Beyond the trenches

On 11 November 2014, Armistice Day, Special Collections & Archives was involved in an outreach event which explored the themes of the First World War through the theatre of the time, going beyond the trenches to discover how theatre can tell us more about the past. Starting off with the sources (as we always do), we then had a great opportunity to explore the theory and get to see some World War One plays of various kinds. This event was a new and exciting opportunity for us to talk to researchers, from school age to retirees, interested in all kinds of disciplines.

The event’s leader, Dr. Helen Brooks, tells us more:

“It is easy to get bogged down (excuse the pun) in the Battles of Trench Warfare, but now I see that plays of the time are an insight into the culture of the time, which to me is equally as important in understanding the reasoning behind the Great War. This new insight has opened up a whole new perspective”.

Lindsay Kennett, who wrote these words in an email to me last week, was just one of the 30 plus participants who took part in our public study day on First World War theatre, on Tuesday, 11 November at the Marlowe Theatre, Canterbury. The aim of the day was to raise public awareness about how looking at theatre can shed new light on ideas about, and responses to the war: for Lindsay and the many other participants who echoed her sentiments in their feedback, it was clearly a great success.

SONY DSC Over the course of the day we got stuck into a diverse range of activities, all of which were facilitated ably by a team of fantastic student, and ex-student helpers from the Drama Department in the School of Arts – Rebecca O’Brien, Rebecca Sharp, Kinga Krol, and Charlotte Merrikin. Beginning with a brilliant workshop run by Jane Gallagher, from Special Collections at the Templeman, participants had a chance to get ‘hands on’ with sources from Special Collection’s archives (including newspaper clippings, scripts, programs and playbills) and to interrogate them in order to answer questions such as ‘how did the theatre “do its bit” for the war effort?’, SONY DSC‘what impact did the war have on the theatre industry?’, ‘in what different ways was the theme of war treated in performance?’, and ‘how did audiences change during the war?’. This last question then led us into Professor Viv Gardner’s (University of Manchester) stimulating talk about audiences during the war. Reminding us that audiences were made up of diverse groups and that their responses changed depending on the context of the performance, Viv also drew on some moving stories about individual spectators which brought to life the experience of theatre-going during the war.

After a delicious lunch, courtesy of the Marlowe, and an opportunity to chat to each other about our diverse interests and backgrounds (participants included students from the Langtons schools, members of the Western Front Association, and local historians, to name but a few) the afternoon began with rehearsed readings of three First World War one-act plays: The Devil’s Business by J. Fenner Brockway (1914); God’s Outcasts by J. Hartley Manners (1919); andSONY DSC A Well Remembered Voice by J.M. Barrie (1918). It was quite something to see these plays brought to life, the first two quite probably for the first time ever. The actors, including three current Drama students, Zach Wilson (PhD) , Alexander Sullivan, and Louise Hoare, all did an excellent job, especially as the plays were quite distinct in tone and style, and as the actors had only had two and a half days rehearsal in total. After a stimulating discussion about the plays, with some excellent insights from audience members, the day was then rounded off nicely with a thoughtful talk by Dr Andrew Maunder (Reader at University of Hertfordshire) about his own experience of staging ‘lost’ WW1 plays, and in particular A Well Remembered Voice.

This wasn’t the end though! After just a few hours break – during which it was exciting to see our pop-up exhibition on WW1 theatre in the Foyer attracting a lot of attention from audiences waiting to see the RSC – many of us were back at the Marlowe for the evening rehearsed readings. It was great to see an almost entirely SONY DSCnew audience for this. As well as a number of Kent students people came from as far as Dover to join us for this exciting performance. Three of the one-act plays we shared were the same as in the afternoon (although the performances were quite different in energy, something the actors reflected on in the questions afterwards) and we also added an unpublished short play about the Belgian experience during the war entitled There was a King in Flanders (1915) by John G. Brandon. With these four pieces we therefore covered not only the chronological breadth of the war but also a number of different responses to this world event. From The Devil’s Business (1914), a biting satire on the arms trade and its place in fuelling conflict, which was banned in London during the war; to There was a King in Flanders (1915) with its focus on a dying Belgian soldier; and finally to God’s Outcasts (1919) and A Well Remembered Voice (1918) both of which offer sharply different responses towards grief, the plays as a whole offered new insights into the diverse ways in which theatre treated the war between 1914 and 1918. And with insightful comments and an enthusiastic response from the audience, it seems there’s certainly potential to hold similar events in the future.

SONY DSC If you’d like to find out more about Theatre of the First World War, contact Dr Helen Brooks at h.e.m.brooks@kent.ac.uk. Our pop-up exhibition on Theatre of the First World War is available for free loan to theatres, schools and other public institutions. If you would like to host this exhibition simply get in touch with gateways@kent.ac.uk. There is no charge for hosting or delivery.

This study day was one of a series of events being run by Gateways to the First World War, an Arts and Humanities Research Council funded centre for public engagement with the First World War. To find out more about Gateways and how we can help you with activities, advice and expertise, visit www.gatewaysfww.org.uk.

With thanks to Leila Sangtabi for provision of photographs.

Level 4 reopening Monday 24

As you’ve no doubt gathered, Special Collections and Archives has been running the reading service out of a temporary reading room for the last month or so, following a flood in our main offices. I’m pleased to announce that repair work has now been completed and we are hoping to move our service back into the Level 4 reading room from Monday 24th November.

Because of the sensitive nature of our materials, we do need to make sure that environmental conditions are right for the archives, so we will be monitoring this throughout the week to ensure that the conditions are stable.

All being well, the interim Level 2 reading room will close at 4.30 on Thursday 20 November to enable furniture to be moved back upstairs. The service will then resume on Level 4 of the Templeman Library from 9.30am on Monday 24th November.

We would like to thank all of our users for your patience during this time.

If you want to hear more about the experience of dealing with the flood, why not take a look at Rachel Dickinson’s blog post about her first few months in the team?

Explore your archives!

As you may have noticed from the buzz on Twitter, and the freebies in the Templeman, this week is the national Explore Your Archives week, when archives across the country put on events and invite everyone to share in the mystery and excitement of their local archives. Here at Kent, we’re running a few events and we’re putting some of the collections on display to give you a taster of the types of materials that you can explore right here on campus.explore-campaign_identityFrom panto to politics, windmills to world war one and Templeman history to tiny Bibles, the University’s Special Collections and Archives includes a wide range of rare, unique and historical materials.

You might know that we hold the British Cartoon Archive, the national collection of political cartooning which is updated every day with more artwork direct from the cartoonist.

Dion Boucicault's Deed BoxYou might have heard that we hold the archives of the University, from charters and paperwork, to student magazines and early film reels.

Perhaps you’ve heard of our wind and watermill collections, which give excellent examples of early photography in different media.

Maybe you know about the theatre and performance archives, spanning Victorian and Edwardian popular theatre and now breaking into the later twentieth century.

Even if you know about all this, chances are there are still many aspects of the wide collections for you to discover.

Did you know about our ‘ancient’ Greek vase? Or the prize which Stalin gave to a Dean of Canterbury Cathedral? Why are there doors archived as part of the Cartoon collection?

Come along to the drop in sessions this Friday, from 3-4.30pm in TR201 of the Templeman Library to learn more about the collections and to start your own investigations!

And take a look at the array of display cases in the Templeman’s Welcome Hall – just a few pieces from our exciting collections to whet the appetite!

To find out more about what’s happening nationally, check exploreyourarchive.org.

Going on a Summer Holiday? 9.2: in the shadow of the mountain

In the last post, I split William’s letter from Syracuse in two, since he (and I) had spent so much time talking about the delights of Taormina and the ‘original characters’ he discovered en route. As I mentioned, there was more than a little daredevil in these Georgian travellers, and the rest of William’s ninth letter is taken up with his ascent of Mount Etna. It seems this was one of the things which intrepid travellers tended to do at this period, but William has such an evocative writing stlye, I thought it would be a shame to cut the post short.

The shadow of Etna, stretching along in two distant lines meeting in a point might be plainly traced in the tranquil bosom of the ocean and slowly and majestically erecting itself in air, appeared embodied on the vapours and clouds suspended between earth and heaven, as the glorious luminary sank into the horizon.

Illustration of 'Etna Chestnut trees'

Illustration of ‘Etna Chestnut Trees’ from ‘Picturesque Europe’, p.200

As I mentioned last time, William had a journal with him, the entries from which he transcribed in his letter to his father – which we have in our collection. It’s unusual in that it offers a rather blow-by-blow account of the trip, including the specific dates. So we know that the group set off on 31st May 1822 at noon, having left Taormina for Nicolosi the day before. At this point, the group passed through a rather desolate area beneath a clear sky; finding that the sparse trees had been rather mutilated and were not particularly ‘fine’. Comparing the mountainside to the ‘Cultivated Regions’ lower down, which William had been singularly unimpressed with, he now considered those wooded regions ‘a paradise’. After meeting the obligitary mountain goats and being entertained with music from their herder, the group continued on:

The ascent gradually became more rapid and the keenness of the air became more sensible. Continuing our way through a country – perhaps ages long past smiling and fertile but now the empire of gloom and desolation, we finally lost all trace of vegetation and found ourselves every moment envelopped in the mist and clouds, which hastily swept along the sterile surface until they attained the loftiest ridgeof Etna, when they were instantly hurled away by a stronger and continuing wind to the mountain plains below, to commence another attempt equally futile to pass the forbidden ridge. The summit of the mountain (the grand crater) was occasionally visible through the clouds crossing each other in various directions. It was casting forth huge volumes of thick white sulphureous smoke.

Not to be put off by the obvious danger, nor the sudden cold and snow, the group went on to the ‘Casa Inglese’, a small house constructed, apparently, by a subscription of British officers in 1811. One can only assume that the ascent of Mount Etna was part of the package tour even in the early 19th century! Compared with today, however, the accomodation was basic:

It contains 3 chambers, the door opening into the centre room. Here the floor was covered with thick ice and in a closet was a mass of frozen snow at least 3 feet in height. We were lodged in one of the side rooms which had been divested of such benumbing companions and found a good charcoal fire which our avant-courier had prepared.

Leaving a man to prepare their dinner, William and his friends then went walkabout, to see the sunset and also marvel at the mysterious ‘Philosopher’s Tower’;

Some suppose it to have been erected for the reception of the Emperor Hadrian, when he visited this mountain; others imagine it to have been the mausoleum of some capricious being who wished his remains to be deposited in a place far remote from the haunts of man, but nothing is known with certainty.

Extract from Stockdale's 'Geography'

Extract from Stockdale’s ‘Geography’, published in 1800 and perhaps an inspiration for William’s travels.

On their walk, it became clear how recently eruptions had been taking place; craters from the 1669 eruption were visible near Nicolosi, while the route to the Case Inglese was marked by a stream of lava from 1787, less than 50 years prior to William’s visit. The effect of the white snow alongside this ‘rich brown hue’ offered ‘a scene at once grand and perfectly novel’. The last eruption prior to their visit, it seems, was in 1819, but the dangers clearly did not concern the travellers as they enjoyed the scenery:

That side of the crater towards the Casa Inglese has two horns or points with a deep valley between them running down the side of the crater and partly filled with snow. In our lofty position we were the last human beings to whom the sun lent his rays in the same longitude and we were deprived of them a considerable time before they bad a short adieu to the towering pinnacles above. The shades of evening gradually stole along the plains till every remote object became indistinct. The clear silver moon shone in silent majesty and seemed to give token “of a goodly day to-morrow”. The air now became so piercingly cold, that we were glad to take shelter and close around our fire.

After a brief meal, and after the mules had been sent to the lower ground (to be watched over, presumably, by local guides), William and his friends tried to sleep. Using their saddles as pillows and wrapping themselves in their cloaks, in spite of all their adventuring spirit, did not work well. In any case, they rose at daybreak on the 1st June but found thick clouds swarming around the summit, so were unable to start the climb until 6am. In fact, William seems to have felt it rather less of a struggle than he had anticipated; ‘deceived by various exaggerated accounts we imagined it to be an Herculean task’, so losing the good weather they might have enjoyed had they begun the previous evening.

It took around an hour for the band of intrepid travellers to reach the summit, which was covered in thick smoke, with the cloud having rolled back in so that they ‘could distinguish only a few yards around us’. Reaching the ‘ne plus ultra’ seemed rather an anti-climx:

…thick vapourous smoke from every part which has so suffocating an effect that I scarcely hoped to be enabled to remain a single minute but on changing my position and thus getting to windward of it, the difficulty of breathing immediately left me. In some parts the ground was so hot under our feet it was impossible to remain there long. The sulphurous vapours were so dense and copious in the water, we could merely discern it had a rapid declination and judge of the distance by listening to the protracted noise occasioned by masses of stone rolled into it by the guide.

Of course, being men of the Enlightenment, it was not just the views which they had come to see. At the height of the volcano, they noticed a ‘varied grandeur of effects’, including the speed with which the clouds passed by, wrapping the little band in thick fog, unable to see one another while the land below was drenched in sunlight. From the summit, it also seemed as though the ocean ‘appeared to rise to our own level’.

We here observed a very curious effect produced by the sun beams, when now and then they shone through the clouds. Our shadows were cast on the vapours of the water and each of us saw his own enriched by a faint Iris of the hues of the rainbow and eccentric rays darting from it. We had observed a similar effect, but no Iris, from the shadow of the mountain on the vapours of the preceding evening, that is to say the eccentric rays alone.

1930s postcard of Mount Etna

1930s postcard of Mount Etna, on which the volcano is described as “past all desription – BEAUTIFUL – early in the morning – with a blue sky & almond blossom”. From the Hewlett Johnson Collection.

After two hours in the thin air and cold, the band descended to reach the Casa Inglese in half an hour, but were far from finished with the mountain. They decided to return to Nicolosi via the Valle di Bove so that they could see ‘the celebrated Chestnut of a Hundred Horse’ – the oldest known chestnut tree in the world. The cloud remained heavy during the descent, when they found themselves walking over the remains of two earlier eruptions – 1811 and two month long eruption of 1819, which had destroyed a significant portion of farmland. This area, William wrote, was ‘covered with ashes and wrapt in silence’, with the going hard, each footstep sinking them ‘a foot deep’ – ascent via this route was impossible, but the sights seem to have been worth the struggle. They passed a stream of lava from the latest eruption which were still smoking with sulphur. A little further on, the group paused to admire the view (and no doubt to get their collective breath back), but the guide warned them:

not to loiter on – as the masses of strata are apt to detach themselves and roll into the narrow valley below

After four hours, they came in sight of their goal, and another hour brought them to the Chestnut of a Hundred Horse – an impressive but apparently not entirely impressing sight.

It consists of 5 distinct trunks all very much decayed…but however one might be inclined to believe these several huge masses to have been formerly united (each…forms a noble tree) it required a greater degree of reliance on the tradition than we could summon…to feel convinced of such an apparent impossibility.

In spite of William and his companions doubting, the several thousand years’ old tree is apparently still connected to a single root system below ground, even though the trunks are now seperated above ground.

After their ‘day of contrasts’, William and his friends found lodgings in a nearby village for a well-earned rest, although they discovered their host ‘a profligate steward of our purses’ after presenting the extravagant bill. On returning to Nicolosi, their host was delighted to hear of their exploits and advised them that ‘our excursion…had never been undertaken by foreigners in his recollection’. From Nicolosi, the group journeyed on the Catania, then to Syracuse, where William and fellow architect Thomas Angell went back to their favourite task of measuring, this time the local Temple of Minerva and an ancient Greek theatre.

Illustration of 'Syracuse, from the Greek Theatre'

Illustration of ‘Syracuse, from the Greek Theatre’ from ‘Picturesque Europe’.

William closes his letter with an assurance that his expenses fall well within his allowance, and a plea for news from ‘Old England’. One of their number, Mr Butts, had returned to England earlier and William asked for news of his friends to be passed on, recalling their trip across the Mer de Glace at Chamonix and commenting that climbing Etna had been much easier. Perhaps he had become used to the excitement and hardship of travel, after a year roaming the Continent. From Syracuse, William and his friends journeyed on across Sicily, looking for adventure. I suspect that what they found was not what any of them were expecting… But that’s a tale for another time, and with three letters still left in this series, hopefully I’ll finish the story before it’s actually taken the length of William’s long trip!

A Farewell to our Gallery

This summer is going to our last in our current location and as you probably know, we’re gearing up for plenty of changes! As I type, we’re in the process of taking down our last exhibition in the Level 1 Gallery space (just outside the Level 1 office and the cafe). This exhibition focussed on Sir Howard Kingsley Wood, and you can learn more about him from the blog post ‘Wood would: the forgotten campaigner‘. In due course, we’ll provide a digital version of this exhibition on the website, so keep your eyes peeled for that.

The reason for all these changes is the ongoing Templeman Redevelopment work which will be gathering pace over the summer. Early next year, we’re due to move into the new suite of Special Collections & Archives rooms, in the extension, which is a very exciting prospect. We hope to launch the new location with an exhibition in the new gallery, which will front the office area on the new Level 2. In the meantime, the social learning space will be moving into the gallery to make sure there’s enough room while the Core Text Collection moves into the other side of the social learning space. Confused? Check out the Templeman Development webpages to have it all explained!

A lot of our work over the summer is going to be aimed at planning the Big Underground Move to get our materials into the extension, and finding ways of keeping you all informed about what we’re doing. Equally, we’re putting in place plans for teaching over the next academic year and thinking about funding and projects to keep our collections work ticking over. No doubt it will be busy, but I’ll try to keep you updated as we go.

Manuscript notes about the coronation of George IV

Manuscript notes about the coronation of George IV

The reading room is still open, so do just request items if you’d like to see anything. I thought I might just share a little gem which came out of a request yesterday. A routine request for a book in the Maddison Collection, A treatise of Oswaldus Crollius of signatures of internal things (1669), proved to contain some lovely annotations on contemporary events. In two almost page-long manuscript notes, a clergyman has written accounts of the coronation of George IV, possibly taken from newspapers at the time. The coronation, on Thursday 19th July 1821, was notable for the ommision of the Queen on the guest list. One of these accounts notes:

His Majesty was crowned without the Queen, owing to her bad conduct, at home and abroad, she came to the Abbey in the time of Service, to be admitted, but was denied entrance at either of the doors

It is, perhaps, a matter of historical debate as to whose conduct was worse, George IV’s or his Queen Caroline’s, but it’s interesting to compare this to a contemporary account from my old friend William Harris, who heard about events while on his travels around Europe.

A004208As well as the notes, the facing page has the words ‘Queen Caroline’ and an ink caricature penned after the text, perhaps drawn by the same man who wrote the accounts, one Adam Johnson. In the second account, he names himself clearly and adds:

…son of the Reverend Doctor Johnson at the Rectory of St Ruan[?] near Penzance in the county of Cornwall (England)

with ‘God Save the King’ for good measure. In the margin of the previous page, he writes: ‘For Posterity’. I don’t suppose he ever imagined that his notes would make it onto the Special Collections blog!