Melodrama Events at the University of Kent on Sun 29th of Sept

Posted by Sarah

A reminder that the following exciting melodrama events are taking place at the Gulbenkian Cinema at the University of Kent on the 29th of September.

The first focuses on Douglas Sirk’s film Magnificent Obsession (1954).

8 Events Magnificent Obsession11 am: There is a free 30 min talk on melodrama by Dr John Mercer, Film Studies, City Birmingham University http://www.bcu.ac.uk/pme/school-of-media/applying-to-us/our-staff/john-mercer

John is co-author, with Martin Shingler, of Melodrama : Genre, Style, Sensibility. London ; New York : Wallflower, 2004

11.30 am Magnificent Obsession screens.

The Gulbenkian website description of the film: “Based on Lloyd C. Douglas’ spiritual novel of the same title, churlish playboy Bob Merrick becomes indirectly responsible for the death of a much loved local doctor when he foolishly wrecks his speed boat. In trying to make amends, he falls in love with the doctor’s widow and must remake his life in order to win her love.”

For further details and to book your ticket go to:

http://www.kent.ac.uk/gulbenkian/cinema/films/2013/september/2013-09-magnificent-obsession.html

6.45pm: Dr Tamar Jeffers McDonald of the University of Kent man who knew(http://www.kent.ac.uk/arts/staff-profiles/profiles/film/t_jeffers-mcdonald.html) will introduce Alfred Hitchcock’s film The Man who Knew Too Much (1956). Tamar is the author of a forthcoming book on one of the stars of the film, Doris Day, and will speak about Doris’ darker films.

The Gulbenkian website’s description of the film:  “A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering. Includes a 5-10 minute introduction”

For further details and to book your ticket go to: http://www.kent.ac.uk/gulbenkian/cinema/films/2013/september/2013-09-the-man-who-knew-too-much.html

Doris Day Confidential

To see more details of Tamar’s book Doris Day Confidential: Hollywood, Sex and Stardom go to: http://www.amazon.co.uk/Doris-Day-Confidential-Hollywood-Stardom/dp/1848855826/ref=sr_1_1?ie=UTF8&qid=1378711364&sr=8-1&keywords=doris+day+confidential

 

Serial Queen Melodramas

Posted by Sarah

I thought it might be interesting to return to our consideration of early film melodrama. While previously we focused on the suffering, passive, heroine (particularly evident in DW Griffith’s films starring Lillian Gish) there are alternative views of women in the teens. One of these is present in the Serial Queen Melodramas.

Lass of the lumberlands

The Serial Queen Melodramas are particularly noteworthy as their heroines challenge some assertions about the portrayal of women in American Cinema of the teens and twenties. There is a notion that prior to It girl Clara Bow’s appearance in the late 1920s female stars belonged in either the passive virgin or the threatening vamp camp. (Though Bow and other progressive female stars certainly encouraged a focus on positive female sexuality.) However, as can be seen from the above card advertising Helen Homes in A Lass of the Lumberlands (1916), the serial queen, while imperilled on occasion, was often active. The fast pace of these serials also provides a useful comparison to the action-filled male melodramas of later Hollywood which Steve Neale wrote of.

Pearl WhiteWhile several different Serial Queen Melodramas were produced in the teens, few are widely available. Of these, The Perils of Pauline series retains public resonance. This series, from 1914, starred Pearl White (pictured left) in loosely connected adventures. Apparently 20 episodes were made, but only the 9 part European version survives. The chapters can be found on the internet archive using the links below. Chapter length varies from 9-29 mins, with the average about 20 mins. They total approximately 200 mins.

LINKS

Part 1: http://archive.org/details/THEPERILSOFPAULINE1914Ch.1PearlWhite

Part 2: http://archive.org/details/THEPERILSOFPAULINE1914Ch.2PearlWhite

Part 3: http://archive.org/details/THEPERILSOFPAULINE1914Ch.3PearlWhite

Part 4: http://archive.org/details/THEPERILSOFPAULINE1914Ch.4PearlWhite

Part 5: http://archive.org/details/THEPERILSOFPAULINE1914Ch.5PearlWhite

Part 6: http://archive.org/details/THEPERILSOFPAULINE1914Ch.6PearlWhite

Part 7: http://archive.org/details/THEPERILSOFPAULINE1914Ch.7PearlWhite

Part 8: http://archive.org/details/THEPERILSOFPAULINE1914Ch.8PearlWhite

Part 9: http://archive.org/details/THEPERILSOFPAULINE1914Ch.9PearlWhite

Perils of Pauline

Scholarly work in this area of melodrama includes Ben Singer’s excellent article “Female Power in the Serial-Queen Melodrama: The Etiology of an Anomaly.” Camera Obscura 8.1 22 (1990): 90-129 and Jon Burrows’ fascinating examination of British action heroines: “‘Melodrama of the Dear Old Kind’: Sentimentalising British Action Heroines in the 1910s.” Film History: An International Journal 18.2 (2006): 163-173.

(Please see a post on our additional blog  http://melodramaresearchgroupextra.wordpress.com/2013/07/16/serial-queen-melodramas/ for more information on these.)

As always, enjoy the melodrama links, and log in to comment, or email me on sp458@kent.ac.uk to add you thoughts or to propose a melodramatic area for us to discuss!

BFI’s Gothic Film Season

Posted by Sarah

I thought it would be worth drawing attention to an upcoming melodrama-related event. This especially ties into the Gothic strand of melodrama the Melodrama Research Group has recently been investigating.

The British Film Institute has announced its season of Gothic Films. This is scheduled to run from October 2013 to January 2014 and involve indoor and outdoor events across the country.

BFI gothic

Visit the website http://www.bfi.org.uk/gothic for more details, including a spooky video trailer.