Print Works: Part One – Forgotten Industry on the Isle of Thanet

Special Collections & Archives has been working with Appletye – an artists’-led organisation based in Margate – to support their mission to record the Isle of Thanet’s rich printing heritage. In lieu of a physical display in Spring 2020 these guest blogs by Dan Thompson and Dawn Cole are our virtual equivalent – we hope you enjoy!
Map of the Isle of Thanet from a tourism magazine printed at Thanet Press

Map of the Isle of Thanet from a tourism magazine printed at Thanet Press

Each town on the Isle of Thanet is distinct. Ramsgate has its Royal Harbour, and is still an active port for pleasure craft, and the rugged boats that service the offshore windfarms north of Margate. Broadstairs is the quintessential seaside town, a curve of beach at the break in the chalk cliffs, with the town piled up picturesque behind it. 

Margate is brash, East London come to the seaside, proud of its egalitarian spirit and reinventing itself through art and culture. Turner Contemporary opened just shy of ten years ago, and the Old Town is now a jumble of small galleries, vintage shops, and quirky cafes. 

While the story told about the Isle of Thanet over the last twenty or so years has been one of tourism (Margate rebranded itself in 2011 as ‘The Original Seaside Resort’), there’s an untold history of the island. From the 1920s onwards, it became a centre for a set of light industries, based mainly on former farmland around Westwood, in between Margate, Broadstairs and Ramsgate. 

After the Second World War, the government recognised this and gave it assistance as an industrial area. 

Hornby made their model trains and Airfix soldiers at Westwood for 50 years. 

The UK’s first cable television was piped from the Isle of Thanet to homes across England by Rediffusion, who were at the sharp edge of innovation until the 1990s – they invented a precursor to the internet in the 1980s. 

In 1954, Pfizer opened research laboratories at Sandwich, at the edge of Thanet, inventing a way to mass produce penicillin and winning numerous awards over the next 60 years. 

Until the turn of the millennium, industry employed more people on the Isle of Thanet than tourism ever did.

And with both industry and tourism to service, the Isle of Thanet became home to a concentration of printing companies, employing hundreds in skilled, secure, well-paid jobs – some of the best printers in the country. 

 

About the Print Works project:

Print Works is a year-long project from Appletye, an arts and heritage organisation. The project explores the history of the print industry on the Isle of Thanet, taking inspiration from two former companies and the heritage of the sites they occupied at Thanet Press, Union Crescent, Margate and Martell Press, Northdown Road, Cliftonville. At the heart of the project are archives from the two Margate firms, recording the stories of the people who worked there and the work they did. 

Using the Print Works archive:

The Print Works archives include hundreds of examples of material printed in a pre-digital age, including much related to Margate, Broadstairs, and Ramsgate. It includes print for seaside hotels, entertainment venues, and tourism businesses.

The archive also includes documents relating to working in the print industry in the 20th century, from apprenticeship indentures to certificates from a print factory’s Horticultural Club. There are documents relating to design, typography, and the move from analogue processes like typography to digital design and print.

The archive is new, so includes primary material not used before in academic research. It is held at a studio in Margate. For more information email dawn@appletye.org

Print Works is supported by a grant from the National Lottery Heritage Fund.

Templeman Library Closure: SC&A digital resources

In light of recent Government announcements, the Templeman Library closed at 5pm on Tuesday 24th March and will remain so until further notice. This includes Special Collections & Archives; our team is working remotely away from campus.

The Templeman Library is closed from 5pm on Tuesday 24th March until further notice.

The Templeman Library is closed from 5pm on Tuesday 24th March until further notice.

Our Reading Room may be closed, but many of our collections can still be accessed remotely! Here’s a list that we’ll keep updating throughout this period, curated in roughly alphabetical order:

  • Our archive catalogue contains details of the collections we hold along with images for some collections
  • The British Cartoon Archive’s catalogue has thousands of images of artwork along with publication details – click on the image in the record to view it full screen
  • Some of the Buffs (Royal East Kent regiment) collection – namely the ‘Dragon’ journal – is available to view through LibrarySearch. This includes the Dragon’s issues from the First World War.
  • If you’re interested in Local History, we have many images of mills from Kent (and beyond) for your perusal
  • The wonderful Prescriptions: Artists’ Books collection has been catalogued through LibrarySearch and there are images of every item we hold
  • Our next Templeman Gallery exhibition, Printworks, will be explored in this blog over the next few weeks so you don’t miss out

If you’d like to access any other material digitally – or have any other queries – please do get in touch with us. We hope you’re all safe and well and look forward to welcoming you back to the Library soon.

 

 

Keep Smiling Through: Humour and the Second World War exhibition

Keen ears might have heard some music echoing through the Templeman Gallery lately! To find out more about our latest exhibition, read on…

KEM: "C'est encore ce sacre Churchill..." published in Le Petit Parisien, May 1940

KEM: “C’est encore ce sacre Churchill…” published in Le Petit Parisien, May 1940

Keep Smiling Through: British Humour and the Second World War explores the use of humour in cartoons, letters, books, ephemera and artefacts from the First and Second World Wars. This exhibition has been curated to support the symposium of the same title held here at the University of Kent on 12–13 September 2019 with the assistance of Special Collections & Archives’ inaugural exhibition interns.

Using the British Cartoon Archive’s extensive collection of cartoons, ephemera, letters, and artefacts, this exhibition explores how humour was used throughout the Second World War to discuss politics, military campaigns, and improve morale both on the front line and at home. It also explores how the British press portrayed other theatres of war. The exhibition offers an insight into the reactions of the British public and traces responses to the present day as contemporary cartoonists echo the iconography pioneered by 20th century artists. The archives of Carl Giles and KEM, held here at Kent, are showcased extensively – including films made by Giles for the Ministry of Information during the War.

Entry is (as always) free and the gallery is open during the Templeman Library’s opening hours. The exhibition runs until 25 October. We hope to see you soon!

Alternative Comedy Now

In the summer of 1979, two things happened which changed forever the face of British stand-up comedy. On 19 May, the Comedy Store opened in Soho – and a few weeks later some of the performers who had met there formed a group called Alternative Cabaret, described onstage by founder member Tony Allen as “a sort of collective of comedians, musicians, dope smokers, dole scroungers, tax evaders, sexual deviants, political extremists.” Taken together the Comedy Store and Alternative Cabaret kicked off a movement that became known as alternative comedy. This led to a radical reinvention of stand-up in terms of both form and content, and created what grew into today’s live comedy scene.

1984 flyer for Brave New Comedy, a show at the Edinburgh Fringe, featuring a young Paul Merton, then known as Paul Martin.

Alternative comedy was a youthful, iconoclastic thing, and many have made the point that it did for light entertainment what punk had done for music just a couple of years earlier. So it came as a bit of a shock when I realised that we were starting to approach its 40th anniversary. How could something so young and vibrant have started so long ago?

Clearly, such a milestone could not pass without being marked in some way, and the University of Kent was particularly well placed to celebrate it. Our Special Collections & Archives department contains the British Stand-Up Comedy Archive (BSUCA), which has an unparalleled collection of material relating to the beginning of alternative comedy. Its donors include key figures in the movement like Tony Allen, Alexei Sayle, Andy de la Tour, and Jim Barclay. We also have material from people who helped it spread across London and beyond, like Ivor Dembina, Monika Bobinska, Mark Thomas, and Ray Campbell. Indeed, BSUCA was started after we acquired the archive of the late Linda Smith, who cut her comedy teeth on the alternative comedy circuit of the 1980s.

Originally a venue, The Comic Strip collective quickly embarked on a national tour, released an LP and produced TV series “The Comic Strip Presents…”

A large selection of this material has been used to stage the Alternative Comedy Now exhibition. In it you’ll find publicity materials, photographs, press coverage, scripts, LPs, business records, and more. All of this is arranged into seven themes: the Comedy Store; Alternative Cabaret; the Comic Strip; the Spread of the Circuit; the Small Comedy Club; the Edinburgh Fringe; and Politics. The team from Special Collections & Archives have done amazing work in putting the exhibition together, particularly Elspeth Millar, Mandy Green, Karen Brayshaw, Clair Waller and Tom Kennett.

Poster, 1980. Smaller pub-based clubs were the lifeblood of the comedy circuit. The publicity materials took the form of homemade art that could be reproduced on a photocopier, like this striking example.

I’m particularly pleased that Jim Barclay and Andy de la Tour had time to visit the exhibition on a recent visit to the University. As Andy put it: “The exhibition is remarkable, I was quite bowled over by how much you’d manage to display.”

Oliver Double

‘Kent, its Regiments, and the First World War’

The Queen’s Own Buffs, The Royal Kent Regiment Collection was given to the University of Kent by the Regimental Association of The Queen’s Own Buffs in 2017, and is cared for as part of Special Collections & Archives. It consists of mainly printed and published material from the 19th century to the present, along with some archival material.

New and Old Colours of the 1st Battalion, The Buffs, from The Dragon March 1892

Over the past year we have undertake a year-long project, funded by the Regimental Association of the Queen’s Own Buffs Royal Kent Regiment, to catalogue the Collection and selectively digitise some of the regimental journals held in the Collection.

To celebrate this project we are launching a new exhibition in the Templeman Gallery, ‘Kent, its Regiments, and the First World War’, and Professor Mark Connelly will give a lecture entitled ‘The East Kent Regiment, Canterbury and the Great War’ to launch the exhibition at 2.30pm on Monday 29th October 2018. The talk will explore the links between Canterbury and the Buffs during the First World War. It will show how the city and surrounding region maintained a great interest in the actions of its local regiment, even after conscription led to great changes in its demographic. Home and Fighting fronts are often thought of as very distinct and separate entities, but this lecture will highlight the degree to which they were inextricably linked and that communication between the two was continual. This lecture is open to all, with tickets bookable via eventbrite. Attendees are welcome to visit the exhibition afterwards, which is held in the Templeman Gallery and will be running from 29 October 2018 to 4 January 2019.

Men of the 1st Battalion, The Buffs at Bois-Grenier, winter 1914

During this event, we will also be launching our new project ‘Diaries of the Here and Now‘, where we are inviting everyone to record their experiences of 11 November 2018 for future generations, and deposit their diary with Special Collections & Archives.

Diaries of the Here and Now

‘Kent, its Regiments, and the First World War’, Templeman Gallery, 29 October 2018 – 4 January 2019.

Diaries of the Here and Now: diaries will be available to collect in the Templeman Library from the 29 October until 11 November, and need to be returned by 25 November 2018.