Loving Lyly: talk on 25 Feb

We may have gone a little quiet about our annual Special Collections & Archives and Cathedral Library lecture series, but rest assured, we have been thinking on it!

The second lecture of the series will be given by UoK’s very own Dr. Andy Kesson, who is also a guest lecturer at Shakespeare’s Globe. Andy’s research focusses upon literature, performance and cultural theory, particularly in the late sixteenth and early seventeenth centuries. He will be talking about one of Canterbury’s early modern playwrights, in a lecture entitled:

Loving Lyly; or, why does Canterbury not celebrate its most successful writer, John Lyly?

The talk will take place on Monday 25 February in the AV Suite at the Cathedral Lodge, within Canterbury Cathedral precincts. Refreshments will be available from 6pm, and the talk will start at 6.30. All are very welcome to join us, from within the University or as a member of the public.

The first lecture in our 2012/2013 season was given in November by Dr James Baker, who spoke about his research into the literary creation of Dr Syntax by Thomas Rowlandson and George Coombe. The British Cartoon Archive has recently acquired a major collection relating to this nineteenth century cultural icon. If you haven’t been able to see our Dr. Syntax exhibition yet, do come up to the Templeman Library Gallery before the 18 March to take a look.

The third and final lecture in this season will be delivered by Dr. Helen Brooks, who will be using the University’s extensive theatre collections to investigate Theatres of War, prior to the start of major research coinciding with the 100th anniversary of the First World War.

We do hope to see you there.

Going on a Summer Holiday? 5: Mosquitos and marble

It may no longer be summer (in fact, if anyone can remember a summer this year, I’ll be impressed), but that doesn’t have to stop us thinking about exotic locations and long, sunny holidays. Having said that, the latest stage of William Harris’ journey saw him reach Florence in November 1821 – where the temperatures were far from the heights he had enjoyed travelling across France since July.

Sketch of a felucca by J. W. M. Turner (1828) (original held by the Tate)

In William’s previous letters to his father, he wrote about Dover, Calais, Paris and Mont Blanc. Having passed through Chamonix, climbed Mont Blanc and visited Geneva and Milan he then set sail on 25 October from Genoa. William and his friends sailed in a ‘felucca’, a traditional Mediterranean boat which could usually take around 10 passengers. On board, William and his three friends (Messrs. Brooks, Angell and Butts) met a Mr Edward Montagu, who was apparently educated at Cambridge and had spent the previous 8 months ‘cruising about the Mediterranean in a brig of war for his amusement’ – perhaps the nineteenth century gentleman’s equivalent of a late gap year.

As you may remember, William enjoyed his journey across the English Channel, although several other passengers were violently ill. His cruise from Genoa proved to be ‘a very pleasant little voyage’, despite the lack of comfort on the boat and some delays on the way. In the gulf of Spezia, the wind had been high and the sailors had taken on ballast – but by noon the sea was calm; the felucca ‘lay as a log on the surface of the ocean in sight of the celebrated marble quarries of Carrara’. ‘The sea agrees with me very well’, William wrote cheerfully.

The architects entered entered the port of Leghorn at 9 in the evening, where, since the Health Office was closed, the group had to sleep a second night on the deck of the small boat. William explained,

“…no vessels are permitted to land their passengers until the bill of health has been examined and the officer has been on board”

Health Office quoteThe spread of diseases such as plague and yellow fever led to increasingly strict regulation by the British government during the eighteenth century; in 1752 the Levantine trade regulation act introduced a severe quarentine clause to traders in the area. These regulations became firmer in the ensuing decades, with a new act in 1805 and an enquiry in 1823-1824. Perhaps the all of these acts and regulations gave men like William, who was ‘compelled to pass a second night upon deck’, the feeling that the law makers were imposing unneccesary bars on their travel and trade. After the influx of cholera to Britain was not prevented by quarentine in the early nineteenth century, the practice largely disappeared from the British Isles.

Once he was able to enter the port, William found that he like Livorno, in the main. He approved of the “fine square and streets paved with longe [sic] flag stones laid diagonally and roughly tooled to prevent horses from slipping” and the considerable trade carried out in the town – “upward of 50 sail of British merchantmen were there”. The architects also discovered an English cemetery in the town, which William praised as being the neatest he had ever seen, apart from Pere-la-Chaise in Paris. “Tis planted with cypress trees casting a mournful shade,” he wrote poetically, adding that “many of the alabaster vases and chimney ornaments so numerous in London” were made in Leghorn.

The Expedition of Humphrey Clinker

‘The Expedition of Humphrey Clinker’ was Smollett’s last novel.

The production of these ornaments was not the town’s final claim to fame for these travellers: in the English cemetery, they found a tomb to the memory of Tobias Smollett who had died in Leghorn in 1771 after retiring to Italy from his native Scotland. Smollett was a popular writer in the eighteenth century, who later alledgedly influenced Charles Dickens. The fact that William noted the tomb, along with his references in other letters to Byron and The Sentimental Journey by Laurence Sterne show that, like many other well educated gentleman of the day, he had studied British literature.

From Livorno, William and his friends then journeyed on to Pisa, where he was enraptured by the ‘Gotico-Tedesco’ (German Gothic) style of its architecture. He also noted

the most singular feature…is the celebrated leaning tower which actually overhands its foundation upwards of 13 feet and is almsot 180 high

Postcard showing 12th century doors to Pisa Cathedral (PC396)

In fact, the architects enjoyed Pisa so much that they prolonged their stay, ‘sketching and taking dimensions’. I hadn’t been aware of it before, but apparently nineteenth century architects spent a lot of time measuring things – from the number of young architects there appear to have been around the Mediterranean at William’s time, I think it’s impressive they all had the space to carry out their own measuring! There was, however, and important reason for Williams journey: improving his acuaintance with works of art.

After 6 days in Pisa, the group went on to Florence, arriving on 6 November. After Pisa’s hot sun, it was hard to adapt to the ‘very sharp’ wind and the frosty mornings. The onset of cold weather did, however, put an end to the annoyance of mosquitos, which William describes as ‘a very small kind of gnat’. The fact that he needed to describe the insects to his father suggests that they weren’t very prevelant in England – at least not in the fashionable part of London. Of course, we now know that mosquitos carry strains of malaria, which jeapordised the lives of many travellers…. But more on that later.

At the time when William and his friends were travelling, the modern nation of Italy didn’t exist. Instead, they travelled through various kingdoms on their way to Florence. In the terriroy of Lucca, William described

“Huge quantities of Indian corn are grown…may of the cottages were covered with large yellow ears suspended against the fronts to be dried by the sun”

Crossing the seperate territories involved passing numerous customs houses but to pass these swiftly, William advised, “the word ‘Inglese’ is really sufficient”. I doubt that such a self assured border crossing would be so easy now!

Unfortunately, not everything has such an easy journey. As he travelled, William sent home the address of his bank at the next intended stop for any letters. At Florence, William blamed ‘the stupid banker’ for forwarding on a letter to his next intended stop, in Rome. The abashed banker ‘promise[d] to write immediately and rectify the mistake’. After William’s apparently straightforward experience of travel, and the talk of sending parcels and books across Europe, in an age before motorisation, it seems impressive that things didn’t go astray more often!

In Florence, William and his friends settled “at a ‘pension’ or boarding house at the Piazza Santa Maria Novella”, assuring his father that it only cost 45 shillings per head per week.

We sat down 13 [to the pension’s dinner tables] yesterday but that did not take away my appetite.

With all of the measuring he had still to do, it was probably a good thing that William was in such resolutely good health.

He closed his letter with an enquiry after Dick, the horse, and a summary of his expenditure to convince his father ‘not [to] imagine my dispursements have been more heavy than they actually are’. Concluding with ‘congratulations to the young married couple’ – another mystery to be solved – William set off to enjoy his weeks in Florence.

There, we leave him for the rest of November, until the small group of architects travelled south to spend the festive season in Rome, and discover all of the strange traditions which the ancient city could provide.

Coming soon…

There’s never a dull moment in Special Collections and Archives; just as our new student inductions are coming to and end, we start looking ahead to an exciting range of events for the next academic year.

This evening, Tuesday 16 at 9pm, materials from the British Cartoon Archive will be appearing on Ian Hislop’s BBC2 series ‘The Stiff Upper Lip‘. This episode, partly filmed in the Special Collections reading room, examines the rise and fall of this apparently quintessential British trait since the First World War. Using cartoons by ‘Pont’ (Graham Laidler), one of the earliest Punch cartoonists, Ian traces the humorous side of an increasingly disconnected set of attitudes. There’s more information about the BCA’s Pont holdings on the website.

Dickens posterAs you may be aware, the Templeman Exhibition Gallery (on level 1, by the cafe) is currently hosting our final Dickens exhibition of the year, entitled “What the Dickens! Beyond the Books“. Do pop in to have a look at this cornucopia of Dickens materials which show how Dickens’ much loved characters have endured beyond his lifetime. This exhibition will be running until 5th November.

To round off our Dickens extravaganza, our very own Nick Hiley (curator of the British Cartoon Archive) will be presenting a nineteenth century magic lantern show of A Christmas Carol next Thursday, 25 October. This show will include what was apparently the most popular of all Victorian lantern slides: ‘Man eating Rat’! Do come along to be enthralled and entertained; there will be refreshments from 5pm and the show will start at 6pm in TR201 (on the second floor of the Templeman Library). We look forward to seeing you there.

As a final note for today’s update, the first in our series of Special Collections & Cathedral Library Lectures will take place on Friday 30 November, at 6.30pm. This will coincide with the launch of the British Cartoon Archive’s latest exhibition, on William Combe’s literary creation Dr Syntax and will be given by Dr James Baker, associate lecturer in the School of History, University of Kent. We’re delighted at the range of topics and speakers who have agreed to present these lectures this year: more news on the series to follow soon!

In the meantime, if you would like to arrange an event at Special Collections or would like to know anything more about our collections, please do contact us at specialcollections@kent.ac.uk.

What the Dickens!

It’s hard to believe that we’re coming to the end of another year, and what an exciting year it’s been! With events, anniversaries and commemorations, it feels like 2012 really has been a year to remember. Of course, it’s not over yet, but our series of Dickens exhibitions, celebrating the bicentenary of the author’s birth, is now coming to a close.

Cover of the first issue of Our Mutual Friend, May 1864

Cover of the first issue of Our Mutual Friend, May 1864

For the next six weeks, you can enjoy our fond farewell to our Dickensian celebration in our latest exhibition, “What the Dickens! Beyond the Books.” It’s on in the Templeman Gallery (accessible from the Library Cafe) and includes a cornucopia of the bizarre, banal and brilliant Dickens items in our archives.

Having examined Dickens on Stage in the nineteenth century and cartoonists’ use of Dickens’ characters in the twentieth, this time we’re investigating how Dickens’ fame and the popularity of his characters have survived and been transformed since their first success.

Do you know how Joseph Clayton Clarke made his living from Dickens’ characters? Or how Dickens became associated with music? Have you hear of Sir John Martin-Harvey, who played one of Dickens’ characters more than 4000 times on stage? What is the link between Dickens, Oliver Twist and chocolate?

Take a look at the exhibition to discover all this and more as we look ahead to the new academic year and plenty of new Special Collections discoveries.

“What the Dickens! Beyond the books” will be on display from 26 September until 6 November in the Templeman Gallery, next to the library cafe.

 

Going on a summer holiday? 4: an Omnipotent Creator

When we last heard from William, he was in Paris, sampling the delights of the city and commenting on some of the most important episodes of the early nineteenth century. By the time he wrote to his father again, it was October, and he and his three friends had enjoyed ‘a most interesting journey’ through Switzerland. In spite of the excitement, William had been glad to receive a letter from his father, and ‘a double one from Thomas and my sister’. Detective work so far suggests that William’s sister, Margaret, was married to Thomas, both of whom are mentioned in every letter. William was relieved to be assured ‘of the welfare of my dear friends’, explaining:

“The farther we are removed from those who have a right to our affections, the more importance do we attach to every fresh arrival of intelligence from them.”

Of course, William’s journey was going to take him much further from his family than Switzerland.

Vallies of SwitzerlandThe landscape and the climate of the Switzerland, William explained, were largely the same as in England and ‘some of the cattle are as fine as our own’. After France, with its ‘endless straight roads’, the architectural eye found the ‘serpentine lines and hedges’ far more pleasing. William had little to say about Switzerland and his time spent in Geneva, only adding that there were delicious wild cranberries growing in the hedges on the road between Geneva and Sallanches. The journey from Geneva to the eventual arrival in Milan, however, offered plenty for William to write home about.

Mont Blanc “As we approached Sallènche [Sallanches], the scenery gradually became mountainous and within half an hour of that place an object of the most sublime description burst on our more astonished senses – Mont Blanc! the highest mountain in Europe! Its summits clad with eternal snows, soaring far above the very clouds, illumined by the last golden rays of the setting sun. Imagination can hardly conceive anything to surpass it.”

Awed by the sight, William told his father:

In the contemplation of such a glorious scene as this, the mighty hand of an Omnipotent Creator is most evident to the most superficial and carries with it that feeling of dependence and submission to his will which it is impossible not to acknowledge.

This is not to say that William necessarily held views of religion which would seem antiquated and credulous to some today; long before the publication of The Origin of Species in 1859 there had been debate about the literal truth of the Bible and many discoveries which had led to new explorations of Christianity. Later on in this letter, William described the glacier of Bossons, which falls towards the ‘beautiful valley’ of Chamonix (‘Chamouny’ in William’s letters):

The glacier of Bassons

The glacier of Bossons

an enormous mass of frozen ice and snow descending from Mont Blanc into the verdant valley below. The novel effect it has to an eye unaccustomed to such sights is wonderful. The glaring purity of the ice, split into immense pyramids of very acute form, contrasted with a grove of dark mountain pine in the background while cultivation and verdure almost dispute its footing altogether appear more like enchantment than reality.

For all of his talk of enchantment and of an Omnipotent Creator, William then described the formation of the glacier like a nineteenth-century scientist:

“The glaciers are the remains of ancient avalanches, or masses of snow which roll down from the summits of the mountains when it has accumulated in heaps too large to remain there. This mostly happens in winter and spring and ‘tis said they fall with a noise loud as thunder. During the heats of summer they are constantly melting…. They have also a progressive or sliding motion into the valley imperceptible indeed, but it has been proved by experiment to be not less than 4 or 5 inches a day and this motion is the cause of the clefts and pyramids formed in the glacier….. Glaciers sometimes decrease in bulk and so seem to retreat in a very hot season as is the case with this of which I am now speaking and it has left a sad desolate site covered with large stones and pebbles without one single blade of grass to distract from the hideous picture. After a severe winter, acres of cultivation have been lost by their incontrolable [sic] advance.”

The glacier of Bassons

The glacier of Bossons

William’s romantic edge as a writer returns when he adds that:

‘The shadows on the pyramids or rather spires of ice produced by the melting snow are of the finest cerulean blue.’

I think that William’s commentary on the awe inspiring Mont Blanc landscape illustrates the psyche of the early nineteenth century gentleman: a Christian, a thinker and a scientist, all rolled into one.

Watery clouds sailing amongst the mountains

Watery clouds sailing amongst the mountains

Not everything about the mountain trek was picturesque, however; the lower hills were ‘partially concealed by the watery clouds sailing amongst them – the foreboders of the stormy day which followed’. Leaving Sallanches in the morning in ‘a strange 4 wheeled carriage for 3 persons called a ‘char-a-banc’ resembling the body of a garden chaise placed sideways’, William and his friends were annoyed to find that it rained ‘without interruption with great violence’ until 5 o’clock. The three in the carriage were spattered with mud and the fourth, riding a mule (they took it in turns), probably fared little better. There was little to be seen ‘through the pelting rain’ but what they could make out was ‘of a grand and wild character’. Never mind spending 3 hours crossing the channel; this stage of the journey sounds the most unnerving so far:

“Sometimes the road which was extremely rugged ran close to the edge of a steep precipice – in another part the rocks were several hundred feet above us. We saw several immense stones lying scattered about, hurled by the all prevailing hand of time from the cragged mountains. Several small torrents intercepted the route – full of pebbles as long as paving stones…”

‘So you can imagine’, he wrote drily, ‘we had a pretty rough jaunt of it.’

However, it sounds as if all four – William, Mr Brooks, Mr Angell and Mr Butts arrived safely at Chamonix, where they stayed (perhaps predictably) at the London Hotel, with views of Mont Blanc, the glacier of Bassons and the Mer de Glace from their windows. It’s starting to make me jealous of their holiday!

Chamonix

The modern valley of Chamonix

The four evidently made a trip to the ‘Jardin’ of Mont Blanc, part of the mountain walk which rises above the Mer de Glace, since William told his father that he was attempting to describe it in a letter to his sister. In his brief paragraph apparently responding to his father’s news in a previous letter, William makes an interesting reference to ‘Jane’, who he had sent his love to, along with his mother and sister, in all of his earlier letters.

'Jane'

“I am sorry to hear that Jane is no longer an inmate of your house but hope the change will be more agreeable to all parties.”

Who was Jane? It’s a mystery to me, at the moment, but I hope to do some more investigation and find out soon!

This letter also gives us the address of Mr Thomas Angell’s father, at 8 Church Row, Islington. William asked his father to write to Thomas’ father whenever William sent news, and that Thomas would ask his father to do the same. This small band of young architects were evidently becoming fast friends.

So having written from Milan, in an unusually clear letter (with only one layer of writing, though it’s all crammed in), William wished his father the best and signed off for a trip around Italy. More on that next time…

William’s fourth letter will be on display in the Templeman Library foyer for a limited period, along with some of the scientific and theological literature of his day.

PS. If you’re wondering about the horse, William was ‘very glad to hear [a] good account of poor Dick.’