TODAY: Final Reminder: Kathleen Loock seminar on Talkie Remakes, 1st of April, 2-4pm, KSR4

A final reminder that all are very welcome to attend this exciting event taking place today.

Kathleen Loock will be talking to us about Sound remakes on Wednesday the 1st of April, 2-4pm, KSR4. For directions to this location please visit  http://www.kent.ac.uk/timetabling/rooms/room.html?room=KS4

In order to engage fully with the seminar, it will be helpful to have read a chapter from Kathleen’s forthcoming book. If you have not already received this via the Melodrama Research Group mailing list and would like to attend the event, please email me on sp458@kent.ac.uk for access.

For more information on Kathleen’s visit, please see this previous post:

http://blogs.kent.ac.uk/melodramaresearchgroup/2015/02/19/kathleen-loocks-seminar-on-sound-remakes-of-silent-film-1st-of-april-2-4pm-ksr-4/

Reminder: Kathleen Loock seminar on Talkie Remakes, 1st of April, 2-4pm, KSR4

A quick reminder about an exciting upcoming event.

Kathleen Loock will be talking to us about Sound remakes on Wednesday the 1st of April, 2-4pm, KSR4.

In order to engage fully with the seminar, it will be helpful to have read a chapter from Kathleen’s forthcoming book. If you have not already received this via the Melodrama Research Group mailing list and would like to attend the event, please email me on sp458@kent.ac.uk for access.

For more information on Kathleen’s visit, please see this previous post:

http://blogs.kent.ac.uk/melodramaresearchgroup/2015/02/19/kathleen-loocks-seminar-on-sound-remakes-of-silent-film-1st-of-april-2-4pm-ksr-4/

 

Pam Cook’s essay ‘Text, Paratext, Subtext’ in SEQUENCE

Frances has also mentioned the exciting news of the recent publication of Pam Cook’s essay ‘Text, Paratext and Subtext’ in the online journal SEQUENCE. We were very happy to welcome Pam to speak on this subject of Mildred Pierce in its many forms at our Maternal Melodrama Symposium last May.

MP TV seriesThe following invitation to read Pam’s essay was written by REFRAME editor Dr Catherine Grant of the University of Sussex:

‘Writer-director Todd Haynes has previously recounted how film scholar Pam Cook’s 1978 foundational article “Duplicity in MILDRED PIERCE” informed his 2011 HBO miniseries adaptation of James M. Cain’s novel (an effective remaking of Michael Curtiz’ 1945 film). Now, in her new essay for the open access serial SEQUENCE (a REFRAME publication), Cook turns her attention to Haynes’ miniseries and its intertextual chain of makings and remakings, and explores, in particular, how we come to read it (or any other audiovisual artefact) as “maternal melodrama.” Her essay is online here:  http://reframe.sussex.ac.uk/sequence2/archive/sequence-2-2/.’

Do log in to comment, or email me on sp458@kent.ac.uk to add your thoughts, including any other melodrama links you’d like to add to the blog.

BFI Event on Female Stardom on 7th of March

Frances has very kindly drawn the Melodrama Research Group’s attention to an event taking place at the BFI on the 7th of March.

BFI Female Stardom event

The BFI invitation: ‘Join us for this special one-day course looking at the political and cultural questions raised by the dynamic careers of various female screen stars. Featuring illustrated presentations, film clips and extended discussions, we’ll assess stars of the 20s and 30s such as Marlene Dietrich, through to contemporary icons such as Jennifer Lawrence. As we study their performances and public personas, the ideas of leading thinkers in film studies and gender theory such as Laura Mulvey and Jacqueline Rose will also be considered. At the heart of our discussions will be Katharine Hepburn’s own fascinating career and how it helped shape notions of stardom and gender today.’

For more information, including a schedule of the BFI’s season of Katharine Hepburn films  and a link to buy tickets, please visit the BFI website:

https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=herpoliticsoffemalestardom

Do log in to comment, or email me on sp458@kent.ac.uk to add your thoughts, including any other melodrama links you’d like to add to the blog.

Kathleen Loock’s Seminar on Sound remakes of Silent Film, 1st of April, 2-4pm, KSR 4

We are very pleased to welcome Kathleen Loock to Kent. Kathleen has very kindly provided the following contextual information about her work which she will speak to us about in more detail on the 1st of April, 2-4 pm, in Keynes Seminar Room 4:

Sound Memories: “Talker Remakes,” Paratexts, and Cinematic (Self-)Historicization

 MPN_19301907_Greta Garbo Cartoon (2)

(The above is from Motion Picture News, 19th of July, 1930, p. 41).

During the transition to sound and throughout the 1930s, Hollywood remade a great number of former silent hits as talkies. Remaking was an established practice by that time, but since the coming of sound, cinema attendance had decisively increased with between 80 and 90 million Americans going to see double features every week in theaters that remained open all year long. Until the early 1940s, studios produced from 400 to 800 films each year, and recycling old properties was both a way to meet the public demand for talkies when it was difficult to find fresh stories, and to encourage return visits to the cinemas with tried and proven material. Hollywood movies had a “short shelf-life” at the time. They were essentially ephemeral commodities—quickly outdated and forgotten unless they were remade. In this sense, “talker remakes” replaced predecessors from the days of silent cinema with updated sound versions, yet in doing so they also preserved popular narratives for future media generations. In fact, they constructed these media generations and prompted them to recognize themselves as such in the ways their versions differed from earlier renditions of the same story. “Talker remakes” and the various paratexts that surrounded them evoked the memory of silent films as something of the past and framed the transition to sound as a narrative of technological progress. Thus, they made the historic development of cinema as a technological medium visible, and ultimately helped to construct and communicate a cinematic past and archive.

For more information on Kathleen’s work visit her staff page at Freie Universitat Berlin: http://www.jfki.fu-berlin.de/en/faculty/culture/persons/team/Loock/

Research Talk by Patrick Pilkington, 15th of December, MLT2, 5-7pm

We are very pleased to welcome Patrick Pilkington of the University of Warwick’s Film and Television Department to the University of Kent. Patrick will present a talk entitled ‘Laws of Desire: The Courtroom Trial Sequence in Classical Hollywood Melodrama’ which will take place on the 15th of December, Marlowe  Lecture Theatre 2 (MLT2) , 5-7pm.

Inherit the Wind

Abstract:

The trial sequence is a longstanding feature of Hollywood cinema’s narratives, from the silent era through to today. Despite a rich and varied history, the cinematic trial is most often associated with what Francis M. Nevins (1984) terms the “Golden Age” trial film, a small number of Hollywood productions made in the 1950s and 1960s that believe in and reinforce notions of a working, just system of law (for example: 12 Angry Men, To Kill a Mockingbird). I contrast this representational mode, focused on active, male protagonists – often in the role of the legal professional – with the depiction of the courtroom trial in a number of female-centred melodramas of the period that place a female protagonist on the stand. Paying special attention to films such as Written on the Wind (1956), Peyton Place (1957), and Madame X (1966), I locate a mode of representing the trial that is distinctly melodramatic in its emphases and conventions. The focus on the courtroom as a site of repression and revelation, and the designation of speech and silence during the trial, work alongside the employment of other conventions of melodrama including its hierarchical point-of-view and stylistic and narrative ‘excesses’. This produces a separate mode of representation that alternately works with and pushes against the conventions of trial depiction, giving voice to something other than a dominant, law-affirming point of view.

More information about Patrick:

http://www2.warwick.ac.uk/fac/arts/film/current/postgrads/graduate_research/patrickpilkington/

All are welcome to attend!

Melodrama Research Consortium Discussion on the 8th of December, Jarman 7, 5-7 pm

All are welcome to attend our next Melodrama Meeting which will take place on the 8th of December, Jarman 7, 5-7pm. We will be discussing in depth the group’s work with the Melodrama Research Consortium. Definitions of melodrama, especially in theatre and film, will be  a key focus.

Melodrama Research Consortium Discussion on the 8th of December, Jarman 7, 5-7 pm

Posted by Sarah

Following last week’s fruitful discussion on melodrama definitions and The Melodrama Research Consortium we have decided to use our session on 8th of December to take this further. We will therefore not be screening The Best Of Everything (1959) this term. Apologies for any disappointment caused.

Melodrama Discussion Session, 27th of October, Jarman 7, 5-7pm

Posted by Sarah

All are welcome to attend our next Melodrama Meeting which will take place on the 27th of October, Jarman 7, 5-7pm. We will not be screening a film but using the opportunity for more general discussion on Melodrama, especially relating to definitions, and the Melodrama Research Consortium’s  exciting work.