Author Archives: fjm

Tamar Jeffers McDonald on Star Attractions

Dr Tamar Jeffers McDonald, Reader in Film and Head of the School of Arts, and Dr Lies Lanckman, Lecturer in Film at the University of Hertfordshire, have edited a new collection entitled Star Attractions: Twentieth-Century Movie Magazines and Global Fandom (University of Iowa Press, 2019).

During Hollywood’s ‘classic era’, from the 1920s to 1950s, roughly twenty major fan magazines were offered each month at American newsstands and abroad. These publications famously fed fan obsessions with celebrities such as Norma Shearer, Mae West, Doris Day and Elvis Presley. Film studies scholars often regard these magazines with suspicion, perhaps due to their reputation for purveying scandal and gossip, their frequent mingling of gushing tone, and blatant falsehood.

Looking at these magazines with fresh eyes and treating them as primary sources, the contributors of this collection provide unique insights into contemporary assumptions about the relationship between fan and star, performer and viewer. In doing so, they reveal the magazines to be a huge and largely untapped resource on a wealth of subjects, including gender roles, appearance and behaviour, and national identity.

The volume includes a number of chapters contributed by alumni and students from the PhD in Film at Kent, including Ann-Marie Fleming, Oana-Maria Mazilu, Sarah Polley and co-editor Lies Lanckman, who completed her PhD in Film at the University of Kent in 2017.

For more details, please see the publisher’s page here:
www.uipress.uiowa.edu/books/9781609386733/star-attractions

MA in History and Philosophy of Art student exhibits in Brussels

Artistic works by Janise Yntema, who is studying the History and Philosophy of Art MA at the University’s Paris School of Arts and Culture, are being exhibited at the Green Door Gallery in Brussels.

Janise Yntema is already regarded as one of the foremost contemporary artists working in the ancient technique of beeswax encaustic, and by using original photography within her work has brought a contemporary platform to this historic medium.

The exhibition at the Green Door Gallery in Brussels is entitled “PRAETER terram”. The works on display interrogate us on where we locate ourselves in a changing environment where sustainability is our only hope. Yntema’s use of beeswax ensures environmental concerns remain inherent within the works she produces.

The Farmed Land grey concrete by Janise Yntema

The Farmed Land by Janise Yntema

The exhibition runs from 28 November 2019 to 12 January 2020 at the Green Door Gallery in Brussels, Belgium. The gallery is open from 2-6 p.m. Friday – Sunday and also by appointment at other times.

Janise is originally from New York and received her formal art training at Parson’s School of Design. Her works are found in the collections of several museums including the Museum of Modern Art in New York, Gutenberg Museum in Germany and the National Museum for Women in the Arts in Washington, D.C.

PSAC director to present at annual Wimbledon BookFest

The academic director of the Paris School of Arts and Culture Professor Ben Hutchinson will present his new publication, Comparative Literature: A Very Short Introduction (Oxford University Press) at the annual Wimebledon BookFest on Saturday, 5 October 2019. Professor Hutchinson will take part in the Intellectual Speed Dating event, and present with three other authors who have also published in Oxford University Press’ Very Short Introduction series.

High-level but digestible overviews written by experts in their field, the Very Short Introduction series is a wonderful way to discover a new subject.

Conceived as a form of “intellectual speed dating”, at the BookFest the audience will be split into small groups and will move around the event space, enjoying ten minutes with each of four authors for a pithy introduction to the topics covered.

Further information including ticketing can be found by visiting the Wimbledon BookFest website.

Film Studies alumna documentary screened on the BBC

Alumna Ece Ger, who graduated with an MA in Film – including a term at Kent’s at the Paris School of Arts and Culture – in 2015, saw her documentary film Meet Jim, Citizen of the World screened on BBC Scotland last Saturday 17 August 2019.

He dined with The Beatles and shacked up with the Rolling Stones. He rubbed shoulders with soul diva Mama Cass, folk troubadour Leonard Cohen and a fledgling Pink Floyd. He was a figurehead for a new generation of playwrights. After he was stopped at Munich airport with a bag full of blank ‘world passports’, he lectured bewildered German border police about the virtues of ‘world Government’.

Today, at 83, Jim Haynes just won’t slow down: this ‘godfather of social networking’ organises open dinners every Sunday night in the Parisian artist studio that’s been his home for the past 50 years. Total strangers, unknown both to him and to each other, meet in his living room and Jim’s friends show up to cook cheerfully for crowds of 60 or more. It’s simple: you sign up, you come over, you meet Jim. As he once said: ‘My home is a World Government Embassy that never closes.’

The documentary composes an impressionistic portrait of Jim Haynes the man and the cultural phenomenon, as seen by the many and diverse people whose lives have been touched by his. The film is a hymn to the lasting spirit of the 60s, an inspirational living proof of how we can all chose to live on the bright side: to Jim, the choice is ready-made: ‘Life is short: we have a duty to enjoy ourselves.’

The documentary first premiered as Meeting Jim at the Edinburgh International Film Festival last year. It was supported by a crowdfunding campaign that ran in early 2016. For more details on its background, please see the page here.

If you’re in the UK, to view the documentary, please see the page on BBC iPlayer here:
www.bbc.co.uk/iplayer/episode/m0007vk1/meet-jim-citizen-of-the-world

Kent-Paris Research Institute hosts first International Research Symposium

The event, titled ‘From London 2012 to Paris 2024: Lessons learned from research into the social legacies of the Olympic and Paralympic games’, took place on Wednesday 12 June in the newly created Kent-Paris Research Institute (KPRI) at Reid Hall, the University’s postgraduate centre in Montparnasse.

Delegates from 10 different countries took part.

The Symposium brought together academics, sports policy makers and sport national governing bodies with the aim of inspiring new research projects and collaborations.  Participants were able to exchange knowledge on the social legacies of the games and discuss the lessons Paris 2024 could learn from London 2012.

The event was co-hosted by Dr Sakis Pappous, from Kent’s School of Sport and Exercise Sciences, in collaboration with the French Olympic Academy, the French Centre for Olympic Studies and the University of Montpellier. Attendees were welcomed by Professor Peter Brown, Academic Director of KPRI, as well as the Presidents of the French Olympic Academy and the French Centre for Olympic Studies.

Following its success this year, the symposium will become an annual event at Reid Hall.

Text by Angie Valinoti

Lucy O’Meara wins Society for French Studies Research Fellowship

Dr Lucy O’Meara, Senior Lecturer in French in the Department of Modern Languages and Acting Associate Dean for Graduate Studies in the Faculty of Humanities, has won the Society for French Studies 2019 Prize Research Fellowship.

The Fellowship is open to early and mid-career academics in all areas of French Studies, and provides funding for a period of research leave in the 2019-20 academic year.

Lucy’s project is entitled: ‘Interrogating the Encyclopaedia in European Fiction and Autobiography 1870-2020’. She describes it as “a comparative literary project examining the attitudes of French, German and British authors towards the encyclopaedic organisation of knowledge in European novels and autobiography from the 1870s to the present. I’ll be analysing mainstream and experimental fiction and a range of types of memoir. The prize entitles me to research leave from January to June 2020 and I’m really looking forward to taking up the fellowship.”

At the Paris School of Arts and Culture, Lucy teaches on our FR820: Paris: Reality and Representation module.

Dangerous Ideas Festival and conference: call for papers

The University of Kent Paris School of Arts and Culture‘s annual Paris MA Festival and Conference will take place from 3-7 June 2019 at our centre in Montparnasse and across the city of Paris.

The conference’s keynote speakers are Sarah Churchwell and Lauren Elkin.

Please see the Call for Papers below for more information about how you can get involved in the conference.

Find out more about the festival: www.dangerousideasfest.com. 

University’s Centre for Medieval and Early Modern Studies launches new MA programme with a term in Paris

The Centre for Medieval and Early Modern Studies (MEMS) is delighted to announce the launch of a new split-site Paris and Canterbury MA programme in Medieval and Early Modern Studies. From September 2019, our exciting new MA programme will provide the opportunity for in-depth study across a range of disciplines and will allow students to share their year between Paris and Canterbury.

Dr Emily Guerry, convenor of the new MEMS Paris/Canterbury MA commented; “This MA provides graduate students with unparalleled opportunities to study, live, and learn in two European cities steeped in a rich cultural heritage and it is the only one of its kind in the UK. I can’t wait to start teaching more MEMS students in Paris!”

Based on our long-running and highly successful MA, the new Paris/Canterbury MA programme offers a thorough grounding in the essential skills required for advanced academic analysis of the Medieval and Early Modern periods, including Latin, palaeography (the study of old handwriting), codicology (the study of pre-modern books). In addition, there is a fascinating range of optional modules to choose from, shaped by our cutting-edge research in a range of disciplines rooted in periods from the early medieval to the seventeenth-century.

Students will spend their first term in the historic city of Canterbury – an important focus for literary, religious, archaeological and architectural, and documentary scholarship. The spring term is based at Kent’s Paris School of Art and Culture, in the heart of historic Montparnasse. There students will participate in Paris-focused modules, taught in English, taking full advantage of the City’s extraordinary medieval and early modern cultural and material legacy.

Then in the final term students will complete their MA by writing a 12-15,000-word dissertation on a research topic defined in collaboration with their academic supervisors.

We welcome applications from enthusiastic students who want to embrace an interdisciplinary and dynamic pathway towards understanding the pre-modern past. Scholarships are available on a competitive basis. To find our more about the MEMS Paris/Canterbury MA programme and apply online, please see the University of Kent’s online prospectus or email centres@kent.ac.uk

Author Deborah Levy gives annual Paris lecture

On Tuesday 5 March, playwright, novelist, and poet Deborah Levy FRSL gave the University’s annual Paris lecture to invited guests in the British Ambassador’s Residence on rue du Faubourg St-Honoré.

Her lecture reflected on her early experiences as a yet-unpublished writer and the determination and perseverance that was born from the rejection of her first story by a literary magazine. She also spoke about the influence of Guillaume Apollinaire on her writing, particularly on the composition of her novel Swimming Home, and his importance as the precursor of surrealism.

Professor Karen Cox, the University’s Vice-Chancellor and President, gave the welcome and introductions.

Guests included: Matthew Lodge, Minister and Ambassador of Great Britain and Northern Ireland to UNESCOProfessor Jeremy Carrette, Kent’s Dean for EuropeProfessor Peter Brown, Academic Director of the Paris School of Arts and Culture; current students; alumni; and friends of the University.

This year’s annual lecture was both a celebration of the Paris School of Arts and Culture and Kent’s celebration of ‘20 Years in Europe’ .

Professor Brown said: ‘On behalf of the University I would like to thank Deborah Levy for a fascinating lecture. The evening itself was a memorable celebration of the University’s connections with France over the past ten years, bringing together current students at the Paris School of Arts and Culture, alumni, and our partners such as Columbia Global Center.’

Located in Montparnasse, the Paris School of Arts and Culture is one of Kent’s specialist European postgraduate centres (the others are in BrusselsRome and Athens). It offers advanced humanities degrees, taught in English, including taught programmes that are split between Canterbury and Paris.

Text by Gary Hughes

MA in History and Philosophy of Art student exhibits in London

Artistic works by Janise Yntema, who is studying the History and Philosophy of Art MA at the University’s Paris School of Arts and Culture, are being exhibited at the Cadogan Contemporary gallery in London.

Janise Yntema is already regarded as one of the foremost contemporary artists working in the ancient technique of beeswax encaustic, and by using original photography within her work has brought a contemporary platform to this historic medium.

The exhibition at the Cadogan Contemporary is entitled ‘A Sense of Place: Landscape and Identity’ and the works on display question the idea of landscape and truth, obscuring the boundary between photography and painting. Her use of beeswax ensures environmental concerns remain inherent within the works she produces.

The Farmed Land grey concrete by Janise Yntema

The Farmed Land by Janise Yntema

The exhibition runs from Monday 28 February until Friday 15 February at the Cadogan Contemporary, 87 Old Brompton Road, London SW7 3LD.

Janise is originally from New York and received her formal art training at Parson’s School of Design. Her works are found in the collections of several museums including the Museum of Modern Art in New York, Gutenberg Museum in Germany and the National Museum for Women in the Arts in Washington, D.C.

To find out more, please see the gallery page here:
www.cadogancontemporary.com/exhibition/janise-yntema/

by Dan Worth, University of Kent News Centre