Richard Herring in conversation with Olly Double

Matt Hoss, third year University of Kent Drama and Classics student, kindly reviews our first British Stand-Up Comedy Archive in conversation event:

On 8 April the Gulbenkian welcomed Richard Herring as he took part in the first interview of the University of Kent’s British Stand-Up Comedy Archive in-conversation events. Through laughter and cringe-worthy anecdotes, Herring signified why he is the one of the most influential comedians in the UK.

Richard Herring in the Gulbenkian Theatre in conversation with Olly Double

Richard Herring in the Gulbenkian Theatre in conversation with Olly Double.

Resident Doctor of Comedy, Oliver Double, humorously hosted the interview with Herring, showing a promising return to form despite his recent accident. The interview was relaxed, enjoyably paced and strikingly down-to-earth as Herring reveled in the details of his childhood and his working life, illustrating how much he has achieved. The discussion focused on Herring’s innovative work within the varied platforms of comedy, like his famed Sketch-show Fist of Fun, his thematic stand-up shows which dub him as the “King of Edinburgh” and his podcast series (which the cool kids call RHLSTP).

Nick Hiley (Head of Special Collections), Olly Double (Head of Drama) and Richard Herring

Nick Hiley (Head of Special Collections), Olly Double (Head of Drama) and Richard Herring

Herring contemplated upon his successes and failures through a certain chronology; starting with the early days of his radio comedy, through to the marathon run of his summer stand-up shows. He shined a light on the inner secrets of Stand-Up comedy, giving a glimpse into the nuts and bolts of the industry and how he formulates comedy, which accumulates to an endearing evening.

An audio recording of the event is available to subscribers of Richard’s RHLSTP podcast via Go Faster Stripe, and we will soon make some short extracts available via this blog.

 

British Stand-Up Comedy Archive spring update

Elspeth Millar writes:

It’s been quite a while since we blogged, so we thought we’d provide a quick update on how the project is progressing, and our other activities over these first few months of the British Stand-Up Comedy Archive Beacon project.

Collections
We’ve been in contact with a number of potential donors involved in comedy (from comedians to comedy promoters) regarding further deposits – we should be able to announce more details soon! In the meantime, we’ve been sorting, listing and beginning to catalogue our four main collections: Linda Smith, Mark Thomas, Tony Allen, and John Pidgeon.

We’ve also been working with the UK Web Archive to establish a ‘British Stand-Up Comedy Archive’ special collection, to capture websites relating to the material that we physically/digitally hold, but also (by capturing websites with comedy listings, news and reviews) to capture a snapshot of the UK comedy scene for future researchers.

 

Events
Unfortunately we had to cancel our first ‘in conversation’ event with Alexei Sayle in February as Oliver Double broke his hip! Olly will soon be back on campus and our (now) first ‘in conversation’ event is with Richard Herring on 8th April at the Gulbenkian. Further information can be found on The Gulbenkian’s website. The event will be filmed and added to the British Stand-Up Comedy Archive collections.

herring

Format explorations for digitisation
One aspect of the British Stand-Up Comedy Archive Beacon project, the one-year funded project as part of the University of Kent’s 50th anniversary celebrations, is to investigate the choice of formats for capturing material in a digital form for long-term preservation.  There are a number of factors to consider such as:

  • Sustainability (how ‘open’ is the format? What is the quality i.e. uncompressed, lossless compression, lossy compression? Does the format have good metadata support?),
  • Implementation (how hard technically is it to implement the format? Is there a wide availability of tools for implementation?)
  • And cost (what are the storage and network costs? What are the required software and hardware costs?)

I’ve been spending quite a bit of time researching our options and making decisions on which formats we will use.

We have begun our digitisation activities by digitising paper items (posters, flyers, scripts and notes) and photographs (prints and negatives).  We have chosen to capture these as uncompressed TIFF files, although we haven’t ruled out JPEG 2000 as an option for future digitisation. JPEG 2000 has a number of advantages, including smaller file sizes meaning lower storage and network costs, but disadvantages in that compression is used (either lossless or lossy) and there is less available, affordable, software for compression and decompression. Indeed, one of the reasons we haven’t started by using JPEG 2000 is due to this ‘implementation’ factor discussed above (at the moment we don’t have the right tools to create and view images as JPEG 2000 ).

Preview article for Linda Smith Stand-up in Bradford, 1987

Preview article for Linda Smith Stand-up in Bradford, 1987

Poster advertising Linda Smith Stand-Up Show at the Riverside Studios on March 25th as part of 'Shelter presents the Full House Club'.

Poster advertising Linda Smith Stand-Up Show at the Riverside Studios on March 25th as part of ‘Shelter presents the Full House Club’.

 

 

 

 

 

 

 

 

 

This week we will begin digitising audio-visual material, beginning with audio cassette tapes.  We will be capturing these as LPCM wav files, the format recommended as the archival master for reformatting audio, and provide access using mp3 files.

We are still deliberating over the format that we use for capture and storage of moving image material, primarily held on VHS in our current collections. Unlike with audio and images there is no agreed archival standard (nor one codec/wrapper combination that is being used by many archives); indeed many large archives around the world use different formats.  I’m grateful that we have been able to seek advice from colleagues at The National Archives, the British Library, and the Austrian Mediathek, on their choice of format, and we should make a decision on this (taking into consideration the issues discussed above) within the next month.

I’ve also been spending time investigating tools we could use as part of digital preservation and digital asset management, including tools for ensuring data integrity (checksum tools) and for embedding metadata into files, including BWF Metaedit, which was created by the Federal Agencies Digitization Guidelines Initiative (FADGI) and AV Preserve.

This is just an overview, and I aim to provide more detailed updates about our choices, and the tools we are using, over the coming months.  In the meantime, here are some of the links/reading that I’ve found useful between January and March!

Audio-visual

Images

Metadata

Copyright

Tools we’ve been trying:

  • BWF Metaedit – for embedding metadata into wave files
  • DROID – The National Archives’ tool for profiling file types and creating hash sums (checksums)
  • Blackbush – a checksum tool generating MD5 hash files developed for the British Library’s Sound Archive

(Second) student perspective – using the Stand-Up Comedy Archive

Postcard accompanying the book ‘Mark Thomas presents The People’s Manifesto’, which contains a selection of policies suggested during the ‘Its the Stupid Economy’ tour

Matt Hoss writes:

In my module Introduction to Stand-Up, I listened to unpublished materials from the British Stand-Up Comedy Archive and analysed a comedian in relation to their social context. I eagerly persuaded (some may say ‘coerced’) my group to listen to Mark Thomas. The audio was occasionally difficult to hear, however it retains and encapsulates the true passion within Thomas’ comedic rhetoric. The clip is an hour long and it involves the second half of his 2009 show It’s The Stupid Economy. The clip starts with Thomas reading out suggested policies written by audience members in the interval. Responding to their decrees, Thomas delivers witty anecdotes accompanied an undertone of political restlessness.

Thomas demonstrates his tremendous craft by voicing his politics but also estranging us from it through absurdity. For example he envisions a simple solution to the Israel and Palestine crisis by transferring their mortgages to Northern Rock and sending “busloads of Geordie Bailiffs”. The interweaving of pertinent issues within our society represents how Thomas topically frames his intelligent and poignant jokes, which suit the structure and the significance of his set.

Overall, the archive grants access to significant pieces of Stand-Up which is both a rare opportunity and a genuine delight.

Student perspective – using the Stand-Up Comedy Archive

The University of Kent has a history of teaching comic performance and provides a number of opportunities for students at both undergraduate and postgraduate level to study the theory and practice of stand-up comedy. We think it is fantastic that the British Stand-Up Comedy Archive is based within a context in which students themselves are studying and performing comedy, and we hope that the archive will inspire performance as well as record it.  Thank you to Yolanda Cooper for writing the first of our ‘student perspectives’ on using some of the audio-visual material within the collections.

Yolanda Cooper writes:

As a third year Stand-Up comedy student, I was given the humbling opportunity this week to work with a fantastic, rare clip by the hilarious Mark Thomas from his ‘It’s the Stupid Economy’ tour. My task was to listen to the clip (recorded in Sheffield in 2009) – a treat in itself due to the small collection of people who have had the opportunity – and select a section to analyse contextually.

CD from the Mark Thomas Collection of a recording from the Sheffield leg of his 2009 'It's the Stupid Economy' tour

Making the decision as to which part was my favourite proved a hard and perilous task after listening. (It was all hilarious!)  Along with Thomas and his audience I agree that perhaps we should change our anthem to ‘Gold’ by Spandau Ballet and that we [Britain] are in seriously financial trouble when Primark has a sale! Consequently, not only was I able to laugh out loud at the comical truths of our nation that Thomas describes, but his witty political satire charged the realisation that we as Brits don’t say what we think.

After analysing the chosen segment, my group and I presented to the class our findings and research regarding the context of the specific jokes. Luckily for us the show was performed in 2009, so the political references he was making were still relatable to our generation!

This was just the beginning of my exploration through the archive, which is an exciting platform for students and the public alike to investigate further rare comedic material. Not only did Thomas’ clip make me laugh, it also inspired me, an occurrence that wouldn’t have been possible had it not been for the Stand-Up Comedy Archive.

Alexei Sayle in Conversation- Postponed

Unfortunately the first of the British Stand-Up Comedy Archive’s ‘in conversation’ series has been postponed. The event, with Stand-Up comedian Alexei Sayle, was due to take place on Saturday 7th February at the Gulbenkian.
Further details of the postponed event, and other events in the series, to follow.

Postponed poster

Politics and Humour Conference

Tory Gillespie writes:

Nick Hiley and Olly Double at the launch of the British Stand-Up Comedy Archive.

Nick Hiley and Olly Double at the launch of the British Stand-Up Comedy Archive.

Exciting news! The official launch of the British Stand-Up Comedy Archive took place on Friday 16th January 2015, as part of the Politics and Humour conference held at the University of Kent. What an appropriate setting in which to launch a collection that houses so much fantastic work from politically-minded comedians such as Linda Smith and Mark Thomas. The Glorious Launch (which was really just us saying interesting things and having a few drinks, but we did have fun) was held at the Gulbenkian Theatre, who have been incredibly supportive to this new venture. The conference itself was a star-studded affair, in academic terms. Keynote speaker Dr Sharon Lockyer (Brunel) shared her research on disability and stand-up comedy and our internationally-renowned guest speakers, including Kent’s own Dr Oliver Double, shared interesting and diverse research from the broad field of comedy. In the evening we were entertained by two of the most prominant new political comedians – Grainne Maguire (The Now Show, Stewart Lee’s Comedy Vehicle) and Liam Williams (Russell Howard’s Good News) – who we hope at some point in the future will donate some materials to the archive.

The rest of the conference was highly entertaining, with topics ranging from satirical political organisations in Northern Ireland to the practice of evil clowning. It was a great weekend and a fantastic way to launch the British Stand-Up Comedy Archive.

 

Alexei Sayle in conversation

Our first ‘in conversation’ event for the British Stand-Up Comedy Archive is taking place on Saturday 7 February at 07:30pm. Stand-up comedian, actor and author Alexei Sayle will be taking to Olly Double about his career and the art of stand-up comedy. Tickets can be booked via the Gulbenkian box office. The series of ‘in conversation’ events will be recorded and added to the British Stand-Up Comedy Archive.

 

Alexei Sayle 'in conversation' poster

 

 

First Steps for the British Stand-Up Comedy Archive

Errin Hussey, Digitisation & Data Entry Assistant, writes:

The British Stand-Up Comedy Archive began in 2013 and four collections have formed the basis for the archive so far:

– The Linda Smith Collection
– The Mark Thomas Collection
– The Tony Allen Collection
– The John Pidgeon Collection

One of the first priorities as part of the 2015 Beacon project was to look through the collections and box-list their contents, paying particular attention to the nature of the material and the amount of Audio Visual materials given to the archive.

The Linda Smith Collection

Day 1 began by looking through the vast 25-box collection belonging to comedian Linda Smith. Linda’s collection was donated to the University’s Special Collections by her partner Warren Lakin. This huge wealth of material includes books and folders from her school-days to scripts, press and recordings from her stand-up tours and radio shows. All the boxes were so well organised and labelled that it was easy to get a good footing in understanding the collection.

20150112_124145

The large 25-box Linda Smith Collection currently in the Special Collections store.

To start, there were four boxes full of audio-visual materials including CDs, DVDs, cassette tapes & DATs. These materials consist of both published and private recordings from tours, radio and TV shows including ‘A Brief History of Time Wasting’ (BBC Radio 4), ‘The News Quiz’ (BBC Radio 4), ‘Just A Minute’ (BBC Radio 4), ‘I’m Sorry I Haven’t a Clue’ (BBC Radio 4) and ‘Have I Got News For You’ (BBC One).

The following 21 boxes consisted of documents including school folders and reports, scripts, set lists, promotional leaflets, photographs and press. Some of the many highlights in these boxes include a variety of early stand-up notes, transcripts for the 1985 ‘Tuff Lovers’ tour with Ann Lavelle and the 1992/3 ‘Hello Cruel World’ tour with Steve Gribbin, contracts, personal diaries, and detailed documents regarding Warren Lakin’s biography: ‘I Think the Nurses are Stealing My Clothes: The Very Best of Linda Smith’ including early drafts and correspondence with contributors.

20150112_124214

A clearer view of some of the boxes in the Linda Smith collection: sorted, labelled and donated by her partner Warren Lakin.

 The Mark Thomas Collection

The second prominent collection in the British Stand-Up Comedy Archive is the Mark Thomas Collection.  Mark has donated an extensive assortment of personal material to the archive spanning his career. The collection includes audio-visual material from his stand-up shows through to his TV appearances, personal diaries and notepads, and press cuttings both written by and about Mark. A significant part of Mark’s collection and career centres around his involvement in various activist campaigns. It has been interesting to see how these activities, and his stand-up career provide context and inspiration to each other.

Personal stand-out features of the Mark Thomas collection have to include the detailed notes and plans for campaigns, working with groups such as Action Aid, and tackling problems of the big corporations such as Coca-Cola and events such as the Defendory Arms Fair in countries all over the world including India, China, Mexico, Columbia, El Salvador, Greece and Turkey. There is also a large selection of photographs taken from Mark’s McDemo’s campaigns (McDemo’s was a joint-enterprise project created to enable activists to campaign on behalf of other members of the public- creating posters and chants to demonstrate in central London). In 2009 Mark launched a tour entitled ‘It’s The Stupid Economy’, part of which sought to find the ‘People’s Manifesto’. The Archive holds the original writings of members of his audience suggesting issues they would like to be raised in their manifesto. Each night the audience would decide on the most popular points and Mark went on to publish these in his 2010 book ‘Mark Thomas Presents the People’s Manifesto’.

20150112_124018

A quick snapshot of the Mark Thomas Collection including many boxes of AV material, posters and a bag full of campaign ephemera.

Other collections that have already been collected within the BSUCA include the John Pidgeon Collection and the Tony Allen Collection. More shall be written about the exciting material held in these collections in future blog posts.

The next stage for the BSUCA Beacon project is to consider the arrangement of the current collections and formalise a plan for digitization!

Please do send us your thoughts by email (standup@kent.ac.uk) or tweet us (@unikentstandup)

Our new British Stand-Up Comedy Archive blog

1 Reply

Elspeth Millar, Project Archivist, writes:

Welcome to the blog for the British Stand-Up Comedy Archive and the British Stand-Up Comedy Archive ‘Beacon’ Project, which will be active throughout 2015.

The British Stand-Up Comedy Archive at the University of Kent was established in 2013 to celebrate, preserve, and provide access to the archives and records of British stand-up comedy and stand-up comedians. You can find more information on the archive itself and the Beacon project on the ‘about’ page of this blog, and through our blog postings as the project develops.

The 2015 Beacon Project aspect of the BSUCA will organise the public launch of the archive; catalogue, preserve, digitise, and make accessible the existing collections; publicise the collections and their use; and identify new collections for deposit in the archive. We also have a number of public events planned, including the inaugural Linda Smith lecture, a series of ‘in conversation’ events with Olly Double, and a conference in January 2016.  Further information can be found on the events page of this blog.

In addition to the purposes and aims listed above, within this project we also aim to ask and answer questions and challenges that may arise from an archive of Stand-Up Comedy, such as…

  • What archives do comedians collect and keep? What should we encourage them to keep?
  • Who will use the collections, and how should we encourage and facilitate their use? How will issues of copyright, ownership, and data protection affect this use?
  • How should we store and provide access to the material that we are preserving?
  • What archives/records are within scope?

We hope that the British Stand-Up Comedy Archive and this blog of the project will appeal to stand-up comedians, historians of performance, people who like stand-up comedy, journalists and broadcasters, as well as those interested in the archival and digital preservation issues that we will come across through the project.

Please do send us your thoughts by email (standup@kent.ac.uk) or tweet us (@unikentstandup).