Putting Faces to Names : Haselden’s Theatrical Cartoons

Recently I’ve been working on a collection of Punch cartoons by W.K. Haselden. The British Cartoon Archive has hundreds of cartoons by Haselden, and he is one of the most recognizable cartoonists of the early 20th century. His theatrical cartoons appeared in the ‘At the Play’ (or occasionally ‘At the Movies’ and ‘At the Revue’) section of Punch, and span a good twenty five years from the early 1910s. They feature many recognizable names and here I bring you a selection of my favourites.

Some hefty tomes

Some hefty tomes

This work has required a lot of research on my part, as I try to identify and create records for the people portrayed in the cartoons. I have met hundreds of actors and actresses along the way, often with the help of the books you can see on the right. Some of my favourite names include Beppie de Vries, Norman V. Norman and Beatrice Appleyard. Here I present to you some more familiar names I came across as I catalogued the collection.

Dame Sybil Thorndike

Sybil Thorndike was born in the late 19th century, and she’s a local girl. Whilst she was born in Lincolnshire, her brother (also an actor, although perhaps more well known as an author) Russell was born down the road in Rochester, where their father was a canon at the cathedral. Sybil attended Rochester Grammar School for Girls, and is probably their most well-known pupil. She was most famous as a theatre actress, and was so well known in her day that she was in the ‘Black Book’ of people to be arrested if the Nazis ever invaded Britain!

Sybil Thorndike in "St. Joan" - a role created for her by George Bernard Shaw

Sybil Thorndike in “St. Joan” – a role created for her by George Bernard Shaw

 

The Medea

The Medea

 

 

 

 

 

 

 

 

 

John Laurie

John Laurie is perhaps most remembered for his part in Dad’s Army, as my favourite character Frazer, but this was by no means his most significant role. He was also a part of hit Sixties shows The Avengers and The Ken Dodd Show, and appeared often on stage, particularly in Shakespeare, including Hamlet, Richard III and Macbeth. According to IMDB, he appeared in 161 acting roles on film and TV in his long career. He even appeared in a Disney movie, their 1950 rendition of Treasure Island.

Old King Cole

Old King Cole

Dion Boucicault

It was particularly pleasing to come across cartoons of Dion Boucicault as I catalogued, as we hold a Boucicault Collection here at Kent. These are two different Dion Boucicaults, our collection being about the father of the man in the cartoons. This is quite confusing, and completely unnecessary, as in reality the two of them had completely different names! Whilst he was known as an actor, he was also a theatre manager, and had particular success with the premiere of a little known play, one Peter Pan by J.M. Barrie. It was Dion’s sister, Nina Boucicault, who was the first actress to ever play Peter Pan.

Nina Boucicault (Sister of Dion Jr.)

Nina Boucicault (Sister of Dion Jr.)

Dion Boucicault Jr. (centre)

Dion Boucicault Jr. (centre)

 

 

 

 

 

 

 

 

 

Donald Calthrop

Number two of three I’ve found related to collections we hold. It was the first Dion Boucicault’s great-grandson, another Calthrop, who donated some of our Boucicault material. Donald Calthrop was Boucicault’s nephew, and a significant actor in his own right. He appeared in no less than five early films directed by the great Alfred Hitchcock. Sadly, he died of a heart attack before he finished filming Major Barbara in 1941.

Donald Calthrop

Donald Calthrop

Frank Pettingell

And here’s the third. Frank Pettingell was the owner of our largest collection of playscript, both printed and manuscript, and he in his turn acquired them from the son of well-known comedy Arthur Williams, whose stamp can be seen on most of the items in the collection. Frank was a Lancashire man who served in the First World War. His film credits include the original version of Gaslight, and played the Bishop of York in the film Becket, which featured Richard Burton, Peter O’Toole and John Gielgud.

Frank Pettingell, taking a trip

Frank Pettingell, taking a trip

Princess Lilian, Duchess of Halland

Grace Kelly may be well known for marrying European Royalty, but she was not only one! Lilian Davies, an actress more known for her modelling, from Swansea, married into the Swedish royal family in 1976 at the age of 61. They’d been living together for almost 30 years after she and her first husband divorced, but did not marry as it was thought Prince Bertil may have to become Regent after the heir to throne died, leaving a son only a few months old. However, Carl XVI came of age before he came to the throne, and he approved Prince Bertil’s marriage to Lilian. She lived to be 97, and continued to attend official engagements well into her 90s.

A most impressive hat

A most impressive hat

Rachel.

Exploring Italian books in Special Collections – a view from our work experience student Andrea

By walking in a labyrinth of ancient books and rare materials from the past, I’ve found some books which reminded me of my country and my homeland.

One of them was particularly eye-catching thanks to its size and its green cover full of detailed designs in gold and black. I knew it was about my Home because of the bright title marked on the centre of the cover: Rome. I could not control my instinct of curiosity and so I chose to read that one.

'Rome' by Francis Wey - q DG 806

‘Rome’ by Francis Wey – q DG 806

 

First of all I’ve found out that what I was holding in my hands was a book older than me, published in 1872 and written by Francis Wey. I thought it was going to be in Italian, but then I discovered it was in English and so I realised how much important traveling was, even in the ‘800s, and that human’s curiosity makes us travel seas and countries to be satisfied. And also, by going through some pages I’ve seen some really interesting illustrations: it was funny try to guess what part of Rome they were representing, and also it made me think about how the time changed those places during the years.

 

I had in my hands and in 552 pages one big wonderful city, my big wonderful city, and probably this is what made me choose the book at first sight.

Another one that I decided to look at was a little book (quartos, I think they call them) from 1828 with a design of red lions on the front white cover made of a material that lasts well during the years and does not make the book look as older as it actually is [vellum]. The title, “Ossian Poesie”, was on the spine and it looked like someone else has written it on by using an old pen.

Poesie di Ossian, PD 3546.1 Spec Coll

Poesie di Ossian, PD 3546.1 Spec Coll

Unlike the book about Rome, this one was completely in Italian. I’ve found myself wondering about why there wasn’t any English in a book placed in a library in England, and I came to a conclusion about the fact that there might be some Italian students, or someone who was studying this language, that could have enjoyed it.
By reading some pages I understood the contest was about Irish royals, and it made me even more curious about why did an Italian writer, called Melchior Cesarotti, write about something which happened in another part of the planet.

Poesie di Ossian, PD 3546.1 Spec Coll

Poesie di Ossian, PD 3546.1 Spec Coll

If it depended by me, I would have stayed around all those books for days and days, reading about everything from science to theatre, from geography to history.

Andrea Wlderk spent her Year 10 work experience placement with the Special Collections & Archives team this week. Having recently moved to Canterbury from Rome, she’s fluent in Italian, Spanish and English and wanted to know more about library work. Andrea learnt about how Special Collections departments are run and the activities we do, discovered our collections, shadowed meetings, was trained in basic conservation principles and worked in the stores with our volunteer team. Thank you so much, Andrea – we hope you had fun!

Women on Stage and in Society : 1850 – 1915

part of the British Theatre History exhibition

part of the British Theatre History exhibition

On Wednesday 6th April the yearly exhibition by second year students of the British Theatre History module launched. Whilst this has been an annual event for several years, this time the students faced a bigger challenge than ever: the size of the Templeman exhibition space. This is only the second exhibition to be held in the new space, and asking first time exhibition makers to fill it was initially concerning, but the students rose to the challenge admirably.

Playbill for Society at the Prince of Wales

Playbill for Society at the Prince of Wales, currently on display

This module offers students the opportunity to learn about a hugely varied period of theatre history in Britain, ranging from Victorian pantomime through to suffragette plays. What’s unique about this module in particular, is that the student use Special Collections and Archives material to really come to terms with the time period, utilising Kent’s extensive Victorian and Edwardian theatre collections. The students look at a range of original material, such as playbills, play-scripts and theatre documentation, to learn about this exciting time.

The British Theatre History student exhibition

A section about living as an actress

This year was different than previously in other ways too. Firstly, the students usually work in groups to produce sections of a general exhibition on British theatre history. This time,

The exhibition launch

The exhibition launch

however, the students were challenged to work individually, and they did not disappoint! The other difference is that this time the students worked on a very specific theme: women. Within this theme the students looked at gender roles in pantomime, the representation of women in melodrama, influential female playwrights, theatre managers and actresses, and theatrical women as a political force. The result is a very well rounded, coherent exhibition, which catches the eye and the interest of passers-by.

Dick Whittington from the Melville Collection

Dick Whittington from the Melville Collection

 

The module draws heavily from theatre collections housed here at Kent. Firstly, the Melville Collection, which tells the story of a theatrical dynasty of actors and theatre managers. The Melville’s owned many theatres around the country, but particularly the Lyceum in London, from which we hold music, takings books, and administrative documentation concerning productions put on there, as well as publicity material and scripts.

A lithograph showing a scene from the Octoroon

A lithograph showing a scene from the Octoroon

 

 

Secondly, the students use the Boucicault Collections. Dion Boucicault was a playwright and actor who worked both here and in America in the 19th century. He was particularly well known for his melodramas, most famously the Octoroon, a controversial play concerning race and slavery. One student has produced a detailed section concerning this play.

Photograph of Nellie Farren, from the Milbourne scrapbook

Photograph of Nellie Farren, from the Milbourne scrapbook

 

 

Many of the students use sections from the Milbourne scrapbook. This scrapbook contains photographs (and some signatures) of famous actors and actresses of the time period, and also accurate depictions of costumes worn in theatrical productions. The costume images were originally black and white, but the scrapbook’s owner attended the productions featured in it, and faithfully coloured in the images to represent what was being worn on the stage.

 

Pettingell scrapbook, currently on display

Pettingell scrapbook, currently on display

Finally the students used our Pettingell Collection. Frank Pettingell was an English actor in the 20th century. He obtained the collection from Arthur Williams, who was an actor and playwright in the 19th century. The collection is made up of a huge selection of printed and handwritten play scripts, many of which were used as performance prompt copies. There are also a handful of theatrical scrapbooks in the collection, one of which is on display.

 

The exhibition is up until the 25th April.

Upcoming Exhibition: Treasures of Rochester Cathedral Library

I am very excited to announce a one-off opportunity for you to get up close to some of the most beautiful, unique and culturally significant books from Rochester Cathedral Library.

After some months of cataloguing these books, as part of a collaborative project between Rochester Cathedral and the University of Kent (funded by the Heritage Lottery Fund), I am thrilled to be able to share these books with you for the very first time!

Register to join us on Monday 7 March 2016 at the Drill Hall Library, Chatham Maritime

Book of Hours

15th century illuminated ‘Book of Hours.’

This guided exhibition will give you the opportunity to explore the treasures of the library and find out more from experts who will be on hand to answer any questions on the day. The books and manuscripts being exhibited date from c. 1150 to the 18th centuries, with highlights from the collection including:

  • Tudor Bibles (such as Henry VIII’s ‘Great Bible’ (1539), the Geneva Bible (1584) and the Bishop’s Bible (1568))
  • an excellent example of a John Reynes Tudor binding with royal armorial decoration
  • a fifteenth century illuminated Book of Hours
  • manuscript items including an 11th century St Augustine’s ‘De Consensu Evangelistarum’ and the 13th century Lombard’s ‘Sentences’
  • early modern maps of Kent

So come along and join us for this one-time opportunity to discover more about the collections and Rochester Cathedral, and to speak to members of the project teams from the Cathedral and the University of Kent.

Please register for this free event via Eventbrite at www.eventbrite.co.uk/e/treasures-of-rochester-cathedral-tickets-21555859155.

Geneva Bible

Geneva Bible, 1584

 

Experiences of an Erasmus+ Placement in Special Collections & Archives – Christine Holzapfel (Philipps-University Marburg / Germany)

Christine Holzapfel discusses her experiences of working with Special Collections & Archives whilst on an Erasmus+ placement in the Templeman Library. 

As part of my 5 weeks Erasmus+ Work Placement at the Templeman Library I had some insights into the Special Collections & Archives department and the Canterbury Cathedral Library and Archives.

Craxton Theatre programmes and Foulkes Theatre flyers

My first task in Special Collections was to insert information about some Craxton Theatre programmes and Foulkes Theatre flyers into an Excel spreadsheet. I had to check for duplicates in our catalogue LibrarySearch and see if the archive has any more documents about the particular productions represented by the programmes and flyers. This information will be added to the catalogue to make it easier for researchers to find information about particular plays and theatres.

The store

I was shown the Special Collections & Archives store in the basement of the East Wing. It was really impressive to see all these specific collections – the mix of books, documents, photos and objects.

Rochester Cathedral Collection

With guidance from a colleague I catalogued a rare book from the Rochester Cathedral Collection. Most interesting here was that much more data was recorded than with „normal“ books. For example, things like bookplates, handwritten remarks, everything that is written on the title page and also every single illustrator will be given an entry into the record, because someone might search for it.

British Stand-Up Comedy Archive

As the British Stand-Up Comedy Archive was getting a new collection in from Josie Long (Comedian), I helped to unpack and sort the documents and objects. There were programmes and requisites of her shows, which gave a well-rounded overview of the professional work of a comedian.

josie long

Josie Long Collection

Digitisation

Also I have been shown the digitisation process of audio cassettes and photos. The audio cassettes are transfered into a digital file with the aid of a special programme and the appropriate equipment. Digitisation is a really important and ongoing process to keep the content of out of date media accessible.

Public Lending Rights Archive

Another collection that I have been working with was the “Public Lending Rights Archive”. This is a newly received collection, which required important basic conservation work in order to preserve it. This involved removing rusty paperclips/staples and replacing them with brass paperclips. Finally the documents were placed in archival acid-free folders.

Canterbury Cathedral Library and Archives

A „special highlight“ during my time in Special Collections & Archives was the visit to the Canterbury Cathedral Library and Archives.

Reading room

The Reading Room (Canterbury Cathedral Archives)

In the archive

Together with the archivist I supervised a school class. They were given questions to 6 historic documents, which they got as facsimiles. In the end the students were shown the original precious documents.

Collections

I had the chance to do some workshadowing at the issues desk and to find out what kind of collections the Cathedral Archive possesses. It holds a wealth of manuscripts, photographs, maps and other records dating back to the late 8th century.  Interesting is that there are not only religious inheritances (like e. g. central records of the Diocese of Canterbury) as you would expect, but also records of numerous local individuals, families, organisations, businesses, Parish Councils as well as local hospitals, mostly of the Canterbury area. I found it amazing that a lot of the historic documents have been already digitised and can be explored online and free of charge! on the archive homepage.

The Library

Two of the staff members gave me a guided tour through the Archive and the Library. The old library is really beautiful! It contains about 30,000 books and pamphlets printed before 1900, an expanding collection of 20,000 books and serials published in the 20th/21st centuries. The Collections are particularly rich in books on church history, older theology, national and local history, travel, natural science, medicine and the anti-slavery movement.

cathedral library

Canterbury Cathedral Library (http://www.pinterest.com)

The book stores

In the buildings around the cathedral are several book stores. But one book store you did not expect to be one. It is the cathedral itself! In one corner of the cathedral (left side beside the main entrance) is on the upper floor a book store. A small staircase inside leads to the store. This was a real surprise!

bookstore

The book store inside the cathedral

The Preservation Studio

At the end of the day at Canterbury Cathedral Library and Archives I was shown the Preservation Studio and some of the work which has been conducted on historic books. People who are working in this area are, for me, always like artists. It is simply incredible how they are able to restore books (or documents) which are partly really heavily damaged (for whatever reason) and make them look like they were new.

Conclusion

All in all my time in the Special Collections & Archives at the Templeman Library (and of course the visit to (and of course the visit to Canterbury Cathedral Library and Archives) was a very interesting and unique experience. I am glad that I had the opportunity to get an insight into the Special Collections department with its various collections.