Print Works: Part One – Forgotten Industry on the Isle of Thanet

Special Collections & Archives has been working with Appletye – an artists’-led organisation based in Margate – to support their mission to record the Isle of Thanet’s rich printing heritage. In lieu of a physical display in Spring 2020 these guest blogs by Dan Thompson and Dawn Cole are our virtual equivalent – we hope you enjoy!
Map of the Isle of Thanet from a tourism magazine printed at Thanet Press

Map of the Isle of Thanet from a tourism magazine printed at Thanet Press

Each town on the Isle of Thanet is distinct. Ramsgate has its Royal Harbour, and is still an active port for pleasure craft, and the rugged boats that service the offshore windfarms north of Margate. Broadstairs is the quintessential seaside town, a curve of beach at the break in the chalk cliffs, with the town piled up picturesque behind it. 

Margate is brash, East London come to the seaside, proud of its egalitarian spirit and reinventing itself through art and culture. Turner Contemporary opened just shy of ten years ago, and the Old Town is now a jumble of small galleries, vintage shops, and quirky cafes. 

While the story told about the Isle of Thanet over the last twenty or so years has been one of tourism (Margate rebranded itself in 2011 as ‘The Original Seaside Resort’), there’s an untold history of the island. From the 1920s onwards, it became a centre for a set of light industries, based mainly on former farmland around Westwood, in between Margate, Broadstairs and Ramsgate. 

After the Second World War, the government recognised this and gave it assistance as an industrial area. 

Hornby made their model trains and Airfix soldiers at Westwood for 50 years. 

The UK’s first cable television was piped from the Isle of Thanet to homes across England by Rediffusion, who were at the sharp edge of innovation until the 1990s – they invented a precursor to the internet in the 1980s. 

In 1954, Pfizer opened research laboratories at Sandwich, at the edge of Thanet, inventing a way to mass produce penicillin and winning numerous awards over the next 60 years. 

Until the turn of the millennium, industry employed more people on the Isle of Thanet than tourism ever did.

And with both industry and tourism to service, the Isle of Thanet became home to a concentration of printing companies, employing hundreds in skilled, secure, well-paid jobs – some of the best printers in the country. 

 

About the Print Works project:

Print Works is a year-long project from Appletye, an arts and heritage organisation. The project explores the history of the print industry on the Isle of Thanet, taking inspiration from two former companies and the heritage of the sites they occupied at Thanet Press, Union Crescent, Margate and Martell Press, Northdown Road, Cliftonville. At the heart of the project are archives from the two Margate firms, recording the stories of the people who worked there and the work they did. 

Using the Print Works archive:

The Print Works archives include hundreds of examples of material printed in a pre-digital age, including much related to Margate, Broadstairs, and Ramsgate. It includes print for seaside hotels, entertainment venues, and tourism businesses.

The archive also includes documents relating to working in the print industry in the 20th century, from apprenticeship indentures to certificates from a print factory’s Horticultural Club. There are documents relating to design, typography, and the move from analogue processes like typography to digital design and print.

The archive is new, so includes primary material not used before in academic research. It is held at a studio in Margate. For more information email dawn@appletye.org

Print Works is supported by a grant from the National Lottery Heritage Fund.

Alternative Comedy Now

In the summer of 1979, two things happened which changed forever the face of British stand-up comedy. On 19 May, the Comedy Store opened in Soho – and a few weeks later some of the performers who had met there formed a group called Alternative Cabaret, described onstage by founder member Tony Allen as “a sort of collective of comedians, musicians, dope smokers, dole scroungers, tax evaders, sexual deviants, political extremists.” Taken together the Comedy Store and Alternative Cabaret kicked off a movement that became known as alternative comedy. This led to a radical reinvention of stand-up in terms of both form and content, and created what grew into today’s live comedy scene.

1984 flyer for Brave New Comedy, a show at the Edinburgh Fringe, featuring a young Paul Merton, then known as Paul Martin.

Alternative comedy was a youthful, iconoclastic thing, and many have made the point that it did for light entertainment what punk had done for music just a couple of years earlier. So it came as a bit of a shock when I realised that we were starting to approach its 40th anniversary. How could something so young and vibrant have started so long ago?

Clearly, such a milestone could not pass without being marked in some way, and the University of Kent was particularly well placed to celebrate it. Our Special Collections & Archives department contains the British Stand-Up Comedy Archive (BSUCA), which has an unparalleled collection of material relating to the beginning of alternative comedy. Its donors include key figures in the movement like Tony Allen, Alexei Sayle, Andy de la Tour, and Jim Barclay. We also have material from people who helped it spread across London and beyond, like Ivor Dembina, Monika Bobinska, Mark Thomas, and Ray Campbell. Indeed, BSUCA was started after we acquired the archive of the late Linda Smith, who cut her comedy teeth on the alternative comedy circuit of the 1980s.

Originally a venue, The Comic Strip collective quickly embarked on a national tour, released an LP and produced TV series “The Comic Strip Presents…”

A large selection of this material has been used to stage the Alternative Comedy Now exhibition. In it you’ll find publicity materials, photographs, press coverage, scripts, LPs, business records, and more. All of this is arranged into seven themes: the Comedy Store; Alternative Cabaret; the Comic Strip; the Spread of the Circuit; the Small Comedy Club; the Edinburgh Fringe; and Politics. The team from Special Collections & Archives have done amazing work in putting the exhibition together, particularly Elspeth Millar, Mandy Green, Karen Brayshaw, Clair Waller and Tom Kennett.

Poster, 1980. Smaller pub-based clubs were the lifeblood of the comedy circuit. The publicity materials took the form of homemade art that could be reproduced on a photocopier, like this striking example.

I’m particularly pleased that Jim Barclay and Andy de la Tour had time to visit the exhibition on a recent visit to the University. As Andy put it: “The exhibition is remarkable, I was quite bowled over by how much you’d manage to display.”

Oliver Double

2018 Highlights from the SC&A Team

I don’t know about you, dear readers, but the end of the year has crept up on us remarkably stealthily! (Although all the Christmas decorations and festive events around campus may argue otherwise…) With that in mind, we thought we’d take a look back at 2018 and share with you our particular highlights – work you may know about, projects you may not, or collections that are waiting for you to explore them.

In no particular order…

Karen (Special Collections & Archives Manager): “2018 has been a fantastic year for Special Collections and Archives. In February we welcomed our new University Archivist, Tom, who began work almost immediately on the fabulous “Our Templeman” Exhibition. The exhibition was created to celebrate the completion of the library extension and refurbishment as well as 50 years since the Templeman Library first opened its doors.

We are Archive Accredited and therefore Awesome

In March we had a party! We were very excited and proud to receive the National Archives Accreditation Award – and of course like all good parties we had a cake. In the summer we were lucky to be able to recruit two Bursary funded Interns. Janee and Philip spent the summer working on the Maddison collection and revealed some interesting discoveries from this science collection through a series of blog posts and pop-up sessions.

Interning at SCA: far more fun than making endless cups of tea and photocopying

Interning at SC&A: far more fun than making endless cups of tea and photocopying

Tom Ritchie needed a venue to demonstrate a Meccano based reconstruction. SC&A were happy to play host to Tom and the Meccano Men (they are real people!). We eagerly watched as the Differential Analyser was constructed and then opened the doors to a whole host of diverse people who were interested to see how meccano played an important role in the development of computers.

What do you get when you cross archives and toys?

What do you get when you cross archives and toys?

And just to whet your appetite about what is to come next year – in the summer we received a new collection, which focuses on the history of Music Hall – in the New Year we will reveal more about it but here is a taster of what is to come…”

Your Christmas starter for ten: what links all these items?

Your Christmas starter for ten: what links all these items?

 

Helen (Library Assistant, Curation & Metadata): “The ‘Prescriptions’ exhibition of artists’ books, on wellbeing and medicine, took place at the Beaney House of Art and Knowledge in 2016. Books by 82 artists, from 15 countries exhibited their work and many of them subsequently donated or deposited their works at the University of Kent’s Special Collections and Archives. The books deal with topics including “cancer, chronic illness, disability, mental health, surgery, medicine and wellbeing” (Bolaki & Ciricaite, 2017).

A rare sighting of the endangered cotton glove (Karen Apps, 'Losing Touch', 2016)

A rare sighting of the endangered cotton glove (Karen Apps, ‘Losing Touch’, 2016)

Working with these poignant, and sometimes harrowing, books proved to be a rewarding challenge. It was very moving to handle a succession of very personal artworks, created with care and documenting painful experiences. The collection as a whole captures a great breadth of different experiences. Many of the artists faced an initial shock and disruption around a diagnosis but came to terms with their illness and made peace with the impact it had on their lives. My experience cataloguing the collection took a similar trajectory, from a sense of intrusion and uncertainty to acceptance and even comfort.”

Rachel (Library Assistant, Curation & Metadata): “It’s been great to be part of a project to catalogue and digitise material from the Queen’s Own Buffs The Royal Kent Regiment Collection. It contains material from the Buffs (Royal East Kent Regiment) and the Queen’s Own Royal West Kent regiment who merged in the 1960s. There’s a variety of material in the collection, ranging from prisoner of war accounts to the Buffs Golfing Society records, as well as plenty of books surrounding the history of the Buffs, who are one of the oldest regiments of the British Army, tracing their roots back to the 16th century. As part of my work I spent a lot of time with the Dragon and the Queen’s Own Gazette, the regimental journals of the two regiments. They’re full of information on the history of the regiments, as well as plenty of reports of their leisure time, giving a fantastically detailed picture of life in these regiments from the late 19th century onwards.

The Buffs are for life, not just for Christmas

The Buffs are for life, not just for Christmas

My personal highlight was finding Pte. A. Baker listed as missing in an issue of The Queen’s Own Gazette from 1916. Arthur Percy Baker was my great great uncle who worked as a train conductor before the First World War. He died at the Somme in July 1916 and is one of the 72,000 men listed on the Thiepval Memorial.”

Who Do You Think You are in action

Archives have all the answers (sometimes)

 

Jo (Senior Library Assistant, Special Collections & Archives): “This year we’ve been full steam ahead with our education and engagement offering, welcoming over 900 visitors through group sessions in the Autumn Term alone! It’s always brilliant to see people who’ve never looked at or touched historic material before engage with our collections, but two particular sessions stand out:

No books were harmed in the making of this photo, apart from the one which is art

No books were harmed in the making of this photo, apart from the one which is art

In the Spring Term, we revamped our sessions to support a final year English course where students write and self-publish their own book. In previous years, groups have come in to look at modern poetry exclusively – but this year we pushed things a bit beyond that. One Reading Room table focused on a history of print from the early modern period to the present day – spanning everything from rare books to playbills and zines. The other table was split into modern poetry on one section and artists books on the other. By looking at the history of print material first, students were then able to see how contemporary works play on printing traditions – and it worked so well, we could barely get them to leave after three hours!

We were very glad to have more responses than 'old dusty things'

We were very glad to have more responses than ‘old dusty things’

In the Autumn Term, we undertook the obviously-very-small challenge of welcoming every single first year History student into Special Collections & Archives through their mandatory ‘Making History’ course. Using some of the reading I’ve inhaled through my MA, we planned a detailed 50 minute session that was split into parts – and included hiding the archive material in boxes so students couldn’t get distracted from the first activity about physical and digital archives. We’re looking forward to working with the School of History further to improve our support next year, but it really was wonderful to meet the very enthusiastic first years.”

Tom (University Archivist): “My highlight of 2018 was working on the exhibition the “Our Templeman” celebrations in March, marking the completion of the Templeman extension and refurbishment and the 50th anniversary of the library first opening. This was one of the first tasks given to me after starting work here in February and it allowed me to totally immerse myself in the University Archive in digging out a pictorial history of the library. It also allowed us to showcase some of our amazing other collections. We brought it out again for the start of the new academic year and it was great seeing how many staff, students and alumni engaged with it.”

Templeman Time-machine: spot the difference!

Templeman Time-machine: spot the difference!

 

Elspeth (Digital Archivist): “I’ve loved having the opportunity to explore two oral history collections from Special Collections & Archives through digitisation and cataloguing. The collections comprise unique, original oral history recordings, which are not archived in any other institution or heritage centre. They were recorded on reel-to-reel tapes, now an obsolete format, in the late 1960s and 1970s, so it is fantastic that we were able to have these digitised to ensure that the testimonies included on them are preserved and able to be made accessible.

The first of the two oral history collections, The Barker Oral History Tapes collection, comprises interviews with c. 100 people in Kent recorded in the late 1960s. The interviews were part of an oral history project, funded by the ESRC, directed by Professor Theo Barker (founding professor of Economic and Social History at the University of Kent in 1964) and John Whyman (Lecturer in Economic and Social History and Master of Rutherford 1996-1997), who were interviewing older respondents for their memories of life in Kent before 1900. Barker was an early supporter of oral history as a research methodology, and he became the Oral History Society’s first Chairman in 1973. The second collection is the Winstanley Oral History Collection.  This collection comprises interviews with over 160 people in Kent (mainly east Kent), recorded between 1974 and 1976. The recordings were undertaken as part of an SSRC-funded oral history project (called ‘Everyday Life in Kent before 1914’), looking at life in Kent at the turn of the 20th century.

Both collections, and the first-hand testimony within them, is unique. The interviews provide insight into life in the county in the period between 1890 and 1950 (although the focus is on life at the turn of the century), and cover topics such as work, industry, society, war, community, and women’s history. The testimonies will also provide a linguistics resource, providing a rich resource for those studying dialect and the changes in Kent dialect over time. The recordings can be accessed via the Special Collections & Archives reading room (email specialcollections@kent.ac.uk).

What’s been your highlight of 2018? Let us know below!

We’d like to wish all of our readers a very Merry Christmas and a Happy New Year! Our Reading Room is closed from the 19th December 2018 and will reopen on January 14th 2019. This slightly longer-than-normal closure period allows us a week to develop our collections, so we’ll be spending 5 days in January working on exciting projects in our storage areas!

‘Kent, its Regiments, and the First World War’

The Queen’s Own Buffs, The Royal Kent Regiment Collection was given to the University of Kent by the Regimental Association of The Queen’s Own Buffs in 2017, and is cared for as part of Special Collections & Archives. It consists of mainly printed and published material from the 19th century to the present, along with some archival material.

New and Old Colours of the 1st Battalion, The Buffs, from The Dragon March 1892

Over the past year we have undertake a year-long project, funded by the Regimental Association of the Queen’s Own Buffs Royal Kent Regiment, to catalogue the Collection and selectively digitise some of the regimental journals held in the Collection.

To celebrate this project we are launching a new exhibition in the Templeman Gallery, ‘Kent, its Regiments, and the First World War’, and Professor Mark Connelly will give a lecture entitled ‘The East Kent Regiment, Canterbury and the Great War’ to launch the exhibition at 2.30pm on Monday 29th October 2018. The talk will explore the links between Canterbury and the Buffs during the First World War. It will show how the city and surrounding region maintained a great interest in the actions of its local regiment, even after conscription led to great changes in its demographic. Home and Fighting fronts are often thought of as very distinct and separate entities, but this lecture will highlight the degree to which they were inextricably linked and that communication between the two was continual. This lecture is open to all, with tickets bookable via eventbrite. Attendees are welcome to visit the exhibition afterwards, which is held in the Templeman Gallery and will be running from 29 October 2018 to 4 January 2019.

Men of the 1st Battalion, The Buffs at Bois-Grenier, winter 1914

During this event, we will also be launching our new project ‘Diaries of the Here and Now‘, where we are inviting everyone to record their experiences of 11 November 2018 for future generations, and deposit their diary with Special Collections & Archives.

Diaries of the Here and Now

‘Kent, its Regiments, and the First World War’, Templeman Gallery, 29 October 2018 – 4 January 2019.

Diaries of the Here and Now: diaries will be available to collect in the Templeman Library from the 29 October until 11 November, and need to be returned by 25 November 2018.

Re-Engineering History: A Playful Demonstration

Here’s a fun fact for you: one of the world’s first computers was constructed out of Meccano! Built in 1934, engineer Douglas Hartree created the Differential Analyser for about £20 (which seems like a bargain to us).

A young Bill Gates and Steve Jobs in action. Maybe.

Very excitingly, next week Special Collections & Archives are going to be hosting a reconstruction of this ground-breaking machine in our Reading Room! PhD student Tom Ritchie is the man behind this brave challenge, and he’s going to be hosting a very special event to explore the Differential Analyser next Tuesday (9th October). Intrigued? Why not come along and learn more?

The best thing to happen in Special Collections & Archives since we changed our Reading Room hours

As an added bonus, you’ll be able to view related material from our wonderful collections on the day too. This will include items from our recently-explored Maddison Collection, which charts the history of science from the 16th century to (almost) the present day. What more could you want on a Tuesday evening? Tea, coffee, and wine? Well we’ve got that covered too! (Just not near the books)

Like table football, but more useful

‘Re-Engineering History’ takes place between Monday 8 – Thursday 11 October. The seminar, demonstration and Q&A is being held on Tuesday 9 October at 5.30pm in Special Collections and Archives. 

Because the author of this blog is in no way a scientist, please visit the IS Science Team’s blog here and Tom Ritchie’s excellent explanation here to find out more about this very exciting project.