Nautical Playbills and The Sea Around Us

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Research and Curation Group Blog Series Number 2:

Elizabeth Grimshaw writes the second in our blog series from members of the Research and Curation Group. Elizabeth tells us about her selection of items for the Reflections on the Great British Fish & Chips exhibition, which included some playbills from our theatre collections, and a book by Rachel Carson. 

I had the pleasure of digitizing Dickens playbills while completing my Master of Arts in Victorian literature at the University of Kent, and was so pleased to work with the Research & Curation group to revisit some of these incredible archival resources.

This fantastic 19th century playbill should call to mind two very different songs: the classic anthem Rule Britannia, and the Beatles hit For the Benefit of Mr. Kite.

Historic document, a playbill, for a performance of The Waterman in 1829

Playbill – Theatre Royal, Drury Lane. For the Benefit of Mr Braham. “The Waterman”
Reference: POS/LDN DRU/0599532

In 1829, Britannia indisputably ruled the waves. Not only across an Empire through the might of the Royal Navy, but also here her cultural capital takes centre stage. The Waterman is an opera based on the annual race on the Thames that began in 1721, providing entertainment and sport for the ever growing London population. After this play was performed, vocalists in naval uniform, aboard a realistic Man of War, sang nautical tunes, blending fiction and reality at the height of England’s global powers. Invoking the mythical sea king Neptune for this feast aligns with the divine power of the Crown that would change drastically in the years to come. Britannia used to rule from shore to shore, with the sun never setting on the empire. Rule, Britannia! has been sung since 1740, but today should be modified to include and celebrate former colonies in its patriotic performances. The Beatles drew inspiration from a similarly busy playbill to write the lyrics for their hit 1967 song, taking these types of 19th-century entertainments into the 20th century.

Black and White plate from Rachel Carson's book The Sea Around Us

Plate illustration Part 3: Man and the Sea About Him, in Rachel Carson “The Sea Around Us”
Classmark: GC 21

I wanted to end with Rachel Carson’s landmark 1951 environmental text, The Sea Around Us. Her work emphasizes not one country’s mastery over the ocean, but places humanity within an ecosystem we all must support and share. Environmental degradation endangers all living creatures, from the depths of the sea, to the ever changing landscape of tidal pools, to the communities who are reliant on these shoals for survival. This classic work is a timely reminder of how precious the planet is that we all share. The sea supports us, connects us, and sustains us, but can only do so if we care for it. We can take Carson’s text as a guide to connecting with others and protecting the vulnerable, especially as the climate crisis escalates.

Elizabeth Grimshaw, University of Buckingham 

Reflections on the Great British Fish & Chips – Exhibition launch and new blog series!

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Welcome to the first blog in a series relating to our new exhibition – Reflections on the Great British Fish and Chips. In the middle of Refugee Week, on Wednesday 22nd June 2022, we celebrated the launch of our exhibition and the fantastic work of our volunteer Research and Curation Group! Over a some delicious refreshments we were able to give visitors the first taste of the new exhibition in the Templeman Gallery.

View of the exhibition launch speeches with a group of people in an exhibition gallery at the Templeman Library

Attendees at the launch hearing from Basma El Doukhi, Karen Brayshaw, Beth Astridge and Tom Green

The original exhibition – The Great British Fish and Chips – was commissioned by Counterpoint Arts in 2021, in partnership with Canterbury Cathedral and Turner Contemporary, Margate. Reportage artist Olivier Kugler, and writer Andrew Humphreys, interviewed and illustrated the stories and experiences of fish and chips shop owners across Kent. They explored the history of fish and chips, Britain’s national dish, and discovered that it could not exist without global trade and migration.

Our hosting of this travelling exhibition also includes a display of items from the University of Kent Special Collections & Archives. The exhibition and display will be open until the end of September 2022.

Research and Curation Group:

This exhibition and display has been co-curated with group of volunteers who formed a Research and Curation Group. The group spent two sessions exploring the original material in Special Collections & Archives, selecting items that particularly interested them, and writing captions to describe their item and explain their selection for the exhibition.

Themes explored by the Research and Curation Group included attitudes to migrant communities in Britain today and in the past, immigration policy in the UK, the development of the fishing industry, the maritime history of places in Kent, and expressions of British ‘ownership’ of the seas in the past as expressed in our theatre collections.

Photography and hand-stitched dress:

We are also delighted to display photography by Rania Saadalah, introduced to us by Basma El Doukhi, our colleague and one of the project leads for this exhibition. Rania’s photographs use visual storytelling to share the stories of inspiring people living in the Palestinian Camps in Lebanon, and depict the preparation of foods such as falafel, ma’amoul, and traditionally baked breads, as well as fisherman at work. Through these images we explore how people and be brought together by sharing food, stories and cultural traditions.

Basma El Doukhi with a group of other people looking at the Fish and Chips exhibition. Basma is gesturing and explaining the photographs on the wall.

Basma El Doukhi explains the background to the photographs by Rania Saadalah

Look out for future blogs in this series in the coming weeks – with contributions from participants in the Research and Curation Group and from Basma and Rania. The blogs will describe our volunteer’s experiences working on the project, and provide images of the items alongside the captions used in our exhibition.

 

Reflections on the Great British Fish & Chips Exhibition

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We would be delighted if you would join us to launch our new exhibition and accompanying display of original material from Special Collections & Archives on Wednesday 22nd June at 1pm in the Templeman Library Gallery (first floor A block of the Templeman Library).

The display has been co-curated by a volunteer Research and Curation Group who have reflected on themes presented within the Great British Fish and Chips exhibition.

The original exhibition, the Great British Fish & Chips, revealed everyday stories of migration, movement and global trade by illustrating the lives and experiences of fish and chip shop owners across Kent. We are pleased to be able to redisplay this exhibition in the Templeman Gallery.

Using the exhibition as inspiration, sparking questions and ideas, the Research and Curation Group explored the Special Collections & Archives catalogues and discovered items of interest within our unique and distinctive collections. The group investigated a range of themes covering local history, immigration policy, migration of people and public perception of migrants, migration and food production, and the history of the British fishing industry.

A room including six people sitting at tables looking at archive material

The Research and Curation Group in action – studying the material at Special Collections & Archives

We are delighted to present the findings of the group in this co-curated display of material – Reflections on the Great British Fish & Chips Exhibition – selected, researched and described by the group members.

There will be some short introductory speakers launching the exhibition:

  • 13.00 – Karen Brayshaw (Special Collections & Archives Manager) and Beth Astridge (University Archivist)
  • 13.10 – Tom (Refugee Week)
  • 13.30 – Basma el Doukhi (PhD researcher)
Black, Red and White handstitched dress in traditional Palestinian style next to an exhibition board for the Great British Fish and Chips exhibition. The dress is exhibited in the exhibition.

Dress made by Basma’s grandmother for her Master’s graduation ceremony

One of the items on display in the exhibition is a dress made by the grandmother of one of the project leads, Basma el Doukhi. Basma’s grandmother, also called Basma el Doukhi, hand-stitched the dress over 6 months. It follows a traditional Palestinian design and reflects the colours of the Palestinian flag – red, black and white.

We look forward to welcoming you to the exhibition launch on Wednesday 22nd June at 1pm. Please contact us at Special Collections & Archives for further information, directions or if you have any access requirements. Email: specialcollections@kent.ac.uk

 

Important note – Content Warning: Please be aware that material displayed in this exhibition includes depictions of racism, othering and offensive language.

Great British Fish and Chips

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Special Collections & Archives are delighted to be hosting a new exhibition in our Templeman Library Gallery – Great British Fish and Chips, which will run from 22nd June to September 2022.  

Colour illustration of a plate of fish and chips with condiments labelled with their place of origin, such as cod from the Faroe Islands, vinegar from the United States and lemon from Spain or Turkey

Copyright: Olivier Kugler and Andrew Humphreys

 

The exhibition, originally commissioned by Counterpoints Arts, explores how the history of Britain’s favourite dish is rooted in migration, movement and global trade. Reportage artist Olivier Kugler, and writer Andrew Humphreys, reveal everyday stories of migration through illustrating the lives and experiences of fish and chip shop owners across Kent.  

To complement the exhibition we are looking for people to join us in exploring our Special Collections & Archives in relation to the themes of migration and movement.  

This project offers a unique opportunity for participants to join a Research and Curation Group to learn more about archive practice and gain skills and experience in researching and working with archive collections, while sharing perspectives and experiences in a safe and supportive environment.  

The group is open to members of the public across Kent as well as students and staff at the University of Kent. We especially would like to encourage people with lived experience of migration to join the group and explore the archives. Weekly sessions will include tours of the collections, with practical sessions of different aspects of researching and working with archives.  

Group members will co-curate a display of original items from the archive collections that will be displayed alongside the existing exhibition boards. They will research and write captions to describe their chosen items, develop blog posts and social media content about their experiences in the archives, and lead tours of the displayed archives.  

Places are free but numbers are limited so please get in touch to secure your place. Please note that to join the group you need to be able to take part in all three weekly sessions, taking place on Wednesday 8th June (10am-1pm), Wednesday 15th June (10am-4pm), and Wednesday 22nd June (10am-4pm).    

For more information about the project or to request to join the group please contact Beth Astridge or Karen Brayshaw in Special Collections & Archives: specialcollections@kent.ac.uk  

This project has been funded by the University of Kent Migration and Movement Research and Engagement Award Fund 2022.   

The original exhibition The Great British Fish and Chips was commissioned by Counterpoints Arts in partnership with Turner Contemporary and Canterbury Cathedral and was displayed in locations around Kent from June to November 2021. 

Dame Stephanie Shirley – STEM pioneer

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11th February is International Day of Women and Girls in Science, which celebrates the vital role that women and girls play in science and technology. To mark this important day we are showcasing some of the material from the collection of Dame Stephanie Shirley CH.

Dame Stephanie “Steve” Shirley is an IT entrepreneur, successful businesswoman, and philanthropist. After arriving in the UK as an unaccompanied child refugee on the Kindertransport in 1939, Dame Stephanie developed a remarkable drive and energy that led her to follow a career in mathematics and computing at a time that was unusual for girls and women. She went on to lead a hugely successful software and programming company that focussed on providing employment opportunities for women, especially those with dependents.

Dame Stephanie then dedicated her time and resources to projects that she passionately believed in – advocating for women in the workplace and in technology, researching autism and supporting families of autistic children, and developing projects in computing and information technology.

In 2019 she donated the archive of her charitable foundation – The Shirley Foundation – to the University of Kent to establish the UK Philanthropy Archive.

Dame Stephanie is a STEM pioneer – and an inspirational figure to girls and women who are passionate about STEM subjects. This blog provides some information about Dame Stephanie, her early life and career and her many lifetime achievements, illustrated by items from the Shirley Foundation archive collection in the UK Philanthropy Archive.

Arrival in the UK

Dame Stephanie was born in Germany in 1933 as Vera Buchthal. At the beginning of the Second World War, her parents sent her and her sister to safety in Britain on the Kindertransport. They arrived in 1939 as unaccompanied child refugees and were placed in foster care in Sutton Coldfield. She adopted the surname of her foster parents and became Stephanie Brook.

Dame Stephanie received this commemorative cover (collectable envelope) after it was released in 1999 on the 60th Anniversary of the Kindertransport. It was designed by Stanley Kacher and has a special Liverpool Street postmark.

Decorated commemorative cover (decorated envelope) with a sketch of a train with children arriving on the platform, and 4 stamps, and special postmark stamp. Text reads Operation Kindertransports 60th Anniversary 1939-1999

Commemorative Cover produced for the 60th Anniversary of the Kindertransport in 1999

Career in mathematics and computing

At school, Dame Stephanie began to show a talent for mathematics and took some extra lessons a local boy’s grammar school. She decided not to go to University, instead taking a role at the Post Office Research Station at Dollis Hill, north-west London, in 1957. She worked as part of the team that developed ERNIE (Electronic Random Number Indicator Equipment) an early computer which selected the Premium Bond numbers. She took extra evening classes to achieve an honours degree in mathematics. She then worked at CDL Ltd, the designers of the ICT-1301 computer.

This image shows one of Dame Stephanie’s copies of a research report on the work carried out by the team working on ERNIE (Electronic Random Number Indicator Equipment)– note her name Miss VS Brook, on the top right corner.

Front cover of a text report showing the text "Post Office Engineering Department, Research Report no 14108, ERNIE - Mathematical work" with the name Miss VS Brook in the top right hand corner

Research Report on the ERNIE project c1957

 

Dame Stephanie on the far left with two male colleagues look at the screen of a piece of computer equipment in approximately 1957

Dame Stephanie and colleagues with the ERNIE equipment c1957

Freelance Programmers

After experiencing sexism, increasing discrimination against her gender, missed promotions and sometimes dealing with unwanted sexual advances, Dame Stephanie decided to run her own software company. With £6 initial investment, she founded her company Freelance Programmers, initially running from her dining room table. She employed a network of mainly female staff skilled at mathematics and programming. Freelance Programmers focussed on providing flexible working opportunities for women, especially those with dependents. This was especially important for Dame Stephanie and her husband Derek Shirley, after their son Giles was born in 1963.

While fairly successful, the company was still experiencing difficulty in attracting work. Dame Stephanie changed her name to “Steve” Shirley, used this name on her business correspondence, and achieved a vast improvement in success. Dame Stephanie became known as ‘Steve’ from this point onwards.

Freelance Programmers was later known as FI, then Xansa, and was later acquired by Steria now part of the Sopra Steria Group.  In 25 years as the Chief Executive, Dame Stephanie developed the company into a leading business technology group which pioneered new work practices and changed the position of professional women along the way.

The Shirley Foundation archive also contains annual reports and papers from the development of Freelance Programmers and its transition to FI Group Plc – including these distinctive annual reports from FI Group.

Three annual reports showing front covers only for the FI Group Plc. The first has multicoloured letters FI in the centre of the page and the text underneath is The Art of Partnership. The central report has a black background and several regular shapes in different colours . The final report on the right has a blue background and a green sound wave type image and the text "We recognise everyone is individual".

Annual Reports for the FI Group plc

Philanthropy

Dame Stephanie’s philanthropy focussed on her professional and personal interests: IT due to her skills and career in software and computing, and autism research due to her personal experiences after her son Giles was diagnosed with autism in 1966.

She decided early on in her philanthropic career that she wanted to support funding and research during her lifetime, and structured the Shirley Foundation with the aim to spend all of its funds, which was achieved in 2018 having made more than £67million in grants.

This included funding residential care homes and developing schools that more specifically met the needs of children and adults with autism. This focus continued after Giles sadly died in 1998. Dame Stephanie also focussed on funding research into autism, and improvements in practice relating to autism, to benefit autistic people and their communities.

Dame Stephanie also supported many IT and computing projects, and work that supported the role and development of women in STEM subjects.

An avid art collector, Dame Stephanie donated her entire collection of contemporary art and sculpture to the charity Paintings in Hospitals and to Prior’s Court School.

Lectures, Awards and Achievements

Dame Stephanie has delivered thousands of talks and lectures over 50 years about her work in computing and mathematics, the development of her business, her focus on flexible roles for women and motivation for and focus of her philanthropy. One example is this speech on Women in Data Processing – delivered in June 1980 while she was Vice-President of the British Computer Society.

Text page of a speech on Women in Data Processing June 1980

Women in Data Processing – speech delivered by Dame Stephanie Shirley in June 1980

Over her lifetime, she has achieved many awards and public recognitions of her achievements as a leader in the IT sector.

In 1980 she received an OBE – for her services to Industry. In 1992 she was elected as the first women Master of the IT livery company, the Worshipful Company of Information Technologists, and was also the first women President of the chartered Computer Society. She was appointed a Fellow of the Royal Academy of Engineering in 2001. In the millennium honours Dame Stephanie was awarded with a DBE for services to IT, and then in the Queen’s Birthday Honours in June 2017 she was awarded the prestigious Order of Companions of Honour (CH) for services to IT and to philanthropy.

DBE medal in a boz with silk lining. The medal has a red and grey ribbon, a blue star, and a silver star emblem

DBE awarded to Dame Stephanie in 2000

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