It’s been a busy week here in the Music department, with the final musical events bringing the term to a rousing seasonal finale.
On Tuesday, the Chamber Choir, conducted by Your Loyal Correspondent, performed as part of the University Carol Service in Canterbury Cathedral – always a magical occasion, which starts with the entire Cathedral being plunged into darkness, and the notes of the choir’s first carol rising to the dark recesses of vaulted roof above a sea of candles. Second-year Doug Haycock made his conducting debut with Tavener’s The Lamb, opening the service in evocative fashion.
Wednesday afternoon saw General Harding’s Tomfoolery, the vintage dance-band, taking to the foyer-stage in a spirited selection of swing classics, for which they were joined by The Minervettes; trombonist and singer, post-grad Rob Cliff was a smooth host, and both band and singers were in fine form in pieces including American Patrol, Puttin’ On The Ritz and Sleigh Ride.
The final event in this term’s musical calendar was yesterday evening’s ebullient Christmas Swingalong with the Big Band, directed by Ian Swatman, which saw first-years Dottie Grenville and Alicia O’Malley making their singing debut with the band. Feisty incarnations of familiar pieces including A Chilli Pepper Christmas, audience carols with the brass ensemble and the traditional, inimitable rendition of Santa, Baby by our very own Sophie Meikle culminated in a sing-along I Wish It Could Be Christmas Every Day, before audience and performers alike spilled out into the foyer for mulled wine and mince pies.
It’s been a terrific term, full of music-making; thanks to both everyone who has performed throughout the term, as well as to those who have been amongst the audiences. We’ll be back in the New Year with full details of our spring / summer season; from all the Music team here, we wish you all a happy and peaceful Christmas!
Thanks to percussion ensemble Kopanya, who delivered a mesmerising, hypnotic and in places downright exuberantly dynamic concert to open our new Lunchtime Concert series.
Kopanya ensemble in John Cage’s ‘Quartet for Percussion’
John Woolrich’s Mustering Drum provided an energetic opener to a concert showcasing the diversity of music for percussion, including John Cage’s Quartet for Percussion from 1935, with instrumentation sensitively organised by the ensemble to yield an hypnotic second movement laden with gongs. The group showed how a marimba could be turned into a shimmering curtain of sound in Peter Garland’s Apple Blossom, which saw all four members grouped around the instrument, and the concert concluded in epic fashion with traditional drumming from Senegal.
A dramatic way to launch our new series: our thanks to Kopanya! Next up is the Kentish Piano Trio in music by Beethoven and Suk on Wednesday 9 November – more details here.
A brand-new festival is set to burst to life in Canterbury next month, as Jubilee Farm in Elham Valley welcomes the WonderVille Festival.
Saturday 30 July will see WonderVille bringing live music, including Tankus the Henge (fresh from their appearance on the Greenpeace Stage at Glastonbury last week), as well as a host of craft activities, interactive workshops, a mouth-watering collection of Kentish independent food stalls, handcrafted local beer, a curious cocktail cabin and more. Kent’s literary festival, Wise Words, will be there too with its Bell Ten Village and Poetry stage, where you can encounter poetry, film, and lantern-making. There’s a family-feel too, with face-painting, games, head-dress-making and other activities for younger visitors at the Kids Corner, and a delectable array of sweets and treats for small and big kids alike! All set in a designated Area of Outstanding Natural Beauty in Rhodes Minnis.
WonderVille line-up: click to view
FInd out what’s happening at WonderVille here, or follow the build-up to the festival on their Twittter stream here. The very best of luck to Canterbury’s newest festival – prepare for a ‘wonderville’ time when it all takes place on 30th July!
One of the highlights of Summer Music Week is being able to recognise the outstanding contributions made by several students to music-making over the course of the year at the annual Music Awards ceremony.
Held after the Music Scholars’ Recital on the third day of Summer Music Week, this year the awards were excitingly scattered across the whole of the week-long music festival, as various prize-winners were away through either having the downright audacity to start gainful employment, illness or examinations – suffice to say, it made it much more fun, tracking the recipients down across the days, although it did afford the opportunity to sneak-present some of the prizes on the nominees at moments they hadn’t expected…
The Canterbury Festival Prize, which is awarded to a final-year student who has made an outstanding contribution to music at the University was this year awarded jointly to Music Performance Scholars Cory Adams and Anne Engels. Hispanic Studies student Cory has been principal timpanist with the Symphony Orchestra, one of four players in a performance of Berlioz’s Symphonie fantastique back in March, and has also been kit and percussion player with the Concert and Big Bands. Anne, studying English and American Literature and Philosophy, has played principal flute in the Symphony Orchestra and Concert Band, a member of the Flute Choir and was the featured soloist in a Harry Potter-themed lunchtime concert earlier this year. Both students received their awards from the Director of the Canterbury Festival, Rosie Turner.
Winner takes it all: Anne Engels; Faith Chan; Joe Prescott; Cory Adams;
The Colyer-Fergusson Music Prize, awarded to a student who has made a major contribution to organising music at the University, was awarded to India Bottomley, for her exceptional all-round, behind-the-scenes, kitchen-sink skills in administration and organisation as Chorus Manager. Having completed her degree in American Studies, India has already started employment in London, so we were especially delighted to be able to spring her award on her on the final day of Summer Music Week, when she came back to sing with the Cecilian Choir and Chorus.
Chorus of approval: India Bottomley receives her award
Patron of the Music Scholarship Scheme, Dame Anne Evans, was present to award the John Craven Music Prize, which goes to a returning student who has made a major contribution to music at Kent. The prize was awarded jointly to Music Performance Scholars Charlotte Webb and Ruth Webster. It’s fitting that they should both be receiving this prize – both are Music Performance Singing Scholars and both in their second year, reading Biomedical Science. Both students have this year sung in the University Chorus, Minerva Voices and Cecilian Choir, featuring prominently as soloists throughout this year in major concerts in music by Handel, Lully and Vivaldi. Charlotte also plays trumpet in the Symphony Orchestra and Ruth is a member of the Musical Theatre Society show choir.
Biosciene brilliance: Charlotte Webb, Ruth Webster and Jonathan Butten with patron Dame Anne Evans
The First-Year Prize went to trombonist and Music Performance Scholar, Jasper Rose, in recognition of someone who has made a significant contribution to music during their first year at the University. Reading Criminal Law on the Medway campus,Jasper has played in the Symphony Orchestra, the Concert Band, and has been the featured trombone-player in the Big Band this year. Jasper was unwell on the day of the ceremony, so again a lighting-strike presentation was unleashed at the rehearsal for the Concert and Big Band gala the following day; Jasper received his prize from the Director of Music, Susan Wanless.
Top brass: Jasper Rose receives his award
The remarkably cumbersomely-titled (but no less valuable, for all that!) University Music Awards Committee Prize, for a student who has made a special contribution to music, ended up being a three-way split – the Committee has the unenviable task of allotting the prizes, and it’s often difficult to choose between nominees – between second-year woodwind player, Jonathan Butten, second-year cellist Faith Chan and final-year trumpeter and conductor, Joe Prescott. Each student is a Music Performance Scholar, and has in their way made a particularly valuable contribution – Jonathan (reading Biomedical Science) is principal oboist in the Symphony Orchestra, but the award was given to acknowledge his exceptional cor anglais playing in Symphonie fantastique in the Cathedral Concert, and as oboe soloist in concerts with the String Sinfonia in concerti by Vivaldi. A Law-reading cellist with the Symphony Orchestra and String Sinfonia, Faith’s prize recognises her immense skill as the solo continuo player in major performances of Baroque repertoire this year. Joe’s award is in honour of his contribution across so many areas of music – playing trumpet with the Concert and Big Band, his role as student conductor of Minerva Voices, and as Music Director for Musical Theatre Society showcases and productions. He has also sung with Chorus, Cecilian Choir and Chamber Choir, and is the outgoing President of the Music Society this year. He also played the Last Post for the annual Remembrance Day gathering. The prizes were presented by Chair of the Music Award Committe, Dr Dan Lloyd, and Dame Anne Evans.
The award-winners together with violinist Lydia Cheng after the recital, together with patron Dame Anne Evans (l) and Canterbury Festival Director, Rosie Turner (r)
As host of the ceremony, Dan Lloyd, remarked, the prospect of yet another committee meeting isn’t necessarily one to lighten the spirit, but the annual convergence of the Music Awards Committee is one that is all about celebrating student success, recognising their achievements and the impact of their music-making throughout the year. This year has been a particularly fine one; many congratulations to the winners.
The final two days of Summer Music Week witnessed a tremendous flurry of musical activity both in Colyer-Fergusson and beyond, as the week-long music festival celebrating the end of the University year brought staff, students, guests, alumni and members of the local community together.
An intense forty-eight hours of rehearsing and performing began on Friday at lunchtime, with members of the Musical Theatre Society performing on the foyer-stage.
Later the same day, the Cecilian Choir, Sinfonia and soloists filled the church of St Michael and All Angels at Harbledown with a feast of Baroque music, featuring choral works by Vivaldi, Handel and Lully, and instrumental concerti featuring oboists Jonathan Butten and Dan Lloyd from the School of Biosciences, violinists Lydia Cheng (Law) and Claudia Hill (Politics and International Relations), and arias from Charlotte Webb and Ruth Webster (Biosciences – again!). A sultry encore from the Sinfonia took a packed and delighted audience to Argentina for a scintillating rendition of Piazzolla’s Libertango to conclude. And as if they hadn’t done enough playing, members of the Sinfonia provided a little light music during the post-performance reception…
Dan Lloyd (l) and Jonathan Butten rehearsing Vivaldi Double Oboe Concerto
With the end in sight, rehearsals continued first thing on Saturday morning as the Chorus, Symphony Orchestra and Minerva Voices prepared for the final event of the week, the annual Music for a Summer’s Day. Arriving audience-members were treated to a performance by the unstoppably energetic String Sinfonia on the foyer-stage prior to the afternoon gala concert.
The combined forces brought a programme including a zestful medley from My Fair Lady, besuited butlers bearing drinks during music from Downton Abbey, rousing music by Elgar, a Norwegian ballad, final-year Harriet Gunstone as guest soloist in the Champagne Polka, all culminating in a rousing rendition of ‘Land of Hope and Glory’ (including an encore conducted by third-year Cory Adams making a rare sortie from the percussion section to the front of the orchestra), and the shedding of a few tears as we all realised that this was, for those who are graduating, their final performance at the University.
The reception afterwards saw performers, audience, family and friends mingling in the marquee, as well as the presentation of the Music Society Awards – a spirited tongue-in-cheek affair with prizes for ‘Most Likely To Be Seen On A Night Out’ and ‘Best Dressed’ among the commendations – and the raiding of sumptuous racks of cakes and scones, as the week drew to a close, whilst Minerva Voices and a jazz group provided some spontaneous musical entertainment.
Summer Music Week higlights all that making music at the University embraces: students making extra-curricular music and friends during the year; students, staff, alumni and the local community coming together on a weekly basis to work together towards termly public performances; the recognition that music-making holds a valuable place in University life in terms of making friends, developing performing and organisational skills, bringing the community together to work towards a public-facing event that represents the University in ambassadorial fashion. Where else might you find a senior Registrar, the director of the Development Office, the head of the International Office, a first-year from Blackpool reading Drama, a second-year from Malaysia reading Law, violinists from Toronto and Zimbabwe, a Senior Lecturer in Linguistics, and local residents combining to let their hair down ?! It’s a terrific whirlygig, a snapshot of all the creativity that thrives both on- and off-campus throughout the course of the year, but it’s also a sad time, as we bid farewell to many who have become a vital part both of the Music department and the wider University during their time at Kent.
To all the leavers, we wish you the very best for the future in Life After Kent; to all those returning (or indeed joining!) us in September; rest assured, we’re now planning for another vibrant, action-packed, stressfull (!), creative, and ultimately rewarding year. To those moving on: we’ll miss you.
Congratulations to the String Sinfonia, directed by Elina Hakanen, who made Studio 3 Gallery resound to bustling lunchtime concert on Day Five; bristling Bach with soloists Lydia Cheng and Claudia Hill, lyrical Borodin, and closing with fiery, passionate Piazzolla.
Day Six tomorrow features the Cecilian Choir, Sinfonia and soloists in a Baroque extravaganza out at St Michael’s and All Angels, Harbledown.
Colyer-Fergusson got that jazzin’ feelin’ yesterday, as Day Four of Summer Music Week saw music on the foyer-stage from the Sax Quartet and guests, followed by society hep cats, in the afternoon.
In the evening, conductor Ian Swatman led the Concert and Big Bands in a roof-raising finale to the ensembles’ year.
Summer Music Week continues today with a lunchtime concert from the String Sinfonia in music by Piazzolla, Borodin, Bach and more in Studio 3 Gallery.
Summer Music Week is in full swing, and the first two days have seen the Big Band performing at the beach, the Flute Choir in concert in Studio 3 Gallery, balloons, a skeleton, the Grim Reaper and a marriage at Dracula’s Castle.
Summer Music continues today with a Music Scholars’ Lunchtime Recital.
Because it does. Doesn't it ? Blogging about extra-curricular musical life at the University of Kent.
Wednesday afternoon saw General Harding’s Tomfoolery, the vintage dance-band, taking to the foyer-stage in a spirited selection of swing classics, for which they were joined by The Minervettes; trombonist and singer, post-grad Rob Cliff was a smooth host, and both band and singers were in fine form in pieces including American Patrol, Puttin’ On The Ritz and Sleigh Ride.
It’s been a terrific term, full of music-making; thanks to both everyone who has performed throughout the term, as well as to those who have been amongst the audiences. We’ll be back in the New Year with full details of our spring / summer season; from all the Music team here, we wish you all a happy and peaceful Christmas!
A dramatic way to launch our new series: our thanks to Kopanya! Next up is the Kentish Piano Trio in music by Beethoven and Suk on Wednesday 9 November – more details 
The reception afterwards saw performers, audience, family and friends mingling in the marquee, as well as the presentation of the Music Society Awards – a spirited tongue-in-cheek affair with prizes for ‘Most Likely To Be Seen On A Night Out’ and ‘Best Dressed’ among the commendations – and the raiding of sumptuous racks of cakes and scones, as the week drew to a close, whilst Minerva Voices and a jazz group provided some spontaneous musical entertainment.
In the evening, conductor Ian Swatman led the Concert and Big Bands in a roof-raising finale to the ensembles’ year.
