An article in last week’s Guardian laments the lack of speculative fiction – that’s science fiction and fantasy in common parlance – novels making the Booker prize list.
Science fiction and fantasy, traditionally viewed with grave suspicion by the supposedly more ‘serious’ of the mainstream fiction genres, have together been a flourishing literary canon for years; Tolkien’s Lord of the Rings regularly polls in high places as ‘Most Read,’ whilst writers like China Mieville, Alistair Reynolds and Peter F Hamilton have been patiently carving out successful careers with epic science fiction and fantasy novels for many years.
Perhaps part of the difficulty lies in the boundary-defying nature of some of the novels associated with sci-fi and fantasy. Alistair Reynolds and China Mieville include a luxurious element of the gothic in their novels; Susanna Clarke’s Jonathan Strange and Mr Norrell offered an alternative history take on fantasy, where magic is commonplace and is used in the Napoleonic Wars. Similary, Mary Gentle’s sprawling Ash: A Secret History follows the same character across centuries. Perhaps it’s simply the scope of the novels that causes them to be dismissed: Peter F Hamilton’s epic space-opera sagas, Michael Moorcock’s long-running Elric or Hawkmoon tales stride across whole volumes.
But with writers such as Philip K Dick, John Brunner and Michael Moorcock all a part of the canon, it’s hard to ignore the impact of science fiction and fantasy literature.
Perhaps this year will change all that.