Tag Archives: art history

LorenzoBarone

Graduate Profile: Art Gallery Director Lorenzo Barone

In the latest edition of our Graduate Profile series, we are pleased to introduce an alumnus who is still living in Paris. Originally from Italy, Lorenzo Barone came to Paris to pursue our History and Philosophy of Art Master’s Degree Programme, the first step to broadening his horizons and career path in the Paris and international art scene. Learn more about Lorenzo and his current activities in our interview.

Where are you from and what originally brought you to Paris?

I first came to Paris to study at PSAC in order to raise the level ofmy education in an international foreign language like English, as wellas learn a new language like French, and live in a wonderfulinternational capital as Paris.

What attracted you most about studying at PSAC?

What attracted me the most was the difference between PSAC’suniversity approach and my past experiences in Italy. More concretely,the debate and free exchange of ideas between professors and students,which I firmly believe is a more solid method for the academicmaturation of the students.

What were some of the highlights of your experience?

Not only is the environment magical at PSAC, where you can reallybreathe history, but I also had the opportunity to express mystudy proposals, and my creativity in front of professors and alumniduring lectures and events. The best moment? The tango lessons!

What are you currently doing and how did that come about?

Right now, I am director of the PIGMENT art gallery in Paris. Ibecame director after several internships in art galleries in Paris andworking in an international gallery in Milan as an in-house curator andlogistic manager.

Do you think that your studies at PSAC helped with your career orcreative endeavours?

Absolutely. The open-mindedness, the language, together withextensive studies, and the support of professors toward my interest incontemporary art, what I call “living art,” allowed me to develop acreative sense and rigorous approach, now indispensable in my work. Butalso, the contemporary poetry course, has spurred me to keep expressingmyself creatively and keep writing!

Would you recommend PSAC to potential students and if so what would you tell them?

I would absolutely recommend PSAC to all students who want tocontinue an excellent education in a stimulating environment and amagnificent city that offers not only culture but opportunities forcreative self-expression. If I had to give advice to future students, itwould be to not only think about getting an excellent education, but tomake the most of everything that staying at PSAC can offer, because thetime is not only books and classes, but human and cultural relationshipsthrough the city and events!

Merci Beaucoup, Lorenzo!

You can connect with Lorenzo on LinkedIn or Instagram. Learn more about PIGMENT art gallery and its exhibits on its website or Instagram.

Art-Themed Day Trips from Paris

Viewing artist masterpieces in person, at world-class museums, is one of the top reasons for studying art history in Paris. However, you can put yourself into the shoes, or rather artist smocks, of a wide range of 19th and 20th century artists by visiting the actual places they lived, worked and painted. Many of these are easily accessible on half and full day trips from Paris, a journey which can even be free if you have a Pass Navigo. Giverny often tops the list, however, it can get really crowded in season and is also closed from November to March. Instead, we recommend venturing out on these excellent art-themed day trips from Paris.

The Gleaners, Jean-Francois Millet (1857), Musée d’Orsay / CC

Barbizon 

Decades before the Impressionists, an earlier generation of artists took to painting in fields outside Paris, namely around this village. Striving for realism in their works, these artists, including Millet, Rousseau, Corot and Daubigny, formed a movement later called the Barbizon School. In the early 1860s, the young budding artists Monet, Renoir and Sisley were drawn here, helping create the foundations of Impressionism. Modern-day visitors to Barbizon can tour a number of former artist haunts and studios, like the Auberge Ganne, now a small museum. Afterwards visiting the village, take a stroll through the nearby picturesque countryside which so inspired the artists.

Getting there: It takes 40 minutes by suburban train, Gare de Lyon to Fontainebleau-Avron (Line R), then take bus 21 to Barbizon.

Eglise Notre-Dame, Moret-sur-Loing. Pierre Poschadel / CC (and top image by Alfred Sisley)

Moret-sur-Loing 

Not too far from Barbizon is this pretty Medieval village which was a popular destination of the Impressionists. Alfred Sisley loved it so much that he spent the last 20 years of his life living and painting here. You can follow in his footsteps thanks to some self-guided walks created by the local tourism office (stop in there for more info or see their website). Along the way, you’ll also be able to admire the lovely town’s ancient churches, its medieval gates and historic mills along the Loing River. You can also rent bike rentals at the tourist office to visit the village and its surroundings.

Getting there: It takes 45-minute by suburban train, Gare de Lyon (Line R) to the Moret-Veneux-les-Sablons.

L'église Notre-Dame-de-l'Assomption à Auvers-sur-Oise

Notre-Dame-de-l’Assomption Church in Auvers-sur-Oise / CC

Auvers-sur-Oise 

In northwestern Paris, not far from Giverny, is this even more charming village with connections to various artists, namely Vincent van Gogh. After two years in Provence, van Gogh spent the last 70 days of his life in Auvers-sur-Oise, painting almost a painting per day. Panels around town allow visitors to compare the Dutch artist’s works with the actual location he painted, many of which are now on display at the Musée d’Orsay. Visitors can peer in at the room he stayed in at the l’Auberge Ravoux, where you can also enjoy a lunch of cuisine from the era. A short walk through the fields will take you to the village’s cemetery, the final resting place of Vincent and his beloved brother Theo. The town is also home to a number of other art studios and cultural venues. Some of these sites close in winter, however, all the outdoor venues are still viewable.

Getting there: From April to October on Sat and Sun, there’s a direct train from Gare du Nord to Auvers-sur-Oise departing at 9:30. The rest of the year, the journey takes an hour, by taking the suburban train from the Gare du Nord (Line H) and changing at Persan-Beaumont to Auvers station.

Ile-des-Impressionnistes – Yvelines Tourisme

Chemin des Impressionnistes

A short ride on the RER A west of Paris will allow you to retrace the path of a range of Impressionists who painted along the Seine River. Many scenes of guinguettes, casual outdoor bars and dance halls, were painted on River’s banks spanning from Le Pecq to Carrières-sur-Seine. These locations are now organised along a route called le Chemin des Impressionnistes. You can choose between five paths (of five to 12 kilometers long) which als have placards illustrating the works created at certain spots. Your meander might take you past Renoir’s Route de Versailles, Pissarro’s Le village de Voisins or to Chatou’s l’Ile des Impressionnistes. The bucolic island is still home to the favourite Impressionist haunt, La Maison Fournaise, a great spot to stop for a break during your outing.

Getting There: There are a number of starting off points, like Marly-le-Roi, reachable in 35 minutes from Saint Lazare (L Line). The Ile des Impressionistes is near RER A in Rueil-Malmaison.

Rouen Cathedral. Facade (Sunset), Claude Monet (1892), Musée Marmottan Monet / CC and Rouen Cathedral, Portal and Tower Saint-Romain in the Sun, Claude Monet (1892-93), Musée d’Orsay / CC

Rouen

A pleasant train ride northwest of Paris will take you to the lovely Normand city of Rouen. Although heavily damaged in bombings during WWII, the city has been wonderfully restored. Its centre, abundant in colourful half-timbered houses, revolves around the Cathédrale Notre-Dame, immortalised by Monet. Found not far from his home in Giverny, between 1892 and 1893, Monet painted the cathedral over 30 times. An experiment of light and colour, he painted it at different times of day and year. After your day trip there, view some of his paintings of the cathedral at the Musée d’Orsay and the Musée Marmottan Monet, an excellent museum in the 16th district which houses the largest collection of Monet paintings in the world.

Getting there: Ranging from 75-90 minutes, regional TER trains depart regularly from Gare Saint-Lazare.

Looking for further art-themed activities in Paris or day trips from the capital? Peruse these other articles from our blog:

Interested in Studying art history in Paris? Learn more about our Master’s in the History and Philosophy of Art here.

Top image: Moret-sur-Loing, Alfred Sisley (1891), Collection particulière / CC

 

Graduate Profile: Recent Alumna Hana Szobonyova

This latest edition of our Graduate Profile series focuses on a recent graduate of History and Philosophy of Art programme, Hana Szobonyova. Originally from the Czech Republic, Hana completed her MA degree at our Paris School of Arts and Culture in September 2021. In this interview Hana shares her experience during of her studies at our Paris School, which were enhanced by getting involved in our extracurricular activities as well as exciting internship opportunities and future prospectives gained thanks to her degree.

What is it like living and studying in Paris?

There is no better place to study history and philosophy of art than Paris. Although the past year was difficult and complicated with cultural venues being closed, Paris still remained an inspiring place to live. Since restrictions were lifted, there has not been a single week I haven’t go to a museum or a new exhibition. Now, more than ever, I can truly appreciate what this city can offer. Studying in Paris is a valuable experience especially for all those who are strongly interested in design and art.

What did you particularly enjoy about your studies?

The course’s structure perfectly fit my personal interests which are focused on art and history of the 19th and 20th century. Another great thing about the program was the possibility of auditing. Taking additional classes is a great way to expand one’s horizons and to learn more (for example about areas you know very little about). Although, with extra classes there is much more work and readings to do, nevertheless, the rewards are priceless.

How do you think postgraduate study differs from undergraduate study?

It is very different. For me maybe even more as my undergraduate program was mostly focused on business and practise rather than on theory and research. Also, postgraduate studies are very independent and they are also driven by your own personal interests. That is highly advantageous as you have the possibility to expand your knowledge in topics and areas you are truly interested in through your own research and independent studies.

How do you think your studies will affect your employment prospects?

As my education is quite diverse I hope to find a suitable place where I could use and combine all of my skills and knowledge. The last year spent in Paris has definitely impacted me in many ways; It expanded my interests and knowledge in art and philosophy, it also helped me to perceive and comprehend French culture and French history from a new perspective, and lastly, it changed and shaped my future career perspectives and aspirations.

Could you tell us about your internship experience?

During my studies at Kent I participated in the organising committee for the annual postgraduate festival as the art event curator. I was also part of The Menteur team where I helped to shape the visual identity of the magazine for the academic year 2022-2021 as the head of design. When the academic year ended I started my internship at The American Library in Paris as a Communications and Program intern where I stayed until the end of August. That was definitely a valuable experience as it enabled me to perceive the organisation’s structure internally, while working with the Program Manager on upcoming cultural events that the institute runs.

What are you planning to do next?

This week, I am starting my internship at UNESCO, where I will work as an intern for the Permanent Delegation of the Czech Republic. I am very excited to start my new position there as it will be very different from any other previous work experiences I’ve done so far.

Any advice for those thinking about taking this course?

I think it is good to think in advance about what you would like to study and where your interests are. If you want to study history and philosophy or art particularly focusing on the 19th and 20th century, then the Paris School of Arts and Culture might be very suitable.

Bourse de Commerce Paris

Five Cool Contemporary Art Centres in Paris

Private art galleries, especially those in the Upper Marais, are a great place to see contemporary art in Paris. However, since the turn of the 21st century, Paris has seen an influx in venues dedicated to art made by current artists. These are often in repurposed historic buildings or structures designed by top contemporary architects, which adds another fascinating level to your visit. Discover our favorite contemporary art venues below.

Bourse de Commerce Paris

Bourse de Commerce (and top photo)

Bourse de Commerce

Once used for storing grain at Les Halles, Paris’s former central food market, and then the grain stock exchange, the former Bourse de Commerce reopened in June 2021 as the home of French Industrialist Francois Pinault’s collection of modern and contemporary art. The building was reinvented by Japanese architect Tadao Ando who added a 10-metre-high concrete cylinder inside the main exhibition hall, allowing visitors to better appreciate the building’s glass dome and historic frescoes. The galleries surrounding it feature revolving thematic presentations of art from the 1960s to today.

Palais de Tokyo Paris

Photo Credit: Palais de Tokyo

Palais de Tokyo

First built for the International Exhibition of Arts and Technology of 1937, the west wing of this Art Deco building on the Seine has housed France’s largest museum focused on temporary exhibitions of contemporary art since 2002. Vast industrial style exhibit halls allow for large scale installations which often involve sound, video or other modern technology. Check their agenda as they sometimes host DJ nights and other events.

Photo Credit: Fondation Louis Vuitton

Fondation Louis Vuitton

Designed by star architect Frank Gehry, this curvaceous glass building is hidden in the Bois de Boulogne woods in western Paris. It hosts temporary exhibits, both featuring the works of the Louis Vuitton fashion house collection, as well as top traveling international art exhibits, usually on work from the late 19th century to the present. Read more on the Foundation’s architecture in our post on the best contemporary architecture in Paris.

Fondation Cartier

Photo Credit: Fondation Cartier

Fondation Cartier

Original located in the suburbs of Paris, the Fondation Cartier received a new home in the 14th arrondissement, not far from our Paris School, in 1994. The sleek glass and steel building was designed by leading French architect Jean Nouvel, who also designed the Institut du Monde Arabe, the Musée du Quai Branly and the new Philharmonie (also included in our contemporary architecture article). Part offices, part exhibition space and with a notable bookshop, the Foundation puts on significant temporary art exhibitions, usually of living international art stars like Damien Hirst or Junya Ishigami.

Photo Credit: Fluctuart

Fluctuart

Occupying a modern glass barge moored in the Seine near the Musée d’Orsay is this art space dedicated to street art. There are rooms displaying the centre’s permanent collection and then temporary exhibits every few months. Ponder the works afterwards at the barge’s cool terrace café overlooking the river. Learn more about street art in our article on top street artists to spot around Paris.

Looking for more art explorations in Paris?

Musee-Gustav-Moreau-Paris

Historic Art Studios You Can Visit in Paris

Many artists have lived and worked in Paris over the centuries. We are fortunate enough to have the legacy of some preserved at their former art studios which have been transformed into museums. From early 19th century romanticism to modern sculpture, here are our top picks of historic art studios you can visit in Paris.

Musée Délacroix

Tucked away on a charming square in the Saint Germain neighborhood is the former studio and residence of Eugene Délacroix. One of the most important painters of the early 19th century Romantic movement, Délacroix is best known for his dramatic painting Liberty Leading the People (1830), hanging at the Louvre. The artist moved here in 1857 to be closer to the Saint-Sulpice church, where he’d been commissioned to produce several large murals. Facing a verdant courtyard and with large windows, he lived in this studio-apartment until his death in 1863 and it was converted into a museum in 1932.

Musee Gustav Moreau 2

Musée Gustav Moreau (and top photo)

Musée Gustave Moreau

The former home and studio of symbolist artist Gustav Moreau is set in an elegant mansion in the 9th district. The first section takes you through his former living quarters, however, the real highlight is his vast studio area, spread over two floors with towering ceilings and commissioned by the artist in the view of creating a museum in the building upon his death. Moreau passed away in 1898 and the venue opened as a museum in 1903. In addition to admiring the dozens of paintings of nymphs and mythological gods and goddesses, be sure to peer into the drawers and cabinets, filled with drawings, prints and more paintings.

Musée de Montmartre

Musée de Montmartre

Musée de Montmartre

This collection of buildings, formerly the art studio of Renoir, Degas, Suzanne Valadon and Maurice Utrillo, is now a museum on the history of this artistic neighborhood of Paris. The museum has displays on the history of the area in one building and temporary exhibits in another section, but the interest for art fans is the front wing where there is the reconstructed art studio of the last major artists who used the space: Suzanne Valadon and her son Maurice Utrillo. There is also a charming café in the garden, where you can also see what they consider as the swing depicted in Renoir’s famous painting  La Balançoire.

Musee-Zadkine-vue-aerienne-jardin-630x405-C-OTCP-Didier-Messina

Musée Zadkine Photo: Paris Info

Musée Zadkine

Located on the edge of the Luxembourg Gardens, and only a few blocks away from our Paris School, is the former studio of artist Ossip Zadkine. The Russian-born cubist sculptor spent much of his career living in Paris and working at his Montparnasse studio. Visiting it provides insight into what the area was early to mid 20th century, when it the artistic and literary centre of the city. In addition to the studio, you can contemplate more works in the museum’s tranquil garden. As it is one of the museums of the City of Paris, admission is free, extra incentive to visit!

Musée Bourdelle

Another studio of the Montparnasse area, the sculptor Antoine Bourdelle worked in this space from 1885 to 1929. An excellent example of a turn of the 20th century Parisian artist studio, the museum unfolds through a series of buildings and peaceful courtyards. Vast rooms filled with colossal sculptures are contrasted with his more intimate studio spaces. The museum also hosts temporary exhibits, so be sure to check the programme in advance.

Brancusi Studio, Groume / Flickr

Brancusi Studio

Many visitors to the Centre Pompidou are not aware that there is a famous art studio located at its base and which is annex of the museum. Although not at its original location, this is a loyal reconstruction of artist Constantin Brancusi’s Montparnasse studio, the contents of which he bequeathed to the French state in 1956. Living and working in Paris from 1904 until his death in 1957, the Romanian artist gradually expanded upon his studio on the Impasse Ronsin in the 15th arrondissement which were faithfully recreated after the artist’s death, first at the Palais de Tokyo then here when the Modern Art Museum was created in the 1970s.

Other Studio or Artist Homes:

Musée Jean-Jacques Henner – although it isn’t in its original location either, this charming museum in the 17th arrondissement was once the studio-home of Guillaume Dubufe and was transformed into a museum-studio in honor of painter Jean-Jacques Henner, both artists prominent painters in France during the second half of the 19th century.

Fondation Giacometti – also not in its original location and not an exact reconstruction, this center presents exhibitions, research and pedagogy around the Swiss artist Alberto Giacometti. The Institute is found in the Montparnasse neighbourhood not far from where Giacometti lived and worked and in the former studio of artist and interior designer Paul Follot.

Carry on discovering art in Paris thanks to these other thematic articles on our blog:

Interested in studying art in Paris? Consider pursuing our Master’s in the history and philosophy of art taught in English at our Paris School of Arts and Culture.