Tag Archives: Film MA

Reflet-Médicis

The Best Historic Art House Cinemas in Paris

Since the first ever public film screening in 1895, Parisians have been big cinéphiles, or film buffs. The city’s phenomenal film culture is definitely a top reason to study film in Paris. One of the best ways of experiencing this is by attending screenings at one of the Paris’s historic cinemas. The following movie theatres have both excellent screening agendas and fascinating histories.

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Le Champo. Photo LPLT / CC

Le Champo

Opened in 1938, this is one of the leading movie theatres in the Latin Quarter, where many of the art house cinemas in Paris are located. Down the street from the Sorbonne, it’s popular with students of the University of Paris and was an important cinema for La Nouvelle Vague. In fact, François Truffaut deemed it his “headquarters” and by Claude Chabrol considered it as his “second university”. In the early 2000s, with worries that the cinema might close down, a group of cinema professionals, including Cédric Klapisch and Isabelle Huppert, succeeded in saving the cinema and getting it classified as a national monument.

Cinéma du Panthéon

Established in 1907, this is the oldest movie theatre in the city. In 1929 it was bought by Pierre Braunberger, the producer who is credited for discovering La Nouvelle Vague greats such as Jean-Luc Godard, Alain Resnais and Jean-Pierre Melville. As such, the cinema became a showcase for the French New Wave and was one of the first French cinemas to screen foreign films in their original language. In 2006 the theatre saw a modern touch with the addition of a stylish “salon” co-designed by actress Catherine Deneuve.

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Studio 28. Photo: Tatvam / CC

Le Studio 28

Considered by Jean Cocteau as “the cinema of masterpieces, the masterpiece of cinemas”, this eclectic art house cinema is tucked away on a small street in Montmartre. It was inaugurated in 1928 with a screening of Abel Gance’s Napoléon and quickly became popular with the avant-garde artists and filmmakers of the time. It’s lobby even once included artwork by Dali, Joan Miro, Max Ernst, Man Ray, and Pierre Tanguy. In November 1930, Luis Bunuel and Salvador Dali’s film L’Age d’Or premiered at the theatre. The film, which aimed to question the Roman Catholic Church’s strict policies on sexuality, caused such an uproar that the film was banned within a week and the cinema was ransacked by right-wing rioters. The movie theatre managed to persist through those turbulent times and has carried on with its innovative programming. Even if you haven’t been to the cinema yet, you might have already since it as it was featured in Jean-Pierre Jeunet’s 2001 film Amélie.

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Le Louxor

This beautiful Art Deco cinema has had many lives since opening in 1921. As you might guess by its name, it features an Egyptian inspired façade, with gilded mosaics, and it had a Pharaonic-sized screening at 1,195 seats, making it one of the largest in Paris at the time (it has since been reduced). Despite its façade and roof being classified as national monuments in the early 1970s, cinema-going was then beginning to wane in Paris. This led to the building being transformed into the biggest gay nightclub in the city before being abandoned for a decade. It was fortunately bought by the city of Paris in 2003, leading to its restoration and reopening in 2013. Before or after your film, grab a drink at its bar which has a terrace with lovely views of Montmartre.

Le-Lucernaire-paris

Lucernaire

Although this multifunction theatre and cinema isn’t as old as some of the others on the list, it still holds its place in the Parisian art house scene. Opened in 1969, the Montparnasse venue is comprised of three theatres, three screening rooms, a bookshop, art gallery, restaurant and bar. Whether it’s the art on display or the films being screened, the establishment aims to foster new talents, creativity and interconnectivity between art forms. What’s more, it’s conveniently located down the street from our Paris School.

Studio-Galande-Film-in-Paris

Studio Galande. Photo: LPLT / CC

Studio Galande

Another Latin Quarter film institution, this small theatre has occupied a cellar near Notre Dame since 1973. Although it has a diverse programme of art house films from all around the globe, it is best known for its twice-weekly screenings of The Rocky Horror Picture Show. Held every Friday and Saturday night at 10 pm, the Studio Galande is the only European movie theatre to still have regular screenings of Jim Sharman’s cult musical comedy. The lively screenings are accompanied by local costumed performers who lead the audience in sing-alongs and dancing.

Reflet Médicis

Originally a theatre for dramatic productions, since 1964 this Latin Quarter cinema has become one of Paris leading and most active independent film venues. In addition to an varied agenda of art house films of both past and present, the cinema hosts regular retrospectives, debates and conferences. Today it is now part of the Dulac Cinémas, a small group of art house cinemas striving to keep this tradition alive.

Interesting in immersing yourself in Film in Paris? Consider pursuing your knowledge during the one-year Film Master’s degree programme offer by our Paris School of Arts and Culture.

Filmmaker Ece Ger, Film MA in Paris alumna

Graduate Profile: Filmmaker Ece Ger

In this edition of our Paris School of Arts and Culture (PSAC) Alumni Spotlight series we connect with Ece Ger, a graduate of our Film MA. The Turkish filmmaker tells us how she ended up studying abroad in Paris and how the experience at PSAC led to the making of her first film, Meeting Jim, a moving documentary on Jim Haynes, an important figure in the Paris cultural and expat community.  Jim Haynes sadly passed away at the beginning of 2021 and a tribute screening of the film will be held virtually, via the film’s website and on BBC Scotland ,from 5 to 8 March, 2021. Further details on this at the end of Ece’s interview below.

Filmmaker Ece Ger

Where are you from and what originally brought you to Paris? 

I am from Istanbul, Turkey, but was born in Wien, Austria. My initial plan was to apply for the Kent MA programme which takes place in Canterbury for the whole three terms. However, an alumni friend of mine shared his own Paris experience with me and advised me to choose the Paris MA programme to submit. I am so glad that I listened to his advice and had the opportunity to study film in Paris at Reid Hall.

What attracted you most about studying at PSAC?   

Diving into the history of French Cinema, having the chance to observe the connections between one of the most cinematic cities in the world and cinema, discovering how they influenced each other… exploring all these new aspects is what attracted me the most about studying at PSAC.

“The Burghers of Calais” by Rodin, photo by Tommy O’Donogue

What were some of the highlights of your experience? 

 The most important highlight of my experience was the lecture of Frances Guerin called “Modernism and Paris”.  I remember being so inspired not only by learning about the early history of cinema but also by starting to perceive the cinematographic connections between the past and the present time in the city of Paris.

As Kent film students, we had access to the Cinémathèque Française. Going there several times a week to work on my thesis was one of the highlights of my time in Paris. Spending time at the Cinémathèque inspired and motivated me to learn more about my research topic, to discover a tiny bit of the film ocean while enjoying the delicious tartines at Les 400 Coups, the restaurant of the Cinémathèque.

I also remember the day which our art professor took us to the Rodin Museum. That day, my classmate Tommy O’Donogue took a photo of “The Burghers of Calais”, which won the photography award at the end of the year. While listening to the story of those burghers waiting to be executed, I saw the photograph Tommy took. In the frame, there was only the sculpture and the gaze of one of our classmates. Suddenly, that photograph became a bridge in my mind than connected those hopeless people and our classmate. It was one of those moments to realise how the information was transmitted between generations through any medium of art. The past and the present moment could get really close to each other, even intertwine through one image, through one story or a film. I never forgot that moment of realisation which was a true inspiration for me.

Last but not least, I met Jim Haynes through the guest professor Dina Iordinova who gave a seminar at Reid Hall. Frances Guerin introduced me to her after the seminar and Dina Iordinova introduced me to Jim Haynes, who was going to become the subject of my first feature-length documentary.

Excerpts from the Q&A and screening of Meeting Jim held at Reid Hall in March 2019

What are you currently doing and how did that opportunity come about?  

I am writing a comedy story full of spontaneous encounters that take place in Paris and a few more cities. During these difficult pandemic days, it’s the best way for me to stay optimistic.

Do you think that your studies at PSAC helped with your career prospects? 

The word help is not enough to describe the influence of PSAC on me and on my journey as a filmmaker. If I would have to come up with one sentence with the word “career”, I’d say, my career came to life at Reid Hall. All the adventure started there back in 2015. 

Would you recommend PSAC to potential students and if so what would you tell them? 

 I would recommend to all the potential students to leave everything else and run to PSAC to feel inspired, to get connected, to gain deeper knowledge in their own fields and to discover their true passions and interests.

Meeting Jim – Free Screening 5-8 March, 2021

To mark the two-month anniversary of Jim Haynes passing, a screening of the film is being organised. Here’s how you can view it:

  • IF YOU ARE BASED IN THE UK, the broadcast will take place at 21:00 (London time) 6 March simultaneously on BBC Scotland, Freeview/YouView, Freesat, Sky, Virgin Media and BBC iPlayer. After that, the documentary will be available on BBC iPlayer for a limited period of time.
  • FOR THE REST OF THE WORLD, the film will be available to watch for free here on www.meetingjim.com for 72 hours, starting from 19:00 Paris time on Friday, 5 March until 19:00 Paris time on Monday, 8 March.

Merci beaucoup Ece!

Connect with or follow Ece and her projects on:

Ece Ger’s Instagram

Meeting Jim – Official Website

Meeting Jim – Instagram

Meeting Jim – Facebook Page

Meeting Jim – Twitter