Tag Archives: Exhibition

Happy Birthday Boz!

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Today is the day that so many people have been looking forward to in 2012: the bicentenary of Charles Dickens’ birth.

Script for Oliver Twist, 1838

Script for Oliver Twist, 1838

I’d just like to take this opportunity to say Happy Birthday Boz, if not quite as popular now as in his heyday, still standing the test of time remarkably well. Who would have thought that, two hundred years after his birth in 1812, many of Dickens’ characters and stories would be part of popular culture today? With adaptations, spoofs and much-loved inspiration, Dickens’ work continues to be as powerful and timely to us as any number of twentieth century authors.

Few people could have failed to notice that 2012 was going to bring a rush of Dickensian fans to the fore; don’t worry, I’m not going to make a stand for the literary merit or try to explain the enduring popularity of Dickens’ works. Instead, I’d like to update you about what we will be doing, here in Special Collections, to mark this year.

As you may have guessed, our 2012 will be heavily focused upon Dickens. Our Dickens Theatre Collection draws together elements of our extensive Victorian and Edwardian Theatre Collections with a small collection of Dickens ephemera, and will be the mainstay of our bicentenary celebrations. In fact, those of you who are regular visitors to the Templeman Library may have noticed that our new Welcome Hall display is already celebrating all things Dickens in the library. Do have a look, and try to guess the characters from the Kyd sketches. We’re working on pages for the website which will allow a virtual exploration of our Dickens holdings and hope that this will be up and running by May.

Playbill for 'No Thoroughfare', 1868

Playbill for 'No Thoroughfare', 1868

Currently Chris, Hazel and myself are working hard to prepare for our first exhibition of the year. Dickens Dramatised will focus on nineteenth century adaptations of Boz’s works for the theatre and explore the writer’s immense popularity on the stage. From the start, with Sketches by Boz, Dickens’ work was being transformed for the stage. While many of the playwrights reworked the novels into theatrical forms without consulting the writer, Dickens himself tried try, and on some occasions succeeded in, writing for the stage. He also acted, appearing on his own stage at Tavistock House, in 1855, under the stage name Mr Crummles in Wilkie Collins’ The Lighthouse. Dickens collaborated with Collins on several occasions to produce plays, but was rebuffed when attempting to adapt his own most popular work of Oliver Twist. Dickens Dramatised will explore the relationship between Dickens’ novels and the theatre during the height of his popularity.

More news on this coming soon, I hope!

Scene from 'The Only Way', 1899

Scene from 'The Only Way', 1899

We hope to produce two more exhibitions this year, one in the summer term, examining Dickens’ impact on visual art in the twentieth century through cartoons held by the British Cartoon Archive, and one in the autumn, looking at the Dickens craze as it moved beyond the author’s lifetime. As soon as we have dates for these exhibitions, I will let you know.

Just in case you feel that there is such a thing as too much Dickens, don’t despair; we’re also hoping to work on the Dion Boucicault Collection throughout the year, digitising playbills and cataloguing materials. Theatre is one of our key areas for development, but I am sure there will be plenty of exciting developments to the Collections during this year.

So as you’re munching on your special Dickens birthday cake, I hope that you’ll join with us in wishing Boz a very happy two hundredth birthday!

Windmills and warfare

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Two slightly unrelated topics, except that they have formed a large part of our work over the last few months, which has just been made public.

I won’t go on about it, but as you probably know, our C. P. Davies Collection was used by the Restoration Man team to uncover the history of Reed Mill, the first restoration of the new series. The episode is available through Channel 4 on Demand.

That’s the windmills; the warfare is our Canterbury at War exhibition. Although the exhibition has a few more weeks to run (it officially closes on 31st January), we have now made the exhibition website live. To get a taster of the exhibition, or to follow the storyline once the exhibition has closed, have a look at the exhibitions section on our website.

We’ve also put together a new display in the Templeman foyer about Murder in the Cathedral – T.S. Eliot’s play, commisioned for the Canterbury Festival in 1935, which depicts the murder of Thomas Becket, Archbishop of Canterbury, on 29th December 1170. If you happen to be passing, do take a look!

New for this term is an exhibition about Charles Dickens and the theatre, drawing on our extensive Victorian and Edwardian Theatre Collecitons – so watch this space for developments throughout 2012…

Meeting our public

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I hope I don’t seem too self-satisfied at reporting on another very successful Special Collections event – lots of people put in lots of really hard work, so I’d like to thank them all by making the success public!

Earlier in the term, we ran our first ‘Meet Special Collections’ event, for members of the History staff. This was the brainchild of Steve Holland, and the whole team worked brilliantly to pull together various items in our collections which we hoped would engage the interest of some of our academic staff. The event went down well (as did the canapes and wine, I think) and we agreed that we should go ahead with a second session aimed at History postgraduates, and those members of staff who weren’t able to come to the first event.

Well, following the exhibition, first Special Collections lecture and a very busy term, we pulled out all of the stops to put on a (quiet and very careful) Meet Special Collections event for History postgraduates in the reading room last Wednesday. A lot of hard work and planning went into this; from discussing areas of interest with Katie Edwards, Liaison Librarian for History, investigating our collections to pull together relevant material and clearing, cleaning and decorating the reading room to give it a really festive feel. Nick Hiley, Head of the British Cartoon Archive, kindly loaned us some flat, table-top cases, to avoid any accidents with wine and rare books/archival material: once we’d found the relevant keys, we were away!

We focused on three main areas: war (since UoK’s History department has undergraduate and postgraduate courses specialising in the history of war), rare books and manuscripts (for historians of Medieval and Early Modern periods) and, of course, a Christmas themed table.

We were aided in our efforts by the re-discovery of part of a collection in the library stores: photographs of soldiers (presumably at the front) from the second world war (more to come on these in the New Year). We also used elements of the Hewlett Johnson and Bernard Weatherill Collections to illustrate twentieth century warfare, with some books and copies of the Illustrated London News for the Crimean War. Our manuscript documents from the 15th-17th centuries took pride of place on the second table, along with some of the beautifully written manuscript books on science (mostly astronomy and physics), from the Maddison Collection, which are written in anglicana and secretary hands. This table also hosted sample of the materials in Jack Johns’ Darwin Collection and our pre-1700 books section. The third table, focusing on all things seasonal, displayed some of the Melville theatre materials – pantomime scripts, flyers, books of words and images. A selection of books about Christmas carols, traditions and some of the seasonal material in our Charles Dickens Collection completed the festive theme.

We were delighted to welcome so many members of the History department to Special Collections, and to be able to introduce ourselves and our materials. It was a great opportunity to discuss materials which would be useful for teaching and in research – some of the materials were being seen for the first time by the department. It was also helpful for us to be talk to the historians to get an idea of the types of materials which might interest them, which should be prioritised and acquired by Special Collections. Steve was also able to give the Special Collections Review document – which he has spent months preparing – its first outing to the School.

Following the event (other than the tidying up), we’ve been encouraged by such enthusiasm and interest from the department. We really hope that researchers will be encouraged to look at the wealth of resources which we have in Special Collections and use them to their best advantage. So that’s something to look forward to – with great anticipation – in the New Year. Many thanks to the History department for coming in such numbers and showing such enthusiasm. If your department would like to arrange to ‘Meet Special Collections’, please do get in touch.

2011 has been a very busy year for us all and overall it’s been amazingly successful. There have been some changes and we know there are lots more changes to come. We hope that these will help us to provide  better and more efficient service to every researcher. I’m sure there will be lots of challenges (brief timescales for a Dickens exhibition in February have already been noted) but if next year is anything like this one, I’m sure we’ll look back on it with satisfaction and some bewilderment as to how we managed to cram quite so much in!

We look forward to seeing you when we reopen on 4th January.

From all of us in Special Collections, we wish you a very merry Christmas and a happy, healthy and prosperous 2012.

 

Enthusing archives

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I thought I would let you all know that the new Special Collections and Archives Lecture Series was launched with great enthusiasm last night. Thanks to everyone who came along and enjoyed the lively talk – we were thrilled to see so many of you there.

Hewlett Johnson c. 1900

Hewlett Johnson at University in Oxford, c.1900

John Butler talked about his experience of using the Hewlett Johnson Papers to write his book The Red Dean: the public and private faces of Hewlett Johnson. It was intriguing to learn about his ‘three star’ (with exclamation marks for extra special items) system which he used to identify key items while trawling through this vast archive when it was still in the very early stages of organisation. I think that Johnson himself would have been proud of John’s oration, particularly his recreation of Hewlett’s Maddison Square Gardens speech as he read out Alistair Cooke’s first Letter from America. John also outlined his contact with a Russian academic, Ludmilla Stern, who has been instrumental in bringing invaluable information about the shadowy Soviet organisation VOKS to Western researchers and his use of the National Archives to explore Johnson’s MI5 files. We are hugely grateful to John for taking on this daunting task of opening the new lecture series and hope that all of the rest of our lectures will be as enthusiastic and interesting.

The exhibition, Canterbury at War: the Red Dean’s life and times 1939-1945, is now open in the Library Gallery space (left through the cafe in the Templeman Library, just outside the British Cartoon Archive). It will be running until January 31st during normal library opening hours and has already we’ve has some really positive feedback. Please do take the opportunity to have a look and let us know what you think.

It has been a challenge to set up the lecture series and the exhibition, but it’s been well worth the effort. Several thanks are due; firstly to Chris and Hazel for all of their hard work on the exhibition itself and to Nick and Jane of the Cartoon Archive for all of their advice and assistance with putting the exhibition up. Fran Williams and Angela Groth-Seary from IS Publishing have given us a huge amount of support in the printing and mounting of the display and also produced the publicity. Robin Armstrong-Viner and Karen Brayshaw were very willing volunteers on the night and we’d like to thank them for all of their help.

So, what next? Well, aside from the usual, we’re not finished with Johnson yet, as we plan to make the exhibition website live by Christmas – I’ll let you know how we get on with this. And, of course, there are two more lectures to go: Magic toads and twitching frogs: two natural history books from the seventeenth century which will be held in the Cathedral precincts and Doing damage from a distance: the art of British political cartooning which will be held in TR201 in the Templeman Library.

So our task of brining our collections out into the light of day has received an excellent boost – but we’re not finished yet!

 

Canterbury at War…starring Hewlett Johnson

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'Canterbury at War' flyerLast time, I announced the exciting news that the Templeman Library Gallery will be hosting an exhibition of materials from the Hewlett Johnson Papers, called ‘Canterbury at War: the Red Dean’s Life and Times, 1939-1945‘. The exhibition will open at 5.30pm on 22nd November and at 6pm John Butler, author of ‘The Red Dean: The Public and Private Faces of Hewlett Johnson‘, will talk about his experiences of mining the archive and show some of the gems which he found along the way. Everyone is welcome, and we would be delighted for you all to experience some of our exciting collections.

Well, with that advertisement completed, I can give you an update about all of the work we’ve been doing to prepare for this exhibition since last week. As you will have noticed (and our team cannot escape it), it’s only one week until we unveil our first major exhibition using Special Collections material for two years. So, with a little panicking and nervousness along the way, we are now in the final stages of putting the exhibition together.

The first thing which we had to do was put together a narrative. This was ably provided by Steve Holland, Head of Special Collections, after close reading of John’s book. The exhibition will explore Canterbury’s experience of the second world war through the eyes of the Johnsons, tracing the isolation and alienation which Hewlett experienced during the late 1930s (including the infamous Canons’ letter to The Times), through the Canterbury Blitz of May 30th-June 1st 1942, encountering more cheerful events such as the enthronement of William Temple as Archbishop in April 1942 and concluding with VE day in 1945, which Hewlett spent in Russia.

Canons' letter to the Times, 1940

Canons' letter to the Times, 1940

Armed with Steve’s captions which pick out key events during this period, Chris, Hazel and I have trawled the archive to find relevant sources which can illustrate the Johnsons’ family and public life throughout this time. The first and most obvious sources were the wartime letters which Hewlett and his wife Nowell sent to each other. During the war, Nowell and their daughter Kezia were evacuated to Harlech; their second daughter, Keren, was born in Harlech in 1942. They usually wrote at least once a day, often more, and their letters vividly illustrate the challenges not only of living in Canterbury during this time but also of being so far apart. Their correspondence was especially heartfelt at Christmas, with Hewlett writing to Nowell ‘Kez will be playing with her doll and cradle now and tomorrow will be asking for more Christmas!’ on Christmas day of 1941. A year later, on 26th December 1942, Hewlett wrote ‘Christmas Day is over and I’m glad’.The wartime correspondence also gives some excellent descriptions of the bombing raid of May/June 1942, life in the bombed out Deanery and the food parcels which were sent from Wales to Kent and vice versa.

Removal of the stained glass from Canterbury Cathedral

Removal of the stained glass from Canterbury Cathedral, 1939

With Chris exploring and transcribing the wartime letters (Hewlett’s handwriting can be challenging at the best of times), we have also been looking at visual statements of Canterbury during the war and its aftermath. Perhaps most dramatic are the images of preparation for war in 1939, when all of the stained glass was removed from the Cathedral windows and tonnes of soil spread over the nave and quire to protect those sheltering in the crypt from bombing raids. It’s also staggering to see the extent of the damage which Canterbury sustained during the ‘Canterbury Blitz’: one image shows the entire High Street in ruins, with the only feature still recognisable today being St George’s clock tower.

Now that we have all of our materials selected, the major task is to digitise, frame and prepare for exhibiting. We hope to put larger copies of the photographs on the walls, and to frame some of the cuttings, correspondence and other materials. We have 8 cases to play with, and are now in the final stages of confirming the layout.

All in all, there’s still lots to get done, but everyone I’ve mentioned it to (an I’ve mentioned it quite a lot, believe me) has been intrigued – none more so than those standing by the printer when the photographs are printed out! So we look forward to showing off one of our most personal and important collections and hope that you will all enjoy exploring the archive as much as we have enjoyed putting this exhibition together.

I wonder how we will cope once it’s all over….