A Peek into the Library of David Lloyd George

The bookplate adorning the collection of David Lloyd George

The bookplate adorning the collection of David Lloyd George

David Lloyd George is one of Britain’s most well-known figures of the 20th century. First elected as the Member of Parliament for Carnarvon Boroughs in 1890, he remained active in politics until his death in 1945. During that time he held many important positions, including Secretary of State for War, Chancellor of the Exchequer and, most famously, Prime Minister from 1916, during the latter half of the Great War, until 1922. What is not commonly know is that a section of Lloyd George’s personal library resides here at Kent. It was purchased from his son, Lord Tenby, in 1964, initially as part of the regular stock, and was later moved to Special Collections. His library contains items covering a huge array of subjects, and here we take a peek at some of the most interesting items.

Dedication inscription to Lloyd George from Churchill in Great Contemporaries

Dedication inscription to Lloyd George from Churchill in Great Contemporaries

It is well known that Lloyd George and Winston Churchill were great friends, and Churchill consulted him often throughout his political career. Many of Lloyd George’s books were gifted him by the authors, and one of the most remarkable items in our collection is a copy of Great Contemporaries by Churchill, complete with a dedication inscription from the future Prime Minister. Alongside this we have a full set of Churchill’s World Crisis, some of which are also signed by the author.

A common theme throughout Lloyd George’s library is that of religion. One of my favourite items in the collection is a brown leather bound bible, with handles built into the cover. There is also a copy of Spurgeon’s Sermons, bound in green leather and stamped with Lloyd George’s name in gold on the cover. These items perfectly illustrate how much bindings can add to the significance or beauty of an item.

Lloyd George binding of Spurgeon's Sermons

Lloyd George binding of Spurgeon’s Sermons

Lloyd George's Bible, complete with leather handles

Lloyd George’s Bible, complete with leather handles

 

 

 

 

 

 

 

 

 

Robespierre's signature on a book of French pamphlets

Robespierre’s signature on a book of French pamphlets

So far my absolute favourite item I that have catalogued from this fantastic collection is a selection of French pamphlets by Maximilien Robespierre, a hugely influential man during the French revolution. This is less for the content of the book than the many interesting features the item has collected over the course of its life. Firstly, it appears to have been signed in two places by Robespierre himself, in 1791 and 1792 respectively. Alongside Lloyd George’s bookplate is the bookplate of Alphonse Peyrat, reading ‘Ex Libris Alpse Peyrat Vivre Libre ov movrir,’ and we also know that the book once bore the bookplate of Arconati Visconti, although this was lost when the book was rebound. We also know from the dedication letters that the item was given to Lloyd George by the daughter of Alphonse Peyrat.

The fragment of leather and it's intriguing caption (in French)

The fragment of leather and it’s intriguing caption (in French)

Most intriguing of all is a very small fragment of leather pasted to a blank page at the end of the book. An accompanying note claims this leather was taken by a Monsieur Baudemont from the table of the dying Robespierre, and is stained by his blood. Whether or not this is true, it is a truly fascinating relic.

 

Finds like these are what make my job so enjoyable, and also extremely surprising! It’s not every day you find a book stained by the blood of a dying revolutionary, but the day I discovered it was certainly one of the most interesting days I’ve had at Kent!

The Lloyd George collection is still in the process of being catalogued, so who knows what enthralling items lie just around the corner…

Rachel.

In memoriam: Donald W. Muggeridge

We are sorry to announce the death of Donald William Muggeridge, who passed away peacefully in San Rafael, California on 14 April 2015 at the age of 97. Donald lived a long and varied life and will be missed by his family, friends and all those who knew him.
Donald generously donated his collection of windmill photographs and associated information to the University of Kent, along with his father’s collection of photographs, which include rural subjects from 1904, of a life largely vanished today.

Vera & Donald Muggeridge on holiday

Vera & Donald Muggeridge on holiday

Inspired since childhood, Donald initially accompanied his father on his trips, but by the 1930s was working with his friend Syd Simmons to track down and photograph mills all over the UK. In 1936, Donald met his future wife, Vera, and the couple spent their holidays cycling around the countryside in search of anything of ‘bygone’ England. Along with wind and watermills, this included direction posts, mile stones, columbariums and the furniture of old churches.

The Muggeridge Collection contains photographs on both glass plate and acetate negatives which span the twentieth century and a number of countries, including Europe and America. While  a part of the Allied advance at the end of World War Two, Donald even managed to find time to photograph a number of mills in Belgium, Holland and Germany. In the 1950s, Donald, Vera and their young son Derek immigrated to Canada, and later moved to San Francisco.

After donating the collection to the University, Donald took a keen interest in its digitisation and was eager for the photographs to be made available to researchers and enthusiasts around the world. Further materials from Donald’s collection were donated to The Mills Archive in Reading.

While we are saddened by the news of his death, we are grateful to Donald and his sons for their generosity in making these materials available to the public and hope that these collections will continue offer an insight into the ‘bygone’ rural life in which Donald and his father were so interested.

A full obituary and biography of Donal is available via the Marin Independent Journal.

For more information on the Muggeridge Collection and to view images, see the Special Collections website.

Some celebrations

It may actually be slightly after Easter, but we’re only now coming to the end of our Spring term and winding down for the spring break. That means that we’ve spent this week enjoying all kinds of events to celebrate the hard work of students and staff since the beginning of 2015.

Students from the 'Women on Stage' groupTo start with, on Tuesday this year’s student curated exhibition on Victorian and Edwardian Theatre was launched. This module has been running for 5 years, with each year bringing new and exciting developments, and an excellent exhibition as the final piece of work (and this year was no exception)! Throughout the term, second year students have been working with the Theatre Collections here at Kent, and digital collections available elsewhere, whilst learning about theatre between 1860-1910. For the final assessment, the students work in groups, picking a topic of their choice to explore and then present their findings as an exhibition, with an associated website.

Choices of topic have always been diverse, and this year was no exception! Starting with the experience of theatregoing in the Victorian period, the exhibition moves through a comparison of East and West End theatre, the role of women on and off the stage and, finally, the ways in which the Jewish community were portrayed and potrayed themselves in the theatre.

The exhibition curators, with tutors Helen Brooks and Jane Gallagher.

The exhibition curators, with tutors Helen Brooks and Jane Gallagher.

This year, we have teamed up with the Gulbenkian who are hosting the exhibition in their Crossover Gallery, where it will run until 3 May. Do pop in to have a look – it’s free and open during the Gulbenkian’s opening hours.

View of the exhibition launchTuesday turned out to be rather a busy day, since we were also hosting student book launches all day in the reading room. This was part of the third year Book Project module, in which students create their own, original piece of writing an publish it as a physical item. The launch event is a chance for the students to read sections from their work (in front of a supportive audience) and to sell copies to guests. We’re currently in the process of ensuring that we have copies of all of these works in Special Collections, to complement the twentieth century small print press materials in the Modern First Editions Collection.

20150407_171146A huge congratulations to all of the students involved in both of these exciting pieces of work: we hope you enjoyed being a part of it!

And finally, talking of celebration, on Wednesday we got the chance to thank our hard working team of core volunteers with a trip to Canterbury 20150408_151203Cathedral Library, hosted by Cathedral Librarian Karen Brayshaw. Those who came along got to see rare and valuable books from the earliest years of the printing press through to the 19 century, including the Nuremberg Chronicle (1493) and a Bible translated into a Native American language. Alongside this, of course, we got to enjoy the ambiance of the historical library and its beautiful books – and several people enjoyed the smell of rare books!

So that’s it for another term – although we will, of course, be on hand throughout the spring vacation for all of your research needs. As ever, the arrival of the sunshine provokes a mass exodus to studying out in the sunshine, and the end of term leads to a pervading atmosphere of calm and wellbeing through the Library. I hope that you enjoy the break, if you get one: we’ll certainly be making the most of the hiaitus, prior to the start of our Big Underground Move of all of our collections now scheduled to take place from 15 June.

KEM Lives On at the British Cartoon Archive

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Adolf and His Donkey Benito – original artwork

The British Cartoon Archive holds many unique collections from celebrated cartoonists, and one fascinating example is the KEM archive. Many of you will be familiar with the image of Adolf and his Donkey Benito, but just who was KEM?

KEM was born Kimon Evan Marengo in Egypt, the son of a Greek merchant, and grew up in the Greek community of Alexandria, coming to England to pursue studies at Oxford. His studies were interrupted in 1939 by the onset of the Second World War. By this point he had already been published in many international newspapers, including the New York Times and the Daily Telegraph, and he joined the Ministry of Defence where he worked on propaganda for the Middle East. He also spent sometime working as a war correspondent.

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Franklin D. Roosevelt and Winston Churchill

As a product of a Middle Eastern community, his work is often quite different to that of other cartoonists of the time. He did plenty of traditional war propaganda, cartoons involving Hitler, Mussolini and Churchill, but some of the treasures in the KEM collection come in the form of his Middle Eastern propaganda. These brightly coloured pamphlets are a unique look at propaganda during the Second World War.

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…and Hitler in some discomfort

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Mussolini…

One of my earliest discoveries working with the KEM archive was that of a double sided pin cushion, complete with needles and pins still inserted, of Mussolini and Hitler. Such a small item says a huge amount about attitudes towards the enemy, and whilst it certainly has a comical element, the purpose is a serious one: keeping up morale by making two dangerous men into figures of comedy and ridicule.

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Beautiful artwork with a Middle Eastern flavour

Also contained in the archive is a near complete collection of all of KEM’s Christmas cards, and many of the printers blocks used to create them. These Christmas cards would hardly be considered to display traditional seasonal imagery as they are heavily politicised, and those that date from the Second World War also work as propaganda, ridiculing the enemy.

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Original artwork for Southern Railways

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Snobby the Dachshund’s Adventure at Sea

A large section of the collection is taken up by original artworks, for his Christmas cards, his political cartoons, and even for a couple of posters advertising the Southern Railway. All the cartoon artwork was given an accession number by KEM and carefully recorded in the ‘Rochester Books’ – giving exact dates for when he produced the artwork, rather than the dates that they first appeared in print.

One of my favourite selections of KEM’s work however is his cartoon strips of Snobby the dachshund, who can be seen here rescuing his owner at sea by turning himself into a mast for their raft.

Explore the KEM archive, and many more, on the British Cartoon Archive website.

Rachel.

The urban phone box

It’s not uncommon that we’ve used this blog to look at how little things have changed over the past century – and sometimes more! Charlotte Daynton’s work looking at the Muggeridge Collections drew this out in terms of everyday objects she revealed in uncatalogued boxes of material, while a long time ago (or so it seems!), I was struck by the similarities between politics of the early twentieth century and that of today. Perhaps it’s just our nature to try to find links with the past (thought I wouldn’t necessarily argue that this happens more today than in previous generations) – it certainly reminds you that even if something is now in an archive, once it was a ‘working’ item, and meant a lot to its owner.

Historian Hugh Gault, currently working on the second part of his biography of Sir Howard Kingsley Wood, has drawn my attention to some interesting items in the press cuttings through which he’s been wading as part of his research. These particular cuttings are pasted into enormous scrapbooks which take at least two people to lift: quite why Wood had these created, or how he used them, remains a mystery. But what could be more relevant today than the ideas of preserving natural beauty spots, political debates in the media and the questionable ‘issue’ of ladette culture?

Heading of The Times newspaper articlesFew people can have failed to notice that we’re just a few weeks away from the next General Election – and it would have been hard to miss the issue of who should be included in the next round of televised political debates. While this has caused quite a stir in 2015, in 1933 there were claims that ‘independent’ views were being deliberately censored in upcoming wireless debates on the BBC. Three politicians (none particularly unknown to the Establishment), Winston Churchill, David Lloyd George and Austen Chamberlain, wrote to the Corporation complaining that, despite the assurance that ‘minorities should have their place’ in the radio debates, those not nominated by Party Whips were effectively being discriminated against (‘Politics on the Wireless’, The Times, 11 September 1933). J. H. Whitely, chairman of the BBC, responded by arguing that space necessitated a careful selection of speakers. He added that, while the Corporation had no desire to ‘curtail freedom of speech…it cannot guaranteed that…room will be found for the expression of all shades of opinion’.

The complainants found this response unsatisfactory, responding via a letter subsequently published in The Times, that ‘a precedent is established’ which they considered would result in the ‘effective exclusion from the broadcast’ of anyone holding ‘non-official’ opinions.

Small KW19-7-11cIn the same year, a different branch of the BBC, under the guidance of Wood as Post Master General, announced its ‘biggest drive against radio pirates’ (‘Biggest Drive Against Radio Pirates, Daily Mail, 25 September 1933). This would be undertaken by means of ‘new detector apparatus’ installed in detector vans and set on a pilot scheme from 1 October. The key intention of these new measures was to catch the ‘pirates’ who were listening to programmes without paying their license fee of 10 shillings a year. Wood himself championed these measures, according to an article in the Daily Mail, ‘realising that the autumn drive by the B.B.C. for better and brighter radio entertainments will attract thousands of new listeners…’

The scale of this drive was expected to be monumental, beginning on the north-east coast, before spreading across the country. The article adds that, in the past, some had considered the detector vans ‘a gigantic bluff’, but quotes an unnamed source assuring readers that  they should not ‘call’ the supposed bluff:

This so-called bluff will be an even more dangerous one to “call” than formerly, as engineers have for the past year been carrying out exhaustive experiments with new apparatus.

Wood visiting the Hull Telephone Exchange in 1935

Wood visiting the Hull Telephone Exchange in 1935

Advances in new technology were, of course, alarming to some, and nothing was so noticable as the impact on ‘England’s Beauties’ (‘Preserving England’s Beauties’, Sheffield Daily Telegraph, 6 September 1933). Wood felt a duty to preserve beauty spots such as the Peak District and the Derbyshire Dales, issuing instructions to his engineers putting up overhead wires to expand the reach of telephone systems advising them to ‘give careful consideration’ to any proposed lines which might ‘spoil a view’. Indeed, concerns had also been raised about the new telephone boxes: ‘originally designed for urban [settings], these boxes are not always appropriate in a village’. The bright red of the boxes was felt, by some, to be ‘out of harmony’ with its surroundings, and plans to paint some ‘a dull green colour’ had been put forward. It’s strange to think that the red phone box is often only seen in rural areas, now – if at all!

Agnes Wood, in 1923. Agnes was an independent woman prior to her marriage, and wrote articles to support her husband's cause to new, female voters in 1918.

Agnes Wood, in 1923. Agnes was an independent woman prior to her marriage, and wrote articles to support her husband’s cause to new, female voters in 1918.

Finally, a perennial ‘problem’ has been the perception of the younger generation. In 1933, Wood was in his fifties, and the younger generation now coming to adulthood would have known little of the First World War through which their parents had lived. According to the journal ‘Queen’, there was disapproval of ‘modern girls’, supposedly ‘chiefly employed in drinking cocktails in nightclubs’ (untitled article, Queen, 20 December 1933). Given the changes in the legal and social status of women, particularly after women (over 30) were given the right to vote in 1917 and  the vital role women played in the War, perhaps these ’employments’ were considered detrimental to this new-found status. However, Wood was reported as their ‘doughty champion’, saying:

The young woman of to-day…is no longer a clinging vine or the mental inferior and the dutiful handmaid of mere man. But she is self-reliant, tenacious and courageous, and is taking her part more than ever in the world’s work. I do not doubt that the younger generation will provide men and women able to rise to any emergency…. It is quite possible that they will do even better than their parents.

This generation of women would have been the first to grow up with the right to vote from the age of 21 (from 1928), unlike their predecessors who had fought for enfranchisement. It’s rather tragic to think that, six years after Wood’s ‘unquestionably true’ statement, this generation was indeed called upon to rise to an emergency, as their parents had been forced to, with the outbreak of another World War.

The Kingsley Wood Collection consists of 25 scrapbooks of press cuttings, four albums of photographs and a number of loose typescript materials. The first part of Hugh Gault’s biography of Sir Howard Kingsley Wood, ‘Making the Heavens Hum: Kingsley Wood and the Art of the Possible’ is available now; the second part is due to be published in 2017.