Going on a summer holiday? 2: I write in haste

It’s been a while since I updated you about William Harris Esq.’s continental exploits in 1821. As you may remember, he set out from Dover after having explored the castle and travelled to Calais in the company of two friends in June. I’m sure you’ll be pleased to know that he had arrived safely at Paris by the beginning of July.

William and his friend Mr Brooks were staying at a William Hunter’s residence on rue de Sevres, in the St Germain district of the city. William Harris wrote to his father on 2 July to ask that his father might ‘inform Mrs. Adams and Mrs. Brooks of the Strand’ of Mr. Brook’s safe arrival. William added

“[Mr Brooks] had been so much engaged this morning he has not had time to finish a letter he had begun but he will take care to write in a day or two”

It seems that William was the more likely of the two to write home; in any case, a swift letter was the speediest method of communication in 1821. William comments on the end of his note that he had just received his father’s “kind letter (no. 1)”: this leaves a gap of just 8 days between his sending from Calais and receiving his father’s reply. I have to say I thought this wasn’t bad by modern standards!

William's letter from St Germain

William’s letter from St Germain

Paris in 1821 was still gripped by the instability of the political swings from the Napoleonic, in 1815, to the accession of Louis-Phillippe as king in 1830. During this time, Britain had formed part of a European coalition which restored the Bourbon monarchy, by military force, to a constitutional role. The monarchy was not consistently popular and after the second fall of Napoleon at Waterloo in 1815; although the government was elected to work alongside the Bourbons the two institutions did not always work together. Shifting political strengths throughout the decade of the 1820s must have made Paris an interesting place to be. The medieval city was still largely in existence, too; it was not demolished to make way for Haussmann’s vision of a modern city until the mid nineteenth century. It would have been a very different place to the modern tourist centre.

Of course, travel in the nineteenth century was never a straightforward or safe affair, as we’ll find out later in William’s journey. But for the time being, I will leave you with his brief note, in anticipation of the Parisian adventure to follow.

William's letter from St. Germain

William’s letter from St. Germain

 “I would have said more but the boy is just ready.”

Drop into the Templeman foyer to have a look at the original letter on display with a rare example of a nineteenth century passport.

Going on a summer holiday? 1: Dover to Calais

So here is the summer, or what counts for it in Britain, anyway. Are you planning your holidays, looking forward to reading a good book on a long sandy beach, exploring new places or simply relaxing by the pool? Or are you stuck at your desk, wondering whether the sunshine is going to last? Well, wherever you are, spare a thought for the tourist of the early nineteenth century, for whom just crossing the Channel was a three hour voyage.

We’ve recently been lucky enough to have a volunteer who willingly trawled through a deed box containing nineteenth century papers, known by the mysterious name of ‘The Hansard Family Deed Boxes’. Among the assorted gems contained within are a series of letters written in 1821 by William Harris to his father (another William Harris) in London, while he toured around Europe. There are around a dozen letters extant in this Hansard Family Deed boxcollection, many tightly written and over-written, with William junior filling up every available space on the paper. So even if you’re not off anywhere this summer, join us for an adventure across Europe, nineteenth-century style!

William’s first letter is a sort of extended postcard, in which he details his journey from Dover to Calais with the breathless excitement of an enthusiastic explorer. At Dover, William (Junr.) took in the castle, the ‘souterrains’ or tunnels and the western heights. The castle he found rather underwhelming, “contains nothing admirable in point of architecture”, but he was evidently fascinated by the “many excellent contrivances for… defence” in the tunnels. These he described as “immense”, adding:

they were 11 years in [use] and discontinued only at the general peace – containing barracks etc. etc. to an amazing extent – all concealed from the view of an enemy and made bomb proof.

The Napoleonic Wars had ended only 6 years prior to his visit, when space had been needed for 2000  extra soldiers and supplies to guard the port. To date, these tunnels at Dover remain the only underground barracks in Britain.

First page of William's letter

The first page of William’s letter

In Dover, William met his friend Mr. Brooks, who had persuaded his friend Mr. I Winckworth to accompany them to Boulogne. William told his father, “this is very fortunate for us – Mr. W. having visited France before”. Despite being new to the cross-channel voyage, William described it as “a most delightful passage”, he and his friends having escaped the “dreadful malady” which most of the other passengers suffered. At Calais, he related how the three men and their baggage had been searched at the Customs House for any “contraband merchandise”, and their passports had been exchanged for temporary documents. He explained: “The passport obtained in England will be forwarded on and meet us again at Paris.”

Although they had hoped to stay at Meurice’s Hotel, they group ended up lodging at the Hotel Dessin, immortalised in Lawrence Sterne’s A Sentimental Journey through France and Italy. Sterne (under the pseudonym Mr. Yorick) undertook this journey in 1765, although the book was not published until he was on his deathbed. Perhaps more famous than this was Sterne’s The Life and Opinions of Tristram Shandy, Gentleman, yet Sterne’s travel piece helped to established the genre of travel writing and emphasised the importance of the personal, or sentimental, point of view. William noted “his name is written on the door of the chamber he occupied” – an early example of celebrity culture!

Sterne's 'A Sentimental Journey'

Title page of Sterne’s ‘A Sentimental Journey’, 1768

We occupy three apartments on the ground floor looking into an open court laid out as a flower garden – quite out of the noise of the street – the only approach to it being through the outer court into which the carriages enter under an archway – this I am told is the usual style[?] of a French Hotel – the garden is ornamented with statues and vases.

William Harris Junr., June 24 1821

William was evidently concerned at the level of Englishness which the foreign metropolis of Calais might provide. In the event, he was relieved to find that the town “presents a great many English characteristics”, and commented that his hotel had “adopted many good English customs”. One thing which was less familiar, however, was the Fête de Dieu, known in England as Corpus Christi, the Catholic celebration of the Eucharist. William wrote “there is to be a grand procession here at 11 o’clock this morning”, then resumed his letter at midday to describe the events to his father:

We have just witnessed the procession of the Fête de Dieu. The streets are hung with…carpets and white linen. The pavements thrown with rushes and a few flowers – white flags are suspended from the windows which are filled with well dressed women. A company of ‘Pompiers’ or Fire men who wear a military costume precede the procession with a band which is followed by priests with a portable canopy for the…principle and an amazing number of girls dressed in white. The priests halt at intervals and chaunt opposite temporary altars decked out with pictures, flowers and a great deal of finery. At our Hotel they had a superb one.

The Fete de DieuFollowing this excitement, William had little to comment upon but the weather, which he advised was “much the same as in England.”

The group planned to travel to Paris via Boulogne, Amiens and Beauvais; William advised his father to write to him at Paris, addressing his letters to “William Harris, Architect, Paris”; apparently architects were few and far between in the capital! With a sensible logic, William numbered his letter ‘1’ and asked his father to do the same with each one he sent, so that they could both work out which had been sent first if they all arrived at once.

Ending his letter with love to his mother and sister, kindest regards to Mr. Evans and “compliments to enquiring friends”, William intended to send his letter via first mail to England the following day. Since it is included in this small collection, we can assume that it reached its intended destination.

William HarrisThis one letter can tell us so much about nineteenth century attitudes towards travel, realities of tourism and the differences between France and England. But as much as anything if, like me, you like to do some armchair travelling, then these accounts provide an intriguing account of taking a holiday nearly 200 years ago.

And what happened next? Keep checking the blog to find out!

You can see William’s letter, a copy of A Sentimental Journey and some other travelling treasures on display in the Templeman Library foyer – but only for a limited time.

I’d like to say a special thank you to Marjolijn Verbrugge for her enthusiastic hard work on these papers and for beginning to  illuminate the mysteries within them!

Windmills and warfare

Two slightly unrelated topics, except that they have formed a large part of our work over the last few months, which has just been made public.

I won’t go on about it, but as you probably know, our C. P. Davies Collection was used by the Restoration Man team to uncover the history of Reed Mill, the first restoration of the new series. The episode is available through Channel 4 on Demand.

That’s the windmills; the warfare is our Canterbury at War exhibition. Although the exhibition has a few more weeks to run (it officially closes on 31st January), we have now made the exhibition website live. To get a taster of the exhibition, or to follow the storyline once the exhibition has closed, have a look at the exhibitions section on our website.

We’ve also put together a new display in the Templeman foyer about Murder in the Cathedral – T.S. Eliot’s play, commisioned for the Canterbury Festival in 1935, which depicts the murder of Thomas Becket, Archbishop of Canterbury, on 29th December 1170. If you happen to be passing, do take a look!

New for this term is an exhibition about Charles Dickens and the theatre, drawing on our extensive Victorian and Edwardian Theatre Collecitons – so watch this space for developments throughout 2012…

Meeting our public

I hope I don’t seem too self-satisfied at reporting on another very successful Special Collections event – lots of people put in lots of really hard work, so I’d like to thank them all by making the success public!

Earlier in the term, we ran our first ‘Meet Special Collections’ event, for members of the History staff. This was the brainchild of Steve Holland, and the whole team worked brilliantly to pull together various items in our collections which we hoped would engage the interest of some of our academic staff. The event went down well (as did the canapes and wine, I think) and we agreed that we should go ahead with a second session aimed at History postgraduates, and those members of staff who weren’t able to come to the first event.

Well, following the exhibition, first Special Collections lecture and a very busy term, we pulled out all of the stops to put on a (quiet and very careful) Meet Special Collections event for History postgraduates in the reading room last Wednesday. A lot of hard work and planning went into this; from discussing areas of interest with Katie Edwards, Liaison Librarian for History, investigating our collections to pull together relevant material and clearing, cleaning and decorating the reading room to give it a really festive feel. Nick Hiley, Head of the British Cartoon Archive, kindly loaned us some flat, table-top cases, to avoid any accidents with wine and rare books/archival material: once we’d found the relevant keys, we were away!

We focused on three main areas: war (since UoK’s History department has undergraduate and postgraduate courses specialising in the history of war), rare books and manuscripts (for historians of Medieval and Early Modern periods) and, of course, a Christmas themed table.

We were aided in our efforts by the re-discovery of part of a collection in the library stores: photographs of soldiers (presumably at the front) from the second world war (more to come on these in the New Year). We also used elements of the Hewlett Johnson and Bernard Weatherill Collections to illustrate twentieth century warfare, with some books and copies of the Illustrated London News for the Crimean War. Our manuscript documents from the 15th-17th centuries took pride of place on the second table, along with some of the beautifully written manuscript books on science (mostly astronomy and physics), from the Maddison Collection, which are written in anglicana and secretary hands. This table also hosted sample of the materials in Jack Johns’ Darwin Collection and our pre-1700 books section. The third table, focusing on all things seasonal, displayed some of the Melville theatre materials – pantomime scripts, flyers, books of words and images. A selection of books about Christmas carols, traditions and some of the seasonal material in our Charles Dickens Collection completed the festive theme.

We were delighted to welcome so many members of the History department to Special Collections, and to be able to introduce ourselves and our materials. It was a great opportunity to discuss materials which would be useful for teaching and in research – some of the materials were being seen for the first time by the department. It was also helpful for us to be talk to the historians to get an idea of the types of materials which might interest them, which should be prioritised and acquired by Special Collections. Steve was also able to give the Special Collections Review document – which he has spent months preparing – its first outing to the School.

Following the event (other than the tidying up), we’ve been encouraged by such enthusiasm and interest from the department. We really hope that researchers will be encouraged to look at the wealth of resources which we have in Special Collections and use them to their best advantage. So that’s something to look forward to – with great anticipation – in the New Year. Many thanks to the History department for coming in such numbers and showing such enthusiasm. If your department would like to arrange to ‘Meet Special Collections’, please do get in touch.

2011 has been a very busy year for us all and overall it’s been amazingly successful. There have been some changes and we know there are lots more changes to come. We hope that these will help us to provide  better and more efficient service to every researcher. I’m sure there will be lots of challenges (brief timescales for a Dickens exhibition in February have already been noted) but if next year is anything like this one, I’m sure we’ll look back on it with satisfaction and some bewilderment as to how we managed to cram quite so much in!

We look forward to seeing you when we reopen on 4th January.

From all of us in Special Collections, we wish you a very merry Christmas and a happy, healthy and prosperous 2012.

 

Canterbury at War…starring Hewlett Johnson

'Canterbury at War' flyerLast time, I announced the exciting news that the Templeman Library Gallery will be hosting an exhibition of materials from the Hewlett Johnson Papers, called ‘Canterbury at War: the Red Dean’s Life and Times, 1939-1945‘. The exhibition will open at 5.30pm on 22nd November and at 6pm John Butler, author of ‘The Red Dean: The Public and Private Faces of Hewlett Johnson‘, will talk about his experiences of mining the archive and show some of the gems which he found along the way. Everyone is welcome, and we would be delighted for you all to experience some of our exciting collections.

Well, with that advertisement completed, I can give you an update about all of the work we’ve been doing to prepare for this exhibition since last week. As you will have noticed (and our team cannot escape it), it’s only one week until we unveil our first major exhibition using Special Collections material for two years. So, with a little panicking and nervousness along the way, we are now in the final stages of putting the exhibition together.

The first thing which we had to do was put together a narrative. This was ably provided by Steve Holland, Head of Special Collections, after close reading of John’s book. The exhibition will explore Canterbury’s experience of the second world war through the eyes of the Johnsons, tracing the isolation and alienation which Hewlett experienced during the late 1930s (including the infamous Canons’ letter to The Times), through the Canterbury Blitz of May 30th-June 1st 1942, encountering more cheerful events such as the enthronement of William Temple as Archbishop in April 1942 and concluding with VE day in 1945, which Hewlett spent in Russia.

Canons' letter to the Times, 1940

Canons' letter to the Times, 1940

Armed with Steve’s captions which pick out key events during this period, Chris, Hazel and I have trawled the archive to find relevant sources which can illustrate the Johnsons’ family and public life throughout this time. The first and most obvious sources were the wartime letters which Hewlett and his wife Nowell sent to each other. During the war, Nowell and their daughter Kezia were evacuated to Harlech; their second daughter, Keren, was born in Harlech in 1942. They usually wrote at least once a day, often more, and their letters vividly illustrate the challenges not only of living in Canterbury during this time but also of being so far apart. Their correspondence was especially heartfelt at Christmas, with Hewlett writing to Nowell ‘Kez will be playing with her doll and cradle now and tomorrow will be asking for more Christmas!’ on Christmas day of 1941. A year later, on 26th December 1942, Hewlett wrote ‘Christmas Day is over and I’m glad’.The wartime correspondence also gives some excellent descriptions of the bombing raid of May/June 1942, life in the bombed out Deanery and the food parcels which were sent from Wales to Kent and vice versa.

Removal of the stained glass from Canterbury Cathedral

Removal of the stained glass from Canterbury Cathedral, 1939

With Chris exploring and transcribing the wartime letters (Hewlett’s handwriting can be challenging at the best of times), we have also been looking at visual statements of Canterbury during the war and its aftermath. Perhaps most dramatic are the images of preparation for war in 1939, when all of the stained glass was removed from the Cathedral windows and tonnes of soil spread over the nave and quire to protect those sheltering in the crypt from bombing raids. It’s also staggering to see the extent of the damage which Canterbury sustained during the ‘Canterbury Blitz’: one image shows the entire High Street in ruins, with the only feature still recognisable today being St George’s clock tower.

Now that we have all of our materials selected, the major task is to digitise, frame and prepare for exhibiting. We hope to put larger copies of the photographs on the walls, and to frame some of the cuttings, correspondence and other materials. We have 8 cases to play with, and are now in the final stages of confirming the layout.

All in all, there’s still lots to get done, but everyone I’ve mentioned it to (an I’ve mentioned it quite a lot, believe me) has been intrigued – none more so than those standing by the printer when the photographs are printed out! So we look forward to showing off one of our most personal and important collections and hope that you will all enjoy exploring the archive as much as we have enjoyed putting this exhibition together.

I wonder how we will cope once it’s all over….