of fiends, sorry, soloists will be joined by members of the Cecilian Choir for an in-the-round performance during Summer Music Week, on Monday 6 June at 5pm, complete with smoke and mirrors, as we transform the concert-hall into a ghoul-frequented wedding party.
Pictures above from the recent soloist’s dress rehearsal; join us in two weeks to be transported to Dracula’s grim castle…
The annual musical celebration of the end of the academic year at the University of Kent, Summer Music Week, is set to burst into life next month.
Featuring many of the University’s ensembles, the week-long festival opens at the seaside on Sunday 5 June with the University Big Band, conducted by Ian Swatman, visiting Deal Bandstand. Events throughout the week include a recital by University Music Scholars, a Wednesday evening gala concert with both the Concert and Big Bands, a feast of Baroque music with the Cecilian Choir and Sinfonia at St Michael’s Church, Harbledown,plus various other lunchtime events, all culminating in the traditional Music for a Summmer’s Day on Saturday 11 June with the Chorus, Orchestra and Minerva Voices, followed by cream teas.
The full line-up of events is now live on our website here, and you can follow all the events on the Summer Music Week Twitter feed here: printed brochures are also available in Colyer-Fergusson and the Gulbenkian. Join us as we bid an action-packed musical adieu to another year at Kent!
Images from some of the various events that took place from Sunday 7 to Saturday 13 June, as the Music department bid farewell to another year at the University of Kent. Photos from the Scholars’ Lunchtime Recital on Day Two; jazz on the foyer-stage on Day Three; the String Sinfonia on Day Four; the Chamber and Cecilian Choirs in rehearsal on Day 6; and the marquee reception on the final day.
Other photos from throughout the week on our Pinterest board here.
Summer Music Week came to a flourishing finale on Saturday, as the last two days of our week-long end-of-year celebration seemed to go in a flash.
Friday afternoon saw the Music Theatre Society previewing their ‘Send in the Showtunes’ showcase on the foyer-stage at lunchtime, with some characterful renditions of parts of Little Shop of Horrors and Cabaret. The evening concert featured the Chamber and Cecilian Choirs in choral music from the Renaissance to the present-day – another opportunity to feature the new departmental harpsichord, in Monteverdi’s Beatus Vir – including the premiere of Ringing Changes by composer Matthew King, blending choral music with electronics.
The foyer and concert-hall were in their decorative best on Saturday for Music for a Summer’s Day, the traditional finale featuring the Chorus, Orchestra and Chamber Choir bidding a final farewell to the musical year. There were tears, too, as final-year sopranos Kathryn Cox and Rowena Murrell stepped out from the Chorus’s bustling West Side Story medley to sing You’ll Never Walk Alone, and also as all those performing with the department for the final time stood for their applause. The Chamber Choir moved from the atmospheric landscape of Chydenius’ Autumn under final-year Emma Murton to lively pop and close-harmony jazz; Michael Sosinski handled his cork-popping solo in the Champagne Polka with regal dignity; and the concluding chorus of ‘Land of Hope and Glory’ was conducted with great aplomb by Pro Vice-Chancellor, Keith Mander, a terrific champion of music at the University, for whom this was the last concert.
The sunshine was also on hand as performers, parents and guests mingled on the Registry lawn for post-performance cream teas, and the opportunity to say goodbye.
In rehearsal for ‘Ringing Changes’ on Day Six
First performance of ‘Ringing Changes’ on Day Six
University Orchestra on Day Seven
University Chorus on Day Seven
Emma Murton conducts the Chamber Choir on Day Seven
Michael Sosinski as soloist in the ‘Champagne Polka’ on Day Seven
Michael Sosinski as soloist in the ‘Champagne Polka’ on Day Seven
Member of the Universty Orchestra back-stage on Day Seven
Keith Mander conducting ‘Land of Hope and Glory’ on Day Seven
You can see photos from throughout the week over on our Pinterest board. Formal photographs from the week will be appearing shortly; stay tuned…
The music continues unabated this week as Summer Music Week rings around the building; days Three and Four saw a lunchtime recital by some of the University Music Scholars, followed by the annual awarding of the Music Prizes; performers Jonathan Butten, Anne Engels, Rianna Carr and John Gabriel together with guest Benedict Preece performed two movements from Ravel’s magical Mother Goose Suite; Emily Farrell demonstrated the euphonium’s light-footed side in an arrangements of Mozart’s Rondo alla turca; cellist Faith Chan and mezzo-soprano Charley Tench performed Purcell’s Dido’s Lament; and harpist Emma Murton gave a dazzling rendition of Debussy’s first Arabesque and Salzedo’s shimmering Chanson dans la nuit. The concert was also the first formal outing for the department’s newly-commissioned harpsichord, a stunning instrument built by Andrew Wooderson, and a generous donation by Dr James and Jenny Bird, for which we are immeasurably grateful.
Day Four featured the Sax Ensemble on the foyer-stage at lunchtime, with Hannah Wiffen, Felicity Langford and Patrick Eves joined by Chris Murrell on drums, led by Peter Cook. In the afternoon, the hall rang to the sound of the Concert Band and Big Band in rehearsal under the baton of conductor Ian Swatman, and the evening saw the bands, together with vocalist and alumna Steph Richardson, bring their musical year to a rousing conclusion.
Thanks to Phoebe Hopwood for this splendid panoramic shot of the Big Band preparing to play in the evening!
Click to view
Events continue until Saturday; find out more here.
Like a phoenix from the flames, Summer Music Week burst into life anew on Sunday; conductor Ian Swatman led the charge as the Big Band took to the Memorial Bandstand at Deal for a day filled with sunshine and swing, for which the band welcomed back vocalist and alumna, Steph Richardson.
Yesterday, Day Two, saw the inaugural use of the department’s commissioned harpsichord in a feast of arias from several of the singing Scholars in Operatic Heroines in Love; from Mozart to Gluck, Saint-Saens, and Dvorak, a delighted audience was led on an exploration of love, lust and desire by Charley Tench, Charlotte Webb, Rowena Murrell, Ruth Webster, Kathi Kirschbaum, Livy Potter and Kathryn Cox, which included Purcell’s Dido’s Lament with Faith Chan on cello and the Chamber Choir performing the dolorous ‘With drooping wings’ chorus which follows the aria.
Summer Music continues all this week; details online here.
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.
