Holinshed’s Holistic Histories of Britain

Written by Daniel Quirk, student on HI6062: Dynasty, Death and Diplomacy – England, Scotland & France 1503 – 1603

The Templeman Library’s Special Collections & Archives Department holds a rare 1587 edition of Holinshed’s Chronicles; a book that collates the works of some of the most influential pre-seventeenth-century writers of early English, Scottish and Irish history in a single place. Printed in gothic English font, the book’s characteristics imply a lot about its intended use as an object, which will be explored in this blog. This blog will also demonstrate that the book was the product of a growing late sixteenth-century belief that Scotland and England were becoming a shared space and that Holinshed believed it was important for the national histories of both nations to be understood within a single book.

Holinshed’s Chronicles were collated by Raphael Holinshed (1529-1580) with the first edition published in 1577, and this particular book at the Templeman Library published as the second edition in 1587 under the supervision of Holinshed’s successor, Abraham Fleming. Holinshed and his successor brought together works by authors that dominated the contemporary understanding of England’s and Scotland’s respective histories, such as Hector Boece whose ‘Scotorum Historiae’ was translated and used in the ‘Historie of Scotland’ section for Holinshed’s book along with works by other authors on Scotland’s history.

External view of the 1587 Holinshed Chronicles Volume II in the Templeman Library’s Special Collections & Archives

The first obvious feature of the book is that it is very large, measuring 36cm x 23cm x 8cm. The size suggests that this book was not designed to be an easily portable book but was most likely intended for personal educational use as part of someone’s collection. The use of English translations instead of Latin suggests that the intent of the book was primarily educational, bringing about greater awareness of the ancient origins and histories of the British Isles by using a more widely understood language. Furthermore, as paper was an expensive material to use in the sixteenth-century, the impressive size of the book and its pages also implies that the book was materially valuable to its owner as well as an important educational resource. Evidence of intricate gold-leaf patterns on the cover reinforces this argument that this book was produced with expense to impress.

Evidence of elaborate gold-leaf decoration on the cover and binding of the book.

Conversely, a surprising observation of this book is the lack of internal decoration with very few woodcuts used. The same few woodcuts are repetitively used, suggesting that although this book was impressive externally the expense was spared internally. This contrasts with the 1577 edition of Holinshed’s Chronicles at the British Library which has many elaborate woodcuts depicting important monarchs and historical events that are not evident in the Templeman Library’s edition. The reason for this could be the lack of financial support behind the 1587 edition. After Holinshed’s death in 1580, his successors had difficulty establishing financial support for continuing with the new edition. Woodcuts were expensive additions to a book and were often reused instead of new ones being commissioned to keep costs down. This lack of financial means may explain the sparse use and recycling of a few styles of woodcuts in this copy of The Chronicles.

Example of the recycling and inconsistent use of letter woodcuts in the 1587 edition of The Holinshed Chronicles

Example of the recycling and inconsistent use of letter woodcuts in the 1587 edition of The Holinshed Chronicles.

 

Example of the intricate woodcuts present in the 1577 edition of The Holinshed Chronicles which are absent in the 1587 edition (British Library)

From studying the ‘Historie of Scotland’ section, it is interesting that the story of Gathelus and Scota is present followed by detailed descriptions of the early Scottish kings. This mythical tale of the origins of Scotland contrasts with the section on England’s history, where the tale of Brutus explains the ancient history of the British Isles by stating Brutus’ son Albanactus was the first king of Scotland. However, the Albanactus and Brutus tale does not appear in the Scottish history section, demonstrating one of the many contradictions which exist within the book.

There is a general lack of public awareness of the Holinshed’s Chronicles despite its importance in detailing the history and mythology of the British Isles. However, the book remains a significant example of the emergence of a shared ‘British’ history and identity at the end of the sixteenth-century. The sixteenth century was a time of ‘British’ mythological history being used as propaganda in both England and Scotland, with competing national claims on ‘owning’ historical heroes. The inclusion of aspects of this mythological history in the collection suggests the importance of these stories in Scottish and English national identities and that Holinshed’s Chronicles allowed readers to explore these ‘histories’ in combination.

The Chronicles was also published in the context of growing awareness in England that a Scottish king may inherit the English throne. This possibility first appeared with the marriage of James IV and Margaret Tudor in 1503 and persisted throughout the sixteenth-century, especially during Elizabeth I’s reign, possibly explaining why Holinshed decided to collate works on England and Scotland together in his first edition in 1577. By 1587, it was believed that James VI would inherit the English throne after Elizabeth, and so both kingdoms and their histories would become one. Perhaps the inclusion of both England and Scotland in this collection is therefore significant in showing the growing belief in the late sixteenth-century that the island of Britain as we know it today was becoming a shared space and that therefore a single collation of their histories was necessary. If so, this book is important in showing how these ideas of Britain were viewed at the time.

To conclude, Holinshed’s Chronicles is an important book in illustrating how national histories and identities were perceived in the sixteenth-century. The decision to include both Scottish and English histories in one book demonstrates a broader thematic emergence of a shared British history and identity in the sixteenth-century which arose from the possibility of both realms falling under a single monarch. Therefore, this book as an object has wider significance for early British history than just what is written inside. Further analysis of this book should consider the reason why the elaborate woodcuts of 1577 do not appear in this edition; was it due to cost efficiencies or instead a consequence of the censorship which occurred in the late 1580s? Regardless of the lack of woodcuts, this copy of Holinshed’s Chronicles is a beautiful example of sixteenth-century literature which deserves wider awareness amongst the British public.

The copies of Holinshed’s Chronicles held in Special Collections & Archives are on loan to us via the Marlowe Society.

Bibliography:

2018 Highlights from the SC&A Team

I don’t know about you, dear readers, but the end of the year has crept up on us remarkably stealthily! (Although all the Christmas decorations and festive events around campus may argue otherwise…) With that in mind, we thought we’d take a look back at 2018 and share with you our particular highlights – work you may know about, projects you may not, or collections that are waiting for you to explore them.

In no particular order…

Karen (Special Collections & Archives Manager): “2018 has been a fantastic year for Special Collections and Archives. In February we welcomed our new University Archivist, Tom, who began work almost immediately on the fabulous “Our Templeman” Exhibition. The exhibition was created to celebrate the completion of the library extension and refurbishment as well as 50 years since the Templeman Library first opened its doors.

We are Archive Accredited and therefore Awesome

In March we had a party! We were very excited and proud to receive the National Archives Accreditation Award – and of course like all good parties we had a cake. In the summer we were lucky to be able to recruit two Bursary funded Interns. Janee and Philip spent the summer working on the Maddison collection and revealed some interesting discoveries from this science collection through a series of blog posts and pop-up sessions.

Interning at SCA: far more fun than making endless cups of tea and photocopying

Interning at SC&A: far more fun than making endless cups of tea and photocopying

Tom Ritchie needed a venue to demonstrate a Meccano based reconstruction. SC&A were happy to play host to Tom and the Meccano Men (they are real people!). We eagerly watched as the Differential Analyser was constructed and then opened the doors to a whole host of diverse people who were interested to see how meccano played an important role in the development of computers.

What do you get when you cross archives and toys?

What do you get when you cross archives and toys?

And just to whet your appetite about what is to come next year – in the summer we received a new collection, which focuses on the history of Music Hall – in the New Year we will reveal more about it but here is a taster of what is to come…”

Your Christmas starter for ten: what links all these items?

Your Christmas starter for ten: what links all these items?

 

Helen (Library Assistant, Curation & Metadata): “The ‘Prescriptions’ exhibition of artists’ books, on wellbeing and medicine, took place at the Beaney House of Art and Knowledge in 2016. Books by 82 artists, from 15 countries exhibited their work and many of them subsequently donated or deposited their works at the University of Kent’s Special Collections and Archives. The books deal with topics including “cancer, chronic illness, disability, mental health, surgery, medicine and wellbeing” (Bolaki & Ciricaite, 2017).

A rare sighting of the endangered cotton glove (Karen Apps, 'Losing Touch', 2016)

A rare sighting of the endangered cotton glove (Karen Apps, ‘Losing Touch’, 2016)

Working with these poignant, and sometimes harrowing, books proved to be a rewarding challenge. It was very moving to handle a succession of very personal artworks, created with care and documenting painful experiences. The collection as a whole captures a great breadth of different experiences. Many of the artists faced an initial shock and disruption around a diagnosis but came to terms with their illness and made peace with the impact it had on their lives. My experience cataloguing the collection took a similar trajectory, from a sense of intrusion and uncertainty to acceptance and even comfort.”

Rachel (Library Assistant, Curation & Metadata): “It’s been great to be part of a project to catalogue and digitise material from the Queen’s Own Buffs The Royal Kent Regiment Collection. It contains material from the Buffs (Royal East Kent Regiment) and the Queen’s Own Royal West Kent regiment who merged in the 1960s. There’s a variety of material in the collection, ranging from prisoner of war accounts to the Buffs Golfing Society records, as well as plenty of books surrounding the history of the Buffs, who are one of the oldest regiments of the British Army, tracing their roots back to the 16th century. As part of my work I spent a lot of time with the Dragon and the Queen’s Own Gazette, the regimental journals of the two regiments. They’re full of information on the history of the regiments, as well as plenty of reports of their leisure time, giving a fantastically detailed picture of life in these regiments from the late 19th century onwards.

The Buffs are for life, not just for Christmas

The Buffs are for life, not just for Christmas

My personal highlight was finding Pte. A. Baker listed as missing in an issue of The Queen’s Own Gazette from 1916. Arthur Percy Baker was my great great uncle who worked as a train conductor before the First World War. He died at the Somme in July 1916 and is one of the 72,000 men listed on the Thiepval Memorial.”

Who Do You Think You are in action

Archives have all the answers (sometimes)

 

Jo (Senior Library Assistant, Special Collections & Archives): “This year we’ve been full steam ahead with our education and engagement offering, welcoming over 900 visitors through group sessions in the Autumn Term alone! It’s always brilliant to see people who’ve never looked at or touched historic material before engage with our collections, but two particular sessions stand out:

No books were harmed in the making of this photo, apart from the one which is art

No books were harmed in the making of this photo, apart from the one which is art

In the Spring Term, we revamped our sessions to support a final year English course where students write and self-publish their own book. In previous years, groups have come in to look at modern poetry exclusively – but this year we pushed things a bit beyond that. One Reading Room table focused on a history of print from the early modern period to the present day – spanning everything from rare books to playbills and zines. The other table was split into modern poetry on one section and artists books on the other. By looking at the history of print material first, students were then able to see how contemporary works play on printing traditions – and it worked so well, we could barely get them to leave after three hours!

We were very glad to have more responses than 'old dusty things'

We were very glad to have more responses than ‘old dusty things’

In the Autumn Term, we undertook the obviously-very-small challenge of welcoming every single first year History student into Special Collections & Archives through their mandatory ‘Making History’ course. Using some of the reading I’ve inhaled through my MA, we planned a detailed 50 minute session that was split into parts – and included hiding the archive material in boxes so students couldn’t get distracted from the first activity about physical and digital archives. We’re looking forward to working with the School of History further to improve our support next year, but it really was wonderful to meet the very enthusiastic first years.”

Tom (University Archivist): “My highlight of 2018 was working on the exhibition the “Our Templeman” celebrations in March, marking the completion of the Templeman extension and refurbishment and the 50th anniversary of the library first opening. This was one of the first tasks given to me after starting work here in February and it allowed me to totally immerse myself in the University Archive in digging out a pictorial history of the library. It also allowed us to showcase some of our amazing other collections. We brought it out again for the start of the new academic year and it was great seeing how many staff, students and alumni engaged with it.”

Templeman Time-machine: spot the difference!

Templeman Time-machine: spot the difference!

 

Elspeth (Digital Archivist): “I’ve loved having the opportunity to explore two oral history collections from Special Collections & Archives through digitisation and cataloguing. The collections comprise unique, original oral history recordings, which are not archived in any other institution or heritage centre. They were recorded on reel-to-reel tapes, now an obsolete format, in the late 1960s and 1970s, so it is fantastic that we were able to have these digitised to ensure that the testimonies included on them are preserved and able to be made accessible.

The first of the two oral history collections, The Barker Oral History Tapes collection, comprises interviews with c. 100 people in Kent recorded in the late 1960s. The interviews were part of an oral history project, funded by the ESRC, directed by Professor Theo Barker (founding professor of Economic and Social History at the University of Kent in 1964) and John Whyman (Lecturer in Economic and Social History and Master of Rutherford 1996-1997), who were interviewing older respondents for their memories of life in Kent before 1900. Barker was an early supporter of oral history as a research methodology, and he became the Oral History Society’s first Chairman in 1973. The second collection is the Winstanley Oral History Collection.  This collection comprises interviews with over 160 people in Kent (mainly east Kent), recorded between 1974 and 1976. The recordings were undertaken as part of an SSRC-funded oral history project (called ‘Everyday Life in Kent before 1914’), looking at life in Kent at the turn of the 20th century.

Both collections, and the first-hand testimony within them, is unique. The interviews provide insight into life in the county in the period between 1890 and 1950 (although the focus is on life at the turn of the century), and cover topics such as work, industry, society, war, community, and women’s history. The testimonies will also provide a linguistics resource, providing a rich resource for those studying dialect and the changes in Kent dialect over time. The recordings can be accessed via the Special Collections & Archives reading room (email specialcollections@kent.ac.uk).

What’s been your highlight of 2018? Let us know below!

We’d like to wish all of our readers a very Merry Christmas and a Happy New Year! Our Reading Room is closed from the 19th December 2018 and will reopen on January 14th 2019. This slightly longer-than-normal closure period allows us a week to develop our collections, so we’ll be spending 5 days in January working on exciting projects in our storage areas!

‘Kent, its Regiments, and the First World War’

The Queen’s Own Buffs, The Royal Kent Regiment Collection was given to the University of Kent by the Regimental Association of The Queen’s Own Buffs in 2017, and is cared for as part of Special Collections & Archives. It consists of mainly printed and published material from the 19th century to the present, along with some archival material.

New and Old Colours of the 1st Battalion, The Buffs, from The Dragon March 1892

Over the past year we have undertake a year-long project, funded by the Regimental Association of the Queen’s Own Buffs Royal Kent Regiment, to catalogue the Collection and selectively digitise some of the regimental journals held in the Collection.

To celebrate this project we are launching a new exhibition in the Templeman Gallery, ‘Kent, its Regiments, and the First World War’, and Professor Mark Connelly will give a lecture entitled ‘The East Kent Regiment, Canterbury and the Great War’ to launch the exhibition at 2.30pm on Monday 29th October 2018. The talk will explore the links between Canterbury and the Buffs during the First World War. It will show how the city and surrounding region maintained a great interest in the actions of its local regiment, even after conscription led to great changes in its demographic. Home and Fighting fronts are often thought of as very distinct and separate entities, but this lecture will highlight the degree to which they were inextricably linked and that communication between the two was continual. This lecture is open to all, with tickets bookable via eventbrite. Attendees are welcome to visit the exhibition afterwards, which is held in the Templeman Gallery and will be running from 29 October 2018 to 4 January 2019.

Men of the 1st Battalion, The Buffs at Bois-Grenier, winter 1914

During this event, we will also be launching our new project ‘Diaries of the Here and Now‘, where we are inviting everyone to record their experiences of 11 November 2018 for future generations, and deposit their diary with Special Collections & Archives.

Diaries of the Here and Now

‘Kent, its Regiments, and the First World War’, Templeman Gallery, 29 October 2018 – 4 January 2019.

Diaries of the Here and Now: diaries will be available to collect in the Templeman Library from the 29 October until 11 November, and need to be returned by 25 November 2018.

A brief history of alchemy; or, My Alchemical Romance

First performed in 1610 by the King’s Men, the acting company to which Shakespeare belonged, Ben Jonson’s The Alchemist is a satire centred around three con artists who use subterfuge, guile and wit to relieve targets of their belongings. Jonson makes no attempt to conceal his low opinion of alchemy and its practitioners, with the titular alchemist an obvious fraud and this makes it a useful springboard into thinking about alchemy in its historical context. The Templeman Special Collections and Archives holds a copy of Jonson’s First Folio from 1616 in its pre-1700 collection which contains the play and so in order to demonstrate how the Maddison collection could be useful for study and research beyond the history of science, we are going to use The Alchemist as a framing device for this week’s blog post.

Title page from 'The Alchemist' by Ben Jonson in Jonson's First Folio of 1616.

Jo says we are not allowed to have favourites because it makes the other books sad. The Jonson Folio (Q C 616 Jon) is Philip’s favourite. Don’t tell Jo. Or the other books.

‘Alchemy is a pretty kind of game, / Somewhat like tricks o’ the cards, to cheat a man / With charming.’ (2.3.180-182, The Alchemist)

To the uninitiated, alchemy can seem a vague art form that seems to cover a range of random topics. Whilst researching for this post we read about people trying to turn base metals into gold or silver, about some trying to create a source of eternal life and others searching for ways to raise the dead. Alchemy has spanned a large number of fields in its history from supernatural and spiritualism to medicine and early chemistry but what many fail to realise is that alchemy was in fact an early science intent on answering many of the same questions we strive to answer today. It was only in the 1700s that a strong distinction between ‘alchemy’ and ‘chemistry’ was established; prior to this time that the study of both subjects was much more fluid.

A pictorial diagram of the four base elements in a cross. Each element is represented by a creature. Clockwise from top: fire (ignis) is an angel; earth (terra) by a bear; water (aqua) by a dragon-looking creature; air (aer) is a long-necked bird.

The dragon-demon-sea monster thing is our spirit animal.

 

Alchemy has a long history, dating back to  antiquity and it is possible to track its early modern evolution through the Maddison Collection in the form of dedicated volumes, notes and annotations, and handwritten recipes.The roots of Western alchemy are founded in the classical idea of the basic elements – fire, water, wind and earth – and it is primarily this Eurocentric alchemy which is covered in the Maddison Collection. Variant forms of alchemy have been practiced across the globe, particularly in the Middle East, China, and India. It is the various cultural and religious influences which make each strain of alchemy unique.

A taoist philosopher, alchemist, medical writer and poet, Ko Hung was the originator of first aid in traditional Chinese medicine.

A taoist philosopher, alchemist, medical writer and poet, Ko Hung was the originator of first aid in traditional Chinese medicine.

These aforementioned roots of alchemy are derived from the classical world and continued to evolve through the ages in Western Society by adopting and discarding knowledge from various influences. However, the core of alchemy always reflected its origins through its continued use of classical mythology as a communicative device. In multiple volumes within the collection the reader is able to see various illustrations utilised to express a concept or recipe in relation to alchemy, but to those unversed in identifying these alchemical signs these illustrations appear to be merely depictions of ancient myths and folklore.

Colour illustration of a peacock in the vase of Hermes

This peacock is serving all kinds of fabulous perfection.

‘Nature doth first beget the imperfect, then/ Proceeds she to the perfect.’ (2.3.158-9, The Alchemist)

There were alchemists working across Europe through the medieval period into the early modern. The collection’s earliest works on alchemy come from Agrippa, a German polymath, legal scholar, physician and theologian,who was an important alchemist in the early sixteenth century. He is an interesting man to study, as during his career he turned away from the occult and focused much more his theological work, rejecting magic in his later life.

Just look at all those instruments! Agrippa’s getting the band back together.

Just look at all those instruments! Agrippa’s getting the band back together.

 

Paracelsus is another influential figure in alchemical circles, also well represented. A respected physician, alchemist and astrologer during the German renaissance, Paracelsus is known as the father of toxicology, as well as being one of the first medical professors to use chemical and minerals in medicine. John Dee, Robert Boyle and Elias Ashmole were also important names in the history of alchemy and all of these alchemists have works related to them within the Maddison collection.

 

Guess who’s back, back, back. Back again, Boyle’s back! Tell a friend.

Guess who’s back, back, back. Back again, Boyle’s back! Tell a friend.

 

It is unsurprising that Boyle engaged in alchemy alongside his more conventional scientific research. Many regarded alchemists as great experimentalists, who engaged in complicated experiments, which they then documented and amended. Cleopatra the Alchemist was a Greek Egyptian alchemist from the 3rd century whom focused on practical alchemy and is considered to be the inventor of the Alembic, an early tool for analytical chemistry. She along with other alchemists such as Mary the Jewess focused on a school of alchemy which utilised complex apparatus for distillation and sublimation, important techniques still in use in the chemistry lab today. Cleopatra the Alchemist’s biggest claim to fame is as one of only four female alchemists who were supposedly able to produce the Philosopher’s Stone.

This was one method of distillation being utilised in 1653, which looks very similar to a modern day distillation technique! On a large drum sit 2 identical vessels, and in between them is a ventilation shaft allowing smoke to escape. The two vessels on the drum are connected by long thin spouts to two conical flasks,designed to receive the run off liquor.

This was one method of distillation being utilised in 1653, which looks very similar to a modern day distillation technique! On a large drum sit 2 identical vessels, and in between them is a ventilation shaft allowing smoke to escape. The two vessels on the drum are connected by long thin spouts to two conical flasks,designed to receive the run off liquor.

‘I am the lord of the philosopher’s stone.’ (4.1.156, The Alchemist)

Twenty-first century readers may be more aware of alchemy than they realise. Harry Potter and the Philosopher’s Stone placed alchemy front and centre in contemporary culture. Other references in popular culture include manga and anime Fullmetal Alchemist and fantasy video games, World of Warcraft and Final Fantasy, amongst countless more. F. Sherwood Taylor points out the misconception of alchemists as ‘magicians or wizards’ that is common to these modern representations, writing that ‘as far as we know the alchemists sought to accomplish their work by discovering and utilizing the laws of nature […] never […] by “magical processes”’ (p.1, The Alchemists: Founders of Modern Chemistry, F. Sherwood Taylor). The Philosopher’s Stone was one of the primary goals of alchemy. Supposedly the catalyst needed to turn base metals such as mercury, tin or iron into the noble metals, gold and silver, it was also theorised to cure illnesses and extend lifespan. Alchemists disagreed on just about every aspect of the stone; from what it symbolised to how it was created. What all alchemists did agree upon was that the Philosopher’s Stone was a tangible possibility and someone had managed to make and use it in the past. During our research we discovered a series of images related to transmutation that may be related to the Philosopher’s Stone. You can see those, with added captions, as part of the Adventures series here

Image of A New Light of Alchymie book

J K Rowling’s Half Blood Prince anyone?

‘If all you boast of your great art be true; / Sure, willing poverty lives most in you.’

(1-2, Epigrams VI, “To Alchemists”, Jonson)

The fortunes of alchemy and its practitioners waxed and waned through the centuries. Renaissance alchemist and thinker, John Dee is a prime example. A key adviser to Elizabeth I, after James I succeeded the throne Dee was accused of being a ‘Conjurer, or Caller, or Invocator of Divels, or damned Spirites’ and died impoverished.

John Dee books in the Maddison Collection

Maddison Collection and it’s not Boyle! What a shock!

Most other alchemists did not suffer quite so dramatic a reversal of fortunes, but the legality of alchemy was dubious and throughout history it was often concealed in coded language or symbolic imagery. Renaissance legal scholar, Sir Edward Coke, wrote on its illegal status in The Third Part of the Institutes of the Laws of England (1644), citing the 1404 Act Against Multiplication, which forbade ‘multiplication […] That is, to change other metals into very Gold or Silver’ (Institutes, p.74). Robert Boyle campaigned to overturn this law and it was repealed in 1689.

As the eighteenth century wore on and the scientific method took hold, alchemy became increasingly discredited and chemists, wanting to distance themselves from alchemists, succeeded in separating the disciplines.The decline of alchemy in Europe was in conjunction with the rise of modern science, which placed a high significance on quantitative experimentation and which regarded the “ancient wisdom” so highly prized in alchemy as redundant and useless.

Starting with gold? I thought we were trying to make it! This is alchemy for the 1%.

Starting with gold? I thought we were trying to make it! This is alchemy for the 1%.

Did alchemy work? Mostly not, but it was the forerunner to modern chemistry. Advancements in technology have now made some alchemical feats possible. For instance, it is now possible to turn lead into gold. It takes a chemist who knows what he is doing and a lot of time, energy and money, but changing lead to gold has been done. The method of doing so is nothing like what is recommended in the various alchemy books within the collection but the once scoffed at dream is now a possibility.

The Alchemist may treat its subject matter as a joke and its practitioners as charlatans but the tangible contribution of alchemy to scientific knowledge should not be undersold. As  Sherwood Taylor notes, ‘the hopeless pursuit of the practical transmutation of metals was responsible for almost the whole of the development of chemical technique before the middle of the seventeenth century, and further led to the discovery of many important materials.’ (x, F. Sherwood Taylor) They may not have attained everlasting life or succeeded in transmuting lead to gold, but the alchemists did pave the way for their successors to develop modern scientific theory.

Tune in for the next blog post where we will be investigating the man behind the Maddison collection, R. E. W. Maddison!

 

Further reading

On Alchemy

John Read, Prelude to Chemistry (London: G. Bell and Sons Ltd., 1939) [Maddison 23B1]

J. S. Thompson, The Lure and Romance of Alchemy (London: George G. Harrap & Company Ltd., 1932) [Maddison 24A14]

Sherwood Taylor,The Alchemists: Founders of Modern Chemistry (London: William Heinemann Ltd, 1951) [Maddison 24A7]

Arthur Edward Waite, The Secret Tradition of Alchemy (London: Kegan Paul, Trench, Trubner & Co., 1926) [Maddison 24B20]

On John Dee

Charlotte Fell Smith, John Dee (1527-1608) (London: Constable, 1909) [Maddison 13C8]

Peter J. French, John Dee: The World of an Elizabethan Magus (London: Routledge & Kegan Paul, 1972) [Maddison 13C7]

Past exhibition at the Royal College of Physicians, 2016: ‘Scholar, Courtier, Magician: the lost library of John Dee’

On The Alchemist

Ben Jonson, The workes of Beniamin Jonson (London: W. Stansby, 1616) [Q C 616.JON]

Previously in Philip and Janee’s blog posts:

The honourable Robert Boyle; or, reaching Boyle-ing point? 

Introduction; or, how do you solve a problem like the Maddison Collection?

The Honourable Robert Boyle; or, Reaching Boyle-ing Point

Hello again! Welcome to the second post in the series of our foray into the Maddison Collection. This past week has seen temperatures skyrocket but we have been staying cool in the basement of the Templeman Library, researching and caring for the treasures of the collection. Read on as we turn up the heat on this week’s topic, The Honourable Robert Boyle F.R.S.

For the record, all puns are the fault of Philip and Jo. Janee relinquishes all responsibility for them.

For the record, all puns are the fault of Philip and Jo. Janee relinquishes all responsibility for them.

One of the first things we noticed when we began working on the Maddison Collection was the sheer volume of texts on Robert Boyle. He is perhaps the collection’s best represented topic. By the time we got to the fourth shelf, of the first bay we were working on, we discovered why Maddison had collected such an immense number of books focusing on Boyle: he had written his own book on the topic, one of the first full biographies on Robert Boyle! A little more research unveiled that Maddison had in fact also written around twenty articles on Boyle, as well as a second book on the subject and had been gathering material for over twenty-five years (Maddison, The life of the Honourable Robert Boyle, viii).

There are plenty of copies. Bring your friends.

There are plenty of copies. Bring your friends.

Boyle is often considered to be the ‘Father of Chemistry’ and is most well-known for the scientific principle named after him. Boyle’s Law states that the pressure of a given quantity of gas varies inversely with its volume at constant temperature. To this day we are taught about Boyle’s Law in science classes, and so it was a surprise to find that between the mid eighteenth- and early twentieth-century there was very little academic scholarship conducted on Boyle. As Maddison notes in the Preface to his book, Thomas Birch’s volumes on Boyle, written in the eighteenth century, have ‘served as the basis of all subsequent accounts of Robert Boyle, wherever they have been published, right down to the present day’ (Maddison, viii).

We should not make too many Boyle jokes, it might get too steamy.

We should not make too many Boyle jokes, it might get too steamy.

It was only after the Second World War that there was a major shift in Boyle scholarship. One such scholar, Marie Boas was particularly well known for her research during this time period, publishing two books and a series of articles about Boyle. Boas’ work provides a detailed analysis of Boyle’s aims and achievements and both of her books can be found within the Maddison collection.

A watched pot never Boyle-s.

A watched pot never Boyle-s.

While Boas focused on Boyle’s academic achievements, Maddison had an all-encompassing interest in Boyle. Within Maddison’s biography he dedicates sections to discussing Boyle’s appearance, life and family, alongside his published writings and contributions to the scientific community. When looking through the collection it becomes clear that Maddison was able to discuss these things in depth due to his extensive research. Amongst books authored by Boyle and covering his interests, there are boxes of letter facsimiles copied from the Royal Society’s collection, an extensive, handmade Boyle family tree, and even a book that may have come from Boyle’s personal library.

Factoid: Maddison made his own miniature sundials and barometers.

Factoid: Maddison made his own miniature sundials and barometers.

The originals can be found largely in the Boyle Papers held by the Royal Society.

The originals can be found largely in the Boyle Papers held by the Royal Society.

It seems pertinent at this point to provide some brief biographical information about Boyle. More can of course be found in R. E. W. Maddison’s The Life of the honourable Robert Boyle.

Here’s your Boy-le.

Here’s your Boy-le.

Robert Boyle was born in Ireland on January 25th 1627 to one of the wealthiest families in Britain and died on December 31st 1691 in London, England. He never married, nor had any children, but he did have a number of siblings.

This was really hard to roll up again.

This was really hard to roll up again.

Of particular importance was his older sister, Katherine Jones, Viscountess of Ranelagh, with whom he lived from 1668 until her death in 1691.  Lady Ranelagh is fascinating, as her interests were similar to Boyle’s. In fact, she is thought to have encouraged him to work on questions of ethics and they would consult each other on chemistry and alchemical problems.

Lady Katherine Jones née Boyle, Viscountess of Ranelagh

Lady Katherine Jones née Boyle, Viscountess of Ranelagh.

Boyle was a founding member of The Royal Society, although he never served as its president. The Maddison collection contains many books on the Society’s history and a significant number of holdings of ‘The Notes and Records of the Royal Society’.

The Maddison Collection a.k.a The Notes and Records of the Boyle Society.

The Maddison Collection a.k.a The Notes and Records of the Boyle Society.

Boyle’s interests were far-reaching and varied. Whilst he is best known as a natural philosopher (mainly in chemistry), he diversified and covered hydrostatics, physics, medicine, earth science, natural history, Christian devotional and ethical essays, theological tracts on biblical passages and alchemy. He sponsored religious missions and the translation of the Scriptures into several languages. His most notable works include Touching the Spring of the Air and its Effects (1660), The Sceptical Chymist (1661), New Experiments Physico-Mechanical (1682) and The Christian Virtuosos (1690). This vast array of pursuits is marvellously reflected within the Maddison Collection.

RIP Robert Boyle, you will be mist.

RIP Robert Boyle, you will be mist.

Within the collection there are copies of Boyle’s most famous works, as listed above, as well as complete volumes containing some of his lesser known texts. Maddison collected books covering religious philosophy, chemistry and natural sciences, medicine, as well as alchemy and witchcraft, amongst other things. Maddison himself held a BSc in chemistry and a PhD in photochemistry and electrochemistry, but his collection shows that he, like Boyle, was capable of straddling the boundaries between disciplines. This variety results in the Maddison Collection being able to connect with subject matters beyond that of History of Science.

I guess you could say Maddison was a real fan Boy-le.

I guess you could say Maddison was a real fan Boy-le.

As a brief example, Boyle’s interest in medicine may be of interest to those studying the history of medicine or medical students joining Kent’s forthcoming medical school and wishing to know more about their predecessors. Maddison writes of Boyle’s ‘sickly constitution’ (Maddison, 219) and suggests that this prompted ‘[h]is interest in medico-chemistry [which] was further stimulated by the desire to alleviate pain and suffering of others, with the result that he was an ardent collector of recipes and seeker of new or improved remedies.’ (221)

We’re deffo going to try these.

We’re deffo going to try these.

There are ample books which could be of use to those studying early modern philosophy, history, medicine and herbalism. Others can be studied to learn more about the geography of the time, as well as the obvious link to early Chemistry and Physics. There is a strong collection of books written before 1700 within Maddison’s collection and a surprisingly large volume of books that would be of interest to religious studies scholars.

While we don’t have the time to explore all of these niches with the collection, we are able to focus on some of our personal favourites and so following in the footsteps of Maddison and Boyle, next week we will be exploring the world of alchemy. Stay tuned to learn about making your own personal philosopher’s stone!

Further Reading

Thomas Birch (1744), The life of the Honourable Robert Boyle (A. Millar), Maddison Collection (1C30)

Marie Boas (1958), Robert Boyle & Seventeenth Century Chemistry (Cambridge University Press), Maddison Collection (1C32)

Marie Boas (1962), The Scientific Renaissance 1450-1630 (Collins), Maddison Collection (19A31)

Robert Boyle (1680), The Sceptical Chymist (Henry Hall) Maddison Collection (1C1)

Mr. D*** (1688), Traittez des Barometres, Thermometres, et Notiometres ou Hygrometres (Henry Wetstein), Maddison Collection (2A5)

R. E. W. Maddison (1969), The Life of the Honourable Robert Boyle F.R.S (Taylor & Francis Ltd.), Maddison Collection (1D15)

Previously in Janee and Philip’s blog posts:

Introduction: or, how do you solve a problem like the Maddison Collection?