Drawing in the snow at dockyard during MA. Photo by Gaz Bray
Matt Bray is a practising artist, freelance curator and arts consultant, who graduated from SMFA in 2012 with an MA Fine Art. He co-founded the Medway Print Festival, which is running until 24th June at present, and multimedia group exhibition Sick! More at www.mattbrayarts.com
Studio shot with work from ‘Sick!’ exhibition. Photo by Rikard Österlund.
Matt kindly took time out from his busy schedule to chat with SMFA’s Marketing & Communications Officer, Jane Seaman.
How did your time at Kent prepare or equip you for the role you have now?
My time at Kent equipped me with a far richer understanding of contemporary art and its relationship to the longer stream of art history. That has afforded me a more nuanced understanding of both my own work and the work of others, allowing me to curate more mature and interesting shows, and I’ve developed confidence in my abilities as an artist and curator as a result.
What does your job involve? Is there a typical day?
There are no typical days. Networking is key though, so I can often be spotted having coffee with artists and gallerists (tough life I know). Funding is the least glamorous and most important element of putting exhibitions and festivals together, so that is something I have had to learn on the job – how is the project going to be funded? Arts Council? Local council? Paid by the artists? Somehow it needs to be paid for and that requires good clear ideas and being able to articulate those ideas well. Once funding is secured the rest of the project is normally plain sailing to a large degree.
What kind of opportunities offered at Kent were especially beneficial for your career development?
Putting on the degree show was obviously a pretty important experience, and it was such a great place to host an exhibition.
What have you been doing since graduating?
Since graduating I have been in the studio whenever possible, I have also been running several key projects like ‘Sick!’ and ‘Medway Print Festival’, both of which have been very successful and I have been lucky enough that the people I run those with are very good friends, so although it can be very hard work sometimes, it is always super fun.
What would you recommend to anyone wanting to follow in your footsteps?
If anyone wants to get involved in curation, then the only real advice I can offer is to put shows on. My first exhibition was in a bookshop with my buddy. You can start small if need be, but just put shows on, as often as possible, of your own work or other people’s, it doesn’t matter. You will learn so much from every show – like anything else, the more you do it, the more you will learn. Before you know it, the shows will have become quite sophisticated and you will have made all the obvious mistakes which you can then learn to avoid.
What is your favourite memory of studying at Kent?
Probably my favourite memory of my time at Kent was meeting my mate Billy Childish, who had a studio in the dockyard too and taught me a lot about being a painter.
What are your plans for the future?
I’d like to create the Medway Biennial.
Who or what inspires you?
You can catch the Medway Print Festival until 24th June. Now in its 3rd year, the festival celebrates printmaking and fine art in Medway, with over 40 events and activities to showcase some of the best printmaking being created today as well as highlighting the fascinating local history of the medium. More http://medwayprintfestival.com/