Choral life at the University has resumed in full flow this academic year; as we prepare for our Anniversary Weekend celebrating ten years since the opening of Colyer-Fergusson, two events in the run-up have opened our seasonal programme.
First, the University Cecilian Choir ushered in the Advent season with a sequence of carols, antiphons and moments of stillness by candlelight in St Michael’s, Hernhill, a fifteenth-century church lying at the heart of a Kentish village. Students, staff and alumni came together to sing a meditative sequence, including the great Advent antiphons, to bring music ancient and more recent together in a highly effective performance on a dark winter’s night.

And our upper-voices chamber choir, Minerva Voices, has just performed as part of the final Lunchtime Concert of the term, a sparklingly seasonal concert given by visiting harpist Harriet Adie, for which the choir joined the concert to sing movements from Britten’s Ceremony of Carols. The evergreen ‘Spring Carol,’ the reflective lullaby ‘Balulalow’ and the bravura ‘This Little Babe’ were delivered with real poise around Harriet’s mesmerising reading of the ‘Interlude’ from the sequence.

So, a great start to the seasonal programming, and full steam ahead into the anniversary celebrations this weekend – and then more to come next week… Well, it IS Christmas!

Minerva Voices with harpist Harriet Adie

The interior of the church was bathed in candlelight for this unusual event, which is part of a series run by the church during the dark winter months, as an opportunity to escape from the pressures of the Digital Age and find the chance to enjoy a reflective, meditative space on the last Friday of each month. The Cecilian Choir travelled out to the fifteenth-century church to sing a sequence of carols, each prefaced by one of the great Advent antiphons, creating a contrast between the solemnity of the plainsong and the colours of the carols which followed.
The sequence began with a glass-clear rendition of the opening verse to Once in royal David’s city from second-year soprano, Felicity Bourdillon, which opened the door into the ensuing procession of carols and antiphons, punctuated by periods of stillness illuminated by the dancing candles set around the church.
