You’re invited to the launch of ‘Sex, Death and Panto’!

The end of the Spring Term is finally upon us (farewell deadlines; hello chocolate) and with that brings the annual launch of the DR575: Victorian and Edwardian Theatre exhibition, which is being held tomorrow (5th April) at 4.30pm.

This is the second year in a row that our second-year Drama and Theatre Undergraduates have had the challenge of designing an exhibition to fit in the new Templeman Library Gallery space as part of their final assignments. This year, the students have split into two groups looking at very different topics:

Group one: Crime, Scandal and Theatre

The Victorian fascination with the gothic and macabre was a key feature of 19th century society. But when scandalous crimes – like the Jack the Ripper murders – became all too real on the streets of London, how did playwrights reflect the concerns of their audiences? This exhibition will focus on several sensations of the period and explore how the theatrical world reacted. This topic has never been explored as part of this module before, and we can’t wait to see what our students come up with.

Group two: Drury Lane Pantomime of the Late Nineteenth Century

The Theatre Royal at Drury Lane stands on the oldest site of a theatre in London. The 1812 building that stands today is the fourth theatre erected there, and it has a rich history. This exhibition will explore how Augustus Harris’ management in the late 19th century changed the fortunes of the Theatre for the better – and, in particular, how Harris’ role in establishing the Pantomime tradition. It will explore the roles of actors and actresses working at the theatre through analysing material held in Special Collections & Archives.

The Victorian and Edwardian theatre module is always a highlight of the Special Collections & Archives team’s year; this time you’ll also be able to take a look back at past exhibitions to see how far the course has developed. Come along, have a drink and discover how fantastic an insight into Victorian Britain (and beyond) our wonderful theatre collections can provide!

Women on Stage and in Society : 1850 – 1915

part of the British Theatre History exhibition

part of the British Theatre History exhibition

On Wednesday 6th April the yearly exhibition by second year students of the British Theatre History module launched. Whilst this has been an annual event for several years, this time the students faced a bigger challenge than ever: the size of the Templeman exhibition space. This is only the second exhibition to be held in the new space, and asking first time exhibition makers to fill it was initially concerning, but the students rose to the challenge admirably.

Playbill for Society at the Prince of Wales

Playbill for Society at the Prince of Wales, currently on display

This module offers students the opportunity to learn about a hugely varied period of theatre history in Britain, ranging from Victorian pantomime through to suffragette plays. What’s unique about this module in particular, is that the student use Special Collections and Archives material to really come to terms with the time period, utilising Kent’s extensive Victorian and Edwardian theatre collections. The students look at a range of original material, such as playbills, play-scripts and theatre documentation, to learn about this exciting time.

The British Theatre History student exhibition

A section about living as an actress

This year was different than previously in other ways too. Firstly, the students usually work in groups to produce sections of a general exhibition on British theatre history. This time,

The exhibition launch

The exhibition launch

however, the students were challenged to work individually, and they did not disappoint! The other difference is that this time the students worked on a very specific theme: women. Within this theme the students looked at gender roles in pantomime, the representation of women in melodrama, influential female playwrights, theatre managers and actresses, and theatrical women as a political force. The result is a very well rounded, coherent exhibition, which catches the eye and the interest of passers-by.

Dick Whittington from the Melville Collection

Dick Whittington from the Melville Collection

 

The module draws heavily from theatre collections housed here at Kent. Firstly, the Melville Collection, which tells the story of a theatrical dynasty of actors and theatre managers. The Melville’s owned many theatres around the country, but particularly the Lyceum in London, from which we hold music, takings books, and administrative documentation concerning productions put on there, as well as publicity material and scripts.

A lithograph showing a scene from the Octoroon

A lithograph showing a scene from the Octoroon

 

 

Secondly, the students use the Boucicault Collections. Dion Boucicault was a playwright and actor who worked both here and in America in the 19th century. He was particularly well known for his melodramas, most famously the Octoroon, a controversial play concerning race and slavery. One student has produced a detailed section concerning this play.

Photograph of Nellie Farren, from the Milbourne scrapbook

Photograph of Nellie Farren, from the Milbourne scrapbook

 

 

Many of the students use sections from the Milbourne scrapbook. This scrapbook contains photographs (and some signatures) of famous actors and actresses of the time period, and also accurate depictions of costumes worn in theatrical productions. The costume images were originally black and white, but the scrapbook’s owner attended the productions featured in it, and faithfully coloured in the images to represent what was being worn on the stage.

 

Pettingell scrapbook, currently on display

Pettingell scrapbook, currently on display

Finally the students used our Pettingell Collection. Frank Pettingell was an English actor in the 20th century. He obtained the collection from Arthur Williams, who was an actor and playwright in the 19th century. The collection is made up of a huge selection of printed and handwritten play scripts, many of which were used as performance prompt copies. There are also a handful of theatrical scrapbooks in the collection, one of which is on display.

 

The exhibition is up until the 25th April.