Tag Archives: Film

Exploring North African Heritage in Paris

Paris’ North African communities are an important and vibrant feature of the contemporary city. Links between mainland France and North Africa date back hundreds of years, though it was during – and after – France’s second colonial empire (post 1830), that North African immigrants began to permanently settle in large numbers in Paris. 

The history of French colonialism and postcolonialism is a complex one. This blog article does not endeavour to retrace that history here, though we do offer recommendations for essential further reading below.

We’ve compiled this list of places and books that will help you learn more about and understand North African heritage in Paris.

Goutte d'Or Paris

La Goutte d’Or

In the shadow of Montmartre is this thriving neighborhood and North African hub in Paris. Meaning “the Golden Drop”, bustling daily life revolves around the street of the same name, the Barbès métro and the Boulevard de la Chapelle. The latter is home to a fabulous street market, le Marché Barbès, held Wednesday and Saturday mornings. This is a great time to come and explore the area or come late afternoon during Ramadan when it is abuzz with shoppers picking up supplies for the iftar, the meal that marks the end of daily fasting.  

 

Institut des Cultures d’Islam / Facebook

Institut des Cultures d’Islam

This cultural establishment managed by the Paris City Council is found in two locations in the Goutte d’Or (19 rue Léon and 56 rue Stephenson). The multipurpose venue showcases  contemporary art exhibitions, concerts, film screenings, debates, Arab language lessons, calligraphy classes, cooking classes and other cultural activities. Many of the events are free so feel free to stop by or check out its website to see what’s on.

 

La Grande Mosque de Paris. Photo: Mosqpedia

La Grande Mosquée de Paris

The religious centre of France’s Muslim community is found in the 5th arrondissement. The oldest mosque in Paris, it was commissioned by the French State as a token of appreciation to the Muslim soldiers who fought for France in World War I and was completed in 1926. The vast complex features Moorish architecture, has a 33-metre-high minaret and a leafy courtyard where you can enjoy mint tea and North African pastry at its tea salon. It also has a renowned traditional hammam

Institut du Monde Arabe. Fred Romero / CC

Institut du Monde Arabe (Arab World Institute)

The Arab World Institute was founded in 1980 by France and 18 Arab countries with the aim of researching and disseminating the cultures and spiritual values of the Arab world. Located next to the Seine in the 5th arrondissement, the Institut is housed in an impressive building designed by renowned French architect Jean Nouvel and incorporates elements of Islamic architecture. In addition to an excellent museum, temporary exhibitions, it has a wonderful free library where you can study. Before leaving be sure to go up to its free access terrace on the top floor which has great views of Paris.

 

 

Literature by writers with North African roots

Literature is a great way to discover the unique perspective of Paris’s North African community. Dr Carine Fréville, who convenes our Diaspora and Exile module, recommends the following books by writers with North African roots and which are set in Paris. 

  • Kiffe Kiffe Tomorrow (US) and Just Like Tomorrow (UK) by Faïza Guène
  • The Seine was Red by Leïla Sebbar
  • With Downcast Eyes by Tahar Ben Jelloun
  • Topographie idéale pour une agression caractérisée by Rachid Boudjedra
  • Lullaby and The Perfect Nanny by Leïla Slimani
  • Tea in the Harem by Medhi Charef
  • Mes mauvaises pensées or Tomboy by Nina Bouraoui

Must-reads for understanding the historical context and contemporary debates

  • The Invention of Decolonization: The Algerian War and the Remaking of France by Todd Shepard
  • A Mission to Civilize: The Republican Idea of Empire in France and West Africa, 1895-1930 by Alice Conklin
  • The Algerian War, the Algerian Revolution by Natalya Vince
  • The Memory of Colonialism in Britain and France: The Sins of Silence by Itay Lotem
  • Paris 1961: Algerians, State Terror, and Memory by Jim House and Neil MacMaster
  • Empire’s Children: Race, Filiation and Citizenship in the French Colonies by Emmanuelle Saada
  • Fantasia: An Algerian Cavalcade by Assia Djebar

 

Film Studies in Paris

Nouvelle Vague Movie Locations in Paris

La Nouvelle Vague, the French New Wave movement of the late 1950s to 1960s, left an undelible mark on cinema history not just in France, but around the world. Directors most associated with the art film movement lived in Paris, and the city featured heavily in their work. Innovative use of portable camera equipement also made it easier for these filmmakers to use the city itself rather than a film set. You can delve into the world of the Nouvelle Vague by visiting the sites and districts we have compiled here. 

Daguerréotypes - Agnes Varda

Daguerréotypes – Agnès Varda

Montparnasse

The area around our Paris School was a prime location for Nouvelle Vague directors. The greatest of these was Agnès Varda, who lived on la Rue Daguerre,  which she immortalised in Daguerréotypes, a 1976 documentary illustrating life on this vibrant market street (predominantly shot between numbers 70-90). Montparnasse also appeared in her film Cléo de 5 à 7 (Cléo from 5 to 7), in particular the Café Le Dôme and the Parc Montsouris. Jean-Luc Godard selected the classic Montparnasse café La Rotonde for a scene in his cult classic A Bout de Souffle (Breathless). Right around the corner from the school and south of the Luxembourg Gardens, rue Michelet also appeared in Rohmer’s Le Beau Mariage (A Good Marriage).

Study Film in Paris

A Bout de Souffle – Jean-Luc Godard

L’Avenue des Champs Elysées

Although there is less interest in strolling Paris’s most famous avenue today, now mostly lined with chain shops, Les Champs Elysées was the backdrop of several New Wave films. The most iconic of these is Jean-Luc Godard’s A Bout de Souffle (Breathless), whose main characters Michel (Jean-Paul Belmondo) and Patricia (Jean Seberg) meet on the street where she’s selling newspapers. Eric Rohmer’s first full-length feature, Le Signe du Lion (The Sign of Leo), was shot on the avenue and around Place de l’Etoile, which was also captured in Jacques Rivette’s Paris nous appartient (Paris Belongs to Us).

Film Studies in PAris

Le Signe du Lion – Eric Rohmer

The Seine 

The banks of the Seine River starred in a range of Nouvelle Vague films. Rohmer’s Le Signe du Lion showcased the walkway along the river as well as one of the city’s loveliest bridges, Le Pont des Arts. The bridge also appears in Rivette’s Paris nous appartient and Charbrol’s films Les Godelureaux (Wise Guys) and Les Biches (The Does).

French Film studies in Paris

Les 400 Coups François Truffaut, no. 16 rue Fontaine

Pigalle

Having grown up in the then middle class 9th district, south of Pigalle, many of François Truffaut’s films revisit his childhood haunts. Les 400 Coups (The 400 Blows) had a number of scenes shot in the area, especially in and around rue des Martyrs, Avenue Frochot and rue Fontaine (at number 16 where the boys are looking out of the rooftop skylight). Main character Antoine Doinel ambles the busy Boulevard de Clichy, which runs from near Place Pigalle to Place de Clichy, and also goes to the movies at le Wepler, a movie theatre still standing, albeit in a modern incarnation, on Place de Clichy. Sadly le Gaumont Palace, once the largest movie theatre in Europe, has now been replaced by DIY store Castorama.

Baiser Volés – François Truffaut, rue Navarin

Montmartre

Truffaut was also fond of nearby Montmartre, whose back streets feature in Les Quatre Cents Coups as well as in his 1968 film Baisers Volés (Stolen Kisses), especially around l’Avenue Junot, la rue de Steinkerque and la rue Caulaincourt. The above shot from the film was actually filmed on rue Navarin in the 9th, but looks up towards Sacré-Coeur and la Butte de Montmartre. He shot a scene in L’Amour en Fuite (Love on the Run) in the Montmartre Cemetery, which turned out to be his final resting place.

Paris Vu Par...

Paris Vu Par…

Paris vu par… 

Lastly, for a grand tour of the city watch Paris vu par… (Six in Paris), a collection of vignettes by the leading directors of the movement and released in 1965. Jean Douchet focuses on the intellectual Saint-Germain-des-Prés area, including the Café de Flore and the Institut de France and the Musée Delacroix.  Jean Rouch’s short is on the working-class Gare du Nord area and rue Lafayette. Claude Chabrol selected the bourgeois 16th district around La Muette in contrast to  Jean-Daniel Pollet’s seedy Rue Saint-Denis. Rohmer revisited Place de l’Etoile and Godard travelled from a sculptor’s workshop in Montparnasse to the suburb of Levallois.

Passionate about film and its history? Study Film in Paris by pursuing our Master’s in Film Programme. Learn more about it, and our other MA Programmes in the Humanities, at this link.

Ten Classic French Films to Watch

Since the early days of film and pioneering works like Georges Méliès’s Le Voyage dans la Lune (A Trip to the Moon, 1902), the French have excelled at filmmaking. Considered in France as the 7th art form, a number of French filmmakers have left their mark on cinema history with their chef d’oeuvres. Here are some of the top classic French films made up to 1970 to add to your film list.

La Règle du jeu (The Rules of the Game, 1939), Jean Renoir

Although it was a commercial and critical flop at the time of its released just before the outbreak of WWII, after a reconstruction in 1959 La Règle du Jeu went on to be deemed one of the greatest films in cinema history. Mainly set in a country house outside Paris, the satirical comedy-drama criticizes the relationship the French haut bourgeoisie had with their servants.

Les Enfants du paradis (Children of Paradise, 1945), Marcel Carné

Set in the world of Parisian theatre of the 1830s, this film shot by Carné during WWII was voted “Best Film of the Century” by leading French film critics. Although the word paradis often refers to Heaven in French, it also is used to describe the second balcony or gallery in a theatre, which is its significance in Carné’s cinematographic masterpiece. The story revolves around a courtesan, played by legendary French actress Arletty, and four suitors, a mime, an actor, a well-known criminal and an aristocrat, all of whom attempt to woo her in different ways.

French Classic films - Film Master's in Paris

Les Diaboliques (Diabolique, 1955), Henri-Georges Clouzot

This psychological thriller film, starring Simone Signoret, Véra Clouzot, Paul Meurisse and Charles Vanel was based on the novel She Who Was No More (Celle qui n’était plus) by Pierre Boileau and Thomas Narcejac. The Hitchcockian plot revolves around a woman and her husband’s mistress who conspire to murder him.

Hiroshima mon amour (Hiroshima My Love, 1959), Alain Resnais

In his first feature-length film, Alain Resnais helped draw attention to the French Nouvelle Vague with his innovative use of flashbacks to create a non-lineal timeline. The film traces the relationship of a French woman, Emmanuelle Riva, and Japanese man, Eiji Okada, in the wake of the Hiroshima bombings. It received a number of accolades, including an Academy Award nomination for its screenwriter Marguerite Duras

French classic films - film studies in Paris

Les quatre cents coups (The 400 Blows, 1959), François Truffaut

The directorial debut of iconic filmmaker François Truffaut, this was a seminal film of the French New Wave Movement. The film also marked a long collaboration between Truffaut and actor Jean-Pierre Léaud, often referred to as the filmmaker’s onscreen alter ego. The film follows troubled teen Antoine Doinel as he rebels against his teachers and parents. The film was nominated for the Palme d’Or at the 1959 Cannes Film Festival at which Truffaut won the Award for Best Director.

À bout de souffle (Breathless, 1960), Jean-Luc Godard

An international hit when it was released, Jean-Luc Godard’s first feature film helped put the spotlight on the Nouvelle Vague. Considered one of the best films of all time, it stars Jean-Paul Belmondo, a wandering criminal, and Jean Seberg, a young American in Paris. A mix between romance and drama, Godard used a bold visual style and innovative jump cuts.

Cléo de 5 à 7 (Cléo from 5 to 7, 1962), Agnès Varda

One of the leading filmmakers of the French New Wave, this film launched Agnès Varda’s career and formed her artistic practice. The story followers a young singer, Florence “Cléo” Victoire, as she awaits test results for a possible diagnosis of cancer. Unfolding in real time, Varda plays with this through her editing. The film explores themes of existentialism, popularized at the time by philosophers like Jean-Paul Sartre and Simone de Beauvoir.

La Grande Vadrouille (Don’t Look Now… We’re Being Shot At!, 1966), Gérard Oury

For something a little more lighthearted, the French love comedies and this classic is high on the list of all-time favourites. Set in 1942, two French civilians, played by Louis de Funès and André Bourville, try to assist the crew of a Royal Air Force bomber shot down over Paris reach unoccupied France. Hilarious misadventures ensue.

Le Samouraï  (The Samurai or The Godson, 1967), Jean-Pierre Melville

For those for a penchant for crime films, this is one of the best by French expert director of the genre Jean-Pierre Melville. Alain Delon plays a professional hitman who is seen by witnesses and then digs himself into a deeper hole trying to secure an alibi. Melville shows off his skills at creating suspense and ambiance.

Ma nuit chez Maud (My Night With Maud, 1969), Eric Rohmer

The last of the New Wave directors, this clever film raised Rohmer to the Pantheon of French filmmakers.  The third film in his series of Six Moral Tales, the movie features features Jean-Louis Trintignant as a Catholic engineer who has a case of love at first sight with Françoise, a woman he meets by chance at Mass. He becomes determined to marry her, nevertheless, gets tempted by Maud, an alluring divorcée.

Interested in delving further into French Film? Learn more about our Master’s in Film in Paris at this link. The above films are often screen at these top Art House Cinemas in Paris.

Sarah Kathryn Cleaver

Graduate Profile: Film Professional Sarah Kathryn Cleaver

In the latest in our Alumni Spotlight series we connect with Sarah Kathryn Cleaver, an alumna of our Film Master’s Programme in Paris. Since graduating from our Paris School of Arts and Culture (PSAC), she has done research and writing for film projects and launched the Zodiac Film Club in London. Read about Sarah’s experience studying at PSAC and her time in Paris in our interview with her below.

Where are you from and what originally brought you to Paris? 

I’m from London (born in Essex) and I’d wanted to spend some time living in Paris since I could remember. I began working straight after my BA, and after about five years I started feeling a bit lost, and knew I wanted to spend some time writing and researching and take a break from the hustle. I had a couple of ideas I thought I could turn into a thesis, and started looking around for a Master’s degree.  

What attracted you most about studying at PSAC?   

Of course it was the ‘living in Paris’ bit, but I’m really glad I got to experience learning in Kent’s film department as well. I did one semester commuting into Kent (very early morning trains) and then two in Paris. My best friend had moved to Paris a couple of years before, so I was excited to join her for a bit. I also just really needed a change, since I’d grown up, studied and worked in London.

What were some of the highlights of your experience? 

My favourite place on earth is The American Library in Paris, I’d go there every weekend and read crime novels to relax. I loved Paris’ cinema culture, it’s so affordable and they show an incredible range of films. I met some really clever and interesting people who I’m terrible at keeping in contact with, but when we do see each other it’s like no time has passed. I think it was really good for me to lead a small life; a few friends, classes, books, the cinema, living alone in the tiniest flat I’ve ever seen. It taught me a lot about how much (or how little) I need to be happy. 

What are you currently doing and how did that opportunity come about? 

A lot of things. Primarily I write and research. When I got back to London, I applied for a job as an image and editorial researcher on a book about London’s 100 Club and got it, so for months I was finding and interviewing people and trying to get them to send me photographs of them in the club in the 80s. That’s led to a few other research and writing jobs. I also have some copywriting jobs for brands and websites which I’ve found I like a lot. Real writing is 90% hideous and 10% satisfying, but copywriting is like word maths; there’s usually a correct answer and it’s pretty difficult to take it personally. I do write properly sometimes, mostly about film. I wish I did more but I’m a bit of a procrastinator when it comes to pitching. 

The other thing I did when I came home was start a film club with a friend. It was very much inspired by cinema culture in Paris–the way I saw a ton of films I would never have otherwise watched. We thought it would just be us and our friends at first, but we grew quite an audience and it led to writing jobs and other interesting opportunities. I’m not totally sure what this is going to be yet but I’d like to grow this more. Dr Tamar Jeffers McDonald at the Kent Campus runs this amazing conference called Gothic Feminism that I look forward to attending again if it continues post-Covid, but it was my first time there that made me realise that what I’m passionate about is delivering an academic approach to a subject in an accessible way to people who aren’t academics. That’s what Zodiac is about, that and very girly, trashy films. And overall I think PSAC encourages that combination of academia and real life.

Do you think that your studies at PSAC helped with your career prospects? 

I think careers and creative development are not necessarily the same thing. This might be a disappointing answer but I’m not sure young people have a ton of control over their career prospects at this particular moment in time, and that’s something we should try not to let damage our view of ourselves. I think everything I’ve learned about work I’ve learned from working. What’s great about PSAC is that it’s really valuable time outside of those kinds of parameters. If you want to do something creative, having something that you’re really interested in and honing your ability to explore and communicate it tends to lead to things in life, whether that’s like minded people or interesting work. That’s what I think studying at PSAC develops. Unless of course you want to continue in academia, and then I can’t imagine anywhere nicer to do that.

Would you recommend PSAC to potential students and if so what would you tell them?

I definitely would. I would tell them laundrettes are the best place to practice French, to eat as many chouquettes as possible because you’ll miss them when you leave, that nannying is a really difficult job but a good way to build character. And to just enjoy themselves.

Merci beaucoup Sarah!

Connect with Sarah here:

@sarahkcleaver

@zodiacfilmclub

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The Best Historic Art House Cinemas in Paris

Since the first ever public film screening in 1895, Parisians have been big cinéphiles, or film buffs. The city’s phenomenal film culture is definitely a top reason to study film in Paris. One of the best ways of experiencing this is by attending screenings at one of the Paris’s historic cinemas. The following movie theatres have both excellent screening agendas and fascinating histories.

Le_Champo_Paris

Le Champo. Photo LPLT / CC

Le Champo

Opened in 1938, this is one of the leading movie theatres in the Latin Quarter, where many of the art house cinemas in Paris are located. Down the street from the Sorbonne, it’s popular with students of the University of Paris and was an important cinema for La Nouvelle Vague. In fact, François Truffaut deemed it his “headquarters” and by Claude Chabrol considered it as his “second university”. In the early 2000s, with worries that the cinema might close down, a group of cinema professionals, including Cédric Klapisch and Isabelle Huppert, succeeded in saving the cinema and getting it classified as a national monument.

Cinéma du Panthéon

Established in 1907, this is the oldest movie theatre in the city. In 1929 it was bought by Pierre Braunberger, the producer who is credited for discovering La Nouvelle Vague greats such as Jean-Luc Godard, Alain Resnais and Jean-Pierre Melville. As such, the cinema became a showcase for the French New Wave and was one of the first French cinemas to screen foreign films in their original language. In 2006 the theatre saw a modern touch with the addition of a stylish “salon” co-designed by actress Catherine Deneuve.

Studio-28-Paris

Studio 28. Photo: Tatvam / CC

Le Studio 28

Considered by Jean Cocteau as “the cinema of masterpieces, the masterpiece of cinemas”, this eclectic art house cinema is tucked away on a small street in Montmartre. It was inaugurated in 1928 with a screening of Abel Gance’s Napoléon and quickly became popular with the avant-garde artists and filmmakers of the time. It’s lobby even once included artwork by Dali, Joan Miro, Max Ernst, Man Ray, and Pierre Tanguy. In November 1930, Luis Bunuel and Salvador Dali’s film L’Age d’Or premiered at the theatre. The film, which aimed to question the Roman Catholic Church’s strict policies on sexuality, caused such an uproar that the film was banned within a week and the cinema was ransacked by right-wing rioters. The movie theatre managed to persist through those turbulent times and has carried on with its innovative programming. Even if you haven’t been to the cinema yet, you might have already since it as it was featured in Jean-Pierre Jeunet’s 2001 film Amélie.

Le-Louxor-Study-Film-in-Paris

Le Louxor

This beautiful Art Deco cinema has had many lives since opening in 1921. As you might guess by its name, it features an Egyptian inspired façade, with gilded mosaics, and it had a Pharaonic-sized screening at 1,195 seats, making it one of the largest in Paris at the time (it has since been reduced). Despite its façade and roof being classified as national monuments in the early 1970s, cinema-going was then beginning to wane in Paris. This led to the building being transformed into the biggest gay nightclub in the city before being abandoned for a decade. It was fortunately bought by the city of Paris in 2003, leading to its restoration and reopening in 2013. Before or after your film, grab a drink at its bar which has a terrace with lovely views of Montmartre.

Le-Lucernaire-paris

Lucernaire

Although this multifunction theatre and cinema isn’t as old as some of the others on the list, it still holds its place in the Parisian art house scene. Opened in 1969, the Montparnasse venue is comprised of three theatres, three screening rooms, a bookshop, art gallery, restaurant and bar. Whether it’s the art on display or the films being screened, the establishment aims to foster new talents, creativity and interconnectivity between art forms. What’s more, it’s conveniently located down the street from our Paris School.

Studio-Galande-Film-in-Paris

Studio Galande. Photo: LPLT / CC

Studio Galande

Another Latin Quarter film institution, this small theatre has occupied a cellar near Notre Dame since 1973. Although it has a diverse programme of art house films from all around the globe, it is best known for its twice-weekly screenings of The Rocky Horror Picture Show. Held every Friday and Saturday night at 10 pm, the Studio Galande is the only European movie theatre to still have regular screenings of Jim Sharman’s cult musical comedy. The lively screenings are accompanied by local costumed performers who lead the audience in sing-alongs and dancing.

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Originally a theatre for dramatic productions, since 1964 this Latin Quarter cinema has become one of Paris leading and most active independent film venues. In addition to an varied agenda of art house films of both past and present, the cinema hosts regular retrospectives, debates and conferences. Today it is now part of the Dulac Cinémas, a small group of art house cinemas striving to keep this tradition alive.

Interesting in immersing yourself in Film in Paris? Consider pursuing your knowledge during the one-year Film Master’s degree programme offer by our Paris School of Arts and Culture.

France to Reopen Museums, Cinemas and Theatres on 19 May 2021

After a six month closure, we are extremely pleased that cultural venues will be reopening in France as of 19 May 2021.  All museums, art galleries, theatres and cinemas may reopen, under certain conditions. Here is a summary of the new protocols and how it relates to visitors.

Déconfinement Phase 2: 19 May Reopening Conditions

As of 19 May the nation-wide curfew in France will be pushed back to 9pm. Therefore, you will have more time to be able to visit cultural sites and take in movie screenings in person.

All sites can only reopen with a reinforced sanitary protocol. As a general rule, the reopening of sites does not depend on the size of the facility, however, it is capped at 800 people at one time inside and a 1,000 outside (for example, the interior of  the Chateau de Versailles and the gardens). However, it also stipulates that there should 8 m2 per visitor until 9 June when the curfew goes up to 11 pm and the space will be 4 m2. Therefore, sites must factor this in when calculating the exact number of people inside the site at one time.

Other conditions include a one one circulation system (similar to what was enforced after last year’s lockdown), hand sanitiser available at the entrance and a preference to booking e-tickets in advance (as is already the case at the Louvre).

Bourse de Commerce - Pinault Collection

Gradual Reopening of Museums & Cultural Sites

Just because sites are allowed to reopen on 19 May, it doesn’t mean that all museums and monuments will be reopening on that exact date. For example, the doors of the Louvre, the Musée d’Orsay the Centre Pompidou, the Musée de l’Orangerie and the Chateau de Versailles will be reopening on the 19th, but some sites are waiting until the weekend.

The Palais de Tokyo, Europe’s largest contemporary art centre, will be reopening on Saturday 22 May with an exhibit by performance artist Anne Imhof entitled Natures Mortes (Still Lives). Since the building is quite large, they will be respecting the maximum of 800 visitors at a time.

The highly anticipated opening of the Pinault Collection at the Bourse to Commerce will also take place on 22 May. After several years of extensive renovations, the former grain hall of the Paris central food market has been converted into a new venue of collection of contemporary art. For other venues, it’s advised to check their websites beforehand so you do not arrive to find the site closed.

Free Access for Students

Holders of a student card can obtain free entrance to most museums in Paris. For smaller museums you merely need to present your ID (student and national ID) upon entering or but for larger museums, like the Louvre, you need to book in advance a free student ticket in advance.

At time of publication, the Louvre ticket booking system was not yet activated, however, this is the link (select your date, then the ticket options will come up, you will need to proceed to the check out, but will not be charged for your ticket). The Orsay reservation system is working via this link. Select free of charge reservation, then select “add to cart”, then “I book”, skip the audioguide page by clicking then “I book”, then you’ll have the date and time option. For the Centre Pompidou, follow this link and select a free ticket for a youth or an art/conservatoire student.

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Movie Theatres

The date of this new déconfinement stage falls on a Wednesday, the traditional day of the week when new films are released. As there has been a backlog of films to be released, there have have been some issues over which ones will come out first. However, film fans should have an exciting few weeks of releases. To help you decide which cinemas to go to in the city, check out our article on the Best Historic Art House Cinemas in Paris.

Enjoy this return to culture and stay safe!

A New Wave of French Filmmakers

France has played an vital role in evolution of film, from its early days with the likes of the Lumière brothers and Georges Méliès and via the Nouvelle Vague period and beyond. However, after studying the history of this art form, whether your taking our Master’s in Film in Paris or are simply a film fan, it is then worthwhile to discover what French filmmakers are doing today. In fact, over the last decade, the industry has been regenerated thanks to a wave of new filmmakers, representing the diversity of the country and examining the real France of the 21st century. Here are some noteworthy up and coming French directors to watch.

Ladj Ly

Born to Malian parents and raised in the Parisian suburbs, this director’s work generally revolves around social issues and the conditions of the marginalised residents of the Parisian suburbs. He first got involved in film by making documentaries and collaborated on various projects with Romain Gavras (the son of Costa-Gavras), street artist JR and hip hop artist Oxmo Puccino. He made international headways in 2019 with his first feature film, Les Misérables, a modern-day take on Victor Hugo classic novel of the same name. It won a Jury Prize at Cannes, the Best Film at the Césars (the French Film Awards) and was nominated in the Best Foreign Film category at the Academy Awards.

Céline_Sciamma_Film_Studies_Paris

Céline Sciamma. Photo: George Biard / CC

Céline Sciamma

A graduated of the prestigious La Fémis, the French National Film School, this screenwriter and director’s films often explores gender fluidity and sexual identity. She is also a founding member of the French branch of the Colléctif 50/50, a movement advocating for gender equality and diversity in the film industry. Her debut film, Naissance des Pieuvres (Water Lilies, 2007), made at the age of 28, was selected for Cannes’s Un certain regard section and was nominated for three César Awards. Written in only a few months and shot in less than three weeks, her 2011 film Tomboy was an official selection at the 61st Berlin International Film Festival. Her work continued to garner more and more international recognition, with her 2014 film Bande de Filles (Girlhood) screened in the Directors’ Fortnight section of Cannes and at Sundance and the Toronto International Film Festival (TIFF). Her next feature film, Portrait de la jeune fille en feu (Portrait of a Lady on Fire), won the Queer Palm and Best Screenplay at Cannes in 2019. Her latest film premiered at the Berlin Film Festival in February 2021 and is likely to receive its own share of accolades.

Houda_Benyamina

Houda Benyamina. Photo: Georges Biard / CC

Houda Benyamina

Also from the Parisian suburbs, this director and screenwriter of Moroccan origins began a career as an actress before shifting to behind the camera. She started off by making a series of short films, social satires on life in the suburbs, which were screened on major French TV channels. Her first feature film, Divines (2016), which she also co-wrote, was a powerful look at life in the suburbs and the prospects for its youth. It was selected for Quinzaine des réalisateurs at Cannes, for which she won a Caméra d’Or. It was also awarded the César for Best Film and was screened at TIFF. She is also involved in social activism and is the founder of 1000 Visages, an association which aims to make the film industry more accessible for suburban youth.

Xavier_Legrand_French_Filmmakers-Study-in-Paris

Xavier Legrand. Photo: Vandamna / CC

Xavier Legrand

Another actor-turned-director, after a successful start on stage and in front of the camera, in 2013 Xavier Legrand made his first short film, Avant que de tout perdre (Just Before Losing Everything). It received a number of accolades including the 2014 César for a Short Film and a nomination in the same category at the Academy Awards. His first feature film, Jusqu’à la garde (Custody), released in 2017, was equally praised. It received two prizes at the Venice film festival, the Lion of the Future for Best Debut film and the Silver Lion for Best Director as well as five Césars including Best Film.

Alice-Diop-Filmmaking-Paris

Alice Diop. Photo: Chris93 / CC

Alice Diop

Another creative from the Parisian suburbs, this writer and director of Senegalese parents is establishing herself on France’s documentary scene. Diop’s youth spent in the infamous 3000 housing project led her to make her first film, La Tour du monde (The Tower of the World), in 2005. After producing several other documentaries and a short film, her 2015 documentary Vers la tendresse (Towards Tenderness) won the César for Best Short Film. Her latest film, Nous (Us) won the Best Film in the Encounters section of the Berlin International Film Festival 2021, but is yet to have a commercial release. She is also active in the Colléctif 50/50.

Justine-Triet-Film-Studies-Paris

Justine Triet. Photo: George Biard / CC

Justine Triet

After originally studying fine art, Justine Triet shifted to filmmaking and screenwriting. Well-crafted screenplays, her films revolve around modern relationships. The spotlight was cast on Triet in 2013 with the release of her first feature film, La Bataille de Solférino (Age of Panic). It was screened at Cannes in the Sélection ACID (Association of the distribution of independent film) and she was featured in the influential Cahiers du cinéma magazine as an up-and-coming talent to watch. Her second, Victoria (In Bed With Victoria), was the opening film in the Semaine de la critiques section at Cannes in 2016 and was nominated for five Césars. Her third film, Sibyl, was selected for the official competition at Cannes in 2019. She too is a member of the collectif 50/50.

Filmmaker Ece Ger, Film MA in Paris alumna

Graduate Profile: Filmmaker Ece Ger

In this edition of our Paris School of Arts and Culture (PSAC) Alumni Spotlight series we connect with Ece Ger, a graduate of our Film MA. The Turkish filmmaker tells us how she ended up studying abroad in Paris and how the experience at PSAC led to the making of her first film, Meeting Jim, a moving documentary on Jim Haynes, an important figure in the Paris cultural and expat community.  Jim Haynes sadly passed away at the beginning of 2021 and a tribute screening of the film will be held virtually, via the film’s website and on BBC Scotland ,from 5 to 8 March, 2021. Further details on this at the end of Ece’s interview below.

Filmmaker Ece Ger

Where are you from and what originally brought you to Paris? 

I am from Istanbul, Turkey, but was born in Wien, Austria. My initial plan was to apply for the Kent MA programme which takes place in Canterbury for the whole three terms. However, an alumni friend of mine shared his own Paris experience with me and advised me to choose the Paris MA programme to submit. I am so glad that I listened to his advice and had the opportunity to study film in Paris at Reid Hall.

What attracted you most about studying at PSAC?   

Diving into the history of French Cinema, having the chance to observe the connections between one of the most cinematic cities in the world and cinema, discovering how they influenced each other… exploring all these new aspects is what attracted me the most about studying at PSAC.

“The Burghers of Calais” by Rodin, photo by Tommy O’Donogue

What were some of the highlights of your experience? 

 The most important highlight of my experience was the lecture of Frances Guerin called “Modernism and Paris”.  I remember being so inspired not only by learning about the early history of cinema but also by starting to perceive the cinematographic connections between the past and the present time in the city of Paris.

As Kent film students, we had access to the Cinémathèque Française. Going there several times a week to work on my thesis was one of the highlights of my time in Paris. Spending time at the Cinémathèque inspired and motivated me to learn more about my research topic, to discover a tiny bit of the film ocean while enjoying the delicious tartines at Les 400 Coups, the restaurant of the Cinémathèque.

I also remember the day which our art professor took us to the Rodin Museum. That day, my classmate Tommy O’Donogue took a photo of “The Burghers of Calais”, which won the photography award at the end of the year. While listening to the story of those burghers waiting to be executed, I saw the photograph Tommy took. In the frame, there was only the sculpture and the gaze of one of our classmates. Suddenly, that photograph became a bridge in my mind than connected those hopeless people and our classmate. It was one of those moments to realise how the information was transmitted between generations through any medium of art. The past and the present moment could get really close to each other, even intertwine through one image, through one story or a film. I never forgot that moment of realisation which was a true inspiration for me.

Last but not least, I met Jim Haynes through the guest professor Dina Iordinova who gave a seminar at Reid Hall. Frances Guerin introduced me to her after the seminar and Dina Iordinova introduced me to Jim Haynes, who was going to become the subject of my first feature-length documentary.

Excerpts from the Q&A and screening of Meeting Jim held at Reid Hall in March 2019

What are you currently doing and how did that opportunity come about?  

I am writing a comedy story full of spontaneous encounters that take place in Paris and a few more cities. During these difficult pandemic days, it’s the best way for me to stay optimistic.

Do you think that your studies at PSAC helped with your career prospects? 

The word help is not enough to describe the influence of PSAC on me and on my journey as a filmmaker. If I would have to come up with one sentence with the word “career”, I’d say, my career came to life at Reid Hall. All the adventure started there back in 2015. 

Would you recommend PSAC to potential students and if so what would you tell them? 

 I would recommend to all the potential students to leave everything else and run to PSAC to feel inspired, to get connected, to gain deeper knowledge in their own fields and to discover their true passions and interests.

Meeting Jim – Free Screening 5-8 March, 2021

To mark the two-month anniversary of Jim Haynes passing, a screening of the film is being organised. Here’s how you can view it:

  • IF YOU ARE BASED IN THE UK, the broadcast will take place at 21:00 (London time) 6 March simultaneously on BBC Scotland, Freeview/YouView, Freesat, Sky, Virgin Media and BBC iPlayer. After that, the documentary will be available on BBC iPlayer for a limited period of time.
  • FOR THE REST OF THE WORLD, the film will be available to watch for free here on www.meetingjim.com for 72 hours, starting from 19:00 Paris time on Friday, 5 March until 19:00 Paris time on Monday, 8 March.

Merci beaucoup Ece!

Connect with or follow Ece and her projects on:

Ece Ger’s Instagram

Meeting Jim – Official Website

Meeting Jim – Instagram

Meeting Jim – Facebook Page

Meeting Jim – Twitter

Exploring LGBTQ History in Paris

February is LGBTQ History Month in the UK. Here at the Paris School of Arts and Culture, we are commemorating this by putting spotlight on a selection of queer writers, artists, performers, filmmakers and innovators, both French and foreign, who left an important mark on Paris, a city which has long been a more liberating and welcoming place for non-conforming creatives. Some are also featured in our MA Programmes in Film, Creative Writing and the Philosophy of Art History.

Novelist and Playwright Rachilde

Rachilde 

symbolist novelist and playwright, gender-bender Rachilde became one of the most important writers of the late 19th century. Born in the French countryside in 1860,  Marguerite Vallette-Eymery moved to Paris at the age of 18, adopting a masculine haircut, started wearing men’s clothing and took up the pen name and gender ambiguous identity of Rachilde. Introduced via a cousin to the world-renowned actress Sarah Benhardt, Rachilde quickly integrated into the Parisian cultural world. Rachilde began hosting a weekly literary salon which was popular with other non-conformist writers and intellectuals. Rachilde is best known for the controversial erotic novel, Monsieur Venus, published in 1884 and which led being tried for pornography and convicted in absentia in Belgium. 

Rachilde, along with Jane Dieulafoy and Marc de Montifaudtwo other late 19th century writers who also did not conform to the era’s notions of femininity, are examined by Dr Rachel Mesch in her recent book Before TransDr Rachel Mesch was a recent guest of  the American Library in Paris’ Evenings with AAuthor series. You can view the recording of this discussion at this link. 

Writer Oscar Wilde and lover Alfred Douglas

Oscar Wilde 

Over the last 150 years, Paris became a haven for various foreign queer creativesone of the earliest being Irish poet and playwright Oscar Wilde. In 1895, at the height of his success, Wilde was convicted of gross indecency with men and sentenced to two years of hard labour. Immediately upon his release, he exiled himself in France, first living in the northern seaside town of Berneval-le-Grand with his lover Robert Ross. This is where he wrote his last work, The Ballad of Reading Gaol (1898), a long poem describing the harsh realities of prison life. Wilde eventually moved to Paris, renting a room at l’Hôtel d’Alsace, a dingy hotel in the Saint-Germain neighhourhood which has since been transformed into the chic L’Hôtel. Impoverished, this is wherWilde tragically died of meningitis on 30 November 1900. His tomb in Pere Lachaise cemetery has become a pilgrimage site for fans the world over. In addition to Wilde’s own writings, the writer was the topic of the 2018 film The Happy Prince written and directed by, and starring Rupert Everett. 

Colette in the “Dream of Egypt” show at the Moulin-Rouge in 1907, photo: Léopold-Émile Reutlinger / CC

Colette 

Often considered as France’s greatest femme de lettres, Colette was open about her lesbian relationships (first encouraged by her first husband) and challenged gender norms throughout her career. In addition to writing, she was also a theatre performer and mime. During one such performance at the Moulin Rouge in 1907, entitled “La Reve d’Egypte (“The Dream of Egypt”), she caused an immense scandal by passionately kissing her lover, Mathilde de Morny, on stage. Colette wrote over 30 works, her most famous being the novella Gigi. Published in 1944, the book recounts the story of a young courtesan who defies tradition by marrying her wealthy lover. It was later adapted to film, first in 1949 by French director Jacqueline Audry and then in 1957 as a Hollywood musical film which went on to win Best Picture at the Academy Awards. She too was the subject of a biopic in 2018; simply entitled Colette, it was directed by Wash Westmoreland and starred Keira Knightley.

Gertrude Stein, Basket and Alice B. Toklas in LIFE Magazine, Photography by Carl Mydans

Gertrude Stein & Alice B. Toklas  

Influential figures in early 20th century literary and artistic circles, the American couple first met in Paris in 1906 and remained together until Stein’s death in 1946. In addition to collecting artthey hosted weekly salons in their apartment on rue Fleurus, which attracted to top artist and writers of the era. Stein wrote several books, including one on the great Spanish painter, Picasso(studied in our Modernism and Paris module of our Paris MA Programmes) and The Autobiography of Alice B. Toklas, a quasi-memoir of their Paris years written in the voice of Alice B. Toklas. Tolkas also published a few works: two cookbooks and an autobiography entitled What Is Remembered.  

Coccinelle in Europa di Notte, directed by Alessandro Blasetti

Coccinelle 

A transgender French actress, entertainer and singer, Jacqueline Charlotte Dufresnoy, who went by the stage name Coccinelle (French for ladybug/ladybird), was the first widely publicised post-war gender reassignment case in Europe. She made her debut as a transgender performer in 1953 at Madame Arthur, Paris’s first drag cabaret (which is still open and puts on an excellent show)In 1958 she underwent a vaginoplasty in Casablanca and became a media sensation upon returning to France. Her career continued to flourish, both on stage and on screen. I1960 she married journalist Francis Bonne, which was the first transgender union to be legally recognised in FranceThroughout her life, she was also an important advocate for transgender rights. 

Living In Arcadia André Baudry  

Living In Arcadia by Julian Jackson and André Baudry

André Baudry  

A former seminarian and philosophy professorAndré Baudry founded Arcadie in 1954, France’s first organisation for “homophiles, a term Baudry preferred to “homosexuals”. A magazine and clubhouse followed soon afterwards. At the time, it was the only public voice for French gays and, over the course of its 30-year history, it became the largest group of its kind in France. The organisation garnered the support of a range of personalities from Jean Cocteau to Michel Foucault, however, that isn’t to say things were always smooth sailing. After its launch, the magazine was censured and forbidden for sale to minors. In 1955, Baudry himself was prosecuted for “outrage aux bonnes mœurs” (outrage against good morals), convicted, and fined 400,000 francs. The history of the organisation, and this time period in France, are explored in Historian Julian Jackson’s book Living in Arcadia (University of Chicago Press, 2009).  

Writer James Balwin, Giovanni’s Room (1956)

James Baldwin 

American writer and activist James Baldwin first came to Paris at the age of 24, attracted to the greater freedom France offered him as both a person of colour and a homosexual. Shortly after his arrival, Baldwin got involved in the cultural radicalism movement that was brewing in the Rive GaucheHe was also working on his second novel, Giovanni’s Roomwhich was published in 1956. Set in Paris, the story revolves around a tormented love affair between the American narrator, David, and Giovanni, an Italian bartender. The book caused considerable controversy at the time of its publication due to its homoerotic content, but went on to become a seminal work in queer literatureYou can delve further into Giovanni’s Room in this powerpoint by Kent staff member Dr Declan Kavanagh or this article in the Guardian. Baldwin spent much of the rest of his life living in France, namely in the southern French village of Saint-Paul-de-Vence, where he settled in 1970. The writer’s contributions to the Paris’s cultural heritage will be honoured with a new media library dedicated to him, scheduled to open in 2023.  

Yves Saint Laurent and Pierre Bergé, 1983. Foundation Pierre Bergé Yves Saint Laurent.

Yves Saint Laurent and Pierre Bergé 

Partners in life and business, Yves Saint Laurent and Pierre Bergé’s impact on Paris’s creative world went far beyond fashion. Working as a designer for Dior, Yves Saint Laurent met businessman Pierre Bergé in 1958. They went on to launch Yves Saint Laurent’s own fashion house together in 1961. Although the couple’s relationship ended in 1976, they remained lifelong friends and business partners. In 2002 they created the Fondation Pierre-Bergé-Yves Saint Laurent in the designer’s former studio and offices, housed in a historic mansion in the 16th district of Paris. It hosts temporary exhibits on Saint Laurent’s work and provides support to cultural institutions and projects. You can view their collection online here or you may like to watch one of the two French films on the designer released in 2014; Jalil Lespert’s Yves Saint Laurent and Bertrand Bonello’s Saint Laurent, which was an official selection at that year’s Cannes Film Festival. You’ll have to watch both to decide which one you think is best! 

 

Further Resources  

120 bpm – This is another recent film we can highly recommendThe movie chronicles how ACT UP Paris fought to increase awareness of queer rights and information on the AIDS crisiin the early 1990s in France. Directed by Robin Campillo, it won the Grand Prix at Cannes in 2017 and six César Awards (the French Oscars) including Best Film. 

Les Mots à la Bouche – You can find an extensive collection of books and DVDs at this LGBTQ bookshop located in the 11th arrondissement. 

LGBTQ Centre Paris – This popular community centre in the Marais organises workshops, talkshas lending library and is a great resource on LGBTQ events, culture, wellbeing and activism in Paris.
 

What to do in Paris right now: 5 Covid and curfew safe activities 

Although many of Paris cultural institutions, including museums, historic sites and cinemas, are temporarily closed due to Covid-19 safety protocols, there are still a number of ways in which one can experience culture. From street art tours to virtual literary events, here are five creative alternatives cultural things to do in Paris that are both safe and accessible.

Street Art murals - Paris 75013

Street Art murals, Paris 75013. Photo: Lily Heise

Get Your Art Fix

Museums may be currently closed, however, most private art galleries around the city are open. Many of the best contemporary galleries are located in the Upper Marais, on and around rue Vieille du Temple (some are listed here). Or if you’re interested in more alternative contemporary art, you can discover Parisian street art by following one of these self-guided walking tours around Belleville or the 13th, two of the city’s top street art hubs.

Ten Belles Coffee Paris

Photo Courtesy of Ten Belles Paris

Enjoy Some Café Life

Although we are not able to sit on café terraces for the time being, a number of modern coffee shops are open for takeaway. Plus, the following ones are also close to great places for strolling, coffee in hand: Ten Belles (near the Canal St-Martin), Café Kitsuné (close to the Palais-Royal Garden and the Tuileries Gardens) KBOla’s Café and Marlette (bordering Montmartre).

MyFrenchFilmFestival.com

Experience French Cinema Culture

Film culture is very important in Paris and fortunately this isn’t completely paused right now. The Franco-German channel Arte is streaming some great free movies and documentaries, Lost in Frenchlation, a cool organisation which screens French cinema with subtitles in English and usually with Q&A with the director, is hosting some virtual events (the next one is Sat 23 January), or MyFrenchFilmFestival.com is currently taking place (through 15 February).

Author Rowan Hisayo Buchanan and her books Harmless Like you and Starling Days

Attend Literary Events

While in-person book readings and signings are on hold, there is a wide range of virtual events taking place. The American Library in Paris has several book groups as well as regular author talks (there are somegreat events coming up – rsvp required) or consider joining the Feminist Book Club (next online event 28 January), Paris Lit Up or one of these book clubs. These excellent English bookshops are also open right now.

Kent’s School of English also holds virtual events via its weekly Creative Writing Reading Series, held Tuesdays 6-7pm (GMT). On 26 January the guest will be Rowan Hisayo Buchanan, award-winning author of Harmless Like You and Starling Days. Join via Zoom here.

Photo courtesy of Chateau de Fontainebleau

Explore Ile-de-France

If you had been hoping to visit some of the historic sites in the Ile-de-France, the greater Parisian region, there are actually various opportunities. Although the interiors are closed for now, the gardens of many castles are still opened, like Versailles and Fontainebleau (the latter is also organizing tours of the gardens in French on weekends through the end of January). There are dozens of charming historic towns that are easy to get to from central Paris, like Provins, a well-preserved medieval town which is only an hour’s train ride away.

Immerse yourself in Paris and French culture through our MA programmes in Film Studies, the Philosophy of Art, Creative Writing and Medieval and Early Modern Studies. Learn more about our programmes here.