UK Philanthropy Archive Inaugural Shirley Lecture

As part of the ongoing launch of our UK Philanthropy Archive (UKPA) we’re very excited to announce a new series of lectures – the Shirley lectures, named after one of the founding UKPA collections, the Shirley Foundation papers.

The lecture will take place next Thursday (13th May) at 1pm online – you can sign up for a free place here.

Image of Dame Stephanie Shirley alongside text advertising the inaugural Shirley Lecture online at 1pm on Thursday 13 May 2021.

Join us for the inaugural Shirley Lecture, given by Dame Stephanie Shirley herself!

We are delighted that our first Shirley Lecture will be delivered by Dame Stephanie Shirley CH – IT entrepreneur and philanthropist who has generously donated the papers of the Shirley Foundation to the University of Kent, supporting the establishment the UK Philanthropy Archive.

Dame Stephanie , who arrived in the UK as an unaccompanied child refugee on the Kindertransport, went on to found a hugely successful IT software company that specialised in employing women. Dame Stephanie used the wealth she achieved in business to give back to society through her charitable foundation – the Shirley Foundation, which granted more than £60 million to a variety of projects before spending out in 2018. The inspiration for much of her philanthropy has been technology, after her professional interests, and autism, after her son Giles who was diagnosed as profoundly autistic.

For the inaugural Shirley Lecture – Dame Stephanie will talk about her life and her experiences, her charitable interests and philanthropy.

Signed copies of her books – ‘Let It Go’ and ‘So to Speak’ – will be available to order – with all proceeds going to Autistica – the UK’s leading autism research charity.

We hope you’ll be able to join us for what promises to be an unforgettable event!

For more information about the UK Philanthropy Archive – including recordings of past events – please see our webpages here.

Online access to Special Collections & Archives at Kent aided by funding grant

Exciting news for us (and for you)! 

Programme for the pantomime Dick Whittington, performed at Drury Lane theatre. The lavishly illustrated cover depicts hoards of people parading through a traditional town street.

Programme for the pantomime Dick Whittington, performed at Drury Lane theatre

University of Kent’s Special Collections & Archives service has been awarded over £110,000 to assist with the digitising of its collections, through the Capability for Collections (CapCo) fund, administered by the Arts and Humanities Research Council (AHRC), part of UK Research and Innovation (UKRI).

Special Collections & Archives, based in the Templeman Library, Canterbury campus, preserve and manage the University’s unique and distinctive collections so that they are accessible for the benefit of teaching, scholarship and society. Collections include the British Stand-Up Comedy Archive and British Cartoon Archive. They are proud to hold Archive Service Accreditation from the National Archives in recognition of their professional standards in acquiring, preserving and providing access to the collections.

Karen Brayshaw, Special Collections & Archives Manager explains:

“The funding will allow us to purchase vital digitising equipment to help with providing online access to the recently deposited Beaverbrook Foundation’s collection of original cartoon artworks and digitising the highly visual original costume designs, theatre playbills and posters from the David Drummond Pantomime Collection”.

The grant will also support collaborative opportunities across the Institute of Cultural and Creative Industries (ICCI) and Eastern ARC, enabling the University to participate in future special collections and archives digitisation projects.

Main image: Illustrated programme for the pantomime Dick Whittington at Drury Lane Theatre from the David Drummond Collection.

Further Information:

  • UK Research and Innovation (UKRI) is investing £213m to expand and upgrade existing research infrastructure to help UK researchers tackle major challenges such as COVID-19 research and recovery, and net zero goals.
  • The projects, spread across the UK, will provide UK researchers with advanced equipment, facilities and technology, and cement the UK’s position as a world-leading research and innovation superpower.
  • The investment will ensure the UK is the best place in the world for scientists, researchers and entrepreneurs to live, work and innovate. This will help to power up economic recovery and level up the UK.
  • The £213m, from the government’s World Class Labs funding scheme and made through eight of UKRI’s constituent research councils, covers investments in all disciplines from physical sciences to arts and humanities.
  • This includes a landmark £15m investment in the arts and humanities which will go to securing the future of the UK’s galleries, libraries, archives and museums.
  • UKRI is investing £15m in the Capability in Collections fund as part of the World Class Labs project.

Kent’s Special Collections and Archives hold over 150 collections including:

  • The British Stand-Up Comedy Archive and popular and comic performance from the Victorian era to the present, including pantomime, melodrama and variety works including the David Drummond Pantomime Collection
  • The British Cartoon Archive and other cartoon artwork and publications, particularly satirical works
  • The history of the University of Kent and the local area
  • Photographs, scrapbooks, engineer records, and published books relating to wind and watermills
  • Collections of 20th century prose and poetry first editions.

For further information contact Karen Brayshaw, Special Collections & Archives Manager.

www.kent.ac.uk/library/specialcollections

Boxes of archive material from the David Drummond Pantomime collection in the stores.

Materials from the David Drummond Pantomime Collection, awaiting digitisation.

SC&A in review: 2020 edition

There’s no doubt that 2020 has been a markedly different year from the one we anticipated when writing last year’s annual review blog post. Like many of you, the Special Collections & Archives team have been working frequently from home since March – but that doesn’t mean we’ve been any less busy. As the end of year (thankfully) draws to a close, we’re taking the time to reflect on what we’ve achieved and hope that this compilation sends a little bit of archive magic out to your screens!  

Karen (Special Collections and Archives Manager): “What a contrast 2020 has been compared to 2019! The SC&A team, along with most other employees at the University, moved to working from home on 23rd March and we are mostly still there. We still meet at least once a week but now instead of booking a meeting room or bagging a table (and coffee) in the Library Café we now get together via our computer screens (coffee included)!  

Working remotely has presented us with opportunities to tackle some of the tasks which get overlooked and pushed aside in a busy office. Early in lockdown much of my time was taken up working on a grant application to support a project to catalogue and promote our amazing David Drummond Pantomime Collection. Our application was not successful this time round – while it was disappointing news it has given me the opportunity to delve deeper into this wonderful collection and to discover some of its hidden treasures – I’m currently exploring boxes of libretti or books of words from the mid 19th century to the mid-twentieth century. Some of them are just books of words but some have gorgeous illustrations. So far, my favourite find is Sinbad the Sailor, closely followed by Mother Goose and Dick Whittington…I could go on…It feels especially important that we catalogue this collection given the devasting effect that the virus has had on live pantomime performances around the country this year 

Brightly illustrated programme cover for the Mother Goose pantomime at Drury Lane. [David Drummond Pantomime Collection]

Brightly illustrated programme cover for the Mother Goose pantomime at Drury Lane, 1902. [David Drummond Pantomime Collection]

Lavishly illustrated programme for the pantomime Dick Whittington at Drury Lane theatre. [David Drummond Collection]

Lavishly illustrated programme for the pantomime Dick Whittington at Drury Lane theatre. [David Drummond Collection]

The rest of the team have been keeping busy too: Tom has worked on and off campus on the ever-expanding University archive, while Jo has worked on new and remote ways of delivering our popular teaching sessions. Jennie has had great fun cataloguing some of Martin Rowson’s digital cartoons (so funny!) The Max Tyler Music Hall collection has benefitted from the attentions of Clair, who has now catalogued all the research files and Mandy enjoyed scanning some of the sheet music, some of which has been recorded and uploaded by Dan Harding, Head of Music Performance at Kent it really brings our collection to life. You can listen to this recording here. Beth, our project archivist for the UK Philanthropy Archive, has continued to spread the good news about our developing collection as well as delivering an excellent online event.  

Working from home has meant that much of our volunteer work stopped abruptly in the spring – we miss our volunteer community very much and hope that we can welcome back our regular team as well as some new ones – watch this space! Having said that we did manage to set up Daniella, who was able to transcribe and translate indentures from Ronald Baldwin collection from home. See her blog post here: https://blogs.kent.ac.uk/specialcollections/2020/07/08/exploring-early-modern-kent-in-the-archive-part-1-an-introduction-to-the-ronald-baldwin-collection/. Thanks to Daniella’s great work we have been able to enhance our catalogue records.”  

Tom (University Archivist): “This year my highlight was the opportunity to dedicate more time than usual to looking after and developing the University of Kent Archive. This large and important collection charts the development of the University of Kent through the initial planning and development of the site in the early 1960s, its foundation in 1965, and through the succeeding 55 years of educational achievement. 

Though records of the University’s activities and decision-making processes have always been collected, it was not until relatively recently these have been gathered together in a dedicated space within the Templeman Library. As a result, a considerable backlog of archival work has built up, and the collection requires sorting, duplicate-thinning, repackaging, cataloguing and being physically arranged in its dedicated storeroom. 

Because my other SC&A duties have been less pressing, this year I’ve been able to make proper headway in carrying out essential collections development work with this archive, including consolidating the various caches of documents in the library into a single space, commencing weeding of the various runs of published information such as annual reports and prospectuses, grouping similar records and records from the same department together, and commencing cataloguing of important papers like those of Eric Fox, the first Registrar of Kent. This interesting collection includes papers on the establishment and development of the University and the various crises (usually student led) that afflicted the university in its first 12 years.

Black and white photograph of Eric Fox, first Registrar of the University of Kent, and his wife Mary on the University of Kent campus.

Eric Fox, first Registrar of the University of Kent, and his wife, Mary. July 1982 [V.453]

Working from home has also given us the opportunity to catalogue the University’s extensive photograph collection which my colleague Rachel has been working on. Rachel is also a Kent alumna so her knowledge is proving doubly useful in getting context from the images.

Black and white photograph showing a party in the Registry Office, 1990, complete with Santa and a pantomime horse. [University of Kent Archive, 1471.2]

Black and white photograph showing a party in the Registry Office, 1990, complete with Santa and a pantomime horse. [University of Kent Archive, 1471.2]

The University Archive also took receipt of two large and significant collections in autumn 2020: records of Eliot College and records of the Faculty Office. Watch this space for updates to our catalogue throughout 2021 as these collections are catalogued and made accessible to our readers.” 

Jo (Senior Library Assistant): “Throughout this year I’ve often joked that because my job involves collections and people, 2020 has meant a definite shift in my working environment. Whilst this is true (I very much miss introducing students to our collections in person), it’s been a great opportunity to develop our digital learning offer and create content that will hopefully serve our communities for years to come.  

Gif showing slides introducing Special Collections & Archives to students. There is a lot of colour and spider diagrams.

Gif showing slides introducing Special Collections & Archives to students. There is a lot of colour and spider diagrams.

I particularly enjoyed making videos of some items from our collections to help support teaching; rather than single images, filming archives helps viewers get a sense of the physicality of the object and hopefully encourages them to come and see items in person when it’s safe to do so. Our Artists’ Books Collection was the perfect example of this: the books rely (and sometimes play with) our sense of touch to convey their meaning, and it was lovely to see some of these works and convey my knowledge and enthusiasm for them digitally. You can view an example of these videos here

On a completely different note, there has been a wealth of digital learning and training created this year and it’s been really nice to have the opportunity to develop skills that being on campus doesn’t always allow for. Thanks to Kent’s Learning and Organisational Development team I completed six weeks of British Sign Language training over the summer which will hopefully serve our users well in future. I also finally got certification for my MA, so I guess I’m ‘officially’ a Librarian now! 

Jennie (Library Assistant – Curation & Discovery): “My role is to describe the items in our Special Collections and Archives and make them easy to find on our library search systems. Traditionally this is done with the item in hand, but of course this year a new approach had to be found. Luckily, we have a large and ever-growing collection of political cartoons by Martin Rowson in digital format just waiting for someone to add them to the catalogue – and that someone was me!  

A complex cartoon by Martin Rowson entitled 'Giving up the Ghost'. Prime Minister Boris Johnson lies in a hospital bed with several other Conservative MPs looking rather ill as a ghostly Theresa May floats away. A curtain pulled back reveals a confused Jeremy Corbyn in the next bed.

‘Giving up the Ghost’ by Martin Rowson, 9th June 2019, The Guardian. MRD1351, British Cartoon Archive

I was able to download the images at home and access our archival cataloguing system remotely to add some of Rowson’s fantastic satirical cartoons to our database. My personal favourite so far is Giving up the Ghost because it took a lot of detective work to figure out who all the politicians were, and because the Nigel Farage snake under the bed makes me laugh. It also features Rowson’s famous ‘fur cups’, which I make sure to add to the catalogue record when they appear. Rowson himself explained what the fur cups mean on Twitter: 

Screenshot of a Twitter conversation between John Waterworth and Martin Rowson. Waterworth asks Rowson, Great roller coaster! Can you say what the hairy teacups represent in your cartoons? Rowson responds, Fur cups. As surrealist tropes their name should be spoken with a French accent. Try it.

Exchange between John Waterworth and Martin Rowson on Twitter explaining the fur cups present in Rowson’s cartoons.

I’m sure you can work it out.”  

Clair (Digital Archivist): “I’m sure I’m not the first to mention that this year has been a very different experience of working in Special Collections & Archives! For the most part we’ve been distant from our collections in a physical sense, but this in turn has provided the opportunity for us to focus on some of the more admin-heavy collection tasks that we seldom get to focus on in the “normal world”.  

Triage of photographs of research files from the Max Tyler Music Hall Collection.

Triage of photographs of research files from the Max Tyler Music Hall Collection.

This year feels like a difficult one to draw highlights from, but there have certainly been some satisfying and enjoyable moments for me. First up, we’ve taken a few steps to improving access to our collections this year. I had the pleasure of cataloguing the entirety of Max Tyler’s research files. I won’t go in to too much depth here as I wrote a blog post on the subject back in October 2020, but just to say that it’s an impressive collection that touches on many subjects, performers, and music hall songs. You can browse the entire collection here. My colleagues have made tremendous progress with cataloguing our collection of Martin Rowson digital cartoons. This is an active collection with continuous accruals, so it’s great to see them getting added to our online catalogue. We have managed to clear our scanning backlog of newspaper cartoon cuttings with help from our Digital Imaging team. And last up, our collections can now be found on The National Archive’s Discovery platform 

Finally, I had the opportunity to develop my skills in social media archiving this year, collecting tweets on the subject of philanthropy during the covid-19 pandemic for the UK Philanthropy Archive. This piece of work not only enabled me to learn some coding skills in Python programming language, but also meant I got to work closely with my colleague Beth Astridge to develop a collection for our newest archive!” 

Mandy (Library Assistant – Digital Imaging): “I have really enjoyed scanning the music sheets from our Max Tyler Collection! They are so delicate and the pictures are so pretty. Seeing the music sheets as how they used to be has been great.”  

Colour illustrated cover of a music sheet from the Max Tyler Music Hall Collection entitled Victory and Peace Grand March

Colour illustrated cover of a music sheet from the Max Tyler Music Hall Collection entitled “Victory and Peace Grand March”

Beth (Project Archivist – UK Philanthropy Archive): “As with the rest of the Special Collections & Archives team – 2020 has been a year of challenges and disruption – but also a year of new ways of working and opportunities to explore. There are several things that happened in the UK Philanthropy Archive this year that I think are worth celebrating!  

I have focussed some time on making connections, spreading awareness about the UK Philanthropy Archive, and talking to potential donors about their collections. As always, it is so interesting to hear about the different trusts and foundations out there, to catch up with people who are passionate about the organisation they represent and the causes they support and begin to explore how they might ensure the long-term preservation of their archives.  

COVID-19 has had a notable impact on the philanthropic sector – with many funders pausing grants, diverting funds to COVID emergency schemes, and adopting more flexible grants programmes and support mechanisms. To capture a record of some of this rapid change in the philanthropic sector we have developed an archive collection of the tweets coming from many of philanthropic sector organisations and individuals during 2020. It has been fascinating to investigate how to do this, and my colleague Clair (Digital Archivist) has written about her work on this elsewhere on this blog!  

Screenshot of attendees at the official virtual launch of the UK Philanthropy Archive, November 2020.

Screenshot of attendees at the official virtual launch of the UK Philanthropy Archive, November 2020.

In March 2020 we had planned a big event to launch the UK Philanthropy Archive with a seminar and the inaugural Shirley Lecture to be delivered by the wonderful Dame Stephanie Shirley. Sadly, we had to postpone, and the event was split into two separate events. We held the first of these – a virtual seminar on Archives of Philanthropy in November, which officially launched the UK Philanthropy Archive! This brought together researchers, archivists, funders and others from the philanthropic sector to talk about the opportunities and challenges of keeping archives about philanthropy. It was well attended with lots of great presentations and interesting questions – and if you missed it – the recordings are available on our website! A big thank you to all the speakers who did an amazing job in communicating why collecting archives from the philanthropic sector is so important.  

There is so much to look forward to in 2021 from the UK Philanthropy Archive. As well as more collections being deposited with us, getting back to cataloguing and getting the collections available for research, and several oral history interviews planned, we have the inaugural Shirley Lecture (in May 2021), as well as another exciting seminar – so keep an eye out for more information on our webpages.”

The SC&A team wish you a peaceful and safe Christmas and New Year and we hope you can connect with loved ones near and far. We’re closed for Christmas from Friday (18th December) and will be back in the (virtual) office from Monday 4th January 2021.  

 

 

Giles Family at 75: Media and advertising

With all their fame and success, it’s no surprise that the Giles family leapt from their creator’s drawing board and into the wider world. In this blog post – the last in our series celebrating 75 years of the Giles family – we dive into the Carl Giles Trust archives (not, er, literally) to take a look at how Grandma and the gang have been used in media and advertising:

In this blog post – the last in our series celebrating 75 years of the Giles family – we dive into the Carl Giles Trust archives (not, er, literally) to take a look at how Grandma and the gang have been used in media and advertising:

What’s the tea, Grandma? 

Centre spread of Special 'T-Day Edition' of the Daily Express, celebrating the appearance of the Giles family in the Tetley Quick Brew adverts - Carl Giles, Daily Express, c. 1983 (Image ref: GAAD0021B)

Centre spread of Special ‘T-Day Edition’ of the Daily Express, celebrating the appearance of the Giles family in the Tetley Quick Brew adverts – Carl Giles, Daily Express, c. 1983 (Image ref: GAAD0021B)

Around 1983 – 1985, Carl Giles partnered with restaurant chain and food manufacturer Lyons to advertise their Quick Brew tea. The adverts starred Grandma and can be viewed here, here and here. (There is some debate regarding Giles’ agreement to these adverts.) Alongside Grandma, Mother and Father also had starring roles:

Colour advert for Lyons Quick Brew tea bags with Giles cartoon - Carl Giles, c.1985 (Image ref: GAPC0611)

Colour advert for Lyons Quick Brew tea bags with Giles cartoon – Carl Giles, c.1985 (Image ref: GAPC0611)

Colour advert for Lyons Quick Brew tea bags with Giles cartoon - Carl Giles, c.1985 (Image ref: GAPC0612)

Colour advert for Lyons Quick Brew tea bags with Giles cartoon – Carl Giles, c.1985 (Image ref: GAPC0612)

It was also possible to buy specially designed boxes of Quick Brew tea which had the Giles Family on. Here’s a closeup of the art Giles drew for this:

Colour proof of Lyons Quick Brew 500g tea bag packaging - Carl Giles, c.1985 (Image ref: GAP2166)

Colour proof of Lyons Quick Brew 500g tea bag packaging – Carl Giles, c.1985 (Image ref: GAP2166)

And for the true tea lover / Giles family aficionado? You could send off for a Giles family tea towel! Don’t think Grandma would like being used to clean up, mind you.

Tea towel featuring the Giles family for a Lyons Quick Brew tea promotion - Carl Giles, c.1986 (Image ref: GAX00006)

Tea towel featuring the Giles family for a Lyons Quick Brew tea promotion – Carl Giles, c.1986 (Image ref: GAX00006)

The Giles family reign over the land of Lyons Quick Brew came to an end in 1986; it was thought that they didn’t transfer from the cartoon into the ‘real world’ quite as successfully had hoped. The Carl Giles Trust archive holds a folder of correspondence relating to the Quick Brew campaign; you can read a summary of it here.

The Giles Family: coming soon to video near you!

Not all advertising campaigns were as successful (or as long-running) as the Giles/Lyons cartoons – some never even got off the ground. In this undated draft, the Giles Family were stars of their very own VCR systems:

Photocopy of rough draft for proposed advert for Granada video players featuring members of the Giles family; sent by Group X Advertising with request for Giles to draw the final version - Group X Advertising, undated (Image ref: GACS00593)

Photocopy of rough draft for proposed advert for Granada video players featuring members of the Giles family; sent by Group X Advertising with request for Giles to draw the final version – Group X Advertising, undated (Image ref: GACS00593)

Careful now…

As an artist, Giles was no stranger to public information campaigns – his work for the Ministry of Information during the Second World War, including a foray into animation – is one of the highlights of the archive we hold here at Kent. But did you know that the Giles family were also used in this manner? Here, George Jr and Stinker are attempting to warn everyone about the dangers of using machinery:

Part of cover cartoon in booklet 'Safe hands on the Land' - Carl Giles, Royal Society for the Prevention of Accidents, 1956 (Image ref: GAPC0244)

Part of cover cartoon in booklet ‘Safe hands on the Land’ – Carl Giles, Royal Society for the Prevention of Accidents, 1956 (Image ref: GAPC0244)

To the forecourt!

The Giles Family were so popular during Giles’ lifetime that it’s hardly surprising everyone wanted in on the action – including car companies. In 1973 Giles was approached by the advertising manager of Renault cars asking him if it was possible to incorporate the Giles Family into their next campaign. Whilst we hold a draft of the work Giles produced in response it’s unclear if the art made it into the real world:

Sample colour artwork advertising Renault cars - Carl Giles, c.1975 (Image ref: GACS00008)

Sample colour artwork advertising Renault cars – Carl Giles, c.1975 (Image ref: GACS00008)

Off the page and onto your screens?

Here’s another fact about the Giles family you may not know: there were talks to bring them to the land of television, in the form of an animated comedy series. It was never actually produced but we hold a draft script and an opening sketch…

Drawing of opening scene of draft script for an episode of an animated comedy series about the Giles Family - James McClure, undated (Image ref: GACS00775C)

Drawing of opening scene of draft script for an episode of an animated comedy series about the Giles Family – James McClure, undated (Image ref: GACS00775C)

Front page of draft script for an episode of an animated comedy series about the Giles Family - James McClure, undated (Image ref: GACS00775A)

Front page of draft script for an episode of an animated comedy series about the Giles Family – James McClure, undated (Image ref: GACS00775A)

Page 1 of draft script for an episode of an animated comedy series about the Giles Family - James McClure, undated (Image ref: GACS00775D)

Page 1 of draft script for an episode of an animated comedy series about the Giles Family – James McClure, undated (Image ref: GACS00775D)

Page 2 of draft script for an episode of an animated comedy series about the Giles Family - James McClure, undated (Image ref: GACS00775E)

Page 2 of draft script for an episode of an animated comedy series about the Giles Family – James McClure, undated (Image ref: GACS00775E)

A long day’s work = time for the pub

We’ve shared this image on our social media already but we couldn’t resist posting it here for posterity: when you get so famous your creations wind up on a pub sign, you know you’ve made it. Here’s Grandma and Natalie the cat adorning a pub in Islington, Giles’ birthplace in 1973:

Black and white photo of the sign for 'The Giles' pub, which includes a picture of Grandma and Natalie the cat - 30 October 1973 (Image ref: GAPH00069)

Black and white photo of the sign for ‘The Giles’ pub, which includes a picture of Grandma and Natalie the cat – 30 October 1973 (Image ref: GAPH00069)

Grandma forever!

It wouldn’t be a blog about media and advertising without mentioning one of the most famous incarnations of the Giles Family: the statue of Grandma in Ipswich unveiled in 1993. News of the statue made it into the local press and Giles was there at the opening ceremony:

Article entitled 'No joke, grandma, Ipswich is set to honour Giles', about the proposed Giles statue in Ipswich - East Anglian Daily Times, 6 June 1981 (Image ref: GAPA0075)

Article entitled ‘No joke, grandma, Ipswich is set to honour Giles’, about the proposed Giles statue in Ipswich – East Anglian Daily Times, 6 June 1981 (Image ref: GAPA0075)

Colour photo of the unveiling of the Grandma statue in Ipswich, featuring actor Warren Mitchell , Giles, the sculptor Miles Robinson, writer and friend Johnny Speight, and Andrew Cameron (Express Newspapers) - September 1993 (Image ref: GAPH00430)

Colour photo of the unveiling of the Grandma statue in Ipswich, featuring actor Warren Mitchell , Giles, the sculptor Miles Robinson, writer and friend Johnny Speight, and Andrew Cameron (Express Newspapers) – September 1993 (Image ref: GAPH00430)

Colour photo of Grandma statue with sculptor Miles Robinson - East Anglian Daily Times, September 1993 (Image ref: GAR-F-S-460-2)

Colour photo of Grandma statue with sculptor Miles Robinson – East Anglian Daily Times, September 1993 (Image ref: GAR-F-S-460-2)

What else is there to say (other than – go and see the statue for yourself)? Thank you always, Carl Giles, for the amazing Family. May your legacy continue!

Colour photo of Giles at the unveiling of the Grandma statue in Ipswich - East Anglian Daily Times, September 1993 (Image ref: GAPH00429)

Colour photo of Giles at the unveiling of the Grandma statue in Ipswich – East Anglian Daily Times, September 1993 (Image ref: GAPH00429)

We hope you’ve enjoyed this series of blog posts about all things Giles, You can view more details about the Carl Giles Trust archive through our catalogue and when we’re open again why not come and view some of this incredible material?

Giles Family at 75: Political and Social Commentary

This is the third in our series of blog posts celebrating the 75th anniversary of the Giles Family, drawing on the riches of the Carl Giles Archive, which has been part of the British Cartoon Archive since 2005. This series is in lieu of a physical exhibition in our Gallery space, owing to the Covid-19 pandemic.

As mentioned in earlier blog posts, the 20th century saw huge changes to society on both politically and socially. Over the course of their 46 year existence, the one thing that didn’t change fundamentally was the Giles family: everyone remained the same age, with the same characteristics and the same roles within the group. This stasis allowed Giles to use the family to explore social, cultural and political changes in ways that other editorial cartoonists could not: the reader already has a shared knowledge of the people within the cartoons and how they will behave, much like in our own families. This blog post will explore some of the ways in which the Giles family reacted to key UK events in the second half of the 21st century. We could write an entire series of blogs on how Grandma et al discussed British society – so here are some of our highlights.

The Giles family and women

The 20th century saw great shifts to women’s roles in society – from getting the vote in 1918 to the development of the contraceptive pill in 1961, feminism and equal rights have constantly been fought for and their impacts discussed. The 1970s saw the growth of the Women’s Liberation Movement (WLM), a group which demanded equal rights, equal education and careers, free contraception and abortion and free childcare. 1973 was a crucial year for feminists: the first WLM conference was attended by over 600 women, the UK Rape Crisis network established, and Brixton Black Women’s Group and Virago Press were formed. This discourse did not escape the Giles family – especially Grandma, who decided to stage her own protest:

"Is that the plumber? I think my Grandma has sprung a leak in her Think Tank." - Carl Giles, Daily Express, 27 September 1973 (Image ref: 25147)

“Is that the plumber? I think my Grandma has sprung a leak in her Think Tank.” – Carl Giles, Daily Express, 27 September 1973 (Image ref: 25147)

Like many British families, gender roles are frequently discussed in the Giles family – but it’s clear who’s really in charge. This 1979 cartoon sees women attempting the Christmas shopping and discussing what to get their husbands; although not directly about the Giles family, Grandma can be seen causing mischief in the background:

"Her husband knows exactly what he wants - whatever she says he's going to get." - Carl Giles, Daily Express, 14 August 1979 (Image ref: GAA344150A)

“Her husband knows exactly what he wants – whatever she says he’s going to get.” – Carl Giles, Daily Express, 14 August 1979 (Image ref: GAA344150A)

While Giles’ cartoons never ventured into the risqué, it would be impossible to ignore sexuality in all its many forms. In the top image, George Junior finds a world better than Santa; in the lower, Giles responds to a reader comment asking what women dislike about men – the answer is joyfully predictable:

"This beats all your Father Christmases." - Carl Giles, Daily Express, 11 December 1956 (Image ref: GAN0166)

“This beats all your Father Christmases.” – Carl Giles, Daily Express, 11 December 1956 (Image ref: GAN0166)

"Yes - I think we can do something about that" - Carl Giles, Daily Express, 13 August 1974 (Image ref: 26618)

“Yes – I think we can do something about that” – Carl Giles, Daily Express, 13 August 1974 (Image ref: 26618)

Women also played crucial roles during the Second World War and after. Alongside the Women’s Voluntary Services (formed in 1938), women also wanted to play an active part in defending their country. Although not initially permitted to join the Home Guard, the Women’s Home Defence was formed in 1941. Here, the Giles Family are debating about the long-term wisdom in this decision – but who wouldn’t be scared of Grandma having access to weapons?!

"Vera, that M.P. who said that women Home Guards were a 'glorious gift for comedians and cartoonists who are just about exhausting the subject of the Home Guard' was dead right" - Carl Giles, Daily Express, 29 November 1951 (Image ref: GA0686)

“Vera, that M.P. who said that women Home Guards were a ‘glorious gift for comedians and cartoonists who are just about exhausting the subject of the Home Guard’ was dead right” – Carl Giles, Daily Express, 29 November 1951 (Image ref: GA0686)

The Giles family and War

Like many British families, Giles’ characters all interact with the aftermath of the Second World War in different ways. It is assumed that Father fought in the Second World War, but Giles never clarifies this: the only hint we get is in a cartoon from May 1950. Father is pictured reading a paper whilst his son George (also in army uniform) brings him tea. However, there’s an implication that (true to his nature) Father never actually does any work of importance whilst he’s on duty – the action is happening elsewhere:

"1939 - and here he is winning his second war." - Carl Giles, Daily Express, 5 January 1950 (Image ref: GA5392)

“1939 – and here he is winning his second war.” – Carl Giles, Daily Express, 5 January 1950 (Image ref: GA5392)

Even when the War is over, its ramifications live on through the Giles family – much like it did for Giles himself, who noted that his political views had been forever shaken by what he saw at the liberation of Bergen-Belsen concentration camp in May 1945. As families readjusted to life after soldiers came home the Giles family echoed this divide as seen here in February 1946:

"So, I bring him to see the sea for the first time and he says he'd sooner see a good air raid any day" - Carl Giles, Daily Express, 21 February 1946 (Image ref: GA0089)

“So, I bring him to see the sea for the first time and he says he’d sooner see a good air raid any day” – Carl Giles, Daily Express, 21 February 1946 (Image ref: GA0089)

Here we can see that some of the Giles family have taken a much-needed visit to the seaside (it’s never stated exactly where they live but we assume it’s in the suburbs around London). However Father is less than impressed with the views from the beach, as Mother notes – domestic life lacks the excitement and thrill of air raids experienced by parts of the country during the Blitz.

For many families the end of the war didn’t mean a complete shift back to everyday life – in Britain rationing continued in some forms until 1954, with certain goods becoming sparser after 1945. Rationing was a real concern for many families and of course the Giles family also struggled:

"Dad said he expects you and Auntie Minnie'll soon cane our extra ounce of marge for us." - Carl Giles, Daily Express, 16 January 1948 (Image ref: GA0240)

“Dad said he expects you and Auntie Minnie’ll soon cane our extra ounce of marge for us.” – Carl Giles, Daily Express, 16 January 1948 (Image ref: GA0240)

 

Despite the war’s end being seen as a new start for many, some things never changed domestically and the Giles family reflected this. Much like New Year’s resolutions, some promises were just made to be broken:

'VE Day 1945: "Now it's over, I'll get some leave and repair that gutter and put a couple of boards in that fence." VE Day 1985' - Carl Giles, Sunday Express, 5 May 1985 (Image ref: GA4798)

‘VE Day 1945: “Now it’s over, I’ll get some leave and repair that gutter and put a couple of boards in that fence.” VE Day 1985’ – Carl Giles, Sunday Express, 5 May 1985 (Image ref: GA4798)

If you’re interested in how cartoonists explored the Second World War in particular check out our blog post about VE day through the British Cartoon Archive.

The Giles family and welfare

The question of how (and to what extent) the government should care for its citizens has been at the heart of society for hundreds of years. In the UK’s post-WW2 era one of the most significant developments – the creation of the NHS in July 1948 – affected everybody, largely for the better. Giles frequently supported the NHS and local hospitals (he created a book they could sell in 1975) so it isn’t surprising that the Giles family pop up in medical contexts from time to time, even if it’s not for obvious reasons:

"You lot aren't here to bring me comfort and joy - you're here to save your blooming light and heating at home." - Carl Giles, Sunday Express, 23 December 1973 (Image ref: GA3239)

“You lot aren’t here to bring me comfort and joy – you’re here to save your blooming light and heating at home.” – Carl Giles, Sunday Express, 23 December 1973 (Image ref: GA3239)

The NHS has constantly been on politicians’ agendas; one of the early debates related to how much to charge patients for prescriptions. In 1952 the Conservative government introduced a charge to be paid by everyone who needed prescribed medicine but the cost doubled over 12 years, so in 1964 this fee was abolished by the Labour government. Whilst in theory this may seem a generous move it also allowed people to avoid paying for everyday medicines (such as painkillers) by getting their GP to prescribe them:

"Off come the health charges - back come all Vera's aches and snuffles." - Carl Giles, Daily Express, 5 November 1964 (Image ref: GAN1268)

“Off come the health charges – back come all Vera’s aches and snuffles.” – Carl Giles, Daily Express, 5 November 1964 (Image ref: GAN1268)

Of course, welfare extends beyond medical matters and into the world of work and wellbeing. The miners’ strikes of the 1970s and 1980s impacted many families across the country. As ever, Giles never explicitly used his artwork to make a political comment but the Giles family said what many people thought:

"That was very rude to tell Aunty that a couple of weeks at the coalface would make her think differently about the miners' strike" - Carl Giles, Sunday Express, 6 March 1983 (Image ref: GA4507)

“That was very rude to tell Aunty that a couple of weeks at the coalface would make her think differently about the miners’ strike” – Carl Giles, Sunday Express, 6 March 1983 (Image ref: GA4507)

Prime Minister Margaret Thatcher’s 21 years in power are remembered by many for the reforms she made to the welfare state, privatising nationalised industries and weakening trade union power. The Giles family did not escape Thatcher’s gaze – as Stinker hypothesizes when watching Grandma:

"Mrs Thatcher would certainly give Grandma's State Benefits a radical overhaul if she knew they all went on Lester Piggott yesterday." - Carl Giles, Daily Express, 6 June 1985 (Image ref: GA4810)

“Mrs Thatcher would certainly give Grandma’s State Benefits a radical overhaul if she knew they all went on Lester Piggott yesterday.” – Carl Giles, Daily Express, 6 June 1985 (Image ref: GA4810)

As mentioned above, we could write a whole series on how Giles discussed political and social matters – hopefully this blog has given you a taste for exploring through our Giles Archive even more. Two quotes below sum up, for us, the popularity of the Giles family:

“A Giles book of cartoons is also a day by day, week by week record of English history as it. happens. Look at the cartoon and look at the date and you will find you are living recent history over again.” (Nathaniel Gubbins, Introduction to the Third Giles Annual, 1948)

“As I grow older…there tend to be more and more mornings when you look through the newspaper and realise that the only credible figure left in British public life is Grandma.” (Dennis Norden, Introduction to the Thirty-Fourth Giles Annual, 1980)

What are your favourite memories of the Giles family? How did they reflect (or impact) your political and social views over the years? We’d love to hear your thoughts!

References:

Tim Benson, ‘Giles’ War’ (2017)

BBC, ‘WW2 People’s War: Girls in the Home Guard’, https://www.bbc.co.uk/history/ww2peopleswar/stories/40/a4036240.shtml

BBC, ‘The cost of being sick’, http://news.bbc.co.uk/1/hi/uk/61404.stm

British Library, ‘Sisterhood and after: Timeline of the Women’s Liberation Movement’, https://www.bl.uk/sisterhood/timeline