Category Archives: Literature

Refractions: Paris Postgraduate Festival 2023 Full Programme

In a world of sensory stimulants, art is the prism through which we refract our experiences. This year’s Paris Postgraduate Festival takes on the theme of Refractions. Taking place from 5th-9th June, these 5 free events will disperse the prismatic visions of artists across multiple Parisian venues. Please see the festival website to sign up and RSVP. 

Pop-up Exhibition. Agora.

Monday June 5, 2023: Festival launch and Pop-up Exhibition

The 2023 festival will launch with a pop-up exhibition featuring artworks, sounds, and, of course, wine. Visit us in the 11th district of Paris where we will exhibit the work of a range of emerging artists, based in Paris, accompanied by audio inspirations.

WHEN + WHERE: 5:30-9:30 PM, Mon Pop-up Paris, 14 rue Jean Mace, 75011 

 

Peniche Cinema – La Baruda. Time Out.

Tuesday June 6, 2023: Sounds & Visions 

We present an experimental event incorporating live jazz music from Antoine Karacostas, accompanied by a programme of exceptional short films. Experience a new form of silent cinema, an amalgamation of contemporary and archive.

WHEN + WHERE: 5:30 PM at La Péniche Cinéma – Le Baruda in La Villette, 75019 Paris

RSVP 

 

Wednesday June 7, 2023: Featured Author – Rebecca Watson

We invite you to join Featured Author Rebecca Watson in an afternoon of literary discussion and workshops. Experience an experimental writing workshop and an exclusive reading from Rebecca’s debut novel little scratch.

WHEN + WHERE:  2 PM at The Red Wheelbarrow Bookshop, 11 rue de Médicis No. 9, 75006 Paris

Space is limited – please sign up 

Thursday June 8, 2023: The Menteur Launch Party

Join us in celebrating the launch of Voyager, the 2023 edition of The Menteur, the Paris School of Art’s annual literary magazine. Come get your free copy of the magazine, listen to readings by featured authors, and clink a glass to celebrate! 

WHEN + WHERE: 1 PM at Rosa Bonheur Buttes Chaumont, 2 Av. de la Cascade, 75019 Paris

RSVP 

Parc des Buttes Chaumont.

Friday June 9, 2023: The Art of Communications

We close the festival with a workshop that will awaken all your senses; the writing and reading of poetry informed by olfactory exploration. This poetry and perfumery workshop will take place in the beautiful hills of Buttes Chaumont.

WHEN + WHERE: 6:30 PM at Parc Des Buttes-Chaumont, 1 Rue Botzaris, 75019 Paris.

Precise location will be provided to participants prior to the event.

Space is limited – please sign up 

E. Tracy Grinnell Named Writer in Residence 2022

The University of Kent Paris School of Arts and Culture is pleased to announce that E. Tracy Grinnell has been appointed to the fourth Paris Writer’s Residency in collaboration with the American University of Paris and the Centre Culturel Irlandais (Irish Arts Centre). We look forward to welcoming her to Paris in October to work with students at both our universities and to join our community of writers.

Grinnell has written four poetry books, including Hell Figures (Nightboat Books) which was a finalist for the Firecracker Award in Poetry, and her poetry has been translated into French, Serbian, Polish, and Portuguese. She translated way by Leslie Scalapino into French (Éditions Corti) along side Isabelle Garron. Her work has appeared in numerous collections and publications, including BAX 2016: Best American Experimental Writing, edited by Charles Bernstein and Tracie Morris (Wesleyan). Grinnell lives in Brooklyn, New York  and is the founding editor and director of Litmus Press.

During the month-long residency Grinnell will be leading workshops at the Paris School of Arts and Culture and the American University of Paris, and giving a public reading at the Centre Culturel Irlandais.

Learn more about our Creative Writing Master’s Programme in Paris here.

Graduate Profile: Writer Steve Sohmer

In the latest in our Alumni Spotlight series we connect with Steve Sohmer. A person of many talents, from Shakespearean scholar to television producer, Steve pursued a Master’s in Creative Writing at our Paris School, an academic experience which he is currently continuing as a PhD candidate of the School of English at Kent in Canterbury. In this interview we learn more about Steve’s career path, why he chose to study in Paris at PSAC and more about his experience with Kent, both in Paris and Canterbury.

Where are you from and what originally brought you to Paris?

I was born in Savannah, Georgia (US of A), raised in New York, and had been living in Los Angeles (where I squandered my childhood in film and television) before enrolling in the Kent Paris Creative Writing Masters Programme. My son was studying for a Bachelors and Masters at American University of Paris. So, Kent in Paris offered me the twin opportunities of studying in an excellent program while sharing digs in the 7ème with David. It was a splendid year on all counts. Papa was right; Paris is still a moveable feast.

What attracted you most about studying at PSAC?

I’d read a good deal about the PSAC program. And after reading their books, I was impressed by the instructors who would be available to me – particularly Dragan Todorovic and Amy Sackville. I’d urge every prospective creative writing student to read the work of the instructors they’ll study under and work with. Really good writers don’t always prove to be exceptional teachers. But at least you can be confident they know their onions. That’s important. Because as well as tutelage, you’re going to rely on them for that all-important criticism.

 

What were some of the highlights of your experience?

The classes I sat were, by and large, outstanding. And the pleasures of the classroom were delightfully augmented by the bright and interesting students with whom I shared them. They hailed from New Orleans and Moscow and Ho Chi Minh City. They were sharp and cosmopolitan. The conversations ranged every-which-way. And they had opinions about everything. So, the down-time between and after classes was as lively and thought-provoking as the classes themselves.

What are you currently doing and how did that come about?

The Kent PhD in Creative Writing caught my ear while listening to Dragan Todorovic describe how the programme worked. Then he turned to me and said, “You should think about doing it.” I did. And right now, I’m in the thick of a Kent PhD with Dragan as my primary supervisor and Amy Sackville as overseer. There’s one great thing about this program I would hammer home to anyone who wants to learn to write a novel: Enrolling for the Kent PhD gets you an editor (or two) who will work with you, stick with you, and give you their best for up to four years and even longer. You’ll never-ever enjoy that luxury again, not with any publisher or agent, not in the book publishing environment of this day and age. Not when manuscripts are supposed to arrive camera-ready at the editor’s desk. The era when Thomas Wolfe had Maxwell Perkins as a tenacious and belligerent guiding angel for seven years are long gone. At Kent, for the long run you’ll have an experienced, multi-published author to work with you, advise you, challenge and console you. That is certainly worth the price of admission.

Do you think that your studies at PSAC helped with your career or creative endeavours?

After I published my first novel, I took 20 years off to have a career. Then I went back to the keyboard, wrote of pair of political thrillers, produced one for television, then took another 20-year sabbatical to read Shakespeare at Oxford and write books about him. When I wanted to return to fiction, I was sure those chops would be rusty from disuse. Which is why I enrolled in the PSAC Creative Writing program as a form of literary body-building for a return foray into fiction. I’d say it’s worked out well. If the novel I’m writing is published, I’d say quite well.

Would you recommend PSAC to potential students and if so what would you tell them?

Were a kid of mine coming to PSAC to study, I’d give them this advice: Steep yourself in Paris and the literature of France – from Rabelais to Stendhal to Sartre, Camus, Perec, de Beauvoir – even Romaine Gary and Jean Simmons. Think of the year(s) you’ll spend in Paris as an immersion, mind and soul. Infuse yourself with Parisian life and French lit until it oozes out of every pore. Learn to speak French if you’re capable, and speak it to everyone from your instructors to the doorman. At best, it will imbue you with a personal renaissance. If nothing else, the experience will throw the rest of your life into high relief so you’ll can recognize it for what it is and isn’t.

Merci beaucoup, Steve! You can find a list of Steve’s books here (ask for them at your local independent bookshop!). If you would also like to develop your own writer, learn more about our Creative Writing MA in Paris at this link.

Salle_de_lecture_Bibliotheque_Sainte-Genevieve_n02

Our Guide to Libraries in Paris

There is a wide variety of libraries (bibliothèques) available to you during your studies at the Paris School of Arts and Culture. Whether you are looking for a quiet space to study or searching for specific material for your research, you can find the best venue to suit your needs in this helpful guide.

Bibliothèque Nationale de France

PSAC Library Memberships

As a student of our Paris School you will become a member of the Bibliothèque Nationale de France (the National Library of France and France’s premier research library, it is equivalent to the British Library) and the American Library in Paris, where we have a dedicated collection of books which are included on your module reading lists. You will be inducted into these libraries within the first few weeks of your first term. Once you are a member, you can use these libraries as study space as well. In addition to these, Reid Hall has a lovely library, which has workstations and power outlets, which is a tranquil and beautiful place to study, write or read.

Kent’s Digital Library, home to an extensive collection of e-books, e-journals, newspapers, and more, is an extremely valuable resource during your studies. We recommend you attend our Digital Library presentation in order to make the most of these resources for your research.


Bibliothèque Publique d’Information, Centre Pompidou. Photo: Paris Info

Speciality Libraries in Paris

Paris has a number of excellent speciality libraries which you may like to visit depending on your programme. Here are the main ones you may want to use:

Bibliothèque Sainte-Geneviève Online Pre-Registration Form

Bibliothèque Sainte-Geneviève

This beautiful historic library (top photo), located next to the Pantheon and in the heart of Paris’ academic centre around the Sorbonne University, is a wonderful place to study. It is free to use the library, however, you first need to register to get a library card. Here are instructions on how to do this:

 

  1. Create an account on the Bibliothèque Sainte-Geneviève website (see image above for the French-English translation).
  2. Bring ID and student card to the welcome desk within a month of online registration, photocopies are not accepted.

la Bibliothèque du cinéma François Truffaut. Photo: Ville de Paris

City of Paris Public Libraries

There are over 50 public libraries around Paris. They are all free to use and open to anyone. You can use their study spaces without becoming a member, however, to take out material from their collections you need to enrol. You can do this at any one library and your card is valid at all the libraries in the network. To enrol you will need to bring your ID and proof of your Paris residency. Further details in English here.

Top Photo: Salle de lecture Bibliotheque Sainte-Genevieve. Marie-Lan Nguyen / CC

Creative Writing Lecturer Yelena Moskovich Interviewed by BOMB Magazine

Author Yelena Moskovich, lecturer in our Creative Writing MA Programme at the Paris School of Arts and Culture, was recently interviewed for BOMB Magazine by ​Grace Lavery, associate professor in the Department of English at UC Berkeley and general editor of Transgender Studies Quarterly.

Entitled Our First Mask, The Body, in the interview Yelena and Grace discuss the body in relationship to literature, theatre and Yelena’s new book, A Door Behind a Door (Two Dollar Radio), released in May 2021.

Read the full interview at this link.

Yelena Moskovich on A Door Behind a Door

Creative Writing Lecturer Yelena Moskovich Interviewed by Los Angeles Review of Books

Author and lecturer in our creative writing programme Yelena Moskovich, was recently interviewed by Nathan Scott McNamara for the Los Angeles Review of Books.

The interview explores Yelena’s latest book, A Door Behind a Door in relation to her previous two books The Natashas and Virtuoso. They are discuss the unique structure and rhythm of A Door Behind a Door as well as Yelena’s relationship to space, geography and language. Read the full article at this link.

Enhance your craft by pursuing our Creative Writing MA programme at our Paris School of Arts and Culture, which is offered both part-time and full-time. Learn more about the programme here.

Maison de Balzac. Paris Info

Trace the Literary Greats of Paris at their Former Residences

Paris’s literary traditions go back hundreds of years and countless writers have lived across the city and been inspired by it and its residents. Some of these are commemorated by plaques, while others are have been converted into museums. Visiting these former residences of writers in Paris, even from the outside, provides fascinating insight into their lives and works.

Maison-de-Victor-Hugo

Maison de Victor Hugo. Paris Info

Victor Hugo

Maison de Victor Hugo, 6 Place des Vosges, 75004

One of France’s most beloved authors lived in an apartment on Place des Vosges for 16 years from 1832 to 1848. It was here where Hugo worked on some of his most famous works, from novels (Les Miserables) to plays (Marie Tudor) and collections of poems (Beams and Shadows, The Legends of the Centuries). Converted into a museum run by the City of Paris, the Maison de Victor Hugo displays personal artifacts of the author and sheds light into life of the 19th century.

Maison de Balzac and top photo: Paris Info

Honoré de Balzac

Maison de Balzac, 47 Rue Raynouard, 75016 Paris

Hidden away on the “edge” of what was the village of Passy in the current day 16th district of the city, a countryside ambiance continues to prevail at this cottage lived in by Honoré de Balzac from 1840 to 1847. It was here where he edited La Comedie humaine and worked on La RabouilleuseUne ténébreuse affaire, La Cousine Bette, among others. Another museum of the City of Paris, since 1971 it has displayed manuscripts, original editions and other memorabilia linked to the writer.

Marcel Proust’s bedroom at the Musée Carnavalet

Marcel Proust

102 Blvd Haussmann, 75008

Proust spent much of his childhood in various apartments around the chic Parc Monceau. After his parents died he moved to this nearby apartment, which had belonged to his maternal uncle. He lived here from 1906 to 1919 and it is where he wrote much of his opus In Search of Lost Time. Now a bank, a plaque on the wall commemorates Proust’s time here. Although you can’t visit the interior of this elegant building, you can get a glimpse of the author’s bedroom, with furniture and other personal affects, on display in the Musée Carnavalet.

Plaque for Oscar Wilde on l’Hotel,  Mu/CC

Wilde, Wolfe, Borges

L’Hôtel, 13 rue des Beaux Arts, 75006

Now a luxury hotel, this once down and out establishment of the Left Bank has housed a variety of writers. Having fled England for France in 1897, Irish playwright and poet Oscar Wilde was staying at this hotel when he passed away on 30 November, 1900. This is commemorated by a plate on the outside of the building and Wilde’s final resting place is the Pere Lachaise cemetery. English writer Thomas Wolfe also lived here for a year in 1925 and later in the century Argentinian writer Jorge Luis Borges regularly stayed at the hotel between 1977 and 1984.

Gertrude Stein's apartment rue Fleurus

Gertrude Stein’s apartment on rue Fleurus

Gertrude Stein

27 rue Fleurus, 75006

One of the most important cultural addresses of the early 20th century, Gertrude Stein and her brother Leo, then Alice B. Toklas, lived in an apartment at this Left Bank address from 1903 to 1937. It was here where Stein held her famous literary salons and worked on her books here including The Autobiography of Alice B. Toklas, published in 1933. You can observe a plaque dedicated to her above the building’s entrance.

Hemingway Plaque on Rue Cardinal Lemoine. FLLL / CC

Ernest Hemingway

74 Cardinal Lemoine, 75005, 113 rue Notre-Dame-des-Champs, 75006, 6 rue Férou, 75006 and 69 rue Froidevaux, 75014

When they arrived in Paris, Ernest Hemingway and his first wife, Hadley, lived in a tiny apartment behind the Pantheon on rue Cardinal Lemoine from January 1922 until August 1923. He described this drafty residence in his memoir A Moveable Feast. There is also a commemorative plaque on the wall of the building. They later lived on Notre-Dame-des-Champs, near our Paris School, the Luxembourg Gardens and his favourite hangout, La Closerie des Lilas, in a long dusty flat above a sawmill and where Ezra Pound also had a studio. He stayed in the area when he moved in with his second companion, Pauline Pfeiffer, first living on the other side of the park on rue Férou and then further south in the Montparnasse district on rue Froidevaux.

58 rue de Vaugirard. Celette / CC

Scott and Zelda Fitzgerald

14 rue de Tilsitt, 75008 and 58 rue Vaugirard, 75006

The Fitzergeralds lived in various apartments in Paris, both on the Right and Left Bank of the city. When they first moved to Paris in 1925, they lived on a small side street, rue de Tilsitt, in the 8th arrondissement and around the corner from the Arc de Triomphe. They later crossed over to the Left Bank, where most of their friends were living, and in 1928 took up an apartment on rue de Vaugirard, near the Luxembourg Gardens.

Rue de Verneuil. Mbzt / CC

James Baldwin

Rue de Verneuil, 75007

This narrow street of the Saint Germain neighborhood is now famous for bearing the house of iconic French singer Serge Gainsberg, however, it once held several third-rate hotels. It was in these that James Baldwin lived during his early years in Paris. From here it was a short walk to the Café de Flore, popular with writers of the era and a favorite of Baldwin’s.

Looking to be inspired in your own writing in Paris? Advance your craft during our one-year Master’s in Creative Writing in Paris. Learn more about the programme here.

Graduate Profile: Writer Tom Baragwanath

In the latest edition of our Alumni Spotlight series we connect with writer Tom Baragwanath, an alumnus of our Master’s in Creative Writing in Paris. Originally from New Zealand, Tom has recently been shortlisted for the 2021 Michael Gifkins Prize for an unpublished manuscript, Paper Cage, which he commenced during his Master’s. Read more about how Tom’s experience in our programme helped him advance his craft in our interview with him below.

Where are you from and what originally brought you to Paris?

I’m originally from Masterton, a small town in the rural Wairarapa region of New Zealand. I moved to Paris with my wife around four years ago. I have some family here and in the UK, and Paris has always attracted me as a place to live. It’s been fantastic to discover it over the last few years – though there’s still so much more for me to find, even in my quartier.

What attracted you most about studying at PSAC?

I’ve dabbled in writing fiction for a while now, and I was looking for a way to bring some structure and rigour to what I was doing on my own. I looked into a bunch of online programmes and programmes in the UK and the US, but being based in Paris already, PSAC was a convenient choice. I was also excited to see the kinds of writers teaching at PSAC, and I wanted to see how their particular styles, experiences, and practices could inform mine.

What were some of the highlights of your experience?

The biggest highlight for me was forming a new group of friends with fellow students, and having the opportunity to benefit from our collective suggestions on in-progress work. I’ve been part of a few writer’s groups in the past (with mixed results, frankly), and it was fantastic to be part of an environment in which people take writing seriously, and where writers are encouraged to approach their craft with discipline and energy. Every single class was a chance to find new inspiration in what other students were working on, and that can be hard to find. The guidance and suggestions from our teachers were indispensable, and helped me to find some new ways to approach the themes and concerns I’ve been working out through my fiction.

What are you currently doing and how did that opportunity come about?

At the moment I’m working in marketing as a Senior Content Editor for an EdTech startup in Paris, developing my manuscript Paper Cage, and refining a set of short stories I’ve had on the boil for a few years now. The opportunity came about through some freelance marketing work I was doing during my master’s programme, and it’s been fantastic so far. Good marketing is all about beguiling the audience with urgent and enjoyable stories, so a master’s in creative writing is pretty handy.

Do you think that your studies at PSAC helped with your career prospects?

Definitely – although that wasn’t at the top of my list when I signed up. My background is in law and public policy in New Zealand, so studying fiction full-time for a year did seem at times like something of an indulgence for me, especially considering how dry some of my previous work has been by comparison. Besides being helpful from a career perspective, programmes like the creative writing masters at Kent are one of the few places people are encouraged to treat fiction seriously, and not just as a part-time lark.

 

Would you recommend PSAC to potential students and if so what would you tell them?

For sure. I’d recommend PSAC to anyone thinking about taking some time to study something personally enriching in a stimulating and challenging academic environment, with attentive and dedicated teachers. It doesn’t hurt that you also get to spend time in one of the world’s greatest cities, either.

Learn more about Tom and his writing on his website.

Merci beaucoup, Tom!

Earful tower youtube

From History to Writing, Our Favorite Paris Podcasts

Over the past few years podcasts have become increasingly popular. They are a wonderful way to learn or enrich yourself while on the go or multitasking. This flourishing has also led to a rise in Paris podcasts, ranging from history to current affairs and from French lessons to tips from writers. The following podcasts are ideal for prepping for living in Paris, discovering insightful things about its history and learning how to navigate the city.

Paris History and Current Life

The Earful Tower logo

The Earful Tower

Hosted by Paris-based Australian Oliver Gee, every week this podcast focuses on a France or Paris related subject ranging from Parisian doorways to unusual vocabulary. The show often has special guests who add their thoughts on that week’s topic. It’s a fun and engaging way to learn about Paris as well as the trials, tribulations and joys of living in the City of Light.

Paname Podcast logo

Paname

Created by actress, comedian and tour guide Amber Minogue, this podcast, bearing the nickname Parisians have for the city, covers a secret, lesser known topic in each episode. Well researched and presented in an engaging manner, it’s a deeper dive into Parisian history and important figures which have left their mark on the capital. Subjects have included Cardinal Richelieu, the guillotine, the Bastille prison and more offbeat topics like haunted chairs or immortal clockmakers.

Mapping Paris

Our cohorts at the University of London Institute in Paris have created this podcast which is produced by students pursuing its Urban History & Culture MA. “An auditory adventure of Paris”, each episode provides a new perspective on the sites of Paris and broadens listeners understanding of what Paris is today. The short episodes make for the perfect cultural break while in transit, perhaps to our Paris School!
The New Paris Podcast

The New Paris

If you are interest in learning more about today’s Paris, then tune into this podcast hosted by writers Lindsey Tramuta and Alice Cavanagh, The show is an audio extension of Lindsey’s book of the same name. Each episode covers a specific subject relating to how Paris is evolving in the 21st century and usually involves a special guest, from restaurant owners to writers.

Paris Underground Radio

Paris Underground Radio

Launched in autumn 2021, this is a great new Paris podcast network which brings together 12 podcasts on a range of topics including food and wine, real estate, events and history. If you’re looking for unique things to do in Paris, you might like to check out Don’t Miss This, a weekly show released on Sundays and showcasing cool events, exhibitions and more. For exploring the city, listen in to Paris Cachée, a show investigating hidden sites with fascinating or unusual history. For tips on understanding the French through language, listen to Navigating the French.

Writing & Creativity

Right to Write – Paris

This podcast interviews the writers who participate in the Paris Writers Group held every month at the American Church. They provide insight into writing strategies and discusses how they’ve found inspiration in the City of Light, a place which has inspired so many great writers over the years. You can focus on your own writing my pursuing our Master’s in Creative Writing in Paris.

The Feminist Book Chat Podcast

The Feminist Book Chat Podcast

This bi-monthly podcast was born out of an in-person book club held founded by Lou Binns and Camille Lou at the famous Shakespeare & Company bookstore. Each episode revolves around a range of subjects from feminist literature to BIPOC feminism and queer culture.

La Vie Creative Podcast

La Vie Creative

Hosted by American expat and photographer Krystal Kenney, this podcast focuses on creatives in Paris and how the city inspires creativity. The weekly episodes feature artists, designers, writers and other personalities in Paris. She also hosts a side podcast, “History with a Hemingway”, co-hosted by Claudine Hemingway, a relative of Ernest Hemingway.

Learning French

Coffee Break French logo

Coffee Break French

This podcast is hosted by Mark, a Scottish native who teaches French, and is a great match for beginners. Mark helps makes French less daunting with his interactive lessons which cover useful basic vocabulary, grammar and more. It’s a fun way to get started with learning French!

Français authentique

If you already have a foundation of the French language, then try this podcast, hosted by Frenchman Johan. Each episode covers a different theme such as improving one’s pronunciation, expressions and language learning tips. They are also available in video form with French subtitles.

Happy Listening everyone!

Café Les Deux Magots Paris

Top Historic Literary Cafés of the Left Bank

Since the Age of Enlightenment, cafés became a popular meeting place of intellectuals and writers. This was especially the case over the course of the 20th century when the waterholes of la Rive Gauche developed legendary statues thanks to the literary greats who graced their tables. Although these literary cafés of the Left Bank no longer attract bohemian scribes like they did in bygone days, they are still worth making a pilgrimage to for current day writers and literary fans.

Le-Procope-Creative-Writing-MA-Paris

Le Procope

Considering the oldest café in Paris, this Left Bank institution has been welcoming intellectuals virtually since it opened in 1686. Thanks to the arrival of the Comédie Francaise theatre across the street in 1689, French playwrights, writers and philosophers naturally gravitated here. These include Condorcet, La Harpe, Voltaire, Rousseau and Diderot, who is thought to have worked on his famous Encyclopaedia at the café. More restaurant than café today, the classic establishment still has Voltaire’s favourite table, located on the first floor.

Les Deux Magots Cheng-en Cheng

Les Deux Magots. Photo: Cheng-en Cheng / CC

Les Deux Magots

One of the most famous cafés in Paris, if not the world, this classic institution was originally a fabrics and novelty shop which was converted into a café in 1884. It’s growing popularity with Lost Generation writers like Ernest Hemingway and James Joyce led the café to start its own literary prize in 1933. Writers continued to gravitated to it over decades including Bertolt Brecht and Vladimir Nabokov, who mentioned it in his 1955 novel Lolita.

Le Café de Flore

Le Café de Flore

Opened during the café boom of the 1880s, this iconic St-Germain café, and staunch rival of its neighbour Les Deux Magots, acted as the unofficial headquarters of existentialism philosophers Jean-Paul Sartre and Simone de Beauvoir for decades. Earlier in the century it was also a favorite of Apollinaire and Salmon, who worked on their arts review, Les Soirées de Paris, at the café. Albert Camus and poet Jacques Prévert could also found inspiration here.

La Closerie Des Lilas Paris writers

La Closerie Des Lilas

Along with St-Germain, the Montparnasse district was another literary hub of the first half of the 20th century. This historic café, opened in the 1860s, first attracted avant-garde artists before drawing in both French and foreign writers. French poets Paul Verlaine, Charles Baudelaire and Max Jacob could often be found here, pen or glass in hand. In their various eras one might encounter Samuel Beckett, Oscar Wilde, Fitzgerald and Henry Miller at its tables, however, it was Hemingway who frequented the venue the most. It’s said that he read Fitzgerald’s manuscript of The Great Gatsby here, he likely worked on The Sun Also Rises and the café is described in his memoir, A Moveable Feast.

La Rotonde Paris Writers cafe

La Rotonde

Another literary haunt of the Montparnasse district, and around the corner from our Paris School, this café used to be so popular that Hemingway wrote in The Sun Also Rises that, “no matter what cafe in Montparnasse you ask a taxi driver to bring you to from the right bank of the river, they always take you to the Rotonde.” In literary circles you could find Fitzgerald, T.S. Eliot and Gertrude Stein here as well as those in the art scene like Picasso, Modigliani and Cocteau. More recently, President Emmanuel Macron chose to celebrate his 2017 Presidential victory here, adding another chapter to the legendary café’s storied history.

Café Tournon

Photo courtesy of Café Tournon

Café Tournon

On the other side of the Luxembourg gardens, this unassuming neighbourhood café became a meeting place for the next generation of writers. In the 1950s one could find James Baldwin, Richard Wright, Chester Himes and William Gardner Smith debating around its tables over an afternoon coffee. The café also served as the early base of the staff and writers of the literary magazine The Paris Review.

Looking for inspiration for your own writing in Paris? Advance your craft by undertaking our Master’s in Creative Writing in Paris offered at our campus in the Montparnasse district.