Introduction: or, how do you solve a problem like the Maddison collection?

A big hello and welcome from Philip and Janée to the first in our series of blog posts. We are the interns working in the University of Kent’s Special Collections and Archives and are spending this scorching summer holed up in the cool, dark basement underneath the main library, poring over the books within the Maddison collection. This collection is one in need of a little love and we are privileged to be able to work with it thanks to the support of the Work Study programme at the University of Kent. This is a scheme championed by the University’s Development Office to provide opportunities for students to gain work experience alongside their studies.

Who are we?

Selfie of interns with rare books in background

We prefer the job title ‘book gremlins’

I am Philip, a recent graduate in English Literature from the University of Kent. My research interests are early modern literature and drama, eco-criticism and queer theory and somewhat surprisingly, I have been able to use the Maddison collection to indulge all three.

My name is Janee and I am a second year undergraduate at the University of Kent. Whilst I am currently studying Asian Studies and Classical and Archaeological Studies, I have a previous academic background in Biology and Chemistry. My research interests are diverse and still developing, so watch this space for future developments!

What is the Maddison collection?

Anatomical drawing of man

Mysteries of man and Maddison (4A10)

Consisting of books and documents gathered through a lifetime of study, the Maddison collection focuses on the history of science and was deposited in the library by Dr Robert E. W. Maddison, with more content following after his death in 1993. The collection includes rare printings of early modern and enlightenment texts, with scientists Joseph Priestley and Robert Boyle, (on whom Maddison wrote an authoritative biography which can be found in the collection) being particularly well represented.

Title page of Maddison's biography of Robert Boyle

Here’s your boy Robert Boyle!

What are we doing and why are we doing it?

Illustration of curiosity shop from Museum Wormarium

The Maddison collection: Like an attic, but more organised

We are entering this internship with two overarching, but linked, goals. The first is the more straightforward of the two; undertaking collections care work to aid in the maintenance and welfare of the collection. Our second goal is to make the collection more accessible. Over the past week and a half both of us have fallen in love with this collection and we are keen to see it put to further use. As we sort through the materials, we will be looking to make connections between this collection and others in the library’s care in order to expand the possible uses for it. There are a plethora of documents and books that could be useful for dissertations, academic articles and essays. We hope that our work to make these connections and improve public awareness will be useful to future scholars of all levels and will develop potential links and ideas for teaching across a broad range of subjects at the university. Our work will culminate in a pop-up display to be shown in the Special Collections & Archives Reading Room at the end of August.

Marmalade recipe

We are 100% making this. Will report back.

What are the challenges of this work?

The care of these books is a challenge, but a fun one. The state that the books are in varies wildly. Whilst some are in excellent condition, others require a little more attention and careful handling such as the texts from sixteenth and seventeenth centuries. This challenge, however, pales in comparison to the linguistic difficulties we have encountered on a daily basis.

Title page from 'Emblemata Nova'

98% sure this is Latin, aka Philip wishes he could read this

Many of the books in the collection are not in English which presents a major stumbling block for us in its exploration. Besides English, Latin is the most common language found within the collection, but French is also very well represented, as is German. While both of us are able to read the French texts to a high enough standard to understand their subject matter, neither of us feels confident enough to offer anything more than a brief summary as to the content of these texts. The less said about our Latin and German skills, the better. Philip’s most common refrain is “I really need to learn Latin.” As a result of this, making this collection accessible to a wider audience is proved more complex than we originally thought. Our lack of ability to read some of the texts means that we cannot write about them with authority in these blog posts, nor can we make strong links that could be beneficial with the wider content of the special collections. This language barrier could also impede those visiting the archives, unless they are confident enough in the aforementioned languages. As one of our main goals is to promote the public outreach of this collection we are struggling to find a way to overcome this obstacle as many may find these books to be limited in their usefulness at this time.

Stay tuned for more

Row of books in the Maddison collection

5 of too many

You can find more of the treasures we unearth in the Adventures of our 2018 interns blog series posted by Senior Library Assistant Joanna every Friday. Also each week we will be taking a deep dive into a topic related to the Maddison collection, starting next week with Robert Boyle. As the summer goes on, we hope to introduce more and more of this collection to you, so stay tuned for more updates!

Adventures of our 2018 interns part one

Happy July, all! It may be quiet on campus at the moment as our lovely students have gone home for the summer, but as ever Special Collections & Archives is a hive of activity.

This year, we have interns for the first time in ages! Philip and Janee (pictured below) are working with our Maddison collection, cleaning the books and delving into the wonderful world of all things history of science related.

Philip and Janee, our summer 2018 interns, hard at work looking after our Maddison Collection.

Philip and Janee, our summer 2018 interns, hard at work looking after our Maddison Collection.

You’ll be hearing more from Philip and Janee soon, but in the meantime we’ll be showcasing some of their discoveries here! Each week, we’ll summarise some of their favourite things from the Maddison collection – so let’s get stuck in:

Illustration from 'Tyrocinium chymicum' by Jean Beguin, 1669, Amsterdam. (Maddison Collection 1A21, F10448000)

Illustration from ‘Tyrocinium chymicum’ by Jean Beguin, 1669, Amsterdam. (Maddison Collection 1A21, F10448000)

Printer's device from 'Theatrum chemicum Britannicum' by Elias Ashmole, 1652, London. (Maddison Collection 1A11, F10444300)

Printer’s device from ‘Theatrum chemicum Britannicum’ by Elias Ashmole, 1652, London. (Maddison Collection 1A11, F10444300)

Robert Boyle - Maddison's primary research subject. From ' The works of the Honourable Robert Boyle : ... epitomiz'd by Richard Boulton', 1699, London. (Maddison Collection 1A25, F10463200)

Robert Boyle – Maddison’s primary research subject. From ‘The works of the Honourable Robert Boyle : … epitomiz’d by Richard Boulton’, 1699, London. (Maddison Collection 1A25, F10463200)

Writing on vellum! ' Tentamina quaedam physiologica : ... conscripta a Roberto Boyle .... Historia fluiditatis et firmitatis', 1668, London. (Maddison Collection 1B4, F10458600)

Writing on vellum! ‘Tentamina quaedam physiologica : … conscripta a Roberto Boyle …. Historia fluiditatis et firmitatis’, 1668, London. (Maddison Collection 1B4, F10458600)

Rebound typescript alert! 'The martyrdom of Theodora, and of Didymus' by Robert Boyle, 1687, London. (Maddison Collection 1B17, F10461600)

Rebound typescript alert! ‘The martyrdom of Theodora, and of Didymus’ by Robert Boyle, 1687, London. (Maddison Collection 1B17, F10461600)

Suggested cures for cramps from ' Medicinal experiments : or, a collection of choice and safe remedies' by Robert Boyle, 1712, London. (Maddison Collection, F10463800)

Suggested cures for cramps from ‘Medicinal experiments : or, a collection of choice and safe remedies’ by Robert Boyle, 1712, London. (Maddison Collection, F10463800)

Ownership marks in 'Occasional reflections : upon several subjects' by Robert Boyle, 1848, Oxford and London. (Maddison Collection, F10465800)

Ownership marks in ‘Occasional reflections : upon several subjects’ by Robert Boyle, 1848, Oxford and London. (Maddison Collection, F10465800)

Book recommendation in 'Occasional reflections : upon several subjects' by Robert Boyle, 1848, Oxford and London. (Maddison Collection, F10465800)

Book recommendation in ‘Occasional reflections : upon several subjects’ by Robert Boyle, 1848, Oxford and London. (Maddison Collection, F10465800)

Quotation in 'Occasional reflections : upon several subjects' by Robert Boyle, 1848, Oxford and London. (Maddison Collection, F10465800)

Quotation in ‘Occasional reflections : upon several subjects’ by Robert Boyle, 1848, Oxford and London. (Maddison Collection, F10465800)

Manuscript hand in 'Occasional reflections : upon several subjects' by Robert Boyle, 1848, Oxford and London. (Maddison Collection, F10465800)

Manuscript hand in ‘Occasional reflections : upon several subjects’ by Robert Boyle, 1848, Oxford and London. (Maddison Collection, F10465800)

Check back here regularly for more Maddison Collection exploration!

Linda Smith Lecture 2018: Barry Cryer

May is always one of our favourite times of year here in Special Collections & Archives, not least because it heralds the annual Linda Smith Lecture.

Established in 2015, the Linda Smith Lecture is a celebration of comedian Linda Smith’s life and work, and examines the role of stand-up comedy in today’s society. We’ve had some fantastic guest speakers in the past, including Mark Thomas, Andy Hamilton and Susan Calman.

This year, we’re delighted to welcome Barry Cryer to the University to give the Lecture. A personal friend of Linda’s, Barry has contributed to this country’s entertainment industry for over 50 years. He has written for some of our highest rated shows and for many of our most popular comedians. His brilliant wit is still enjoyed by millions – in theatres, on television and radio, notably the iconic I’m Sorry I Haven’t a Clue.

The Linda Smith Lecture takes place next Thursday (31st May) at 7.30pm and is held in the Gulbenkian Theatre on the University of Kent Canterbury Campus. Tickets cost £6, and we’d love to see you there – please book your place now!

If you want to find out more about our incredible Stand-Up Comedy collections, please visit our website, our Stand-Up Comedy Archive blog or listen to the (brilliant, in our entirely unbiased view) ‘A History of Comedy in Several Objects’ podcast.

7 ways to find material in the British Cartoon Archive

Welcome to part two of our refresher series on how to find Special Collections & Archive material to use in your research! Today, we’re exploring the wonderful (and sometimes weird) world of the British Cartoon Archive (BCA).

Kent’s British Cartoon Archive is one of the largest collections of political cartoons in the UK, if not the world; since its establishment by academics here in the 1970s, the Archive has grown to contain material from over 300 artists, and over 200,000 cartoons have been digitised and put online through the British Cartoon Archive catalogue.

With such a vast collection, it can be tricky to know where to start searching for material! But we are here, as ever, to guide you through our wonderful cartoon collections…

1) Think around your research area

As cartoons tend to be catalogued using the language of the time, it’s worth taking a few minutes to jot down some words, people, places and dates related to your topic. This way you can try other searches if your initial results don’t yield much – it can be a real trial and error type quest! Here’s an example, imagining you’re interested in cartoons from the Second World War:

2) Books or artwork?

You can find British Cartoon Archive material in two places: if it’s books and journals you’re interested in, LibrarySearch is your place to go. You can find our guide to locating material using LibrarySearch here.

If it’s cartoons, there’s a whole new website for you to explore! Much of the BCA’s art is available to view online for free through the BCA catalogue – you don’t need a special log in to do so.

BCA1 - British Cartoon Archive catalogue

3) Searching the BCA catalogue – general searches

If you want a general overview of what artwork can be found in the British Cartoon Archive that’s relevant to your research, the main search bar at the top of the catalogue is your friend. You can search by keyword / artist / place / date and the catalogue will bring up images that match your terms. You can order the images by date and view every relevant image on one page rather than clicking through, if you prefer to do so.

BCA2 - Initial searches

BCA3 - first search

4) Searching the BCA catalogue – if you know what you’re looking for

If you know have a rather more specific search term, you can use either of the ‘Advanced Search’ options on the left hand side. If you’re after seeing all cartoons of Margaret Thatcher, use the ‘persons depicted’ search. If you’re interested in cartoons between specific dates, or on a certain topic but by a particular artist, the ‘cartoons’ search is for you.

5) Click through for bigger images

When you find relevant results, you’ll see a tiny version of the cartoon next to a description of the work. Click through twice and you’ll see a larger version of the image.

6) Don’t forget copyright

42061 – Leslie Gibbard: “With the compliments of my client – she’s suing for breach of copyright!”, 15 June 1988, The Guardian

Although the BCA looks after (and owns) many collections of cartoons, we don’t always hold the rights to reproduce the images. Many cartoonists’ work is owned by the newspapers they draw for, so if you’re looking for an image to publish please do take note of the copyright information that’s included in the catalogue entry. We can also supply higher-resolution versions of images for a fee, but bear in mind that the copyright owners may also charge for image use. You can find more information on copyright here.

If you’re wanting to use BCA images for use in presentations, essays or teaching, please do get in touch with us and we can explain how this works.

7) Explore the biographies for artist (and collection) information

Did you know that the BCA website has details about almost every cartoonist within our holdings which you can browse? What’s more, if you scroll down to the bottom of each artist biography page you can find details of any additional holdings that aren’t catalogued yet – so if something doesn’t appear on the main BCA catalogue, it’s worth having a look here. You’re welcome to view uncatalogued material, just get in touch with us and say what you’d like to see.

Part of our ongoing series about finding material in Special Collections & Archives: see also tips for exploring collections through LibrarySearch

Eight women in the archives for International Women’s Day 2018

Hello all! March has rolled around again, and now that the snow has melted we can turn our thoughts to the other key event of the month. March is Women’s History Month, and March 8 is International Women’s Day. The theme of this year’s Day is ‘Press for Progress’, which calls on us all to reduce economic, social and political barriers to gender inequality. With this in mind, we thought we’d have a quick look at some of the awesome women whose stories are part of Special Collections & Archives to see how they’ve broken down barriers for their generation and those who came after:

  • Martha A. Hall

MA Medical Humanities seminar using Artists Books, 2017. Martha A. Hall’s work ‘Five Doctors Speak’ is on the lower left.

Martha A. Hall (1949 – 2003) was a poet, teacher, businesswoman and artist based in New England. Hall began making artists’ books in 1996, when she realised that her breast cancer diagnosis could be explored and communicated through creative means. Hall’s work explores lived experiences of illness, and she left her books to public institutions in order to spark dialogue between patients and medical professionals, as well as allowing others to express their feelings around medicine, health and healing.

In 2016, Dr Stella Bolaki and Egidija Čiricaitė curated an exhibition of artists’ books, called Prescriptions, at The Beaney House of Art and Knowledge in Canterbury. The exhibition featured several of Hall’s works, as well as other books by artists exploring lived experiences of health. Many of these books (including two of Hall’s) have been deposited to Special Collections & Archives here at Kent.

Martha A. Hall’s books leave an extraordinary legacy, inspiring us to think about the relationship between our bodies, illness and the wider world. Not only does her art express how it feels to live with cancer, but it challenges notions of how narrative is told. You can find more information about Martha A. Hall here and discover Dr Stella Bolaki’s research project here.

  • Linda Smith

Linda Smith (1958 – 2006) was a comedian, writer and broadcaster best known for her work on radio shows ‘Just a Minute’ and ‘The News Quiz’. Born in Kent, her archive was deposited in Special Collections & Archives by her partner Warren Lakin in 2013 and is the founding collection of our British Stand-Up Comedy Archive. Smith’s archives give a unique insight into how stand-up comedy is created, recorded and promoted – and asks many questions of us in terms of how we collected and preserve material that is by its very nature ephemeral and improvised.

Every year, the University of Kent holds a lecture in memory of Linda Smith where we invite a guest to speak about comedy and its relation to social and political commentary. The event also celebrates Linda Smith’s life and work; previous events have featured Mark Thomas, Andy Hamilton and Susan Calman. Stay tuned for details of this year’s speaker!

  • Nowell Johnson

CH6422: Black and white print of Hewlett and Nowell Johnson at the Peking Dance School, China 1964.

Nowell Mary Edwards Johnson (1906 – 1983) was a Canterbury-based artist. She is most well known as the wife of the ‘Red Dean’ of Canterbury Cathedral, Hewlett Johnson, whom she married in 1938.

Nowell supported Hewlett’s passion for socialism, illustrating books with him (‘The Socialist Sixth of the World’, 1939) and travelling to many communist countries. Her diaries, which are held in Special Collections & Archives as part of the Hewlett Johnson papers, give a fascinating account of her travels to China, Hungary and Russia as she records in great detail her activities, the people she met, and the countries themselves. Nowell’s diaries are also beautifully illustrated – often in colour – as she draws scenes from her travels. You can see her determination to support Hewlett as well as her compassion for others and desire to make a genuine difference in the world.

Read more about Nowell’s life here and find out more information about the Hewlett Johnson papers on our website.

  • Valerie Eliot

Valerie Eliot (1926 – 2012) was hugely influential in editing and publishing her late husband T.S. Eliot’s work after his death in 1965. Valerie had been a huge fan of T.S. Eliot’s writing since she was a teenager (there was an almost 40 year age gap between the couple) and was determined to work with him. After T.S. Eliot died, Valerie inherited his shares in the publisher Faber and Faber and edited the 1974 facsimile edition of ‘The Waste Land’, which includes poet Ezra Pound’s annotations to Eliot’s manuscript.

Our Modern Firsts – Poetry and Prose Collection includes many pamphlets of poetry from small presses which have been purchased thanks to a donation by Valerie Eliot. Eliot College on campus is, of course, named after T.S. Eliot and the University was lucky enough to benefit from Valerie’s philanthropy (including a bust of T.S. Eliot by Jacob Epstein) up until her death in 2012. Valerie Eliot’s work in securing her husband’s legacy is vital, but her generous gifts to the University have made a lifetime impact.

  • Catherine Crowe

F191840 – Cover of ‘The Night-Side of Nature’ by Catherine Crowe

Catherine Crowe (1790 – 1872) was a Kent-based author who spent a portion of her life in Edinburgh. Crowe’s fame was established through the publication of ‘The Adventures of Susan Hopley’ (1841, turned into a play in the same year) but it is her later supernatural work that’s garnered long-term recognition, particularly the novel ‘The Night-Side of Nature’ (1848). Crowe had a breakdown in 1854, and after this her creative output was little; however, she was one of the most popular Victorian writers during her life, and it’s a great shame she’s not been recognised widely since.

The University of Kent holds one of the few archives of material relating to Crowe; our Catherine Crowe Collection consists of material relating to Crowe collected by the researcher Geoffrey Larken. Larken wrote a draft autobiography of Crowe as a result of his research, but couldn’t find a publisher for it. In a typical archive twist, it’s now one of the most frequently asked-for items in our collections, with researchers travelling across the world to see it.

  • Flo (Andy Capp cartoons)

AC3803: ” ‘e’s the sort of bloke you want to bring ‘ome to ‘is mother”, 10 May 1970, Reg Smythe for the Daily Mirror

What would a list of SC&A women be without mentioning Reg Smythe’s eponymous long suffering character Flo, wife of the eternally lazy Andy Capp? Flo and Andy are part of one of the most popular British comic strips of all time; it’s been running in the Daily Mirror since 1957. Even though creator Reg Smythe died in 1998, artist Reg Mahoney has taken over as artist. Living in Hartlepool, Andy and Flo are working-class characters. Although there’s debate over how they represent stereotypes of everyday people (Andy doesn’t work and prefers to spend all his time in the pub), the strip has been hugely popular both in the UK and across the world.

The British Cartoon Archive holds over 4600 Andy Capp artworks, which are requested regularly for exhibition across the UK and world. There was even a musical version of Andy and Flo’s adventures, which was revived in 2016.

  • Lynne Parker (founder of the Funny Women comedy community)

Funny Women Awards 2016 poster

In 2002, Lynne Parker established the Funny Women comedy group, which aimed to support and celebrate women working in comedy. The group runs workshops, networking events, comedy classes/open mic nights, and an awards ceremony every year. If you’ve heard of Bridget Christie, Susan Calman, Katherine Ryan, Andi Osho, Kerry Godliman, Sara Pascoe, Zoe Lyons, Roisin Conaty, Holly Walsh or Sarah Millican then Funny Women has done its work – it has supported all of those comedians, plus many more.

In 2016 Lynne donated material relating to the Funny Women community to the British Stand-Up Comedy Archive; it was catalogued last summer and everyone is welcome to view it. Lynne has also been a guest on our Stand-Up Comedy podcast discussing the work of Funny Women, so give it a listen!

  • Modern poetry and Crater Press writers

Anne Carson, Nox

Crater Press – Borthwick Riot Calendar

Verity Spott: Kate’s Dream Diamond Anti-Fatigue Matting Surface

There are so many fantastic women poets in our Modern Firsts Poetry collections, it’s impossible to pick just one out. We could focus on famous writers such as Sylvia Plath and Virginia Woolf or more contemporary poets like Denise Riley. We could look at the revolutionary, intersectional verse of Audre Lorde. We could discuss the political-personal work of Grace Lake or the genre-defying literature of Anne Carson. We could also look at the role smaller printing presses, like the Crater Press, have in disseminating women’s writing and the space it creates for new dialogues. Instead, however, how about you come in and explore these wonderful writers?

Other utterly fantastic women in the archives include: Josie Long (stand-up comedian), Grizelda (cartoonist), Nina Boucicault (actress), the many women of the Melville dynasty, Monica Bobinska (involved in the Meccano Club) and, of course, the many many actresses in our theatre collections. As ever, do get in touch if you’d like to know more or visit us. Happy International Women’s Day!