All are welcome to join us for our next screening and discussion session, which will take place on Monday the 27th of November, 5-7pm, in Jarman 6.
We will be screening and discussing Baby Face (1933, Alfred E. Green, 75 mins) – postponed from the last session.
Please refer to recent posts for more information on the film and some interesting extra-textual material.
My sincere apologies for any inconvenience caused, but we’ve had to cancel today’s melodrama meeting. We will hopefully show the film we planned to screen, Baby Face, at a later date.
In the meantime, you can read some great reviews of the film that Lies has gathered on our sister blog, NoRMMA: http://www.normmanetwork.com/?p=614
All are very welcome to join us for our next screening and discussion session, which will take place on Monday the 13th of November, 5-7pm, in Jarman 6.
We will be showing Alfred E. Green’s Baby Face (1933, 75 mins). We recently referenced this pre-code Hollywood film in our discussion of Tamsin Flower’s developing stage play, TRANSFORMER:
The film’s heroine (the ‘Baby Face’ of the title, played by Barbara Stanwyck) improves her material wealth by turning the tables on men who have abused her since she was a child. In addition to its interest to the group due to its melodramatic narrative, Baby Face raises lots of issues regarding the representation of women on screen and comments on society in the US in the 1930s. Despite the fact the film is over 80 years old, screening it seems especially timely. There is currently much coverage of Hollywood’s treatment of those who are perceived to hold less power, and of the brave men and women who are reporting their experiences of abuse in the industry.
The film also allows us to explore film history in more detail. The film was released not long before Hollywood’s Production Code, which policed the content of films, was implemented. Indeed, it is credited by some as being one of the handful of films which prompted the clampdown on what types of moral and sexual behaviour were acceptable on the screen. This led to the original version being edited, although both the censored and uncensored versions are available today and will be discussed at the session.
Do join us, if you can, for this important film.