Five Fascinating Artefacts

Work placement volunteer, Ellis Spicer, explores the new exhibition in the new library:

It’s already been an action-packed 2016 for the Special Collections and Archives at the University of Kent’s Templeman Library. Their ‘Comedy on Stage and Page’ exhibition is up and ready for perusal displayed in the newly built Templeman West Wing on Level 1 of the library. This exhibition embodies the crossover between the British Cartoon Archive and Stand-Up Comedy Archive, founded forty years apart but very much complementary to each other.

Throughout my time browsing the exhibition, my favourites began to emerge. You may agree, you may disagree. The exhibition features treasures from the collections at Kent, so come along to choose your favourites too!

  1. ‘The Young Ones’ Script, Alexie Sayle Collection

Ellen 1

My first favourite from the exhibition was Alexei Sayle’s script from episode 3 of the second and final series of the Young Ones. For me, this stood out as an item in the collection due to its personalised nature of what seems to be a generic script. This script reveals Sayle’s expressive, cursive handwriting and an absent-minded doodle of a car. It’s nice to know that even the rich and famous still get bored and doodle, whilst referring to themselves as Señor.

2. Bomber Blair, Leon Kuhn Collection

Ellen 4Ellen 2Ellen 3

My second favourite item from the exhibition is an image of Tony Blair that changes depending on the angle you look at it (for photos of different angles see below). I felt the poignant message that the artist, Leon Kuhn, was trying to portray about Blair’s foreign policy, especially once you know how anti-war the artist himself was. The collage style itself is also fascinating and really stood out for me, and the view from different angles resonated with me as the different angles such a complex situation can be looked at.

3. Tory Toff Speak (with subtitles), Chris Riddell (British Cartoon Archive)

Ellen 5,

My third favourite item from the exhibition was the image ‘Tory Toff Speak’ with subtitles, featuring David Cameron and Boris Johnson. Parliamentary talk in debates is notoriously ridden with euphemisms due to MP’s potentially being ejected from debates for ‘unparliamentary language’. This image shows a ‘translation’ of that euphemistic dialogue.

4. Rendezvous, David Low (British Cartoon Archive)

Ellen 6

My fourth favourite item from the exhibition resonated with me due to my background as a History MA student specialising in the Second World War. Here Hitler and Stalin greet each other rather cordially, ‘doffing their caps’ to each other in a sign of deference. The two extreme political leaders greet each other politely yet their words disagree. Overall I feel the suggestion that the artists wonders whether the two polar opposite ideological leaders are that different at all….

5. Votes and violence, W.K Haselden (British Cartoon Archive)

Ellen 7

My last favourite item from the exhibition is a Suffragette cartoon by artist W.K.Haselden from 1909. It suggests that militant suffragette activities was not going to be successful, and that violence could not win the vote. With hindsight, women’s wartime contribution has been argued to be more influential, and I found it interesting how hindsight connected with the past views.

Overall, an intriguing exhibition that I thoroughly recommend you see for yourself on Level 1 of the West Wing of the Templeman Library.

Written by Ellis Spicer, student work placement in Special Collections and Archives.

KEM Lives On at the British Cartoon Archive

DSC_0155

Adolf and His Donkey Benito – original artwork

The British Cartoon Archive holds many unique collections from celebrated cartoonists, and one fascinating example is the KEM archive. Many of you will be familiar with the image of Adolf and his Donkey Benito, but just who was KEM?

KEM was born Kimon Evan Marengo in Egypt, the son of a Greek merchant, and grew up in the Greek community of Alexandria, coming to England to pursue studies at Oxford. His studies were interrupted in 1939 by the onset of the Second World War. By this point he had already been published in many international newspapers, including the New York Times and the Daily Telegraph, and he joined the Ministry of Defence where he worked on propaganda for the Middle East. He also spent sometime working as a war correspondent.

DSC_0169

Franklin D. Roosevelt and Winston Churchill

As a product of a Middle Eastern community, his work is often quite different to that of other cartoonists of the time. He did plenty of traditional war propaganda, cartoons involving Hitler, Mussolini and Churchill, but some of the treasures in the KEM collection come in the form of his Middle Eastern propaganda. These brightly coloured pamphlets are a unique look at propaganda during the Second World War.

DSC_0135

…and Hitler in some discomfort

DSC_0134

Mussolini…

One of my earliest discoveries working with the KEM archive was that of a double sided pin cushion, complete with needles and pins still inserted, of Mussolini and Hitler. Such a small item says a huge amount about attitudes towards the enemy, and whilst it certainly has a comical element, the purpose is a serious one: keeping up morale by making two dangerous men into figures of comedy and ridicule.

DSC_0152

Beautiful artwork with a Middle Eastern flavour

Also contained in the archive is a near complete collection of all of KEM’s Christmas cards, and many of the printers blocks used to create them. These Christmas cards would hardly be considered to display traditional seasonal imagery as they are heavily politicised, and those that date from the Second World War also work as propaganda, ridiculing the enemy.

DSC_0151

Original artwork for Southern Railways

DSC_0166

Snobby the Dachshund’s Adventure at Sea

A large section of the collection is taken up by original artworks, for his Christmas cards, his political cartoons, and even for a couple of posters advertising the Southern Railway. All the cartoon artwork was given an accession number by KEM and carefully recorded in the ‘Rochester Books’ – giving exact dates for when he produced the artwork, rather than the dates that they first appeared in print.

One of my favourite selections of KEM’s work however is his cartoon strips of Snobby the dachshund, who can be seen here rescuing his owner at sea by turning himself into a mast for their raft.

Explore the KEM archive, and many more, on the British Cartoon Archive website.

Rachel.