Category Archives: Notes on Music

The philosophy of music: or the music of philosophy ?

My crazy, folk-infused summer: Music Performance Scholar Heather Moss reflects

Second-year Music Performance Scholar reading Sport and Exercise Sciences, flautist Heather Moss, runs the new FolkShop group, an extra-curricular ensemble exploring folk music, her area of speciality. Here, Heather reflects on what sounds like an exhaustively busy summer…!


Heather Moss (second from right) leading FolkShop in a lunchtime concert in Colyer-Fergusson Hall back in June as part of Summer Music Week.

My crazy, folk-infused summer began with attending a tutor training weekend for Sidmouth Folk Festival which involved learning lots of new tunes and learning the best ways to teach tunes/ folk music to children.

I then stewarded, working at the box office at Ely Folk festival. Sidmouth Folk Festival then followed this, at this festival I was a core Tutor running a daily music workshop for 1.5 hours with the help from some other tutors. At the end of the week-long festival we concluded with the participants performing the tunes that we had taught them on-stage at the Manor Pavilion in Sidmouth.

This was then followed by another festival, called Folk East, where I stewarded at the Youth Tent. This involved my running a mixture of activities throughout the days and attending all the music sessions for youth people as a helper.

I then attended the Halsway Manor Advanced Youth Summer School, with many other likeminded individuals for a week. Where we were taught tunes and techniques, including how to set up our own PA system, how to teach children folk music and how to write our own folk tunes. This was run by Archie-Churchill Moss, Kate Griffin and Ford Collinson, all amazing musicians in the folk industry.

I then attended Towersey Folk Festival, where I ran my own youth workshop every day. This involved me teaching tunes and arrangements to a mixed-ability youth participant’s. This also concluded with a performance to the public.

I then ran a folk summer school for two days with Finn Collinson, for Bungay Folk Festival. This included running two full days of activities from 9am-5pm with 10 youth attendees who had never played folk music before. This was an amazing opportunity that I thoroughly enjoyed and would love to do again!

Heather Moss

New Pop n Soul Choir launches in fine voice

Colyer-Fergusson Hall rang to the sound of voices raised in song last Thursday night, as the new Pop ‘n Soul Choir launched.
Catering to all abilities, and welcoming students, staff, and members of the local community, over sixty people came together to explore their voices, directed by Margate-based Meg Bird.
A new initiative we’ve launched as part of an evolving provision reflecting different avenues in which to make music, the new choir rehearses in Colyer-Fergusson Hall every Thursday at 7pm; and it’s not too late to join!
It was very exciting to see (and hear!) the new choir in action, and to welcome new people who’ve not been into Colyer-Fergusson before, as well as some familiar faces amongst the staff and student community. Singing is a vital aspect that promotes wellbeing, and there was certainly a vibrant atmosphere here on the night. We’re looking forward to what the choir has in store this year.
If you’d like to join the choir, contact Sophie Meikle, the Music Administrator, on s.v.meikle@kent.ac.uk to be added to the mailing list. Next time, it could be YOU singing too!

Chorus and Orchestra to give UK premiere in December

As part of our December concert season, the University Chorus and Orchestra will be giving the UK premiere of Winter Nights, a marvellously-colourful seasonal cantata by the Canadian composer, Stephanie Martin.

Stephanie Martin

Associate professor of music at York University’s School of the Arts, Media, Performance, and Design in Toronto, Stephanie also directs Schola Magdalena, a women’s ensemble for chant, medieval and modern music, and is also conductor emeritus of Pax Christi Chorale, and former director of music at the historic church of Saint Mary Magdalene in Toronto. We’re delighted that Stephanie will be flying in for the performance – so no pressure at all…!

Winter Nights sets a series of poems including a vivacious setting of Tennyson’s ‘Ring Out, Wild Bells’ and Thomas Campion’s ‘Now Winter Nights Enlarge’ as part of an evocative sequence supported by string orchestra. The piece revels in a richly-colourful harmonic landscape, with contrasting rhythmic energy, closing with a wonderfully pastoral-like setting of the lines

The summer hath his joys
And winter his delights;
Though love and all his pleasures are but toys,
They shorten tedious nights.

University Chorus at its first rehearsal of the year!

Alongside the cantata, the orchestra will be performing a seasonal pot pourri of works including movements from Tchaikovsky’s glittering Nutcracker Suite, Prokofiev’s Troika, Delius’ Sleigh Ride and the concert-suite from Polar Express to reflect the Christmas spirit.

More details and tickets online here.

Park Life: former Music Scholar reflects on her recent role with Regent’s Park Open Air Theatre

Former Music Performance Scholar and Comparative Literature student, Joanna Adaran, has been treading the boards recently since graduating from Kent in 2022. A stalwart member of the Musical Theatre Society during her time, as well as singing in various lunchtime recitals, Joanna has recently been working with Regent’s Park Open Air Theatre; here, she tells us about her recent project.


I’ve spent the last few months as part of the cast of the musical adaptation of Roald Dahl’s The Enormous Crocodile. The production was at Regent’s Park Open Air and was produced by them and Leeds Playhouse.

Being part of this show has been the most wonderful, memorable stage debut to I could ask for. Bringing laughter and fun to the tens of thousands of people that came to see the show over the course of the run was a privilege and felt very special.

I was cast in the role of Trunky, the brave elephant, within an amazing company of five other actors, including an off-stage swing, and an incredible creative team. We began rehearsing in the latter part of April and took to the stage in May for previews, a rainy but enjoyable press day, and a beautiful run after that.

It’s been an honour to look back on my days doing music and theatre at Kent. I’m so grateful for all the staff, fellow musicians and company members who supported me through my journey to a professional stage.

I’m continuing with acting projects and looking forward to my next time on the stage!


Here’s Joanna singing At Last during the Scholars’ Spotlight series filmed during lockdown.

Production mages: Johan Persson

Building a community: it’s what we do.

A question I’m often asked, whether from colleagues, friends, my neighbours’ endlessly curious granddaughter: What do you do, Dan ? What does the extra-curricular music department do; what’s it all about ?

I would usually start by saying, well, we get lots of musicians together from both within the University and beyond, create ensembles, have a weekly rehearsal schedule, and give public performances each term. We have a small group of Music Scholars and Award Holders who take a prominent role amongst the ensembles, and it all comes to a glorious flourishing conclusion with our annual Summer Music Week festival, bringing many of the ensembles and performers together for a final time before the end of the year.

And that’s all true.

But it’s not quite everything.

And it’s not perhaps what’s the most important aspect of what we do.

What I’ve started saying instead, is that we build a community. Every year. From scratch. We’re an extra-curricular provision, so entirely dependent on who walks through the doors of Colyer-Fergusson each September – students and staff alike. And some of our ensembles are also open to alumni and members of the local community, too. And our job – perhaps the most vital aspect of our activity – is to bring all these musicians together and build a community to which they can belong, in which they can participate.

This is especially important when it comes to welcoming first-year and international students, people who might be anxious about being away from home, wondering how they will find a group of friends, how they are going to fit in – and for overseas students, even more so. For those who are worried about making social connections, about finding their feet, the music-making community here at Kent offers a ready-made opportunity to do all those things.

And for students returning in their second or third year, who were involved the year before, it’s a chance to get back to rehearsing and performing with the group of friends they made last year, and meet new ones. Music is open to staff, too; you’ll find members of administrative staff or heads of departments sitting alongside students amongst the strings or woodwind sections in the Orchestra, or sat alongside them on the choral-risers each Monday night when Chorus meets. Along with external members of the community, who come from Folkestone to Faversham, from Whitstable to Wye, and elsewhere, all these musicians come together in the shared endeavour of rehearsing and performing, that creative odyssey that impacts so much on people’s wellbeing.

On my desk as I write, I have all the thank-you cards that we received a few weeks ago, from students who are graduating, for whom the recent Summer Music Week has been the final opportunity to be part of it all. Similar sentiments echo throughout: ‘Thank you for making me so welcome;’ ‘the experience of making music here has changed my life;’ ‘being part of the musical community has been a rewarding experience for me;’ ‘thank you for creating such a nurturing environment;’ ‘thank you for making a safe space for everyone.’ They talk of transformative experiences, opportunities that will stay with them for the rest of their lives, memories they will value, friendships formed.

So, yes; thanks to the marvellous generosity of the Music donors and benefactors, we bring musicians together to rehearse and perform; we offer a Music Scholarship programme to support and develop particularly talented students; and we have regular performances throughout the academic year, both on and off-campus. But that doesn’t reflect the true essence of community-building that lies at the centre of it all, and what is really the beating heart of the vibrant provision we create each year that energises the University community, its campus, its region, and beyond.

Image Gallery: Summer Music Week 2024 in pictures

A marvellous end to the academic year at the University, our annual Summer Music Week festival saw a packed programme of events bidding a musical adieu to the year.

From the opening Bond and Beyond with the Big Band, String Sinfonia and Festival Voices, through the Big Band gigging at Deal Bandstand, two student lunchtime recitals, Minerva Voices and Consort at the Cathedral Crypt, and concluding with Chorus, Orchestra, Cecilian Choir, Concert Band and student soloists in the closing gala, it’s been an action-packed week showcasing the extra-curricular music provision here at Kent in vibrant, robust form.

(Here’s a small snapshot of the events over the course of the festival; many more can be found on our Facebook Group).

Congratulations and huge thanks to everyone who took part, to all the performers, to the various donors and music supporters, and to the audiences who came to support the concerts. It’s been a great year of music-making – we’re already looking forward to the next!

Standing ovation for this year’s Cathedral performance

Many congratulations to everyone in the University Chorus and Orchestra, who received a standing ovation at the end of Saturday’s epic performance in Canterbury Cathedral.

This year’s annual Colyer-Fergusson concert, in honour of Sir James Colyer-Fergusson, saw the combined ranks of students, staff, alumni and members of the local community coming together to present Brahms’ inventive Symphony no.4, alongside Fauré’s Requiem, performed to the mark the centenary this year of the composer’s death.

Photo by Hilary Edridge

Conducted by Your Local Correspondent, and joined by soprano soloist Julie Bale and baritone soloist Ben Bevan, the concert was a resounding success, greeted with an enthusiastic ovation from the audience who stood and applauded as the final notes of the Requiem receded down the Nave.

Plenty of happy faces in the Chapter House, which functioned as the dressing-room on the night, as evidenced in these images of some of the choir and orchestra.

Formal photographs to follow; thank you to everyone who took part.

Scholars’ Spotlight: a profile of Rachel Fung

In her second year studying Law, Rachel Fung is a University Music Performance Scholar, singing in the Chamber Choir, Cecilian Choir, Minerva Voices, playing the violin in String Sinfonia, and also singing in scholar lunchtime concerts. Here, Rachel reflects on her experience being involved in extra-curricular music, and the possibilities offered by the Music Scholarship she holds.


I entered the University when I was in Clearing, realising that the music-related Scholarship excited my vision to come to Kent. I’ve always been dreaming of being a lawyer, to uphold justice; I was born and raised in Hong King, where the social movements in 2014 and 2019 have been a major point for me to pursue a legal career.

I’ve been studying three music instruments since I was 3; being eligible for the Music Scholarship has definitely persuaded me to continue making music alongside my academic life. As I am a singing scholar, I’m involved in the choirs at Kent, and a singing lesson every two weeks. My uni life has been made more fruitful as I’ve got the opportunity to meet like-minded friends.

I like how the staff have been so supportive throughout the year, and very responsive. The facilities are very accessible and I really enjoyed myself coming to the Colyer-Fergusson Building! I enjoy music activities and was really grateful when I made many like-minded friends. The staff are really friendly and really hope for the best from you; I’ve definitely improved in terms of my singing abilities. The performance at the end of last year which I performed in is one of my fondest memories so far, it was also streamed online!

I’m hoping to enter the legal field, but apart from that, I’ve love to be a donor for the Music Performance Scholarship in the future, to continue this kind act. People really benefit from the scholarship, and I do think the scholarship improves the uni as a whole.