The History of Philanthropy

This blog from our Centre for Philanthropy colleague and Pears Fellow, Rhodri Davies, first appeared as panels in the ‘Exploring Philanthropy’ exhibition in the Templeman Gallery in 2022. 

Read on as Rhodri takes you on a whistle stop tour of the history of philanthropy!

How do we define “Philanthropy”?

“Philanthropy” is one one sense simple to define: it literally means “love of humanity”. Yet what this means in practice has proven far more difficult to pin down. The historian Benjamin Kirkman Gray argued in his 1905 book A History of English Philanthropy that philanthropy is “probably incapable of strict definition”, and many modern academics and practitioners would agree that it is an “essentially contested term”.

Part of the challenge is that the meaning of philanthropy has shifted considerably over time. Following its emergence in Ancient Greece (where it had a meaning significantly different to our modern understanding), the word philanthropy largely disappeared for more than a thousand years, when it was replaced by Judeo-Christian notions of “charity” and “almsgiving”. It finally re-emerged in something like its modern form in the 18th century, first in France and then in England, where it was used to refer to the prison reformer John Howard – a man who has been called “the first modern philanthropist”.

A key milestone in the emergence of the modern conception of philanthropy was the introduction in 1601 of the Statute of Charitable Uses. This did not, as it has sometimes been claimed, introduce a legal definition of charity; but its preamble did enumerate for the first time a list of purposes which could acceptably be deemed as ‘charitable’. (A list that borrowed heavily from William Langland’s 14th century dream poem Piers Plowman). This strengthened the notion of philanthropy as something that was concerned with secular problem solving, and laid the foundations for the definition of charity that we still use in the UK to this day (and, indeed, in many other places whose common law has followed our own).

We might assume a link between philanthropy and giving money, but this has not always been the case. Many of the celebrated “philanthropists” of the 18th century were men like John Howard or William Wilberforce, whose primary tools were campaigning and political influence. It was only in the 19th century, during the Victorian era, that philanthropy gradually came to be more associated with the idea of wealthy individuals giving money. This was cemented in the late 19th and early 20th century with the emergence in the USA of a new breed of ultra-wealthy industrialists like Andrew Carnegie, John D Rockefeller and J. P. Morgan – who were vilified by some as “robber barons”, but were celebrated by others for the scale of their giving. These Gilded Age mega-donors established a new template that continues to shape our understanding of philanthropy even today.

Cartoon image of a prison cell with pipes bringing water into the room for the inmates. In the central part of the image an inmate is being blasted in the face with water from a pipe.

Credit: John Howard bringing water and fresh air into a prison in order to improve the conditions for the inmates. Watercolour. Wellcome Collection: https://wellcomecollection.org/works/kp2dxsex

 

 

Religion and Secularisation 

The relationship between religion and philanthropy is deep and long-standing. For a long time the two were inextricably linked, as virtually all giving was guided by religious teaching and done via religious institutions. However, the Reformation in 15th Britain – which saw a schism between Catholicism and Protestantism following the decision of Henry VIII to leave the Church of Rome – together with the rise of a new form of secular humanism in continental Europe during the 16th century (epitomised by figures such as Erasmus) eventually paved the way for a new secular conception of philanthropy that was distinct from the religious almsgiving of medieval times.

This secularisation was a very slow process, however; and religious teaching continued to play a major part in motivating and shaping philanthropy for a long time. Protestant preachers and writers in the 15th and 16th centuries, keen to find new ways to distinguish their religion, often caricatured Catholic giving as “superstitious” and derided it as inferior to their own brand of “worldly” philanthropy. The poet John Donne, for instance, claimed that:

There have been in this kingdome, since the blessed reformation of religion, more publick charitable works perform’d, more hospitals and colleges erected and endowed in threescore, than in some hundreds of years of superstition before.

The secularisation of philanthropy only really took root with the advent of the enlightenment in the 17th and 18th centuries, when the arguments of influential thinkers like Mary Wollstonecraft, Emmanuel Kant and Thomas Paine led to the emergence of new views on the interplay of rights, responsibilities, charity and justice in our society.

The link between religious identity and philanthropy remained important for many, however. This was particularly true of minority groups, for whom systems of mutual aid and charity were often vital because they were excluded from the support that mainstream society offered. This was the case for the many dissenting groups of Protestants- including most notably, perhaps, the Quakers; whose willingness to combine commercial success with a strong habit of giving saw them produce many celebrated philanthropic families such as the Cadburys and the Rowntrees. It was also true of Britain’s Jewish community, which likewise gave rise to many significant philanthropists like Frederick David Mocatta and Baron Maurice de Hirsch.

Religion remains an important element of philanthropy to this day. Many donors, at all levels, would still cite religious belief as a key factor that motivates and informs their giving; even if the causes they focus on and the approaches they use reflect our more secular modern understanding of philanthropy.

Black and white portrait image of a white man, George Cadbury, wearing a suit/jacket.

Credit: George Cadbury, from Stead, H.F., How Old Age …. Wellcome Collection. https://wellcomecollection.org/works/nsq63wc6 Attribution 4.0 International (CC BY 4.0)

Campaigning and Reform  

When trying to define the difference between charity and philanthropy, a distinction is sometimes drawn between addressing the symptoms of society’s problems and addressing their underlying causes: with the argument being that the former typifies charity while the latter typifies philanthropy. This is perhaps too simplistic, but it does reflect a fundamental truth about the history of philanthropy: that campaigning and advocacy designed to bring about social change has long been just as important as addressing issues through the direct provision of services.

When “philanthropy” started being used in its modern form in the 18th century it was primarily applied in the context of campaigning; to figures like the anti-slavery advocate William Wilberforce or the prison reformer John Howard. And even as philanthropy increasingly came to be associated with the giving of money, efforts to drive fundamental social change rather than merely alleviate immediate suffering remained equally important.

Philanthropy has often played a particularly important role in the early stages of campaigning for new rights or freedoms, because it can provide vital support for marginalised groups and causes that have little or no public recognition at that point. Over time, further resources can be drawn in and new public and political support developed, resulting in the cause in question being brought from the margins into the mainstream and – in many cases – resulting in changes in policy and legislation. Following this template, philanthropy has helped to secure many major milestones of social progress that we now take for granted; from the abolition of slavery and the prohibition of child labour, to universal suffrage and the decriminalisation of homosexuality.

This has, of course, been far from easy. At the core of philanthropy’s role in attempting to drive social change there is often a tension between incrementalism and radicalism: between those who feel that the only pragmatic option is to work with existing systems, and those who feel that those very structures need to be torn down for real change to occur. Sometimes this tension has been a positive one; bringing both sides towards a middle ground that makes it possible to achieve real change. At other times, however, the tension between incrementalism and radicalism has proved too much and seen movements splinter.

There has also been sustained criticism of the campaigning role of philanthropy. The then-Chief Charity Commissioner wrote in 1979 that “The role of the charity is to bind up the wounds of society…to build a new society is for someone else”, and charities are still regularly told by politicians to “stick to their knitting” and “stay out of politics”. Often part of the rationale for doing so is a suggestion that charitable campaigning somehow represents an unwelcome new development. However, it is clear from history that this is far from true and that campaigning has in reality always been a vital tool for philanthropists in driving social change.

Philanthropy and Business  

Philanthropy and business are sometimes presented as if they are entirely separate from one another, but in reality the lines between making money and giving it away have often been distinctly blurred throughout history, as people have found novel ways to combine profit and purpose.

As far back as 1361, on his death from plague, the Bishop of London Michael Northburgh left 1,000 silver marks to establish a fund in old St Paul’s Cathedral that would not make grants, but rather offer interest-free loans on pawned objects, which had to be repaid within one year or the goods would be sold.

In the late 17th century, meanwhile, the London merchant Thomas Firmin set up a number of projects “for the imploying of the poor”, where he ran deliberately loss-making businesses in which spinners and weavers were paid well above the going market rate. It was said that he viewed these projects as “thrifty philanthropy rather than ordinary business”. The desire to combine business and philanthropy was in fact so widespread in the 18th century that the merchant James Hodges lamented:

“Any proposals for publick benefit, at the expense of private purses, without any visible return, must probably make but a small progress”

One group notable for combining business with philanthropy were the Quakers. Many big name companies and brands that still exist to this day have their roots in Quaker-owned family companies; e.g. Cadburys and Rowntrees in the world of confectionery or Barclays and Lloyds TSB in the world of banking. Figures like Elizabeth Fry, George Cadbury and Joseph Rowntree became renowned for their giving and social campaigning; which was often inextricably linked to their commercial activities.

The creation of new accommodation and facilities for employees and their families was a prominent focus for the philanthropy of Quakers as well as other business leaders. Cadbury created the model village of Bournville to house his workers; likewise Joseph Rowntree had New Earswick, Titus Salt had Saltaire and William Lever built Port Sunlight, among others. These new villages combined decent quality housing with suitably-improving leisure amenities such as museums and gardens, and were vastly superior to the majority of the cramped housing found in larger urban areas at the time. In many cases, however, this came at the price of additional controls on the lives of workers- such as the prohibition of alcohol or the introduction of curfews.

Housing was also the focus of a different business-informed approach to philanthropy known as “percentage philanthropy” (or “4 per cent philanthropy”). This was where donors like Octavia Hill and Edward Guinness would build decent-quality affordable housing in urban areas and then charge the working classes below-market rents to live in them, so the properties would deliver some financial return and the discount would be seen as the philanthropic element.

Today there is a growing trend towards “social enterprise” or “social investment” approaches that seek to combine social and financial return. Often this is presented as an unprecedented new innovation, but in fact it is clear that there is a rich history stretching back many years of people finding ways to bring business and philanthropy together.

Scene of a prison interior with two women standing close together on the right, light streaming into the cell from the door way in the centre, and poor people behind a gate/fence to the left. The light streams in illuminating a chest with lettering on the front reading Mrs Fry visiting Newgate. On a table in the foreground lies a cat-0-nine-tails whip, a jug, a bottle and some chains.

Credit: Elizabeth Fry. Reproduction of lithograph. Wellcome Collection: https://wellcomecollection.org/works/ghqzazrc

Philanthropy and the Welfare State  

From the beginning of the 17th century, when the Tudor government somewhat reluctantly introduced Poor Law legislation, the question of whether responsibility for meeting the welfare needs of citizens should lie with the state or with private philanthropy has been at the heart of political debate for hundreds of years.

Over time, the nature and scale of social problems changed as the UK became industrialised and urbanised, and it became apparent that the State had to step into many areas. But as David Owen, one of the most prominent historians of English philanthropy, notes: The welfare role of government remained “largely supplementary, to fill such urgent gaps as might be left by the network of private agencies and to carry out its traditional obligation of relieving the genuinely destitute.”

However, from the late 19th century into the first half of the 20th century a growing body of thought emerged which saw the State as having a far more central role in providing welfare. This was realised in 1948 with the creation of the National Health Service and the wider welfare state. Philanthropy and charities had played a key role in this story, as almost every element of the welfare state as we know it reflected a need that was first identified and met through philanthropic means, but it was unclear at first what the ongoing role (if any) of philanthropy was to be. As Maria Brenton notes “a common expectation in those years at the end of the war was that the voluntary sector would just wither away.”

Some rejoiced at this idea. Labour Health Minister Aneurin Bevan, for instance, derided philanthropy as “a patchwork of local paternalisms” and thought that the move towards centralised state control of healthcare represented clear progress. Others had different views: William Beveridge, one of the key intellectual architects of the welfare state, thought that there would always be a role for philanthropy because:

“Voluntary Action is needed to do things which the State should not do… It is needed to do things which the State is most unlikely to do. It is needed to pioneer ahead of the State and make experiments. It is needed to get services rendered which cannot be got by paying for them.”

The dire predictions of those who thought philanthropy had had its day clearly turned out to be incorrect, but the creation of the welfare state did lead to a period of soul-searching in which charities and their supporters were forced to rethink what their role might be. For some organisations this meant repositioning themselves to fill in gaps in state provision. For others it meant challenging the failings of state welfare directly through advocacy and campaigning. As it became clear throughout the 1960s and 70s that universal welfare was not the panacea some had thought, organisations like Shelter and the Child Poverty Action Group emerged to bring new issues of homelessness and poverty to public attention.

The present-day relationship between philanthropy and the welfare state in the UK is complex: in addition to charities filling in gaps in state welfare, or working alongside public sector bodies to enhance state services (as many charities do within the NHS), there are also many charities that deliver services on behalf of the state through grant-funding or contractual arrangements. Perhaps as a result, the desirable balance between state-funded and philanthropic welfare provision continues to be a point of fierce debate in political discourse.

Tainted Donations  

Philanthropy has, throughout the ages, generated controversy of various kinds as people object to who is giving, what they are giving to and how they are doing it. Within this controversy there is a notable recurring theme is a belief that some donations are “tainted” by virtue of where they come from because the money being given away was made in ethically dubious ways.

The question then, of course, is whether it is better to accept the gift in the hope of “putting bad money to good uses”, or to turn it down in order to avoid tainting oneself. This is a question people have been grappling with for as long as they have been giving to good causes, and opinion has always been divided. In 746, for instance, at the Council of Clovesho (a church synod attended by Anglo-Saxon kings) it was decreed that “alms should not be given from goods unjustly plundered or otherwise extracted through force or cruelty”.

Likewise in the 19th Century the Quaker philanthropist George Cadbury took a holistic view of wealth: as the historian David Ownen notes, “making money and giving it away formed for Cadbury a single pattern, and making it could be a constructive socially as giving it away. No amount of philanthropic giving could take the curse of a fortune that had been accumulated carelessly or without regard for the welfare of the workpeople who had labored for it.

Others, meanwhile, have argued that the distinction between “good” and “bad” money is unworkable and should therefore not be an impediment to philanthropy: according to George Bernard Shaw:

“practically all the spare money in the country consists of a mass of rent, interest and profit, every penny of which is bound up with crime, drink, prostitution, disease and all the evil fruits of poverty as inextricably as with enterprise, wealth, commercial probity and national prosperity. The notion that you can earmark certain coins as tainted is an unpractical individualist superstition”.

And “General” William Booth, founder of the Salvation Army, perhaps expressed it most clearly when he (somewhat apocryphally) said “the only problem with tainted wealth is t’aint enough of it!”

Concerns about tainted donations continue to be a major issue for philanthropy. As the UK undergoes something of a reckoning with our national history in the wake of the Black Lives Matter protests in recent years, many organisations – including philanthropic ones – are digging into their own histories to uncover potentially problematic links to slavery and the proceeds of colonialism, and trying to determine the best course of action to take in light of these findings. There are also concerns about current donors: the most notable example in recent years being the Sackler family, whose long-standing philanthropy has become the focus of widespread controversy as a result of their much-criticised role in creating and sustaining the US opioid epidemic.

Mining in Kent exhibition – Book a Tour!

We will be holding a series of guided tours of the Mining in Kent exhibition. Join us on a tour to find out more about the exhibition, hear about the exhibition highlights, and get the answers to any questions you might have about mining in Kent!

The exhibition tells the story of the history of mining in Kent, from the early days of discovering the Kent coalfield to the impact of the 1984 Miners’ Strike. Illustrated by original archive material from Special Collections and Archives we explore the main coalfields in the county and what life was like for a Kent miner. We look at the history of miners’ strikes in 1926, 1972, 1974 and 1984 and how these were portrayed by cartoonists in the national press. We take a deeper look at the impact of the 1984/1985 miners’ strike in Kent and the different forms of support that arose for the miners and the mining community, from Kent students to stand-up comedians.

Tours will be led by Karen Brayshaw (Special Collections and Archives Manager) or Beth Astridge (University Archivist).

Tours will be held on:

 

  • Wednesday 10th July 12pm – with Karen Brayshaw
  • Monday 22nd July 1pm – with Beth Astridge
  • Friday 9th August 12.30pm – with Karen Brayshaw – NOW FULLY BOOKED
  • Tuesday 10th September 12.30pm – with Beth Astridge – NOW FULLY BOOKED
  • Thursday 26th September 12.30pm – Karen Brayshaw

If you would like to join us for a guided tour of the Mining in Kent exhibition – please  email specialcollections@kent.ac.uk to book your place!

Two yellow stickers with red and black text reading "Support the Miners, NUM, Stop Pit Closures"

NUM Support the Miners stickers, from the Richard Richardson Mining Collection

Mining in Kent: An Exhibition exploring the history of mining in Kent

2024 marks both the 40th anniversary of the 1984 Miners’ Strike, and the 100th anniversary of the cutting of the first mineshaft at Betteshanger Colliery, the largest of Kent’s mines.

Front page of a Kent Area National Union of Mineworkers Leaflet titled Solidarity with the Miners, with the title in red text above an image of miner wearing a miner's helmet and head lamp, and the caption 'Coal Not Dole' at the bottom.

Kent Area NUM Leaflet – Solidarity with the Miners (Richardson Mining Collections, Box 6)

Using archive material from Special Collections and Archives, this exhibition tells the story of the history of mining in Kent,  from the early days of discovering the Kent coalfield to the impact of the 1984 Miners’ Strike.

The exhibition showcases material from the following archive collections:

  • The Richard Richardson Mining Collection
  • The British Cartoon Archive
  • The British Stand-Up Comedy Archive
  • The Labour and Socialist Newspapers

With thanks to Beth Astridge and Karen Brayshaw – and especially to our volunteer Amy Green, who have worked on the research and curation of this exhibition.

We will be publishing several blogs of the next few months giving further insight into some of the stories and items on display in the exhibition. So do keep checking here for further blog entries!

 

Cartoon showing the ups and downs of Arthur Scargill's leadership of the miners' strike with him moving up ladder in March 1984, and sliding down a snake in March 1985.

Nicholas Garland in this cartoon illustrates the rise and fall in the prospects of Arthur Scargill and the NUM from the beginning of the strike in 1984 to the end in 1985. (Reference: British Cartoon Archive, NG2969, Nicholas Garland, Sunday Telegraph, 12th March 1984)

 

 

Its Inmates Absurd: The Velvet Underground at the University of Kent 1971

This is a guest blog from our volunteer Peter Stanfield, Emeritus Professor of Film at the University of Kent. Peter has been studying our editions of the University of Kent’s student newspaper ‘InCant’ to build our knowledge of the bands and artists playing on the University Campus in the 1960s and 1970s. If you have any memories of this gig – please do let us know! Email specialcollections@kent.ac.uk.

 

Its Inmates Absurd: The Velvet Underground at the University of Kent 1971

“After about the first two years we got talking. . .”

– Maureen Tucker on rehearsing with the Velvet Underground

As a live proposition, The Velvet Underground, sans Lou Reed, existed for an improbable 2 ½ years, which included two tours of Europe in 1971 and 1972. In England, Autumn 1971, most of their gigs were on the burgeoning university and college circuit. On November 4, they made an appearance at the University of Kent. The big recent attractions on campus had been The Who, Eliot Dining Hall, May 1970 and in March 1971, in the Sports Hall, Led Zeppelin. More generally, student entertainment was provided by middle-ranking progressive rock bands – Mick Abrahams, Colosseum, Blodwyn Pig and local heroes Caravan. Kent alumni Spirogyra were an ever present feature. In all likelihood, the bookers thought the Velvet Underground would fit right into this scene. For their drummer, Maureen Tucker, the VU were always the exception to such trends.

Image of Maureen Tucker, holding drum sticks, playing the drums for the Velvet Underground.

Image of Maureen Tucker playing in the Velvet Underground at the University of Kent, InCant Student Newspaper, 17th March 1971

The Velvets performed in the Rutherford Dining Hall to a positive response, if the reviewer for the student paper InCant was any indicator. He or she considered them to be a ‘genuine rock and roll band in the American sense, as opposed to the likes of Deep Purple, Black Sabbath’. The reviewer delighted in their choice of covers ­ – Dixie Cups’ ‘Chapel of Love’ and standards ‘Turn On Your Love Light’ and ‘Spare Change’. Lou Reed songs ‘Sweet Nuthin’, ‘Sister Ray’, ‘After Hours’ and, the ‘beautifully corny’ (!?!), ‘White Light/White Heat’ were highlights, with the latter described as ‘funky’ by Doug Yule. InCant’s critic agreed.

Black and white image of an article from InCant student newspaper about a Velvet Underground gig showing two photographs of performers and text descriptions

Review of Velvet Underground gig, InCant Student Newspaper, November 17th 1971.

The interview with the only original member of the band, Maureen Tucker, is a peach. Asked about the shifts in the line-up, she said:

It’s been such a gradual change that to me anyway there’s been no apparent effect. After about the first two years we got talking . . . it was a mutual agreement that we were kind of getting sick of going on stage playing 30 minute songs. It’s just not original after a while, so Lou (Reed) started writing more four minute songs, rock and roll songs. Now it’s even more regular rock and roll than it ever was.

 

What happened to Nico? She wanted to go off on her own and be a big star

Image of a text article from InCant newspaper about a performance by the band, Velvet Underground

News item on the Velvet Underground concert, InCant student newspaper, Nov 17th 1971

Like most of the events held by the Student’s Union, The Velvet Underground gig lost money; the organisers putting lack of interest, it was suggested, down to the fact the band’s line-up had changed. On that basis they had tried to cancel but were unable to break the contract. Steeleye Span proved to be a bigger draw.

Black and white image of a performer singing at a microphone playing a guitar. He is wearing jeans, a white mickey mouse t-shirt and a thin scarf or tie around his neck.

Image from news article in InCant student newspaper, Issue No 70, 17th November 1971, p6

Back in April 1971, student Helen Chastel had provided InCant with a review of Loaded, soon to be released in the UK. It is one the best summaries of the VU I’ve read.

Proposition: for consistent and versatile genius in rock the Velvet Underground (or V.U.s to the cognoscenti) are equalled only to Dylan and the Stones. Don’t ask questions if you dispute it, write your own review. If you deny it, you are a Quintessence or Andy Williams fan and not worth bothering with.

Helen clearly didn’t think they belonged with the progressive mediocrities. She was a total fan, she’d bought her copy of Loaded in Washington last Christmas while on an exchange to the States and she knew someone who knew Lou Reed – ‘virtuoso extraordinaire, ex-child prodigy, now repudiator of drugs and hippies, mythical recluse . . . Sainthood is all in the mind.’

How many recognise themselves in the line ‘The deep sleep of a suburban upbringing can be shattered by sudden exposure to such a group’? Faced with VU & Nico, Helen ‘saw darkness of which I knew nothing, saw an extreme weariness, people born to die. Eliot (her college at Kent) life became petty, its inmates absurd.’ Reed, she wrote, had a ‘clear and cliché-less view of modern city life’, White Light/White Heat extended even further ‘into a chaos of light, blood, heat and noise . . . The third album is a surfacing, a return to verbal precision’. . . Lou Reed, Saint of the City. Helen Chastel, Saint of VU fans. . .

Image of a text article from a student newspaper titled "Velvet Underground", by Helen Chastel

Review of the Velvet Underground album ‘Loaded’ by Helen Chastel, published in InCant, the University of Kent Student Newspaper, issue No 62, 17th February 1971, p6.

On that same tour of British Universities, the VU entertained Warwick University’s student cohort. Genesis P-Orridge’s COMUS providing support (they also played at Kent in May 1972). Ad and review from the Warwick Boar student paper.

Image of an advert for gigs in Warwick

Gig advertisement for Warwick University

‘The Velvet Underground from whom great things were expected . . .’ Like at Kent, attendance fell below expectations.

Image of an article reviewing 'Ents' at Warwick University including two photographs and a text description of the gigs

Review of ‘Ents’ at Warwick University including the Velvet Underground

 

For Peter’s original blog see the following link:

https://www.peterstanfield.com/blog/2024/2/8/velvet-underground

Oral History Student Volunteers – Get involved!

Local Stories: Memories of Hopping around Brook and Wye, Kent. 

Do you…

  • Have an interest in oral history?
  • Want to receive free training in conducting oral history interviews?
  • Have an interest in local history or the history of hopping and hop picking in Kent?

If so – come and get involved with this fantastic new project in Special Collections and Archives – where you will interview people from the Brook and Wye area about their memories of hopping.

Special Collections and Archives are working in partnership with Brook Rural Museum on a project for students to explore local peoples’ memories associated with the experience of hop picking and farming in and around Brook and Wye, Kent.

Volunteering on this project will provide you with skills in oral history interviewing (with training from an experienced oral historian) and associated tasks, such as making transcriptions and recording summaries. Most interviews will take place in the villages of Brook or Wye, and expenses for travel will be available. Some aspects of the role can be carried out remotely.

The project will take place between March and June 2024 and will conclude in late 2024 with an exhibition in the Templeman Gallery and at Brook Rural Museum showcasing extracts from the oral history interviews.

Please get in touch at engagement@brookruralmuseum.org.uk to express an interest and receive information about the application process,. You can also talk to us in Special Collections and Archives if you need more information –  specialcollections@kent.ac.uk.

Places on this project are limited – and applications need to be in by 16th February 2024.