Victorians, assassinations and monsters

Here we are at the end of the first week of term – and would you believe, it’s almost exactly a month since Christmas. With so much of January behind us already, we’re looking forward to the rest of the year and I’d like to take the opportunity just to mention some of the excitement we’ve got to come in the next few months.

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Playbill from Theatre Royal, Hull, 1850

On Monday, we had our first taught session with the Victorian and Edwardian Theatre students in the reading room. It’s always great to get to meet and talk to researchers, as well as providing materials to inspire them and help them with their discoveries. One of the great things about this module is that each time we’ve run it, all of the second year Drama students are swept up with enthusiasm for the materials and being able to use them in creative ways to explore a topic of their choice. Of course, we’re in the early days so far and tutors Ken Pickering and Mark Woolgar still have plenty of sessions left – covering topics as diverse as pantomime, Henry Irving and votes for women. We’re very much looking forward to getting to know the students and to support their work which leads to a public exhibition in April.

If you’d like to learn more about this module, or see examples of past exhibitions by students of this course, take a look at our Exhibition pages on the website. If you’re interested in setting up teaching opportunities with the collections, please do get in touch with us.

While we’re on the topic of exhibitions, we have a brand new exhibition in the Gallery this term. ‘The Bullet is Stronger than the Ballot‘ is built around the unique holdings on the British Cartoon Archive, and explores the theme of political assassination. This ties in with the Beaney’s season on the theme which features Manet’s ‘The Execution of Maximilian’ and John Opie’s eighteenth century painting, ‘The Murder of Thomas Becket’. More information about our exhibition, which will run until 2 March, is available on our website as well.

The Devil rides again...come and discover the monsters hidden in the library

The Devil rides again! Discover monsters hidden in the library

If you’re more interested in some mystery and the odd spine-chilling tale, the second lecture in our annual series could be the event for you! Monsters in the Library: M. R. James and bestiaries at Canterbury Cathedral will be presented by Diane Heath, who is an assistant lecturer in History at the University of Kent and also teaches at Canterbury Christ Church University. She will be telling us about her research into mythical monsters and beasts in the Cathedral’s collections, drawn together through the work of scholar and author Montague Rhodes James. I have been told that we may discover, as part of this lecture, the medieval methods for finding unicorns. In any case, it will be an intriguing evening which we hope will not result in any nightmares!

The talk will take place at the AV Theatre, Cathedral Lodge, in the Cathedral Precincts at 6.30 on Wednesday 12 Febuary, with refreshments from 6pm.

And that’s all we have time for this week, although I’m sure I’ll be updating you about all kinds of exciting and interesting aspects of our collections in the next months. I hope that we’ll see you at some of these events, and please do let us know what you think of them!

An unforgettable year: 2014

A very happy new year; on behalf of the Special Collections & Archives, I’d like to wish you a successful, peaceful and happy 2014. We finished 2013 in celebratory style, with two book launches for the ever talented students of Simon Smith’s The Book Project module, and a festive get together for our volunteers. Now back at the Templeman Library, we’re getting back into the flow of things, with the reading room back to our normal opening hours, ahead of the start of term on 20 January.

And what a term it’s likely to be! To start with, we have our first exhibition of 2014 opening in just a week’s time, on Friday 17 January. ‘The Bullet is Stronger than the Ballot‘ will explore cartoons of political assassinations, in collaboration with The Beaney, who are 15884 croppedhosting Manet’s ‘The Execution of Maximilian’, as part of a season looking at political assassination, as far back as Thomas Becket. Drawing on a wide range of cartoonists’ work since the Second World War, ‘The Bullet is Stronger than the Ballot’ will be on display in the Templeman Gallery until the end of February. Dr. Nick Hiley, Head of Special Collections and Curator of the British Cartoon Archive, will be giving a talk about British cartoonists and political assasinations at the Beaney on Thursday 20 February.

Exhibition launch 2013We’ll also be heavily involved in teaching this term, particularly with the Drama department, whose ‘Victorian and Edwardian Theatre‘ module has become a huge success. This involves intensive teaching in Special Collections, encouraging students to analyse the rare and unique performance materials we hold, and culminates in an exhibition curated by the students in the Templeman Gallery in April. I’m sure I will be blogging much more about that as we get closer to the time.

With the Templeman Development Project now well under way (foundations and ground floor level now visible), we’re starting to see our planned changes coming into effect. The first impact is going to be the closure of the Templeman Gallery space in the summer of 2014. This means that our final major exhibition, for the time being, will also be our first public presentation of the Kingsley Wood papers, in May 2014. The exhibition will open with the launch of historian Hugh Gault’s new book Kingsley Wood: Making the Heavens Hum. We can’t wait to see the results of all Hugh’s hard work, and many hours spent poring over cuttings in the reading room!

Section of Kingsley Wood's election poster for 1918.

Section of Kingsley Wood’s election poster for 1918

In addition, we still have two talks to come in this year’s Special Collections & Cathedral Library Lecture series – in February, Diane Heath will be telling us all about the monsters and beasts in medieval books, followed by Olly Double guiding us through the giggles of popular comedy, from music hall to standup in June.

Of course, we’ll also be doing all of our normal work cataloguing, processing and caring for collections, helping you with enquiries and research and in particular preparing for the University’s 50th anniversary celebrations next year. And that’s not to mention the start of the 4 year World War One centenary commemorations, or the exciting prospect of watching the Templeman extension – and the new Special Collections basement, offices and research and teaching space – take shape.

All in all, I think it’s going to be a very exciting and busy year!

It’s Behind You!

Book of Words for the Lyceum pantomime 'Queen of Hearts', 1927-1928

Book of Words for the Lyceum pantomime ‘Queen of Hearts’, 1927-1928

Oh no it isn’t…oh yes it is!

I’m sure you can guess exactly what I’m about to blog about, but just in case you hadn’t noticed, with Christmas coming fast upon us, we will soon be well and truly in pantomime season. Here at Special Collections & Archives, we’re already getting into the panto spirit – but don’t worry, we’ve not been dressing up as animals, attempting to purchase magic beans or waiting for our fairy godmothers to complete our exhibitions. No, instead we have teamed up with the Gulbenkian to create a fittingly bright and cheerful tribute to the pantomimes of yesteryear in our latest exhibition, It’s Behind You!

Pop into the Gulbenkian foyer to take a look at some replicas our the magical, marvellous and multicoloured treasures in our Theatre & Performance collections, which date back to the heyday of pantomime.You can see costume designs from pantos of the 1880s, posters for productions at Drury Lane, the Lyceum and provincial theatres and some of the ‘books of words’ created to go alongside later productions.

Behind you: the history

Photograph of Nellie Farren, principal boy c.1880s

Photograph of Nellie Farren, principal boy c.1880s

Early nineteenth century, performances of harlequinades harked back to the Italian Comedia dell’arte, with their slapstick and transformational scenes rather than the modern pantomime. By the end of the century, however, theatrical tycoons such as Augustus Harris at Drury Lane were staging the opulent and comical productions which we would recognise today.

Indeed, it was during these formative years of the pantomime that interest in their stage magic and heroic tales exploded into the popular imagination. Costumes, sets and settings were bold, exotic and expensive to draw in the crowds. Magazines and newspapers dedicated whole issues to pantomime, reviewing productions, explaining stage transformations and, of course, interviewing the stars of the show. The female stars in the roles of principal boy and girl were often as much of a draw as the men who played the dames.

Illustrations of costumes from Aladdin at Drury Lane, produced 26 December 1885

Illustrations of costumes from Aladdin at Drury Lane, produced 26 December 1885

It’s Behind You! will run until 10th January and is freely accessible in the Gulbenkian foyer, so do take the opportunity to have a look before the end of the term and let us know your thoughts. Feel free to Tweet us @UoKSpecialColls, or drop us an email via specialcollections@kent.ac.uk.

A flurry of events

Hot on the heels of my last post, announcing the short-term DocExplore exhibition and Harry Bloom Centenary display, we have some more exciting events to tell you about.

National Theatre display

National Theatre display (Templeman foyer)

Firstly, our third exhibition of the month, which joins in with the National Theatre’s 50th anniversary celebrations, is now on show. This small exhibition takes pride of place in the Templeman Library’s foyer, and contains gems from our collections which span the National’s life. Some of the highlights include the programme for the first production staged at the National, Hamlet, with Laurence Olivier as director, Chekov’s The Seagull, starring Judy Dench and Bill Nighy and materials relating to one of the National’s biggest successes, The History Boys. Do take a look if you get the chance, and tweet your thoughts to @UoKSpecialColls, using the hashtag #nt50.

Finding the funny posterI’m also delighted to announce that the new series of Special Collections & Archives and Cathedral Library lectures, will be opened by Pip Gregory on 26 November. Pip is in her second year of a PhD with the School of History, and is making intensive use of the British Cartoon Archive to examine humour in British and German cartoons of the First World War. On Tuesday 26, she will be sharing some of her discoveries and the challenges of studying humour when it comes to the First World War, in her talk: ‘Finding the Funny: humour in First World War cartoons’. There will be refreshments available from TR201 in the library from 5.30, with the talk starting at 6. The event will finish by 7.15, and we do hope to see you there.

Next on our radar is a celebration of pantomime, but I’ll let you know more about that as it occurs.

 

New exhibitions – Harry Bloom and DocExplore

Harry Bloom (1913-1981)

Harry Bloom (1913-1981)

This year marks the centenary of human rights and anti-apartheid campaigner Harry Bloom’s birth. Harry was a founding member of the Law School at the University of Kent and a key part of the teaching staff. To celebrate his life and the service he gave to the University, Special Collections has put together a small exhibition in the Harry Bloom Room of the Templeman Library, which will be open until 19 November.

Harry was born in South Africa and graduated with a degree in law in 1937. He worked as an advocate in Johannesburg until emigrating to London with his first wife, Beryl, in 1940, where he worked as a war correspondent. After the war, the Blooms moved to Czechoslovakia until the increasing power of the Stalinist regime led them to return to South Africa. There, Harry campaigned against apartheid, advocating equal rights for all. He worked alongside Nelson Mandela during the 1950s. Because of his campaigns, Harry was detained without trial in 1962, after which he returned to London, to work as an academic and journalist. He joined the University in 1966 as a key part of the nascent Law Department.

harrybloomposterOne of Harry’s key interests in the development of the interdisciplinary School of Law was the role of the media and of technology; indeed, he was a leader in this field long before the age of the internet brought the topic to prominence. His teaching also put an emphasis on practical experience as well as passive learning, through research projects. In 1973, Harry was integral in setting up the Unit for Legal Research on Computers and Communications at the University.

The opening of the Harry Bloom Room, 20 December 1991

The opening of the Harry Bloom Room, 20 December 1991

After a long illness, Harry Bloom died in 1981. To celebrates his contribution to Kent and to his uniquely advanced work on computers and communications, Harry’s widow, Mrs Sonia Bloom, gave a generous donation to the Library for the equipping of an IT Suite in the library for students.  The Harry Bloom Room no longer houses computers, but still offers a designated study space for students to work in and to be inspired.

The University organised a celebration to mark the Centenary of Harry Bloom’s birth on November 5th 2013 with a Seminar for his academic friends and colleagues who had worked with him at Kent. This was an opportunity for experts in the field and colleagues to discuss Harry’s work and celebrate his life.  Praise of his work was led by Professor Igor Aleksander, Emeritus Professor at Imperial College and holder of a lifetime achievement medal for contributions to informatics by the UK IEE in 2000.   We are delighted to be able to contribute to these celebrations with this small display. Do pop in to take a look at it if you can.

Not content with just the Harry Bloom display, we are also hosting a new exhibition for the DocExplore project, which has worked to bring digital versions of rare and fragile historical manuscripts to a wider audience. Combining expertise and materials from the University of Kent, the Universite de Rouen and Canterbury Cathedral Library and Archives, the project seeks to:

empower…citizens on both sides of the Channel to engage with, explore and study their cultural heritage, as embodied in written and printed documents, in meaningful, informative, accessible and entertaining ways

With interactive touch screen technology and a wealth of information, this exhibition is one not to be missed! Why not pop in when you’re in the Library – it’s in the Gallery, just to the left of the Templeman’s cafe.

And, of course, we do have more exhibitions and displays in the pipeline – but more on those as next time!