It’s Behind You!

Book of Words for the Lyceum pantomime 'Queen of Hearts', 1927-1928

Book of Words for the Lyceum pantomime ‘Queen of Hearts’, 1927-1928

Oh no it isn’t…oh yes it is!

I’m sure you can guess exactly what I’m about to blog about, but just in case you hadn’t noticed, with Christmas coming fast upon us, we will soon be well and truly in pantomime season. Here at Special Collections & Archives, we’re already getting into the panto spirit – but don’t worry, we’ve not been dressing up as animals, attempting to purchase magic beans or waiting for our fairy godmothers to complete our exhibitions. No, instead we have teamed up with the Gulbenkian to create a fittingly bright and cheerful tribute to the pantomimes of yesteryear in our latest exhibition, It’s Behind You!

Pop into the Gulbenkian foyer to take a look at some replicas our the magical, marvellous and multicoloured treasures in our Theatre & Performance collections, which date back to the heyday of pantomime.You can see costume designs from pantos of the 1880s, posters for productions at Drury Lane, the Lyceum and provincial theatres and some of the ‘books of words’ created to go alongside later productions.

Behind you: the history

Photograph of Nellie Farren, principal boy c.1880s

Photograph of Nellie Farren, principal boy c.1880s

Early nineteenth century, performances of harlequinades harked back to the Italian Comedia dell’arte, with their slapstick and transformational scenes rather than the modern pantomime. By the end of the century, however, theatrical tycoons such as Augustus Harris at Drury Lane were staging the opulent and comical productions which we would recognise today.

Indeed, it was during these formative years of the pantomime that interest in their stage magic and heroic tales exploded into the popular imagination. Costumes, sets and settings were bold, exotic and expensive to draw in the crowds. Magazines and newspapers dedicated whole issues to pantomime, reviewing productions, explaining stage transformations and, of course, interviewing the stars of the show. The female stars in the roles of principal boy and girl were often as much of a draw as the men who played the dames.

Illustrations of costumes from Aladdin at Drury Lane, produced 26 December 1885

Illustrations of costumes from Aladdin at Drury Lane, produced 26 December 1885

It’s Behind You! will run until 10th January and is freely accessible in the Gulbenkian foyer, so do take the opportunity to have a look before the end of the term and let us know your thoughts. Feel free to Tweet us @UoKSpecialColls, or drop us an email via specialcollections@kent.ac.uk.

A flurry of events

Hot on the heels of my last post, announcing the short-term DocExplore exhibition and Harry Bloom Centenary display, we have some more exciting events to tell you about.

National Theatre display

National Theatre display (Templeman foyer)

Firstly, our third exhibition of the month, which joins in with the National Theatre’s 50th anniversary celebrations, is now on show. This small exhibition takes pride of place in the Templeman Library’s foyer, and contains gems from our collections which span the National’s life. Some of the highlights include the programme for the first production staged at the National, Hamlet, with Laurence Olivier as director, Chekov’s The Seagull, starring Judy Dench and Bill Nighy and materials relating to one of the National’s biggest successes, The History Boys. Do take a look if you get the chance, and tweet your thoughts to @UoKSpecialColls, using the hashtag #nt50.

Finding the funny posterI’m also delighted to announce that the new series of Special Collections & Archives and Cathedral Library lectures, will be opened by Pip Gregory on 26 November. Pip is in her second year of a PhD with the School of History, and is making intensive use of the British Cartoon Archive to examine humour in British and German cartoons of the First World War. On Tuesday 26, she will be sharing some of her discoveries and the challenges of studying humour when it comes to the First World War, in her talk: ‘Finding the Funny: humour in First World War cartoons’. There will be refreshments available from TR201 in the library from 5.30, with the talk starting at 6. The event will finish by 7.15, and we do hope to see you there.

Next on our radar is a celebration of pantomime, but I’ll let you know more about that as it occurs.

 

New exhibitions – Harry Bloom and DocExplore

Harry Bloom (1913-1981)

Harry Bloom (1913-1981)

This year marks the centenary of human rights and anti-apartheid campaigner Harry Bloom’s birth. Harry was a founding member of the Law School at the University of Kent and a key part of the teaching staff. To celebrate his life and the service he gave to the University, Special Collections has put together a small exhibition in the Harry Bloom Room of the Templeman Library, which will be open until 19 November.

Harry was born in South Africa and graduated with a degree in law in 1937. He worked as an advocate in Johannesburg until emigrating to London with his first wife, Beryl, in 1940, where he worked as a war correspondent. After the war, the Blooms moved to Czechoslovakia until the increasing power of the Stalinist regime led them to return to South Africa. There, Harry campaigned against apartheid, advocating equal rights for all. He worked alongside Nelson Mandela during the 1950s. Because of his campaigns, Harry was detained without trial in 1962, after which he returned to London, to work as an academic and journalist. He joined the University in 1966 as a key part of the nascent Law Department.

harrybloomposterOne of Harry’s key interests in the development of the interdisciplinary School of Law was the role of the media and of technology; indeed, he was a leader in this field long before the age of the internet brought the topic to prominence. His teaching also put an emphasis on practical experience as well as passive learning, through research projects. In 1973, Harry was integral in setting up the Unit for Legal Research on Computers and Communications at the University.

The opening of the Harry Bloom Room, 20 December 1991

The opening of the Harry Bloom Room, 20 December 1991

After a long illness, Harry Bloom died in 1981. To celebrates his contribution to Kent and to his uniquely advanced work on computers and communications, Harry’s widow, Mrs Sonia Bloom, gave a generous donation to the Library for the equipping of an IT Suite in the library for students.  The Harry Bloom Room no longer houses computers, but still offers a designated study space for students to work in and to be inspired.

The University organised a celebration to mark the Centenary of Harry Bloom’s birth on November 5th 2013 with a Seminar for his academic friends and colleagues who had worked with him at Kent. This was an opportunity for experts in the field and colleagues to discuss Harry’s work and celebrate his life.  Praise of his work was led by Professor Igor Aleksander, Emeritus Professor at Imperial College and holder of a lifetime achievement medal for contributions to informatics by the UK IEE in 2000.   We are delighted to be able to contribute to these celebrations with this small display. Do pop in to take a look at it if you can.

Not content with just the Harry Bloom display, we are also hosting a new exhibition for the DocExplore project, which has worked to bring digital versions of rare and fragile historical manuscripts to a wider audience. Combining expertise and materials from the University of Kent, the Universite de Rouen and Canterbury Cathedral Library and Archives, the project seeks to:

empower…citizens on both sides of the Channel to engage with, explore and study their cultural heritage, as embodied in written and printed documents, in meaningful, informative, accessible and entertaining ways

With interactive touch screen technology and a wealth of information, this exhibition is one not to be missed! Why not pop in when you’re in the Library – it’s in the Gallery, just to the left of the Templeman’s cafe.

And, of course, we do have more exhibitions and displays in the pipeline – but more on those as next time!

A melodramatic celebration

Can you believe it? We’ve just passed 100 posts on the blog! Over the last two and a half years, we’ve been bringing you all the exciting news and updates from our treasures in the Templeman; I hope you’ve been enjoying the posts so far. I am honestly surprised that it’s been quite so long, but they do say that time flies when you’re having fun.

To mark this impressive milestone, I thought I’d tell you about some new additions to the archival materials we now have available online. The eagle-eyed amongst you may already have noticed (if you’ve happened to type ‘Melville’ into our Special Collections search), that it’s not just digital images of playbills which now accompany our catalogue records. Type ‘Bad Woman’ into the search box, and you will now be greeted by images of black and white publicity postcards from the melodramas of the Melville family.

The Beggar Girl's Wedding publicity postcard

Publicity postcard, c.1908

You’ve probably read about the Bad Women dramas here before; they are one of the most popular parts of our Theatre Collections, but also sadly underresearched. Created by Frederick and Walter Melville, two brothers from the theatrical Melville dynasty, the Bad Women plays were stock melodramas, dealing with all kinds of concerns of their day, the early 1900s. The majority follow an upright hero and an innocent heroine (a ‘good’ woman) whose honourable intentions are usually impeded by a villain and the trademark villainess, the ‘bad woman’ of the title.

During my time in Special Collections, we have been able to purchase a number of these postcards which still survive, resulting in a gradual increase in our understanding of these unpublished plays. Every time we get a new delivery, it feels a little bit like Christmas to open the envelope and take a close look at the wonderfully posed and illustrative scenes from each individual play. Our latest acquisition increased the number of cards we have from ‘The Female Swindler’ from two to eight, opening up this little known play without reading the whole text.

I must confess that I haven’t read very many of the Bad Woman dramas (much as I would love to spend the time doing so!) Aside from the exciting theatrical read-through which we did with the Melodrama Research Group, to my knowledge these plays haven’t been performed for around 100 years, so the postcard images are a valuable insight into performance styles, set and costume at the turn of the century. It’s also always a bit of a challenge to look at our whole stock of cards for any given melodrama (the most we have for one play is currently eleven for ‘The Bad Girl of The Family’) and try to piece together the narrative. Of course, we don’t know whether we have a complete set of any of these, we can only build them up as we go, which means that the order in which the postcards are catalogued doesn’t necessarily reflect the story!

The Bad Girl of the Familt publicity postcard

Publicity postcard c.1909

We are also lucky enough to be involved in the Melodrama Research Group which specialises in cross-faculty research on this performance style and has broadened our understanding of where the Melville melodramas fit into the popular tastes of the time. Linking quite neatly with this, we do have some (non-Melville) filmic postcards available in the Templeman Gallery space advertising the Melodrama Group and its activities – do feel free to pop in and pick one up!

As for the Melville postcards, it’s a delight to be able to share them with you, and I hope that they will inspire some new interest in melodrama and the Melvilles, who have been sadly forgotten today.

New exhibition: Picture this…re-view

We’re delighted to be able to join celebrations marking the first anniversary of the inspirational series ‘Picture this…’, a collaborative project between Canterbury Cathedral Library and the University’s own Centre for Medieval and Early Modern Studies (MEMS).

The Picture this…re-view exhibition in the Templeman Library offers a second chance to explore the discoveries made by MEMS in the Cathedral Library, combined with examples of Special Collections’ own historical book collections. Included are some insights into early modern natural science, the nineteenth century answer to medieval Books of Hours and the craft of sixteenth century map making.

Pop into the Gallery to learn what this intriguing illustration is all about.

Pop into the Gallery to learn what this intriguing illustration is all about.

 

'The Parables of Our Lord' published to mimic a medieval book of hours

‘The Parables of Our Lord’ published to mimic a medieval book of hours

Picture this… brings experts from MEMS together with historical books from the Cathedral Library in writing workshops. The results of these workshops are then made available on the Cathedral Library’s website each month, offering new insight into the collections. The aim of the project has been to make items in the Cathedral Library more accessible to a wider audience and to provide an awareness of some of symbolism and meaning within the images, as well as their historical significance. This year, we’ve been treated to explorations of heroism, piety, superstition and artistic techniques from a range of materials including manuscripts, printed books and objects.

 

Pop into the Templeman Gallery (Level 1 East, just inside the cafe area) during Welcome Week to take a look at some of our treasures and to celebrate the success of the series!

Detail from 'The Parable of the Ten Virgins'.

Detail from ‘The Parable of the Ten Virgins’.

Items in the Cathedral Library and in Special Collections are available for researchers. If you would like to know more about accessing materials, please contact specialcollections@kent.ac.uk or library@canterbury-cathedral.org.